Tuesday, 2 June 2020

Watch the Earth Rotate for 24 Hours in an Entrancing Timelapse Centering the Sky

With a camera peering out over the landscape of Tivoli, Namibia, Bartosz Wojczyński focused on the sky. The Polish photographer created a hypnotic timelapse spanning 24 hours that has a focal point in the atmosphere rather than on the land. Each minute, he snapped a frame that subsequently was looped 60 times to create the final 24-minute version that’s a mesmerizing look at Earth’s cycles.

According to PetaPixel, Wojczyński’s camera was attached to an SW Star Adventurer, which is designed to assist in celestial photography. For more of the photographer’s space-centric projects, head to YouTube.

 



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National Organization of Minority Architects demands end to "deadly and pervasive virus called racism that has plagued America"

The National Organization of Minority Architects has called on the architecture profession to "condemn racism and take an active role in eliminating racial biases" following the death of George Floyd in police custody.

The organisation and profession must do more to bring an end to the "deadly virus" of racism in America said Kimberly Dowdell, the president of National Organization of Minority Architects (NOMA), in the Public Statement Regarding Racial Injustice.

"As an organisation, we must be more"

"We struggle to grasp for air as we all navigate a global pandemic coupled with the deadly and pervasive virus called racism that has plagued America for over four centuries," Dowdell said.

"Today, NOMA must call for more. As an organisation, we must be more."

Dowdell said tackling the racist treatment of black people and other people of colour (POC) formed part of the architecture industry's professional responsibility to ensure the safety of people.

"Take an active role in eliminating the racial biases"

"As the National Organization of Minority Architects (NOMA), we are calling on our members and our broader professional community to condemn racism and take an active role in eliminating the racial biases that account for a myriad of social, economic, and health disparities, and most importantly, result in the loss of human lives – Black lives," Dowdell added.

"As architects, we are professionally responsible for protecting the health, safety, and welfare of the public. The tragic execution of Black Americans at the hands of people infected by racism has plagued our nation for generations."

NOMA was established in Detroit in 1971 by 12 black architects to tackle the effects of racism on the architecture profession.

Recent events prompted Dowdell to enact a new mission statement developed "to better equip our members to be the change that we seek to design for our society".

It promotes for members to NOMA for ALL, an acronym for diverse Access, Leadership and Legacy, and calls for five actions under BRAVE, which stands for Banish racism; Reach out to those who are grieving; Advocate for the disinherited; Vote in every American election; and Engage each human that you meet as you would want to be engaged.

"NOMA's mission, rooted in a rich legacy of activism, is to empower our local chapters and membership to foster justice and equity in communities of colour through outreach, community advocacy, professional development and design excellence," she said.

"Right now, our members are hurting. This is traumatic"

George Floyd, 46, died in Minneapolis on Monday 25 May when a white officer knelt on his neck for eight minutes and 46 seconds while pinning him to the ground. His death has sparked days of protests across US cities including Minneapolis, Santa Monica, Los Angeles, Atlanta and New York City.

Dowell said the first focus of the organisation's first focus was to ensure the safety and wellbeing of members following the recent events.

"Right now, our members are hurting. This is traumatic," Dowdell said. "Before we can confidently advocate for greater economic opportunities for architects of colour, we need to ensure that those very people are first able to breathe."

Members of the architecture and design industry have spoken out against racism in America since his death. Today, architects and designers joined over a million people around the world in posting a black square to Instagram in solidarity with those protesting for racial equality.

Read on for the full statement NOMA published 31 May 2020:


The air in our nation is thick with a profound sense of grief and despair. Our collective air is so very thick that it's literally hard to breathe. We struggle to grasp for air as we all navigate a global pandemic coupled with the deadly and pervasive virus called racism that has plagued America for over four centuries.

As the National Organization of Minority Architects (NOMA), we are calling on our members and our broader professional community to condemn racism and take an active role in eliminating the racial biases that account for a myriad of social, economic, and health disparities, and most importantly, result in the loss of human lives – Black lives. As architects, we are professionally responsible for protecting the health, safety, and welfare of the public. The tragic execution of Black Americans at the hands of people infected by racism has plagued our nation for generations.

