Friday, 15 May 2020

Austin Maynard Architects adds plant-filled conservatory in centre of Newry house

Sliding awnings on the glass roof

Austin Maynard Architects has transformed the quality of light inside a narrow Melbourne house, by creating a greenhouse-like space at its centre.

The Melbourne-based studio made only small changes to two-storey house Newry, but has made it feel much more spacious and bright.

Plant-filled conservatory in dining space of Newry house by Austin Maynard Architects

No rooms were moved around, instead new openings were made to allow natural light to penetrate as much of the building as possible.

The most obvious new opening is a glass roof above the dining area, at the centre of the floor plan. It makes the space below feel like a conservatory, an effect amplified by the addition of an indoor planting bed.

Plant-filled conservatory in dining space of Newry house by Austin Maynard Architects

Austin Maynard Architects had considered adding a simple skylight, but realised they could be more ambitious. By getting rid of a "leaky roof deck", enough space was made for four glazed roof panels.

Sliding awnings provide shade here when required.

"The fundamental concern with most terrace houses is a lack of natural light," explained the studio, which is led by architects Andrew Maynard and Mark Austin.

Plant-filled conservatory in dining space of Newry house by Austin Maynard Architects

"This problem is generally resolved with some form of lightwell, open to the sky with some kind of garden greenery at the base," said the team.

"At Newry there is no lightwell, no 'box'; the garden greenery is inside, integrated within the space, exposed and easily accessed beneath a glass roof that allows for an abundance of natural light."

Living space

Another opening was required to make this space possible – removing a wall that previously separated the dining space from the living room and kitchen. This gives a more open-plan layout to the ground floor.

The old staircase was also replaced with a more lightweight structure, made from perforated metal. Not only does this allow more light through, it also creates a little bit of extra floor space on the upper level.

Perforated steel staircase

Room at the front and rear of the house were largely left intact. The location of the bathroom, behind the kitchen, wasn't considered ideal, but it wasn't in bad condition. So it was felt that the living space was the priority.

The clients also invested in a Tesla battery, to make sure they are both efficient and sustainable when it comes to energy use.

Perforated steel staircase

"The clients were aware of their limitations and were prepared to pick their battles," said Austin Maynard Architects.

"Instead of spending their tight budget thinly across the entire site, and compromising everywhere, they chose to completely subvert one area, the main living space, and do it very well."

Newry house by Austin Maynard Architects

Blackbutt timber joinery creates a cohesive aesthetic through the new living space, while flashes of bold colour help to add character.

A bench seat with bright green upholstery matches the colour of carpet and the balustrade on the first floor, while the hallway carpet is the same vibrant shade of burgundy as the hallway carpet.

"These were largely thanks to the client's great taste," added the architects.

Newry house by Austin Maynard Architects

Austin Maynard Architect has previously renovated several Melbourne properties, including the home and studio of founder Andrew Maynard. Other projects include King Bill and RaeRae House.

Photography is by Tess Kelly.


Project credits:

Architect: Austin Maynard Architects
Project team: Andrew Maynard, Mark Austin, Ray Dinh
Builder: Moon Building Group
Engineer: OPS
Building surveyor: Code Compliance
Energy consultant: Efficient Energy Choices
Land surveyor: Dickson Hearne

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Marc Goodwin photographs Madrid architects' studios before coronavirus lockdown

Mardid architects' studios by Marc Goodwin

Architecture photographer Marc Goodwin has shared photos of architecture studios in Madrid taken just before the country went into lockdown along with messages from the studios now.

Goodwin, founder of photography studio Archmospheres, has been travelling around the world documenting architecture studios, from Istanbul to Shanghai, Mexico City to Paris.

His latest collection focused on Madrid, where offices including OOIIO Architecture, Andrés Jaque and Langarita Navarro Arwuitectos are based. In total, Goodwin shot 17 studios in the Spanish capital.

