Wednesday, 30 September 2020

Blue Bottle Coffee cafe in Yokohama spotlights natural materials

Interior of Blue Bottle Coffee cafe in Minatomirai

Oak chairs sit amongst paper yarn-wrapped columns within this Blue Bottle Coffee cafe in Yokohama, Japan created by Keiji Ashizawa Design and Norm Architects.

The Blue Bottle Coffee cafe occupies a glass-front building in Yokohama's bustling business district, Minatomirai, and looks out across a leafy public park.

This setting became a key point of reference for Tokyo-based studio Keiji Ashizawa Design, which has exclusively decked out the interiors of the cafe with natural materials.

Interior of Blue Bottle Coffee cafe in Minatomirai
Top image: Paper yarn wraps around the cafe's columns. Above: A curved bar is at the centre of the floor plan

"We have aimed to create an atmosphere which welcomes the local community by mainly using wood, inspired by the park located by the Blue Bottle Coffee Minatomirai," said the studio's eponymous founder, Keiji Ashizawa.

"The building acts as the main character of the park and provides a feeling of kindness with the natural materials in the industrial-looking landscape."

Interior of Blue Bottle Coffee cafe in Minatomirai
A local park inspired the natural material palette of the cafe

The open floor plan of the cafe is dominated by a huge half-moon service bar, behind which staff prepare drink orders. Its base is clad with slats of light-hued timber, while its countertop is made from flecked grey stone.

Pale timber has additionally been used for the cafe's flooring and its circular tables. Timber also forms smaller decorative elements like the menu board and a couple of oversized, ring-shaped lights that have been suspended from the ceiling.

Interior of Blue Bottle Coffee cafe in Minatomirai
Norm Architects designed the seating throughout the cafe

A series of white, spherical pendant lamps that hang above the cafe's high counter provide extra light as evening falls.

In keeping with the natural material palette, braided paper yarn has been wound around the lower half of the grey support columns that run along the periphery of the room.

Blue Bottle Coffee cafe in Minatomirai includes chairs designed by Norm Architects
Some of the chairs are upholstered in creamy leather

Keiji Ashizawa Design asked long-term collaborators, Copenhagen-based practice Norm Architects, to devise a range of seating for the project.

The practice designed three chair models made from Japanese oak wood: a traditional cafe-style chair, a tall bar stool and a slightly more formal dining chair that's partially upholstered in creamy leather – its low, curving backrest is meant to draw subtle reference to the cafe's architecture.

Blue Bottle Coffee cafe in Minatomirai includes chairs designed by Norm Architects
The frames of the chairs are made from Japanese oak

All of the pieces were produced by Karimoku Case Study, the sister brand of Japanese manufacturer Karimoku which collaborates with architects across the world to design furnishings.

Norm Architects and Keiji Ashizawa Design had first worked with Karimoku Case Study back in 2019 on the launch of its inaugural Kinuta collection.

Interior of Blue Bottle Coffee cafe in Minatomirai
The facade of the cafe is made from glass

"For us, there couldn't be a better partner to team up with than Karimoku," explained Frederik Werner, partner at Norm Architects.

"They uphold a unique quality and approach to the manufacturing of wooden furniture, maintaining a focus on the craftsmanship combined with the latest robotics, making sure that their philosophy of 'high-tech, high-touch' is truly embedded in each furniture piece leaving the factory."

Exterior of Blue Bottle Coffee cafe in Minatomirai
Customers can spill out onto an outdoor seating area

This is one of several Blue Bottle Coffee cafes in Japan, with others located in Tokyo, Kyoto and Kobe.

The coffee brand was founded by James Freeman in 2002, starting out as a small roastery in Oakland, California before growing into a network of cafes across the US and Asia.

Last year saw Blue Bottle Coffee open its first branch in South Korea, which was designed by Schemata Architects. The cafe is situated in the artsy neighbourhood of Seongsu and features sparse interiors dotted with timber furniture and red-brick display plinths.

