Thursday, 16 April 2020

Timothee Mercier transforms rural French farm building into home for his parents

MA House by Timothee Mercier from Studio XM

Architect Timothee Mercier of Studio XM has converted a ruined farm building in France into  an "intimate refuge" for his parents.

MA House is located in Vaucluse, a picturesque part of southeast France that boasts vineyards, lavender fields and quaint villages.

MA House by Timothee Mercier from Studio XM

It takes over an old farmhouse on a plot of land that architect Timothee Mercier's parents purchased back in 2001.

Mercier's parents initially failed to obtain planning permission to turn the dilapidated structure into a home, so decided to build a property on a neighbouring forested hillside.

The farm building sat deserted for a further 15 years before the local council agreed that a residential conversion could take place. The parents turned to Mercier to carry out the works.

MA House by Timothee Mercier from Studio XM

"More than a simple reconstruction, this house was imagined as a renewal," explained Mercier, who leads his own architecture practice, Studio XM.

"Respectful of the aesthetic constraints and wishes of the clients the house was designed to be an intimate refuge buried in the hills – one that would respect the site and the architectural history of the region."

MA House by Timothee Mercier from Studio XM

MA House sits over the footprint of the farm building and has largely been kept to the same proportions. Stones from the original structure have been used to form the home's facade.

A mixture of green and red tiles, some of which are over 30 years old, have been applied across the roof.

Inside, there is an expansive open-plan living space that Mercier has deliberately finished in a pared-back aesthetic.

MA House by Timothee Mercier from Studio XM

"I decided early-on to infuse the house with the monastic qualities of its surroundings," Mercier told Dezeen. "It had to be a spectacle, but a discrete one."

"The project tried to stay clear of fuss and clutter – flexible and open to people's interpretation of intimacy," he continued.

MA House by Timothee Mercier from Studio XM

On one side of the living space is a dining room that's centred by a chunky timber table. The other side accommodates the kitchen, which has been finished with low-lying oakwood cabinetry.

The countertop has been crafted from grey-blue limestone and plain white pendant lamps dangle from the ceiling.

A splash of colour is provided by a couple of bright-orange Tembo stools from Note Design Studio.

MA House by Timothee Mercier from Studio XM

At the centre of the living space is a lounge. Across the floor there's rug from French brand Codimat, woven to feature concentric rust-coloured circles.

Perched on top are a pair of cane armchairs and a wooden coffee table that was found in a Parisian flea market.

A blocky stone plinth has also been inset with white cushions to form a sofa. The plinth then dog-legs around a wall to form the first tread of the home's staircase.

MA House by Timothee Mercier from Studio XM

The light-hued material palette of the ground floor continues upstairs. Mercier used oak wood and raffia – a type of palm tree – to create a headboard for the master bedroom.

Oak has then been used to make the room's desk, which sits directly behind a large picture window. It's accompanied by a curved, aubergine-coloured chair from Cassina.

MA House by Timothee Mercier from Studio XM

One room also has a floor-to-ceiling oak storage unit, placed beside a white daybed.

In the bathroom, the custom-made tub is crafted from Hinoki cypress – a type of wood that's native to Japan. A tall pane of glass has also been erected to separate the shower from the rest of the space.

Sections of the home's stone exterior have been left exposed inside the home to form textured surfaces that have then been white-washed with chaux – a local lime plaster.

MA House by Timothee Mercier from Studio XM

Timothee Mercier isn't the only architect that has designed a house for his mum and dad. Back in 2017, Michael Viviano created a contemporary gabled house in Houston, Texas for his parents.

The house is filled with furniture pieces that Vivivano's mother, an antique collector, sourced herself.

French-Swiss architect Le Corbusier also built the revered lakeside home, Villa Le Lac, for his parents.

Photography is by Simone Bossi.

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Dezeen Awards 2020 is accepting entries for architectural lighting designs and exhibition designs

Dezeen Awards 2020

Dezeen Awards has introduced two new design categories for 2020, including one that will honour the best architectural lighting design project of the year.

This year's awards programme, which is open for entries until 2 June, features 36 categories spanning architecture, interiors and design with eight new categories across all sectors.

Newly introduced design categories include architectural lighting design and exhibition design.

Judging criteria calls on judges to score projects according to how beautiful, innovative and beneficial they are for both people and the environment.

A panel of 75 stellar judges that includes will choose the winners of Dezeen Awards 2020. Daan Roosegaarde, Natsai Audrey Chieza, Paola Antonelli and Michael Anastassiades will be judging the design project categories this year.

Architectural lighting design

Any architectural lighting project, designed specifically for a building or structure including retail, business and educational spaces.