However, as he finalised the series, coronavirus hit Europe and Spain went into lockdown on 14 March. The country has implemented some of Europe's toughest containment measures, and restrictions are due to remain in place through May and June.

"Madrid is apparently a ghost town at the moment, which is hard to imagine," said Goodwin, meaning his photographs of architects working together in their offices are of a world that currently does not exist.

Goodwin got back in touch with the studios whose offices he'd already photographed and asked them to share how they've adapted to the new normal of working from home.

"I think it might also help a lot of readers to feel better," Goodwin told Dezeen. "This is very hard on all of us."

Scroll down to see 17 Madrid studios before coronavirus, along with updates from some of them:


Mardid architects' studios by Marc Goodwin

Moneo Brock

In this space since: 2013
Number of employees: 11
Building's former use: mix of offices housing


Mardid architects' studios by Marc Goodwin

Langarita Navarro Arwuitectos

In this space since: 2007
Number of employees: seven
Building's former use: art and architecture studios


Mardid architects' studios by Marc Goodwin

Morph Estudio

In this space since: 2017
Number of employees: 120
Building's former use: office building

"The situation in Madrid is very, very, very serious," said Morph Estudio director César Frías Enciso. "After the construction market had begun to recover from the last financial crash, the coronavirus has brought it to a halt."

"There are not many positive conclusions from this situation," he added. We are learning to work separated. Of course, we are more prepared for next time. The next medical crisis, I think we are going to act quicker."

Watch César Frías Enciso's message below:


Mardid architects' studios by Marc Goodwin

Husos Architects

In this space since: 2005
Number of employees: five
Building's former use: housing and shops


Mardid architects' studios by Marc Goodwin

Carlos Arroyo Architects

In this space since: 2018
Number of employees: six
Building's former use: tailor's atelier


Mardid architects' studios by Marc Goodwin

Estudio Herreros 

In this space since: 5.5 years
Number of employees: 20
Building's former use: designed in 1958 as a residential block by the architect Secundino Zuazo

"The most important thing is to maintain the connection of the team," said studio co-founder Juan Herreros. "To feel that they have this sense of belonging to a group with a common project."

Estudio Herroros has also started a joint endeavour called Re-Visit on their Instagram, to share sketches of former projects with colleagues and friends.

"For us, this change has been a surprising and positive way to learn about new ways to collaboratively work in the team," added co-founder Jens Richter.

Watch Herreros and Richter's message below:


Mardid architects' studios by Marc Goodwin

L35 Arquitectos

In this space since: 1993
Number of employees: 60
Building's former use: modelling agency, office of Segundamano, residences


Mardid architects' studios by Marc Goodwin

Pedro Pitarch

In this space since: December 2019
Number of employees: three
Building's former use: residential


Mardid architects' studios by Marc Goodwin

OOIIO Architecture

In this space since: 2016
Number of employees: 10
Building's former use: abandoned space

"We are constantly worried and trying to understand what's happening," said OOIIO Architecture founder Joaquín Millán Villamuelas. "The entire studio is empty, the entire studio is working at home."

"Everyone is trying to do their best to be productive and get the work done – with their pyjamas on their sofa," he added.

"We are creative people, and this is another challenge. Let's face this new crisis."

Watch Villamuelas' message below:


Mardid architects' studios by Marc Goodwin

Estudio Gonzalo del Val, Studio Animal and Toni Gelabert

In this space since: 2015, 2018 and 2020
Number of employees: two each
Building's former use: residential


Mardid architects' studios by Marc Goodwin

TallerDE2 Architects

In this space since: 2014
Number of employees: five
Building's former use: housing


Mardid architects' studios by Marc Goodwin

Estudio Lamela

In this space since: 2008
Number of employees: 61 in this space, 86 in total
Building's former use: built by the studio in 2008

"We have taken our computers home, which makes working from home as if we were in the office – only avoiding rush hour," said Estudio Lamela architect María Chocarro.