On this day 99 years ago, the racially motivated burning of Black Wall Street in Tulsa, Oklahoma claimed the lives of over 300 Black residents who were thriving independently in their own community. Just this week, our nation is grappling with the senseless murder of George Floyd, and all of the countless names of Black men and women who have recently lost their lives as a result of hatred, sparked by the color of their skin.

As architects, how can we protect the health, safety and welfare of the public if our country is not properly including Black Americans as full members of our society? Black Americans and other people of color have been subjected to injustice and inequality for far too long. NOMA was founded in Detroit by twelve Black architects in 1971 on the heels of one of the most racially challenging eras in American history. Born out of the Civil Rights Movement, NOMA was formed for the purpose of minimizing the effect of racism on our profession. Today, NOMA must call for more. As an organization, we must BE more.

Over NOMA's five decades of existence, we have borne witness to the seemingly endless tragedies perpetrated against Black Americans and people representing other communities of color. After careful consideration, NOMA has determined that this moment is ripe for us to take a far stronger stance. We have been advocating for justice throughout our history and now is the time to clearly articulate what matters to us the most.

Mission

Our existing mission is to champion diversity within the design professions by promoting the excellence, community engagement, and professional development of our members. While these issues remain important to us, we acknowledge that those words feel hollow in times such as this. Unfortunately, these trying times of racial unrest occur too frequently. While the recalibration of our mission has been in the works for quite some time, our national board has voted to enact NOMA's new mission statement, effective immediately:

NOMA's mission, rooted in a rich legacy of activism, is to empower our local chapters and membership to foster justice and equity in communities of color through outreach, community advocacy, professional development and design excellence.

To be clear, there is power in words and we did not simply rush to react to the current state of affairs. We have been in the process of adopting a new strategic plan for the past several months. In the near future, we will engage our local chapters to establish a revised set of aims and objectives to support our updated mission. NOMA's mission had not changed in over a decade, and we are doing so today in order to better equip our members to be the change that we seek to design for our society. We are taking a stand, and we hope that you will stand with us.

With just over half a year left of my two year term as NOMA's president, I am asking everyone to dig deep and help us battle the circumstances that not only result in racially motivated violence against people of color, but also prevent people of color from entering into and thriving in the profession of architecture. As a professional organization, our primary focus should be on supporting and serving our members. Right now, our members are hurting. This is traumatic. NOMA is here to address this pain in the best ways we know how. Before we can confidently advocate for greater economic opportunities for architects of color, we need to ensure that those very people are first able to breathe.

It so happens that my NOMA presidential platform for 2019-2020 is ALL in for NOMA. ALL is an acronym to promote diverse Access, Leadership and Legacy in the context of the profession of architecture. The other reason for using the word ALL is to signal that this is an effort that we need ALL people to join in. Broadly speaking, we should ALL be struggling to make sense of how our fellow humans are being mistreated. I encourage our White members and allies to take the lead in dismantling racism whenever you see it emerge.

B.R.A.V.E.

We must all leverage our positions of privilege to help our most vulnerable citizens, neighbors and colleagues strive for life, liberty and the pursuit of happiness. I urge you to consider what's happening right now as an American problem that we must all face together. Can we collectively be ALL in for NOMA? More importantly, can we all be BRAVE, as in committing ourselves to the list of items below for which BRAVE is an acronym?

If we can promote these basic ideas in our firms, our organizations and in our communities, our nation will be better for it. Perhaps then, we can all breathe a little bit easier. Only then, can we target our energy and creativity towards designing a better world for all.

In solidarity,
Kim

Photo of Black Lives Matter protest in Miami Downtown, Florida, courtesy of Shutterstock.

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"Even a frivolous design can generate serious thinking" say commenters

Kate Wagner accuses Dezeen of "coronagrifting"

Readers are debating Kate Wagner's coining of the term "coronagrifting" to describe outlandish coronavirus-related proposals and sharing their thoughts on other top stories in this week's comments update.

The architecture critic hit out at architects and designers on her blog writing that many speculative projects that respond to the coronavirus pandemic are "bullsh*t".

