Thursday, 23 April 2020

Burnt House is a charred wood extension that looks like a Japanese tea house

Burnt House by Will Gamble Architects and Smith & Butler looks like a Japanese tea house

Will Gamble Architects has updated a house in west London with an extension modelled on a Japanese tea house.

Burnt House is an extension to a Victorian house in Fulham featuring a charred wood window seat and gridded glazing.

Its design is based on the shoji screen, a facade or room divider in traditional Japanese architecture and a common feature in the tea house.

Burnt House by Will Gamble Architects and Smith & Butler looks like a Japanese tea house

"The concept of drawing inspiration from Japanese architecture materialised from the clients' desire to use charred timber somewhere in the proposal," explained architect and studio founder Will Gamble.

"The charring of timber is a traditional Japanese method of treating wood, therefore we felt that this Japanese influence should be reflected in the overall appearance of the scheme, not just its timber cladding," he told Dezeen.

Burnt House by Will Gamble Architects and Smith & Butler looks like a Japanese tea house

The clients, a young couple, had asked both Gamble and interior design studio Smith & Butler to renovate their entire home.

The extension plays an important part in the scheme, creating a large open-plan kitchen and dining space facing the rear garden.

Burnt House by Will Gamble Architects and Smith & Butler looks like a Japanese tea house

With its Japanese-style appearance, the extension stands out from the brick walls of the main house, but neat proportions and a pitched roof help to tie old and new together.

Although it looks like there is a lot of blackened wood, in fact the only element is a large window seat built into the glazing. The facade steps to help this element fit it, while the steel-framed windows are finished in black to match.

Burnt House by Will Gamble Architects and Smith & Butler window seat

The window seat was charred with a blowtorch, by a specialist in the technique known as Shou Sugi Ban.

"We have used charred timber on projects in the past," said Gamble. "It has beautiful quality to it, as the charring creates a matt finish with a crocodile skin texture."

"The depth and tone of the black can't be achieved using alternative methods such as staining or paints," he continued.

"Not only is it aesthetically pleasing, the charring makes the timber more durable and weather-resistant, and it avoids the need for using retardants, preservatives or paints to protect the timber, which makes it more environmentally friendly."

Burnt House by Will Gamble Architects and Smith & Butler kitchen

The kitchen wraps around one corner of the room, leaving plenty of space for large dinner parties overlooking the garden.

The garden itself, designed by landscape studio Garden Club London, reinforces the tea-house vibe. It features an irregularly shaped patio, planting beds filled with white flowers and a silver birch tree.

"Like the Japanese lantern, the screens glow and illuminate the garden at night," added Gamble.

Burnt House by Will Gamble Architects and Smith & Butler snug

The renovation also includes a new layout for the rest of the ground floor, a simple refurbishment of the first floor, and the conversion of the loft to create a new master bedroom (due to be completed at a later date).

By moving the kitchen and dining space to the back of the ground floor, the design team were able to create a new snug at the rear of the living room.

Burnt House by Will Gamble Architects and Smith & Butler speakeasy

This room comes with a surprise – behind the full-heigh oak joinery is a secret "speakeasy-style bar".

Here, Smith & Bulter chose a white marble that matches the kitchen, but accompanied it with green leather.

Photography is by Ståle Eriksen.

The post Burnt House is a charred wood extension that looks like a Japanese tea house appeared first on Dezeen.



from Dezeen https://ift.tt/2xGfUKZ

Vollebak creates Indestructible Jacket

Vollebak creates Indestructible Jacket

Experimental clothing brand Vollebak has created a near-indestructible jacket from Dyneema – a fibre that is 15 times stronger than steel.

Named the Indestructible Jacket, the innovative clothing from the London brand is designed as an extremely rugged outdoor coat that is almost impossible to rip.

Every fibre in the jacket is made from Dyneema – a plastic called an ultra-high-molecular-weight polyethylene, which is known as the strongest fibre ever made.

Vollebak creates Indestructible Jacket

"In our testing we exposed the jacket to the shearing, tearing, and blunt-force traumas that you'll get in the real world from rocks, ice, trees, and falls," Steve Tidball, co-founder of Vollebak told Dezeen.