Exhibition design

Any design project for an interior or exterior space including but not limited to art, design and science exhibitions within galleries, museums or public spaces. These can be temporary or permanent.

Studio categories

Designers can also enter either the design studio of the year, or the emerging design studio of the year categories. You can see all of the studios that made the shortlist last year here.

Many categories remain unchanged from last year, including furniture, lighting, workplace, wearable and product.

See all our architecture, interiors and design categories here and start work on your entry by creating an account or signing in.

The final deadline is 2 June 2020. If you have any questions, please contact awards@dezeen.com

Good luck!

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Wednesday, 15 April 2020

Nike designs Air Max 2090 to be "shoe of the future"

Nike Air Max 2090 interview

Sports brand Nike has created the Air Max 2090 to demonstrate what it sees as being the future of trainer design.

Air Max senior creative director Dylan Raaschfor said the product shows the way footwear has evolved in the past 30 years.

"The brief around the Air Max 2090 started as an exploration to see what the future might hold from a holistic footwear design perspective," he told Dezeen.

Nike Air Max 2090 interview

"The team came together and envisioned a future world using the learnings we have gained from the Air Max 90 up to today," said Raaschfor. "When everything was laid out we could clearly see a pattern of evolution that helped us identify the areas we could build on, as well as refine."

Released 30 years after the Air Max 90 was first launched in 1990, the Air Max 2090 is a simplified and refined version of the previous trainer. According to its designer, it demonstrates how sneaker design is evolving at Nike.

"What makes the Air Max 2090 the shoe of the future is that it is an example of how we see the future evolving," explained Raaschfor. "The iconic identifiers of what makes something unique becomes more refined and simplified over time allowing these elements to be celebrated."

Nike Air Max 2090 interview

The Air Max 2090 retains the mudguard, cassette and heel logo from the Air Max 90, but aims to the rest of the trainer to make it much more lightweight.

"The iconic mudguard, the horizontal fins on the moulded parts, and the framed window of the air unit where all elements that defined the 90 for us so we pulled up on those while leaving everything else in the background," explained Raaschfor.

"The Air Max 90 was the starting point for the 2090, which was inspired by Italian sports cars at the time, but because of the limited materials and manufacturing methods the shoe was built like a tank; which was perfect for the drum and bass and rave scenes that were happening at the time," he continued.

"We pulled up on that initial inspiration and really went back to the idea of speed, and light weight structure while still making sure the shoe was durable."

Nike Air Max 2090 interview

Nike has designed the Air Max 2090 to be as comfortable as possible, with the air of creating the substation of walking on air.

"The last important element of the future state of comfort," said Raaschfor. "Comfort continues to evolve and technology has progressively allowed for extended wear with reduced fatigue.

"The Air Max 2090 has 200 per cent more air than the Air Max 90, which helps us get ever closer to our ultimate goal of creating the sensation of walking on air," he continued.

Nike Air Max 2090 interview

The shoe was released in a colour way that highlights each of trainer's elements different functions and nods towards the future of car design.

In the design the most supportive materials are opaque, while the lights materials are see-through. The front and rear of the trainer are designed to invoke headlights and taillights on electric cars.

According to Raaschfor, the Air Max 2090 demonstrates how much trainer technology has advanced since the Air Max 90 was released.

"Over the past 30 years technology has improved tremendously and it's almost fully aligned to what our ultimate vision of what the future of trainers can be," he said.

Nike Air Max 2090 interview

"I think it would be safe to say comfort if the most significant area where trainers have evolved" Raaschfor continued. "For Air Max, the cushioning system was very rudimentary in its initial stages, it was two plastic films melted together and filled with air."

"Over the years manufacturing has improved and we have been able to build the bag to its optimal proportions, use materials that allow for the perfect flex and support, all while moving into a more sustainable direction of manufacturing."

"It's a slow process but I think we will reach a point in the very near future where trainers will become something that forces people to change the way they think about sneakers."

Nike Air Max 2090 interview

Nike believes that as sportswear technology is rapidly evolving trainers in 30 years time will be dramatically different from today's shoes.

"Footwear innovation continues to evolve faster and faster and I think it will become more akin to a form of transportation than a mere foot covering," explained Raaschfor

"If we look at the automotive industry we can see huge technological leaps occurring which forces one rethink what a car really is. In the same way, we think trainers will quickly evolve into something more beneficial and purposeful and make us questions what a trainer really is."

Nike Air Max 2090 interview

"As culture shifts, so will aesthetics, so it's hard to predict what the style will be in 30 years' time, but it's safe to say that if you can imagine it, we are working on it," continued Raaschfor.