She also claimed that Dezeen and Designboom are "the two greatest offenders of coronagrifting" for their extensive coverage of the pandemic.

"Most of these corona solutions aren't solutions at all"

But Dezeen commenters are divided. "Agreed" said Michael Lee on one hand. "Most of these corona solutions aren't solutions at all."

"Well. She's right," added JZ.

Anton wasn't convinced though: "I love it when someone decides they are a gatekeeper for a company they don't own or run. If her complaint was just about the design thought experiment, so be it, but to try and tell a news site what to publish... "

"So she doesn't like it? So what?" added Franklin Getchell. "People are free to use their time and talents as they want. Even a frivolous design can generate serious thinking. I applaud Dezeen for including it. And as others have done, I applaud Dezeen for including the criticism. I suppose I should also applaud Wagner for her judgmental comment. It did get things going."

Are most coronavirus-related solutions "bullsh*t"? Join the discussion

Art Villa by Refuel works
Concrete swimming pool protrudes from Art Villa holiday home in Costa Rican jungle

Concrete Costa Rican holiday home "rather like a Bond villain's lair"

Readers are torn over Art Villa holiday home, designed by Formafatal and Refuel Works and nestled in the Costa Rican jungle.

"I like this house a lot," said Spadestick.

"I like this," agreed Be Nicer. "The spaces inside the house seem to offer a good balance of openness with privacy, light with shade, and natural with manmade. Shame about the pool though, seems like a big concrete monolith to pump energy into everyday."

"Rather like a Bond villain's lair," added Alfred Hitchcock. "I don't understand this continuing fascination with mass concrete. Building in a forest, surely wood is the appropriate construction material – local, natural, sustainable, looks good?"

Would you like to stay in Art Villa? Join the discussion

Shipping-containter Vaccincation Centres by Waugh Thistleton Architects
Mobile vaccination centres in shipping containers could immunise 60 million people in four months, says Waugh Thistleton Architects

Mobile coronavirus vaccination centres "superb use of shipping containers"

Waugh Thistleton Architects' proposal to create 6,500 mobile vaccination centres from old shipping containers in the fight against coronavirus has caused a stir.

"Superb use of containers", praised Alan Smith. "There is no shortage of them and they are often overlooked when a quick, solidly-built, inexpensive solution is needed."

Alfred Hitchcock was less keen: "Mobile health units like this already exist and have done for many years. Of course, they're not made from shipping containers because shipping containers are purpose-made for shipping goods and not for converting into mobile health units."

"If there is such a glut of shipping containers shouldn't we start re-thinking the business model of the shipping industry as well as its practices?" concluded Chris Becket.

Is turning shipping containers into vaccination centres a good idea? Join the discussion

New Democratic Monument by Adam Nathaniel Furman
Colourful "New London Fabulous" design movement is challenging minimalism, says Adam Nathaniel Furman

"New London Fabulous" design movement is the "most interesting notion" one reader has seen in a while

Adam Nathaniel Furman says a colourful "New London Fabulous" design movement is challenging minimalism, much to the delight of some readers.

"Honestly, most interesting notion I've seen in a while," said Michelle. "I love when designers take matters into their own hands, and grouping together under a shared banner to brand the work in a bid to canonize it is definitely a shrewd move."

Colin MacGillivray agreed: "Excellent. If it leads to some colour and decoration on new buildings bring it on."

"I'm not sure this can be promoted as a new aesthetic," replied Quinlan Osborne, more cynically. "After all, kitsch has been around for a long time."

Is minimalism on its way out? Join the discussion

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From Minneapolis to Syria, Artists Are Honoring George Floyd Through Murals and Public Artworks

A mural in Minneapolis by Xena Goldman, Cadex Herrera, Greta McLain, Niko Alexander, and Pablo Hernandez

In honor of George Floyd, a Black man murdered by a White police officer in May, artists have been painting murals and sharing messages in what now is a global movement supporting the victim. From Minneapolis to Los Angeles to Syria, the public artworks are drawing attention to the horrific killing, in addition to the larger issue of police perpetrating state-sanctioned violence.