Photography is by Tomooki Kengaku.


Project credits:

Design: Keiji Ashizawa & Norm Architects
Construction: #Tank
Furniture: Karimoku Case Study

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With two weeks left to vote, see the interiors projects winning in the Dezeen Awards 2020 public vote

There are now less than two weeks left for you to vote for your favourite Dezeen Awards projects and studios. Here is an update on votes cast so far in each of the 12 interiors categories.

The voting progress for the architecture categories was shared yesterday and we'll be sharing the progress for design and studio categories tomorrow and Thursday.

Closing on 12 October, the public vote allows readers to vote for projects and studios shortlisted in the architecture, interiors and design categories, as well as architects and designers in line for the studio of the year awards. Winners will receive a special certificate.

Voting is open for another two weeks so get started today!

Click here to vote ›

Public vote winners announced in October

Public vote winners will be announced 19-22 October. The public vote is separate from the main Dezeen Awards 2020 judging process, in which entries are assessed by professional judges.

We'll be announcing the Dezeen Awards 2020 winners online at the end of November.

Who's ahead in the voting

With 28,985 votes received so far, here is a snapshot of which projects and studios have received the most support. There's still time to influence the results so keep voting!

Kew Residence by John Wardle Architects, Breezeway House by David Boyle Architect, Art Villa by Formafatal, House in Kyoto by 07Beach, and Bismarck House by Andrew Burges Architects, David Harrison and Karen McCartney

House interior

29% – Kew Residence by John Wardle Architects
22% – Breezeway House by David Boyle Architect
20% – Art villa, Puntarenas by Formafatal
19% – House in Kyoto by 07BEACH
10% – Bismarck House by Andrew Burges Architects

The Gymnasium by Robbert de Goede, Jaffa House 4 by Pitsou Kedem, The Melburnian Apartment by Edition Office, La Nave by Nomos, and Apartment Block by Coffey Architects

Apartment interior

35% – The Gymnasium by Robbert de Goede
29% – Jaffa House 4 by Pitsou Kedem Architects
19% – The Melburnian Apartment  by Edition Office
10% – La Nave by NOMOS
7% – Apartment Block  by Coffey Architects

Tori Tori Santa Fe by Esrawe Studio, Voisin Organique by Various Associates, DooSooGoBang by Limtaehee Design Studio, % Arabica, West Jianguo Road by Blue Architecture Studio, and Embers Restaurant by Curvink Architects

Restaurant interior

35% – Tori Tori Santa Fe by Esrawe Studio
23% – Voisin Organique by Various Associates
15% – DooSooGoBang by Studio Lim
14% – %Arabica Coffee by B.L.U.E. Architecture Studio
13% – Embers Restaurant by Curvink Architects

Dongshang by Imafuku Architects, The Berkeley Bar and Terrace by Bryan O'Sullivan Studio, Mercantile Wine Bar by Islyn Studio, The Flow of Ecstatic by Daosheng Design, and A Secret Bar in a Lively Downtown by Atelier Xy

Bar interior

29% – Dongshang by Imafuku Architects
26% – The Berkeley Bar & Terrace by Bryan O'Sullivan Studio
18% – Mercantile Wine Bar by Islyn Studio
17% – The Flow of Ecstatic by Daosheng Design
10% – A secret bar by Atelier Xy

Casa Palerm by OHLAB, Maana Kamo by Uoya Shigenori, Capsule Hostel and Bookstore by Atelier Tao+C, Escondido Oaxaca Hotel by Decada and Carlos Couturier, and Trunk House by Trunk

Hotel and short-stay interior

34% – Casa Palerm by OHLAB
26% – Maana Kamo by Maana Homes
19% – Capsule hostel in a rural library by Atelier Tao+C
16% – Escondido Oaxaca Hotel by Decada Muebles
5% – Trunk House by Trunk

Les Capucins by Atelier L2, Office In Cardboard by Studio VDGA Weinmanufaktur Clemens Strobl by Destilat Design Studio, The Audo by Norm Architects, and KCC Office by KCC Design