"Dyneema is so strong it's almost impossible to rip," he said. "Our knife slash test shows what damage the sharpest rocks would be likely to inflict. We also simulated a 30 mile per hour fall and drag on concrete and it was fine. Blunt-force trauma will have almost no impact on it other than marking it," he continued.

"But it won't survive bullets or the inside of a volcano. We designed it for adventure not for war zones, or flamethrowers."

Vollebak creates Indestructible Jacket

Vollebak see the jacket as a logical evolution of the utility jacket, with denim jackets and leather bomber jackets being the Indestructible Jacket's ancestors.

"The denim jacket was born in 1880, and quickly became the default uniform for cowboys, miners and labourers," explained Tidball.

"It was followed about 40 years later by the leather bomber jacket built for fighter pilots in open cockpits at 25,000 feet – so rugged, lightweight utility jackets have been used to protect people carrying out the toughest jobs in the toughest places for well over 100 years," he continued.

"So we thought that 140 after it was born, it was probably time to rebuild the utility jacket from the ground up with the strongest material on Earth."

Vollebak creates Indestructible Jacket

The jacket gets its toughness from Dyneema, which is usually used to construct bullet-resistant vests as it can be 15 times stronger than steel – on a wright for weight basis.

"It's the material that makes it so tough," explained Tidball. "To understand just how tough Dyneema is, you have to look at how it's being deployed in the world today – it's used to make bullet-resistant vests, armour and helmets."

"It's used in panels on tanks to protect against stronger ballistic threats like anti-tank projectiles," he continued. "And you'll find it in bulletproof cockpit doors in most commercial planes in the US. Unlike other high-strength materials it's so light it floats on water, and it's resistant to the long-term effects of moisture, UV light and chemicals."

Vollebak creates Indestructible Jacket

To complement the tough material, Vollebak has detailed the Indestructible Jacket with hardy buttons made from the "world's toughest nut".

"Even the buttons are extremely strong," explain Tidball. "Ours are carved from corozo nut, which is the world's toughest nut, and they're anchored on military tape. This method allows the jacket to flex and withstand tearing forces, as each button is free to slide up and down its section of military tape."

Vollebak creates Indestructible Jacket

Described by the brand as The Indiana Jones of utility jackets, the coat has a reinforced double collar that can be worn in four different configurations.

Although Dyneema is extremely resistant, due to its cost and complex fabrication process Vollebak does not anticipate the material becoming widespread for clothing.

Vollebak creates Indestructible Jacket

"Well it's extremely expensive, it takes far longer than standard fabrics to produce as it's made to order, and it's difficult to work with," said Tidball. "And these are three things I suspect almost no other brands are looking for, but we're happy to take on."

However the brand does believe that it has potential to be used in composite with other materials.

"It's hard to say what other brands are going to do. If the cost and complexity both remain high, then I think you're unlikely to see more of it in the way we've used it, which is a jacket built from 100 per cent Dyneema," he continued.

"But I think you could start to see it used much more widely as a composite – so it becomes an ingredient added to other materials to make them exceptionally strong, just like carbon fibre is in other industries today."

Vollebak creates Indestructible Jacket

Indestructible Jacket is the latest piece of experimental items from Vollebak, which Steve Tidball established in 2015 with his twin brother Nick. Others include the first jacket made of graphene, a T-shirt made entirely from wood pulp and algae and a jacket that reflects light from two billion glass spheres.

The post Vollebak creates Indestructible Jacket appeared first on Dezeen.



from Dezeen https://ift.tt/3avgV5R

Wednesday, 22 April 2020

Saez Pedraja adds small studio to a fashion designer's stucco Santa Monica residence

Ramar Residence and Studio by Saez Pedraja

California architect Juan Saez Pedraja has added a studio fronted with large aluminium and cedar shades to the backyard of this remodelled Santa Monica residence.

Ramar Residence and Studio by Saez Pedraja

Ramar Residence and Studio is located on a hill in the city's Sunset Park neighbourhood approximately one mile (1.6 kilometres) from the Pacific Ocean.

Saez Pedraja designed the renovation to a 2,150-square-foot (199.7-square-metre) house, which was built in 1958, for a fashion designer. The project included updating the existing structure with new finishes and adding a small studio.

