Friday 6 March 2020

KPF redevelops Brooklyn housing devastated by hurricane Sandy

NYCHA Red Hook Sandy Resiliency + Heart Program by KPF

Architecture firm Kohn Pedersen Fox has designed the redevelopment of a public housing complex in Brooklyn that was ravaged by hurricane Sandy eight years ago.

Called the Red Hook Sandy Resiliency + Heart Program, the project involves the renovation of housing developments built on reclaimed land near the water in Red Hook, a neighbourhood in Brooklyn.

Thousands of its residents were left without power and access to supplies for over two weeks following the 2012 Superstorm Sandy.

KPF has designed the redevelopment of public housing in Red Hook that was left devastated by Superstorm Sandy

KPF's scheme involves a resiliency and renewal programme designed to lessen the community's vulnerability to natural disasters. It is also intended to improve the sustainability and livability of the New York City Housing Authority Red Hook Houses' 28 buildings, housing over 6,000 people.

"Any sites that are potentially threatened sites and that are close to, or built on reclaimed land, have a threat of flooding," design principal Hana Kassem told Dezeen. "I don't think that we can propose anything in a blindsided way anymore."

Designs include an unobtrusive "lily pad" concept whereby a series of raised flood barriers, disguised as internal courtyards double up as social spaces.

Though their function is primarily utilitarian, the lily pads were designed to add value to the community.

NYCHA Red Hook Sandy Resiliency + Heart Program by KPF
It includes a freestanding plant that functions as both an above-ground boiler and community mural

"Our aim was to create something that did not feel like a reminder of the threat of flood, because that's a hugely stressful reminder on a day-to-day basis," Kassem said.

"By designing it so that it was very porous, very accessible, very much part of everybody's day-to-day life, there's all these added benefits that make it so that it's actually an enjoyable place to be."

Other inventions are 14 utility pods whose colours will vary from east to west to help form a sense of identity. "They create differentiation within this whole campus, which now doesn't exist," Kassem said.

Once complete in 2023, the renewed Red Hook development will also feature two freestanding buildings at either ends of the housing complex. These will host above-ground boilers but also amenities planned for the community.

The West Plant will have a planted roof and space for a mural, while the East Plant will feature glass walls where the equipment will be put on display.

Kassem added that the idea for the West Plant "was to try to create a wall that could be generated through community workshops and perhaps even some artists from the community could work and train youth or people that are interested in how to make these murals".

Other details include the "lily pad" concept whereby a series of raised flood barriers are disguised as internal courtyards

The Federal Emergency Management Agency (FEMA) has provided a $3 million (£2.35 million) grant for the project, but will only fund Sandy-provoked repairs and preventative measures, and so for Kassem, "it was about trying to get every dollar to do double duty".

Superstorm Sandy is among a number of devastating and unpredictable weather events in the US, including other hurricanes in Florida and Texas, in recent years.

In the aftermath, a number of US cities are exploring ways moves to bolster their coastlines. Last year, New York City revealed a proposal to redesign the "vulnerable" shoreline of Lower Manhattan, in order to make it more resilient to rising sea levels.

Boston and Miami are taking steps to address flooding, while San Francisco and the Bay Area unveiled a design competition asking for ways to protect coastal areas from rising sea levels, as well as earthquakes.

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Provencher Roy spirals ramp underneath Quebec parliament building

National Assembly of Quebec by Provencher Roy

Provencher Roy and GLCRM Architectes have added a subterranean pavilion to the parliamentary home of the Canadian province Quebec.

Local practice GLCRM Architectes and Montreal studio Provencher Roy created the addition to form a new entrance underneath the National Assembly of Quebec. It marks the first time the government building has been changed in over 100 years.

National Assembly of Quebec by Provencher Roy
Photograph by Stéphane Groleau

The project was designed to facilitate public access to the historic 1886 structure and update its infrastructure.

A circular, white-painted spiral ramp forms the main circulation and structure for the underground addition.