Large workspace interior

38% – Les Capucins by ATELIER L2
25% – Office In Cardboard by Studio_VDGA
16% – Weinmanufaktur Clemens Strobl by Destilat Design Studio
15% – The Audo by Norm Architects
6% – KCC Office by KCC - Design

Grain Loft Studio by Richard Parr Associates, Tiny Offices by Dutch Invertuals, Office for DDB Prague by B² Architecture, CODO by Loftwork and Shuhei Goto Architects, and 12 by Ortraum Architects

Small workspace interior

34% – Grain loft studio by Richard Parr Associates
23% – Tiny Offices by Dutch Invertuals
17% – Office for creative advertising agency DDB Prague  by B² Architecture
13% – CODO  by Loftwork and Shuhei Goto Architects
13% – 12 by ORTRAUM Architects

Grupo Arca Design Center by Esrawe Studio, The Webster by Adjaye Associates, PSLab London by JamesPlumb, Supreme San Francisco by Brinkworth, Reigning Champ by Peter Cardew Architects and Issey Miyake Semba by Noma

Large retail interior

31% – Grupo Arca Design Center by Esrawe Studio
29% – The Webster by Adjaye Associates
18% – PSLab London by PSLab
14% – Supreme San Francisco by Brinkworth
5% – Reigning Champ by Peter Cardew Architects
3% – Issey Miyake Semba by NOMA

Glossier Seattle by Glossier, Sweat-Yourself-Shop by Freitag Lab, Aesop Shinjuku by Case-Real, Small Icon by I IN, and Freitag Store Kyoto by Freitag Lab

Small retail interior

33% –Glossier Seattle by Glossier
31% –
 FREITAG Sweat-Yourself-Shop by FREITAG lab
16% – AESOP Shinjuku by CASE-REAL
13% – small ICON by I IN
7% – FREITAG Store Kyoto by FREITAG lab

En Skincare by Archiee, Vikasa by Enter Projects Asia, EKH Children's Hospital by IF, Bathhouse by Verona Carpenter Architects, and Domstate Zorghotel by Van Eijk & Van der Lubbe

Leisure and wellness interior

36% – En skincare by ARCHIEE
27% – Vikasa by Enter Projects Asia
19% – EKH Children's Hospital by IF
11% – Bathhouse by Verona Carpenter Architects
7% – Domstate Zorghotel by Van Eijk & Van der Lubbe

MuseumLab by Koning Eizenberg Architecture, Church of Pope John Paul II by Robert Gutowski Architects, Coca-Cola Stage at the Alliance Theatre by Trahan Architects, Crematorium Siesegem by Kaan Architecten, and Models in Model by Wutopia Lab

Civic and cultural interior

29% – MuseumLab by Koning Eizenberg Architecture
25% – Church of Pope John Paul II by Robert Gutowski Architects
22% – Coca-Cola Stage at the Alliance Theatre by Trahan Architects
14% – Crematorium Siesegem by KAAN Architecten
10% – Models in Model by Wutopia Lab

Project #13 by Studio Wills + Architects, Writer's Studio by Eric J Smith, Single Person Gallery by Offhand Practice, Basic Coffee by Office AIO, and Smart Zendo by Sim-Plex Design Studio

Small interior

26% – PROJECT #13 by Studio Wills + Architects
23% – Writer's Studio by Eric J. Smith Architect
19% – Single Person Gallery by Offhand Practice
17% – Basic Coffee by Office AIO
15% – Smart Zendo by Sim-Plex Design Studio

Subscribe to the Dezeen Awards newsletter

If you have any questions or you want more information about entering Dezeen Awards 2021, please subscribe to our newsletter or email awards@dezeen.com.

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The Wave art gallery in China is wrapped by aluminium scales

The Wave by Lacime Architects in Tianjin, China

Shanghai-based studio Lacime Architects has completed The Wave gallery on the coast of Tianjin, China, which is clad in thousands of aluminium tiles and resembles a giant surge of water.