Ramar Residence and Studio by Saez Pedraja

Previously the house was clad with light stucco, which was updated to dark grey. Concrete steps that wrap around one corner of the house were added to replace a wood staircase formerly used to provide access to the main floor.

On the other side of the house, a large stucco balcony with a glass guardrail juts out from the residence.

Ramar Residence and Studio by Saez Pedraja

The fashion-design studio is nestled in the backyard. The structure is framed with aluminium and fronted with a series of ceiling-height sliding glass doors that let in light and air.

"We decided to do a detached structure located at the rear of the lot in order to take advantage of the views, light and ocean breeze," Saez Pedraja said.

Local building regulations usually limit the maximum square footage of outdoor units at 230 square feet (21 square metres).

To maximise the available space, however, the architect extended the studio's roof structure beyond the enclosed building to form an outdoor lounge area on one side and exterior walkway at the front. With the added spaces the unit totals 400 square feet (37 square metres).

Ramar Residence and Studio by Saez Pedraja

The studio is also covered in stucco exterior but this is concealed by a painted steel board that covers most of the facade its length. Windows are fronted with large cedar shades that are painted grey and framed in aluminium to match.

The interior decor is minimal including polished concrete flooring and several structural steel posts.

Ramar Residence and Studio by Saez Pedraja

Updates to the residence included replacing the hardwood with concrete flooring and reworking the layout to expose the interiors to views of the nearby ocean. The studio painted the walls white and left the wood slabs and beams that cover the ceiling exposed.

A fireplace wall in the living room is clad with cold-rolled steel. The black metal material is also used on the set of staircases that leads to the lower level, which houses the garage and an additional bedroom.

Ramar Residence and Studio by Saez Pedraja

Santa Monica is a Californian city west of Downtown Los Angeles. Recent projects in the city include the rustic BreadBlok bakery and the Santa Monica Proper Hotel designed by Kelly Wearstler.

Other renovations in California with added studio units include a project by FAR fronted with a folding plastic door.

Photography is by Ignacio Espigares.


Project credits:

Lead Architects: Juan Saez Pedraja
Engineer: Aram Arakelyan
Steel works: Jacobo Paredes
FF&E procurement: Aeco Design

The post Saez Pedraja adds small studio to a fashion designer's stucco Santa Monica residence appeared first on Dezeen.



from Dezeen https://ift.tt/2ywduP0

A Touching Film Compiles Quarantine Dispatches from Around the Globe

Echoing each others’ sentiments of hope and optimism during uncertain times, the folks who contributed to a new short film have joined together despite being thousands of miles apart. “A Social Distance” is a collective look at global life during COVID-19 featuring dozens of people, ranging from a 93-year old Malayan grandmother to a 19-year old Slovenian man, from the 30 most-affected countries.

Directed by Ivan Cash and Jacob Jonas, the crowd-sourced project compiles clips of people’s hand-washing practices, their stocked and bare fridges, and emotional messages about their worries. Some dance to the original score played by various musicians from their respective homes. Despite its anxiety-producing subject matter, though, the compilation is surprisingly hopeful.

Find more work from Cash and Jonas on Vimeo. You also might like this wildly choreographed music video filmed entirely on Zoom.

 

Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.



from Colossal https://ift.tt/2VOjWbZ

Kunlé Adeyemi and Nelly Ben Hayoun feature in the first session of The World Around symposium

Kunlé Adeyemi's floating school

Our Virtual Design Festival collaboration with The World Around for Earth Day kicks off with a series of conversations with designers including Nelly Ben Hayoun and Nigerian architect Kunlé Adeyemi.

The World Around's Earth Day 2020 symposium, which we are broadcasting today as part of Virtual Design Festival, features talks, presentations, films and essays by over twenty visionaries at the forefront of ecological design.

CLIMAVORE: On Tidal Zones by Cooking Sections
Cooking Section will present its Climavore installation on the Isle of Skye

Following a short introduction by The World Around curator Beatrice Galilee, the symposium starts with a conversation between Maite Borjbad, architecture and design curator at the Art Institute of Chicago, and architects Daniel Fernández Pascual and Alon Schwabe, who run London studio Cooking Sections.