"We also are in constant contact with our colleagues through an internal chat," she added. "We also video chat a lot, which is quite funny because you get to see the private environments and houses of your colleagues and bosses, making us all more human in a way."

Watch María Chocarro's message below:


Mardid architects' studios by Marc Goodwin

José María Sánchez García

In this space since: 2009
Number of employees: 10
Building's former use: office


Mardid architects' studios by Marc Goodwin

Andrés Jaque

In this space since: 2010
Number of employees: 12
Building's former use: archive of Ocaso insurance company


Mardid architects' studios by Marc Goodwin

Estudio Entresitio

In this space since: 2002
Number of employees: 10
Building's former use: residential

"This coronavirus lockdown is going to be an opportunity to change how a studio of architecture works," said Estudio Entresitio co-founder César Jiménez de Tejada Benavides.

"The change was already happening," added co-founder María Hurtado de Mendoza Wahrolén. "It's a weird way, calling the virus an opportunity, but now we have to go for it," she added.

"Technology, society, and we as an office were ready to take this challenge."

Watch Estudio Entresitio's message below:


Mardid architects' studios by Marc Goodwin

Elii 

In this space since: 2015
Number of employees: seven
Building's former use: office and residential building


Mardid architects' studios by Marc Goodwin

b720 Fermín Vázquez Arquitectos
In this space since: 2008
Number of employees: 50
Building's former use: diabetes clinic

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Gabi Lamontagne celebrates New York’s bodegas through vivid watercolour illustrations

The design director at Chobani discusses the importance of personal projects and how they can influence commercial work too.



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Parametricism movie features architectural imagery by Patrik Schumacher set to music by Rosey Chan

Parametricism movie features architectural imagery by Patrik Schumacher set to music by Rosey Chan

Composer and pianist Rosey Chan teamed up with architect Patrik Schumacher of Zaha Hadid Architects to create this short movie that sets parametric architectural imagery to music.

Dezeen has published the movie today as part of the VDF x Rosey Chan collaboration celebrating Chan's work and culminating in a live interview and exclusive performance at 5:00pm UK time today.

Parametricism condenses Shumacher's ideas into four minutes

Called Parametricism, the four-minute film features computer sequences from Zaha Hadid Architects showing how parametric software is used to generate architectural forms.

"This is the attempt to condense 15 years of collective design research into a paradigmatic sequence of animations, something I had been doing in my recent lectures on parametricism," Schumacher told Wallpaper magazine at the time.

The video starts with abstract patterns, while later sequences show how parametrically generated forms can be scaled up to inform buildings or even entire urban districts.

Soundtrack inspired by John Cage

The original soundtrack by Chan was written in just two days ahead of the film's premiere at the Elvis Zapp Urban Film Festival in Harlem, New York in 2013.

Musician Rosey Chan
Composer and pianist Rosey Chan collaborated with architect Patrik Schumacher to soundtrack Parametricism

"In Parametricism, I was faced with a kind of unique challenge as the animation is very abstracted and also architectural," Chan told Dezeen." It doesn’t involve human beings or the kind of normal emotional range that I would relate to."

"So for that, I went into a much more experimental approach of montage, creating sounds in the piano, inspired a lot by John Cage and his philosophical ideas about music."

"Radically different musical approach"

The post-production phase involved montage editing: "trying different things and also relating it quite accurately to the timing of the film," Chan explained. "So this was quite a radically different musical approach."

Rosey Chan and Patrik Schumacher
The film features computer sequences showing how parametric software is used to generate architectural forms

Chan studied piano and composition at the Royal College of Music in London and now performs, composes and collaborates with artists and designers.

Other projects include a performance for the opening of Fredrikson Stallard's Hybrideae exhibition in 2017; and Water Dancer, a new collaboration with artist Eyal Gever and dancer and choreographer Sharon Gever.

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Emily Oberman designs identity with 75 distinct logos for a film production company

The Pentagram partner and her team have created a chameleon-like brand for Gozie Agbo, the genre-film division of the Russo Brothers’ production company.



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