The Wave encompasses 3563 square metres and was designed by Lacime Architects for Shimao as a cultural hub within the Binhai New Area district.

Its form was developed as a nod to its setting beside the Bohai Sea, evoking a wave crashing onto the shore, while its scale-like cladding is intended to glisten like ripples of water.

The Wave by Lacime Architects in Tianjin, China
The Wave's setting in Binhai New Area, Tianjin. Top photo: the gallery's exterior

"The whole building resembles the wave to create a dialogue between the building and nature, and the building has become a symbolic existence where the sea and the earth converge," explained the Shanghai-based architecture studio.

"In this space, people, sea, air and the sunshine establish a closer connection."

The Wave by Lacime Architects in Tianjin, China
A gallery's reflection in the surrounding shallow pool

The Wave's distinctive form is created from its Y-shaped second floor, which projects out from a two-storey plinth that is surrounded by a shallow pool of water.

To achieve this while keeping the building column-free, its structure comprises a central concrete core enveloped by a complex network of steel trusses. This was developed by Lacime Architects using parametric design technologies.

The Wave by Lacime Architects in Tianjin, China
Visitors below a second-floor cantilever

The museum's cladding is made up of 13,000 pieces of aluminium tiles and designed to reflect light in different ways throughout the day to evoke ripples of water.

Playful patterns of light are also reflected onto the tiles from the pool of water below, enhancing its wave-like form.

The Wave by Lacime Architects in Tianjin, China
Aluminium tiles wrap the building

Visitors to the museum enter into the building's central concrete core containing a dark entrance lobby lit by an overhead skylight.

Here there are three water-curtain features and stainless steel detailing, which conceal the museum's stairs and elevators and are intended to offer "a quiet visual-tactile experience".

Above, the first floor of the building contains a bathroom and meeting room, while the second floor houses the main gallery spaces, alongside outdoor terraces, a library and bar.

The interior finishes for the upper floor are highly decorative – ranging from ceilings adorned with fabric, highly-polished floors and curvaceous furnishings and bubble-like sculptures that the studio modelled on "water in different states".

Entrance of The Wave by Lacime Architects in Tianjin, China
The dark entrance lobby

The museum's upper floor is also wrapped by large curtain walls that change in size with the undulating form of the building's exterior, spanning up to eight metres in height.

Lacime Architects introduced the curtain wall to maximise natural light and provide visitors with a sea view and connection to the outside, creating a stark contrast to the ground floor lobby.

Interiors of The Wave by Lacime Architects in Tianjin, China
The decorative second-floor bar area

As part of the project, Lacime Architects also created two pavilions and outdoor spaces that surround the museum. This includes seating areas, a children's play zone and an outdoor theatre.

One of the pavilions is positioned in the sea, accessed via a boardwalk, to encourage visitors to sit and listen to the "sounds of nature".

The Wave by Lacime Architects in Tianjin, China
A view of The Wave and the floating pavilion

Lacime Architects was founded in Shanghai in 2001 by architect Zhaoqing Song. It also recently completed the Shimao Longyin Leisure Centre, which is surrounded by reflective pools that reference classical Chinese gardens.

Photography is by CAAI.


Project credits:

Architect: Lacime Architects Beijing
Client: Shimao
Lead architects: Song Zhaofang
Design team: Pan Xiaobo, Wu Shuguang, Ren Yue, Luo Jia, Liu Wenfeng, Feng Bo, Zhu Tianpeng, Wei Mengrou, Yang Dehe and Shen Chenyun
Gallery design: Wu Shuguang, Pan Peicheng, Xu Tao, Zhang Chende, Dong Liangchen and Tu Yuxuan
Construction design: Tianjin Tianyou Architectural Design
Structure design: Yuan Xin Engineering Consultant
Landspace design: Tianjin Donglin Zhujing Landscape Planning and Design
Interior design: Shanghai Biyu Environmental Art Design Office
Curtain wall design: Shanghai Hengli Construction Decoration Engineering
BIM design: Beijing Interconnection Cube Technology Service
Structure construction: Tianyuan Construction Group
Curtain wall construction: Beijing Tiancheng Yingliang Stone

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Studio VDGA lines office in India with curving walls of honeycomb cardboard

Walls of of Office in Cardboard by Studio VDGA in Pune, India

Architecture practice Studio VDGA has renovated an office in Pune, India, with partition walls made from cardboard and MDF.