The conversation covers the studio's work investigating the relationship between climate change, diet and industrial food production. This includes its Climavore installation on the Isle of Skye, which acts as a restaurant at low tide and an underwater oyster table when the tides rise.

Nelly Ben Hayoun speaks at The World Around
Nelly Ben Hayoun explores the future of education through the medium of Instagram filters

This is followed by a conversation between experience designer Ben Hayoun and Sepake Angiama, artistic director of the Institute of International Visual Arts (INIVA), who discuss new ways of teaching and new spaces for learning via the medium of Instagram filters.

Galilee then speaks to Lagos architect Adeyemi about his research into communities that are living on the water (top image), and what architects should learn from the climate emergency and coronavirus pandemic.

Harriet Harriss and Timothy Morton discuss ethics frameworks

The first session of the symposium ends with a conversation between Harriet Harriss, dean of architecture at Pratt Institute, and Timothy Morton, a philosopher and author of books including HyperObjects, Dark Ecology and Ecology Without Nature.

The pair exchange ideas about ethics frameworks for operating in the world, touching on veganism, rethinking streams of capital and responsibility for social justice.

The World Around symposium takes place on the 50th anniversary of the first Earth Day in 1970, which saw 20 million people in the USA demonstrate against the damage human activity causes the natural environment.

It is the second event organised by The World Around, a platform for architecture and design discussions founded last year by Galilee, Diego Marroquin and Alexandra Hodkowski. The online programme replaces a physical conference that The World Around was planning, which had to be cancelled due to the coronavirus pandemic.

The World Around

This is the first of three sessions that make up the symposium, which is structured around three themes titled Rethink, Reimagine and Recreate. We will be continuing the stream the other sessions throughout the day on a dedicated page as part of Virtual Design Festival.

Starting at 4:00pm, the second part of the programme will include short films by Kalyanee Mam and Apichatpong Weerasethakul, as well as two discussions: curator Aric Chen will speak to designer Thomas Thwaites, while curator Mariana Pestana will be in conversation with architecture firm Studio Ossidiana.

The third part of the event, which will be broadcast from 6:00pm, will feature talks by Facebook's vice president of product design Margaret Stewart, architect Cameron Sinclair, visual artist Amanda Williams, and landscape artist Walter Hood, as well as a conversation between curator Karen van Godtsenhoven and designer Mats Rombaut.

These talks will be followed by an interview with collaborative architecture practice Design Earth conducted by curator and writer Carson Chan, and an exclusive screening of a new short film called The Transscalar Architecture of COVID-19 by Andrés Jaque and Ivan Munuera.

Here's the schedule for the day:


VDF x The World Around Earth Day 2020 symposium schedule

1:00pm Live interview with The World Around curator Beatrice Galilee

2:00pm Live broadcast of part one of the symposium, titled Rethink

  • Cooking Sections in conversation with Maite Borjabad
  • Nelly Ben Hayoun in conversation with Sepake Angiama
  • Kunlé Adeyemi in conversation with Beatrice Galilee
  • Harriet Harriss in conversation with Timothy Morton

4:00pm Live broadcast of part two of the symposium, titled Reimagine

  • Malika Leiper in conversation with Kalyanee Mam, plus film screening
  • Aric Chen in conversation with Thomas Thwaites
  • Mariana Pestana in conversation with Studio Ossidiana
  • Apichatpong Weerasethakul in conversation with Andrea Lissoni, plus film screening

6:00pm Live broadcast of part three of the symposium, titled Recreate

  • Cameron Sinclair talk
  • Amanda Williams talk
  • Karen van Godtsenhoven in conversation with Mats Rombaut
  • Margaret Stewart talk
  • Walter Hood talk

8:00pm Design Earth interview by Carson Chan

9:00pm Premiere of The Transscalar Architecture of Covid-19 short film by Andrés Jaque and Ivan Munuera

All times are UK time.

The full schedule and biographies of all the speakers are available on The World Around's website.

The post Kunlé Adeyemi and Nelly Ben Hayoun feature in the first session of The World Around symposium appeared first on Dezeen.



from Dezeen https://ift.tt/2Vu2pqG