National Assembly of Quebec by Provencher Roy
Photograph by Stéphane Groleau

"We opted for a sensitive and completely integrated intervention, by sliding the entire pavilion beneath the existing landscape and using the monumental staircase to establish a new entrance, to the pavilion itself and to the parliament's spaces," said Provencher Roy co-founder Claude Provencher.

The pavilion nestles into the existing construction and is almost completely invisible from the front of the existing building, which was completed in the Second Empire style.

National Assembly of Quebec by Provencher Roy

Glass walls are built into an original outdoor staircase to offer glimpses of the contemporary space below.

"All masonry elements of the staircase were dismantled piece by piece, stored and later reassembled identically, and the National Assembly's frontage was excavated down to the building's foundations in order to install the new programmes – a bold intervention made possible by the Assembly's solid construction on bedrock," Provencher added.

National Assembly of Quebec by Provencher Roy

Visitors can access the subterranean area via a sloped path that leads down from the National Assembly's garden. The underground hall connects with the twisted, 300-metre-long ramp inside.

Called the agora, the ramp culminates in a circular area three levels below, referred to as the oculus.

Designed as a place for gathering and reflection, this space features a skylight with a mirrored stainless steel drum that frames the central tower of the National Assembly. This lightwell is also visible from the plaza above.

National Assembly of Quebec by Provencher Roy

Several new rooms are organised around the ramp, such as a reception, security and check-in.

New commission rooms for parliamentary debates feature wood-clad walls and windows that allow visitors to look into the rooms when in session.

National Assembly of Quebec by Provencher Roy
Photograph by Stéphane Groleau

Pops of bright red and blue are included to reference the building's historic blue and red parliamentary halls upstairs – le Salon Bleu and le Salon Rouge.

Other details include wavy, white cladding that Canadian artist Jonathan Villeneuve created to cover a hallway. The walkway links to an elevator that provides access to the upper levels of the parliament building.

National Assembly of Quebec by Provencher Roy

Overall, the National Assembly project measures 5,100 square metres and is complete with a shop, teaching rooms and a new staircase with a lightwell that is built within the historic structure.

Other public buildings in Quebec are OMA's extension to the Musée National des Beaux-Arts and FABG's renovation of Musée d'art de Joliette.

National Assembly of Quebec by Provencher Roy

A number of government buildings in Ottawa, the capital city of Canada, have recently been upgraded.

Examples include a new public entrance to Parliament Hill, the home of Canada's parliament, and a temporary home for the upper house of parliament.

National Assembly of Quebec by Provencher Roy
Photograph by Stéphane Groleau

Provencher Roy has a multidisciplinary team of over 300 employees with offices in Montreal, Ottawa and Gatineau, Canada. It was founded in 1983 by Claude Provencher and Michel Roy.

Among its other projects are Montreal's Olympic Stadium, whose renovation was announced in 2018 and recently completed, and a tower and promenade at the Port of Montreal's Grand Quay.

Photography is by Olivier Blouin unless stated otherwise.


Project credits:

Architects: Provencher Roy, GLCRM Architectes
Contractor: Pomerleau
Electromechanics: CIMA+
Structure: WSP Canada Inc
Security: CSP Consultants en Sécurité inc
Civil Engineering: WSP Canada

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Comical Portraits by Elke Vogelsang Reveal Dogs’ Fleeting Emotions

“Toffee When Still.” All images © Elke Vogelsang, shared with permission

Typically known for their care-free attitudes, the dogs in Elke Vogelsang’s portraits are experiencing some of their more intense moments of canine anticipation, like waiting for a taste of bacon cream or finding the right time to snatch a squeaky toy. The Hildesheim, Germany-based photographer captures the canine’s fleeting expressions, shown through tilting heads, open-mouthed smiles, and wide-eyed stares. Each piece is matched with an equally playful title, like “The Dog Side of the Force” and “Bessy Muppetational.”