Located in the Pimpri Chinchwad district, the four-storey office for 100 people has been given a recyclable fit-out.

Walls of Walls of of Office in Cardboard by Studio VDGA in Pune, India
Partition walls are made from cardboard and medium-density fibreboard (MDF)

Called Office in Cardboard, the project has been shortlisted for Dezeen Awards 2020 in the large workspace interior category.

"We devised an innovative concept to replace the solid partition walls with more functional and textured material," said Studio VDGA.

"It also serves as a low-cost material since it does not require polishing or painting as it is kept raw."

Curving walls of Walls of of Office in Cardboard by Studio VDGA in Pune, India
Honeycomb cardboard is light, strong and low cost

Studio VDGA's paper-based design was made for an electric-components manufacturing company that is in the process of moving away from its previous work of making petrol and diesel vehicle components.

The cardboard's recyclable properties are intended to symbolise this shift towards a more environmentally-friendly industry.

Reception desk of Office in Cardboard by Studio VDGA in Pune, India
Cuts in the cardboard create patterns of shadow

Sheets of honeycomb cardboard – a kind of paper packaging with an internal hexagon structure for strength – form divider walls, doors and a backdrop for the reception area.

"Honeycomb board was first introduced in the aeronautical industry in the form of aluminium honeycomb boards," said Studio VDGA.

"In paper form, it is used extensively in Japan since being a lightweight material, it does not cause harm to life in the case of earthquakes," added the studio. "IKEA is using it in abundance to create light modular furniture."

Walls of of Office in Cardboard by Studio VDGA in Pune, India
The cardboard has been left raw rather than painted

In some areas, the cardboard elements wrap around the external walls and connect to form dividers between different zones of the office floors.

Curving elements formed from the cardboard make sections of wall that billow into the room or wrap around supporting columns.

Meeting room of Walls of of Office in Cardboard by Studio VDGA in Pune, India
Curving cardboard elements wrap around columns

Sections of the sheets' exterior have been cut away to reveal the internal honeycomb in order to create an interesting texture.

"What interested us was the cross-section through the board rather than the material itself," said the studio.

"Transverse cuts through the nodes of the hexagon reveals sharper fins, whereas longitudinal cuts through the board reveals uneven wider bands. This combination of sharper fins and wider bands, used in combination with bands of MDF, creates interesting patterns and shadows."

Installation of planters in Walls of of Office in Cardboard by Studio VDGA in Pune, India
Paint tins have been turned into a plant display

Cardboard absorbs sound, so the portion walls double as baffles to keep the background noise of the office low and grant employees more privacy.

Slim horizontal slots form windows to allow light through in some areas. An installation of plants and electrical components displayed in white paint tins left over from the refurbishment hangs from the ceiling.

Decoration in Walls of of Office in Cardboard by Studio VDGA in Pune, India
Tins filled with plants and electronic components hang from the ceiling

Ceilings have been left open, with the air ducts visible, so as to create as much height as possible.

The reception area's floor is tiled with different kinds of dark stone, and black metal railings bracket the stairs, with brass rings designed to look like an abacus.

Staircase of Walls of of Office in Cardboard by Studio VDGA in Pune, India
Railings on the stairs are designed to look like an abacus

Based in Pune, Studio VDGA was founded by husband and wife team Deepak and Varsha Guggar in 2004.

Cardboard was also the material of choice for this school office in Melbourne, a collection of colourful and corrugated furniture, and the entirety of this cafe in Mumbai.

Photography is by Hemant Patil.

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