Nike's legendary shoe designer Tinker Hatfield came up with the idea to expose air pockets in the sole of the Air Max 1 running shoe in the 1980s, marking the start of the Air Max product line.

The innovative line has since developed with designs that include two air cushions, and then the full-length air bag first released in 1997.

More recent adaptations have included the Air Max 720, which was released in 2018 and featured the tallest airbag cushion.

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Läufer & Keichel design table with ribbon-like legs for Zeitraum

Läufer & Keichel design table with ribbon-like legs for Zeitraum

Dezeen promotion: Berlin-based studio Läufer & Keichel has created a solid wood table for furniture manufacturer Zeitraum that features undulating legs designed to look like curtain drapes.

Designed to seemingly "defy gravity", the Curtain table features two thin legs with soft curves that have been crafted from solid wood, which support a large solid wood table top.

The two legs are made up of single solid blocks of wood that have been carved to create an undulating effect, similar to the ribbon-like form of curtains.

Läufer & Keichel design table with ribbon-like legs for Zeitraum

Designers Julia Läufer and Marcus Keichel created the legs using the latest computer numerical control (CNC) technology, which uses a machine to process a piece of material according to specifications pre-set via a digital coded program.

Following the CNC cutting, the wavy forms are then sanded by hand and oiled to emphasise their "flowing movement".

Läufer & Keichel design table with ribbon-like legs for Zeitraum

"The Curtain table resembles a fleeting snapshot of a moment in time: static in contrast to an organically flowing movement," said Läufer and Keichel.

"Just like a sculpture, Curtain toys with our perception – the symbolism of the wave increases all the more as the material qualities of the solid wood fade into the background," they continued.

"This harmonic symbiosis of form and material comes as a surprise, but also allows us to see the entire table as a self-restrained composition – rhythmically, the 'curtains' create an atmosphere of floating serenity and inner calm," the duo added.

Läufer & Keichel design table with ribbon-like legs for Zeitraum

Manufactured by German wood-furniture brand Zeitraum, the Curtain table is available with a rectangular table top or a semicircular table top.

It can be made in either ash, walnut or oak wood up to four metres long while still boasting a continuous wood grain.

Läufer & Keichel design table with ribbon-like legs for Zeitraum

Refraining from the use of any chemically treated wood, Zeitraum's furniture pieces are each protected with a coat of natural oil, which is applied to smoothly sanded surfaces to create a "silken" effect.

The applied oil penetrates the wood to a minimum depth of two millimetres, naturally preserving the surfaces and allowing the wood to breathe, absorb and release humidity, which cannot be achieved by polished and sealed surfaces.

More information on the Curtain table can be found on the Zeitraum website.

Photography is by Nava Rapacchietta.

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PechaKucha x Virtual Design Festival: live talks from around the world

In collaboration with PechaKucha, Virtual Design Festival is broadcasting a live programme of talks from 3:00am UK time featuring speakers in Wuhan, San Francisco, New York, Chicago, Orlando and Tokyo.

The live stream will feature contributions from a host of speakers including designer Yves Behar, former Autodesk CEO Carl Bass, and Mark Dytham, co-founder of PechaKucha and Tokyo firm Klein Dytham Architecture.

Also appearing are visual artist Shantell Martin, branding expert Matt Beispiel, environmental researcher Azby Brown, life and performance coach Eddie Selover, architect Peter Exley, and former PechaKucha intern Danna Wang, who is currently in Wuhan, China, having been quarantined in the coronavirus-stricken city after visiting family for Chinese New Year.

Deriving its name from the Japanese term for 'chit chat', PechaKucha is a presentation format devised and popularised by Dytham and Klein, and consists of a series of presentations where each participant shows 20 images and is given 20 seconds to speak about each.

The concept was originally created to prevent guest speakers from speaking for too long at architecture events.

The broadcast is part of PechaKucha's Inspire The World series of webcasts, which will gather speakers from around the world to deliver presentations demonstrating creativity and ingenuity during the coronavirus pandemic.

PechaKucha's creators Astrid Klein and Mark Dytham will also be appearing in a live interview with Dezeen's founder and editor-in-chief Marcus Fairs at 2:00pm UK time as part of our new Screentime series, in which we stream live and as-live video discussions with designers, architects and creatives around the world as part of Virtual Design Festival.

Virtual Design Festival is the world's first online design festival, taking place from 15 April to 30 June. The festival launched yesterday with a film comprised of messages from designers around the world, as well as a live interview with trend forecaster Li Edelkoort. For more information, or to be added to the mailing list, contact us at virtualdesignfestival@dezeen.com.

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