Vogelsang began photographing her three rescue dogs during a period of family hardship that started in 2009—she was charged with caring for her mother-in-law, who was suffering from dementia, shortly before her husband was in a coma due to a ruptured aneurysm. “I decided to start the project, despite my husband being in the hospital, or rather because of it, as I wanted to try to keep up a bit of normality and have something like a visual diary for my husband of that time,” she tells Colossal.

Now, the photographer’s work has expanded beyond the absurd images of her furry family members, and she tries to “get to know as many dogs as possible. Each and every one of them will have their own personality.” She’s traveled to Morocco and Spain to capture the lives of those living in shelters and on the streets, which has posed unique challenges. She “had to document whatever I was presented with. I couldn’t throw treats or get out a squeaker. Here I have to learn to wait for the decisive moment…These dogs had lived on the streets and didn’t know any basic commands. Those can be very difficult to photograph. ”

In order to get such revealing shots, Vogelsang isn’t afraid to appeal to their canine desires. “With every dog I learn a new trick. The energetic terrier might need action to really enjoy the session, while the sensitive sighthound might prefer a very calm environment and some super treats,” she writes. “The key is patience, trust, repetition and lots and lots of bribery.”

To see more of Vogelsang’s posing pups, head to her Instagram.

“Scout Hedge Troll”

“The Dog Side of the Force”

“Bessy Muppetational”

“Frida Framed Frida”

“Scout Sunday Mood”

“Django that Wonky Horizon”

“Scout Harbor Reflections”

 

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School of Architecture at Taliesin board reverses decision to close Frank Lloyd Wright's school

The board of directors of the School of Architecture at Taliesin, which was established by Frank Lloyd Wright in 1932, has voted to reverse its decision to close after a public outcry allowed it to secure additional funding.

The School of Architecture at Taliesin board voted to keep the school open as its financial situation and long-term viability improved following its decision to close.

The announcement comes just over a month after the school made the "gut-wrenching decision" to close as it could not come to a financial agreement with the Frank Lloyd Wright Foundation.

"The Board confirmed that its financial situation is such that it has long-term viability, especially in light of new support that has come forward since January of this year," said a statement released by public relations company Kirkland & Ellis.

School could remain open

However, the vote by the school board does not necessarily secure the school's future as the Frank Lloyd Wright Foundation, which owns the buildings the school is housed within, has to approve the decision.

"The school board is now calling on the foundation to allow the school to extend its existing agreement so it can remain open, but the foundation is being resistant and still retains the power to force the school to close unless a deal is reached," continued the statement.

The School of Architecture at Taliesin made its initial decision to close at the end of the current semester after failing to arrange a financial plan with the foundation.

At the time it announced that both its campuses in Scottsdale, Arizona and Spring Green, Wisconsin would be closed as it "was not able to reach an agreement with the Frank Lloyd Wright Foundation to keep the school open".

School secured additional funding

The decision to close the school led to widespread anger from architects and critics including Blair Kamin, who described it as an "End of an era" on Twitter.

"It's a tragedy" said architect Ben Aranda. "The foundation has removed the soul of Taliesin for selfish interests. They don't see the school (as an accredited MArch programme) as part of their mission of preserving Taliesin."

The reaction to the closure may have helped the school secure additional funding that has allowed it to remain open.

Aaron Betsky, president of the School of Architecture at Taliesin, told USA Today that the school had secured other funding, although he did not say from where or how much.

Architecture school separated from foundation in 2017

The school was established in 1932 by Wright, who is America's most influential 20th-century architect. It was funded by the Frank Lloyd Wright Foundation until 2017 when it split from the parent organisation and was renamed the School of Architecture at Taliesin.

The separation happened after the school was threatened with losing its accreditation to award architecture degrees as it was not an independent organisation.

"Accredited institutions must be separately incorporated from sponsoring organisations," John Hausman, a spokesman for the Higher Learning Commission, which overseeing the accreditation of universities and colleges, told USA Today at the time.

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Quentin Blake’s new exhibition of 100 portraits shows the vibrancy of the octogenarian’s imagination

The much-treasured illustrator shows a different side to his practice in a huge series of black and white drawings created from memory throughout 2019.



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