Friday, 1 May 2020

An Unnerving New Film by Paul Trillo Imagines Earth Moments Before It’s Sucked into a Black Hole

A new film by New York-based director Paul Trillo lingers for just a moment on a serene body of water before plunging into a dizzying series of landscape transformations. “Until There Was Nothing” considers how Earth’s natural landscapes and city life would look just moments before being consumed by a black hole. The surreal work shows massive waves suddenly crawling up the left side of the frame, the tops of taxi cabs shooting into the air, and an entire forest of trees ascending in an amorphous mass.

To add an even more unnerving twist, Trillo overlayed the short film with a recording of British writer Alan Watts, who slowly expounds on the “prospect of vanishing.” Despite his film’s disturbing qualities, the director maintains an optimistic outlook. “Someday this will pass and there will be nothing left… That’s not something to fear ‘because we come from nothing’ as Alan Watts puts it… and from nothing comes something new,” he says.

Watch the full film, which Trillo alternatively titled “How I Learned To Stop Worrying And Love The Black Hole,” below. Find more of the director’s perspective-bending projects on Vimeo.

 



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Vimeo launches new platform for documenting small businesses during the crisis

Stories in Place sees eight Staff Picked filmmakers produce a film remotely in just 12 days, chronicling real people as they try to keep their ventures afloat.



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Live interview with architect Alison Brooks as part of Virtual Design Festival

Screentime Enscape: Alison Brooks

British architect Alison Brooks speaks to Dezeen in this live discussion with Marcus Fairs, as part of our Screentime interview series sponsored by Enscape. Watch the conversation live from 4pm UK time.

Alison Brooks is the principal and creative director of Alison Brooks Architects, which she founded in 1996. The studio works on both commercial and private projects.

Screentime Enscape: Alison Brooks
Brooks founded Alison Brooks Architects in 1996

In her discussion with Dezeen founder and editor-in-chief Marcus Fairs, Brooks will reveal never-before-seen designs for two current projects, Maggie's Centre Taunton and York Castle Museum.

Among the studio's latest projects is Windward House, an art-filled black house alongside a Georgian farmhouse in Gloucestershire that has been converted into a dedicated gallery space.

Alison Brooks Architects also recently shared details of its Cadence housing development, featuring red brick archways that echo the design of the nearby King's Cross and St Pancras' stations, with Dezeen.

Screentime Enscape: Alison Brooks
Alison Brooks Architects' Cadence development with its red brick archways

One of Brooks' best-known projects is The Smile, a "mega-tube" made of cross-laminated tulipwood timber that the architect designed for London Design Festival 2016.

Brooks is the recipient of the RIBA's Stirling Prize, the Manser Medal and the Stephen Lawrence Prize, the only British architect to have won all three awards.

This Screentime conversation is sponsored by Enscape, a virtual reality and real-time rendering plugin for architectural design programme Autodesk Revit.

Virtual Design Festival is the world's first online design festival, taking place from 15 April to 30 June. For more information, or to be added to the mailing list, contact us at virtualdesignfestival@dezeen.com

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Luminescent Zip-Tie Formations Are Shaped into Futuristic Organic Life by Artist Elisabeth Picard

“Ondulation” (2014), white zip-ties, RGB LED light, and painted plywood, 
36 x 36 x 6 ¼ inches. 
Photo by Michel Dubreuil. All images © Elisabeth Picard, shared with permission

Montreal-based artist Elisabeth Picard curls, fans, and locks together hundreds of zip-ties into tremendously formed glowing sculptures and undulating installations. The futuristic artworks merge geological and organic elements with science fiction to create abstract formations that the artist likens to “landscapes, minerals, plants, micro-organisms, and sea creatures.”

Picard tells Colossal that since she began working with the nylon links in 2011, she’s used more than 60,000 ties. The artist hand-dyes each piece with pastels, earth tones, and sometimes fluorescent hues that will later glow under UV light and add depth with shadows. Some artworks even are assembled with a lightbox backdrop. Each glowing piece is designed to elucidate the contrast between the original material and the final structures, and numeric art, vector drawing, programming, and 3D printing all guide her research.

Find more of Picard’s artworks that consider the future of the natural world on Instagram and Vimeo.

 

“Evolution” (2015), 
dyed zip-ties with plexi lightbox, 
20.5 x 21.5 x 6 inches. Photo by 
Michel Dubreuil

“Volute 1 et Volute 2” (2013), 
dyed zip-ties, 
7 x 7 x 7 and 7 x 8.5 x 8.5 inches. 
Photo by Michel Dubreuil

“Flot” (2011), 
15, 000 zip-ties, glass, painted steel, and fluorescent light, 
28.25 x 76.5 x 38.5 inches. Photo by Michel Dubreuil

“Chlorophyta” (2015), dyed zip-ties with plexi lightbox, 
18.43 x 18.43 x 9.37 inches
. Photo by Michel Dubreuil

Left: “Navicula” (2015), 
dyed zip-ties and plexi plate
, 12 x 7 x 5.5 inches
. Photo by Michel Dubreuil. Top right: “Spirale” (2013), dyed zip-ties,
 13 x 10 x 4 inches. 
Photo by Michel Dubreuil. Bottom right: “Staurastrum” (2015
), dyed zip-ties and plexi tablet
, 9 x 8.5 x 8.25 inches. Photo by Michel Dubreuil

“Strongylocentrotus” (2013), 
dyed zip-ties, with plexi lightbox, 
15 x 15.75 x 8 inches. 
Photo by Michel Dubreuil

“Macro-organismes: Couronne” (2011-2016
), zip-ties, baked enamel steel, plexi lightbox, and programmable RGB LED, 
19 x 19 x 8 inches. 
Photo by Michel Dubreuil



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Live interview with filmmaker Gary Hustwit as part of Virtual Design Festival

Gary Hustwit will speak to Dezeen in a live Screentime conversation as part of Virtual Design Festival's collaboration with the filmmaker

Gary Hustwit will speak to Dezeen in a live Screentime conversation as part of Virtual Design Festival's collaboration with the filmmaker. Watch the talk above from 2pm UK time.

Hustwit is a New York-based photographer and filmmaker. Today, he is offering Dezeen readers a free screening of his documentary about Dieter Rams, and is also sharing photos he took of the influential German designer during the film's production.

The 70-minute documentary, called Rams, is available on Hustwit's website today and throughout the weekend as part of VDF's collaboration with the designer.

Visit Hustwit's website to watch the full Rams movie for free until 3 May

Released in 2018, Rams is the first full-length film about Rams, whose work for German electronics brand Braun has been hugely influential.

Previous design-related films by Hustwit include 2007's Helvetica, which explores the legacy of the iconic typeface; 2009's Objectified, which looks at people's relationships with objects; and Urbanized, which examines architecture and urbanism.

Gary Hustwit will speak to Dezeen in a live Screentime conversation as part of Virtual Design Festival's collaboration with the filmmaker
Filmmaker and photographer Gary Hustwit. Photo is by Ebru Yildiz

The interview is part of our VDF Screentime series, a series of live interviews which has featured trend forecaster Li EdelkoortThe World Around curator Beatrice Galilee, Kanye West collaborator Dong-Ping Wong, and British-Israeli architect Ron Arad.

Virtual Design Festival is the world's first online design festival, taking place from 15 April to 30 June. For more information, or to be added to the mailing list, contact us at virtualdesignfestival@dezeen.com.

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