Sunday 5 January 2020

IBM proposes sustainable successor to lithium-ion battery

IBM sustainable battery

IBM has developed a new type of battery that's free of cobalt, nickel and other heavy metals, avoiding the environmental and humanitarian issues related to lithium-ion technology.

The battery is made from three materials that can be extracted from seawater, a much less invasive sourcing method than mining.

IBM Research, the innovation arm of tech company IBM, says there is no record of these materials, which include lithium iodide and a new and proprietary electrolyte formulation, previously being combined into a battery.

IBM sustainable battery
IBM is developing a more sustainable battery

Importantly, they have also proved that the battery outperforms lithium-ion versions, so it has the potential to improve electric vehicles and energy storage.

When optimised for performance, the battery has a higher power density than lithium-ion, meaning potentially smaller batteries that could be transformative for technology like electric aircraft.

In addition, it takes only five minutes to reach an 80 per cent charge, a length of time similar to filling up a tank of petrol at a service station. It is also low-cost, thanks to the materials sourcing method, and has low flammability, so it is safer to use.

IBM sustainable battery
The new battery would be based on materials extracted from seawater

"This new research could help eliminate the need for heavy metals in battery production and transform the long-term sustainability of many elements of our energy infrastructure," Young-Hye Na, manager of materials innovations for next-generation batteries at IBM Research's lab in Almaden, California, wrote in a blog post.

"In the quickly evolving arena of flying vehicles and electric aircrafts, having access to batteries with very high-power density, which can scale a power load quickly, is critical."

For smart power grids and renewable energy infrastructure, IBM Research says it can design the battery for a long-life cycle, prioritising longevity and stability.

Current lithium-ion batteries rely on two key metals – cobalt and nickel – that have a negative impact on the people who mine them, as well as the environment.

Cobalt is a particular problem. It is almost exclusively mined in the Democratic Republic of Congo, where its toxic dust threatens the health of miners – often child labourers – and local communities.

IBM sustainable battery
The battery doesn't make use of heavy metals

In December, the nonprofit group International Rights Advocates sued Apple, Tesla and other tech companies over the deaths of children working in these mines.

The new battery still uses lithium, but because it is generated from seawater rather than mined, there is little impact on the environment.

IBM Research is on of the world's largest research organisation, with 12 labs across six continents. It regularly works on emergies technologies such as AI, blockchain and quantum computing.

IBM recently worked with Map Project Office and Universal Design to design the Q System One, the world's first commercial quantum computer.

While IBM Research's battery is currently in an early stage of development, the organisation hopes to one day bring the product to market.

It is partnering with Mercedes-Benz Research and Development North America as well as battery companies Central Glass and Sidus to further develop the technology.

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The most promising roles on Dezeen Jobs this week includes vacancies at Takero Shimazaki Architects and Es Devlin Studio

Shakespeare Tower apartment by Takero Shimazaki Architects

To kick off the new year, we've selected the top architecture and design positions on Dezeen Jobs, including opportunities at architecture firm Takero Shimazaki Architects and set designer Es Devlin's eponymous studio.


Top architecture and design jobs: Part 2 architectural assistant/Part 3 architect at Takero Shimazaki Architects in London, UK

Part 2 architectural assistant/Part 3 architect at Takero Shimazaki Architects

Takero Shimazaki Architects has an opening for an experienced Part 2 architectural assistant/Part 3 architect to join its team in London. The practice overhauled the interiors of a Barbican apartment in London, taking visual cues from the client's connection to Japan.

Browse more Part 3 roles ›


Top architecture and design jobs: Design assistant at Es Devlin in London, UK

Assistant designer at Es Devlin

Set designer Es Devlin has created a three-dimensional topographical model that depicts crucial moments in history, for Pitzhanger Manor & Gallery in London's Ealing. Es Devlin Studio is hiring an assistant designer/archivist to assist the associate designers on research, presentations, visualisations, and drawing in London.

View all design jobs ›


Top architecture and design jobs: Deputy editor at Dezeen in London, UK

Deputy editor at Dezeen

Dezeen is seeking an experienced deputy editor to join its award-winning editorial team in London. The Dezeen office was designed by architect Pernilla Ohrstedt, intended to create a light-filled collaborative working environment in east London's Hoxton.

See more positions in London ›


Top architecture and design jobs: Part 2 architectural assistant at Studio RHE in London, UK

Part 2 architectural assistant at Studio RHE

Studio RHE has renovated a London office building, creating a 10-storey engineered timber atrium at its centre. The studio is looking for a Part 2 architectural assistant with technical experience to join its practice in Old Street, London.

Browse all Part 2 architectural assistant jobs ›


Top architecture and design jobs: Senior architect at UNStudio in Shanghai, China

Senior architect at UNStudio

UNStudio has an opportunity for a senior architect with a minimum of ten years' experience to join its team in Shanghai, China. The firm has created a flagship store for a fashion brand on Amsterdam's PC Hooftstraat, which features a facade designed to mimic fabric with glass.

View all architect opportunities ›

See all the latest architecture and design roles on Dezeen Jobs ›

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Echo House by Aaron Neubert Architects steps down slope in Los Angeles

Echo House by Aaron Neubert Architects

Sliding glass walls front the living area of this Los Angeles house by US firm Aaron Neubert Architects and open onto a terrace designed to make the most of the surrounding views.

Echo House by Aaron Neubert Architects

Echo House is located in Elysian Fields, a neighbourhood north of Downtown Los Angeles built on hilly terrain.

Working with a tight site, Aaron Neubert Architects (ANX) designed the home to stagger down the plot in three levels. This main structure sits atop a technical floor containing the garage and mechanical room.

Echo House by Aaron Neubert Architects

In addition to the four-level home at the front of the site, there is also an artist's studio tucked away in the back yard. A nearby public garden allowed the firm to create the impression of a larger site.

"The residence and detached artist studio are positioned to perceptually inhabit the adjacent community garden, and present views of the downtown skyline and surrounding hills," said ANX in a project description.

Echo House by Aaron Neubert Architects

At street level, the compact floor plan only contains a garage and technical spaces. A hallway leads to a staircase that connects the garage to the home's main entrance, which is also accessible via an exterior stair.

Whether they arrive from the garage or exterior walkway, guests enter the home into a dramatic, double-height living room, with a terrace overlooking the city and views of the surrounding hills.

A switchback stair connects the entertaining space with the kitchen and dining area at the back of the property. Here, the interiors open out to the backyard, allowing them to "physically expand," according to ANX.

Because the highest floor of the home steps back, there is a covered area just outside the dining room.

Echo House by Aaron Neubert Architects

According to the local firm, the exterior space at the back of the house forms an "introspective landscape" for the owners to enjoy, and is framed by the home itself and the artist studio.

On the top level, the architects included three bedrooms, two of which share an additional terrace overlooking the city.

Echo House by Aaron Neubert Architects
Photograph by Alex Zarour

The 400-square-foot (37-square-metre) studio has a white exterior and dark slatted louvers, matching the main home. A floor-to-ceiling glass wall allows the occupants to overlook the property and garden from within.

ANX sought to bring in as much natural light as possible. "Strategically placed apertures around the residence and studio encourage the spatial reverberation and dialogue between the activities of the home," the firm said.

Echo House by Aaron Neubert Architects
Photograph by Alex Zarour

The interiors are decorated with a bright and minimal palette, with warmer accents such as wooden floorboards laid out in a herringbone pattern, and suspended geometric luminaires.

In the nearby neighbourhood of Silver Lake, ANX completed an all-black residence that steps down a steep site in a similar way. Other recent Los Angeles projects include a home straddling a small brook by Dan Brunn, and a refurbished artist's studio for Kim Schoen, that brings in light via a pivoting door made of translucent polycarbonate plastic.

Photography is by Brian Thomas Jones, unless indicated otherwise.


Project credits:
Principal architect: Aaron Neubert
Project architect: Jeremy Limsenben
Designers: Xiran Zhang, Jina Seo, Sheldon Preston
Interior design: Sidonie Loiseleux
Structural engineer: Craig Phillips Engineering
Contractor: Westward

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Sammode reissues classic lighting designs by Pierre Guariche

Sammode reissues classic lighting designs by Pierre Guariche

French lighting manufacturer Sammode has relaunched a collection designed in the 1950s by Pierre Guariche, including a standing lamp with a perforated "sail-like" diffuser.

The selection of desk lamps, floor lamps, wall lamps and pendants reissued in 2019 by Sammode are typical of Guariche's innovative approach to mass-produced furniture and lighting.

Sammode reissues classic lighting designs by Pierre Guariche
Among the relaunched designs is the G30 standing lamp (pictured above and top)

A pioneering force in French industrial design during the postwar period, Guariche set up his own design agency in 1951 to create furniture and lighting that utilised the latest manufacturing processes to make them as affordable as possible.

Nearly 70 years later, Sammode has chosen to return some of Guariche's most iconic lighting designs into production using contemporary components and technologies.

Sammode reissues classic lighting designs by Pierre Guariche
The G3 wall lamp has a perforated metal grille that creates a soft, diffused light

Each of the products displays an intelligent use of materials to produce an appropriate and comfortable level of light.

The lamps are also defined by their use of rational forms and clever mechanical details such as adjustable balance arms, cantilevers and counterweights.

Sammode reissues classic lighting designs by Pierre Guariche
A glass Fresnel lens casts a diffused light down onto the space below G13 ceiling lamps

"Pierre Guariche designed the full range of luminaires to cover all the needs identified for a given space," said Sammode Studio in a statement accompanying the products' rerelease.

"His luminaires are hugely comfortable and convenient in use, with no visible light source and an appropriate quality of light, whether intended for general lighting or traffic areas, to create an atmosphere or for a specific use, soft, powerful or even diffused by reflection."

Sammode reissues classic lighting designs by Pierre Guariche
The adjustable brass arms of the G25 wall lamp make it suited to use in a range of contexts

The lamps are made mostly from metal, which is bent, formed and folded into sculptural forms. The light is reflected by the metal surfaces or dispersed through perforated surfaces to lend it a softer, more ambient quality.

Among the relaunched designs is the G30 standing lamp, also known as the Kite. It features a white-lacquered perforated steel shade resembling the sail of a boat that is supported by mast-like brushed-brass poles.

Sammode reissues classic lighting designs by Pierre Guariche
A sculptural metal reflector at the end of the arm casts a diffused light into the room

The G3 wall lamp has a perforated metal grille that creates a soft, diffused light. The metal surface is folded into an angular shape and can be tilted to direct the illumination as required.

Perforated metal also forms the exterior surface of the circular G13 ceiling lamps, which feature a glass Fresnel lens to cast a diffused light down onto the space below.

Guariche designed the G25 wall lamp to be used above a dining table, but its adjustable brass arm makes it suited to use in a range of contexts. A sculptural metal reflector at the end of the arm casts a diffused light into the room.

Sammode reissues classic lighting designs by Pierre Guariche
The G61 table lamp is also included in the reissues

Guariche was prolific in the field of lighting design during the 1950s, creating more than 40 pieces for French manufacturer Disderot. He was also an architect and interior designer, and in 1965 was awarded the René-Gabriel Prize that recognises "designers of innovative, democratic and affordable furniture of high quality."

Other examples of classic designs relaunched in 2019 include a counterbalanced table clock designed by Richard Sapper in 1960 and a chair by Verner Panton that featured in a James Bond film.

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Eroded Replicas of Iconic Sculptures Reveal Crystal Formations in New Sculptures by Daniel Arsham

“Blue Calcite Eroded Moses” (2019), blue calcite and hydrostone, 102 3/8 x 46 7/8 x 49 3/16 inches. All images © Daniel Arsham and Perrotin, shared with permission

Artist Daniel Arsham (previously) re-envisions some of the most well-recognized sculptures of classical antiquity in Paris, 3020, his recent series of replications marred with lightly pigmented crystals. Both “Vénus de Milo” and Michelangelo’s “Moses” find their heads, arms, and torsos eroded in patches by blue calcite.

The New York-based artist spent a year inside the Réunion des Musées Nationaux – Grand Palais, a 200-year-old French studio known for reproducing iconic European works, where he gathered molds and scans of busts, sculptures, and friezes from the collections of the Musée du Louvre in Paris, Acropolis Museum in Athens, the Kunsthistorisches Museum in Vienna, and the San Pietro in Vincoli. Arsham cast each recreated work in hydrostone—similar to wax casting—in order to produce the nearly exact replicas. The artist then chiseled the pieces, adding in his signature crystallization with volcanic ash, blue calcite, selenite, quartz, and rose quartz.

Paris, 3020 portrays Arsham’s exploration of the relationship between time and historically significant artifacts. “Making use of classical and ancient objects, this new body of work experiments with the timelessness of certain symbols,” said a release from Perrotin, where the exhibition will be on view from January 11 to March 21, 2020. Each sculpture is surrounded by series of graphite drawings depicting Ashram’s process in order order to “compress time, at once referencing the past, informing the present, and reaching towards a crystallized future.” Find more of Arsham’s time-warping projects on Instagram.

“Blue Calcite Eroded Venus of Milo” (2019), blue calcite and hydrostone, 85 1/16 x 23 5/8 x 25 9/16 inches, about 330 pounds

“Blue Calcite Eroded Venus of Milo” (2019), blue calcite and hydrostone, 85 1/16 x 23 5/8 x 25 9/16 inches, about 330 pounds

Daniel Arsham with “Blue Calcite Eroded Venus of Milo” (2019), blue calcite and hydrostone, 85 1/16 x 23 5/8 x 25 9/16 inches, about 330 pounds



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