A collaborative project by artists Xena GoldmanCadex Herrera, Greta McLain, Niko Alexander, and Pablo Hernandez, the Minneapolis mural centers Floyd within a sunflower. Herrera told Hyperallergic that the “idea was to depict Floyd not as a martyr but as a social justice hero.” He’s surrounded by the names of others killed by police, in addition to protestors. The 20-by-6.5-foot project is located near the Cup Foods where Floyd died.

Louisiana-born artist Jammie Holmes created typographic banners with Floyd’s last words that emblazoned the skies of U.S. cities. Bold statements reading, “Please I can’t breathe,” “My neck hurts,” and “They’re going to kill me,” flew over Detroit, Miami, Dallas, Los Angeles, and New York.

We’ve gathered some of the most recent projects below, including work from Syrian artists Aziz Asmar and Anis Hamdoun, Fayetville-based Octavio Logo, and Barcelona-based Tvboy. (via Artnet News)

 

Fayetteville mural by Octavio Logo. via Clarissa Bustamante

 

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A message that was flown over Detroit by Jammie Holmes

A mural by Jesus Cruz Artile, also known as Eme Freethinker, in Berlin

 

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A mural of George Floyd in Dublin, painted by street artist Emmalene Blake. | Image: Niall Carson/PA Images

Posted by RTÉ News on Monday, June 1, 2020

 

 

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Dialog designs mass timber net-zero carbon university building for Canada

Centennial College by Dialog

Architecture firm Dialog has revealed plans for a cross-laminated timber university building in Canada, which it says will be the first of its kind.

The project, called A-Block Building Expansion, is a six-storey addition to an existing building at Centennial College of Applied Arts and Technology in Scarborough, which is about a 20-minute drive from downtown Toronto.

Centennial College by Dialog

Designed by Dialog and Ontario firm Smoke Architecture, the building will be constructed with cross-laminated timber (CLT), an engineered wood made from laminated timber sections, using locally-sourced Canadian timber.

The use of wood, which traps carbon, will form part of Dialog's ambition to make the building carbon neutral. To achieve this, it will also feature photovoltaic panels on its rooftop and produce enough energy on-site to offset the annual carbon emissions associated with building operations.

The team claims the building will be Canada's "first-ever mass timber, net-zero carbon, higher-education facility".

Centennial College by Dialog

Renderings show a flat-roofed, L-shaped building covered in aluminium singles with a white upper portion, dark base and large expanses of glass. Exposed wood pillars and beams inside showcase the construction.

The addition will provide 150,000 square feet (13,935 square metres) of space for academic rooms and common areas for the college's School of Engineering Technology and Applied Science programmes (ICET). The adjacent structure will also be renovated and link to two levels of the new building.

Centennial College by Dialog

References to nature and designs from Indigenous peoples, also called the First Nations, are key to the project. It is modelled on the concept of Two-Eyed Seeing from Albert Marshall, an Elder of the Mi'kmaw Nation, that combines the strengths of Western and Indigenous ways together.

"Drawing heavily from Indigenous principles, the building is rooted in the concept of 'two-eyed seeing' to help support reconciliation with Canada's First Nations, Intuit and Metis peoples," the team said.

Centennial College by Dialog

The north facade features a curved corner and a geometric design with windows of different shapes. "The pattern is an allegorical and aspirational response to the underlying structure and Indigenous arts and craft," the team added.

The placement of entrances and rooms is also based on indigenous teachings such as the Medicine Wheel, and the main entrance is on the east side as seen in domed wigwam dwellings made from wood, bark, grass and reeds.

Centennial College by Dialog

"The position of spaces and the flow through the building are guided by the medicine wheel teachings oriented to the four cardinal directions, and the directions of up, down, and centre," said the team.

Inside are other details of Indigenous art, and a multipurpose room in the centre is shaped like a wigwam and called Indigenous Commons.

Centennial College by Dialog

"The design of the building is a poetic response to the pattern of seed, growth, culmination, and balance in a continuous cycle," said Dialog.

"The interplay of solid and void in the building massing allude to the drawing back of the skins over a wigwam frame in response to seasonal changes."

Centennial College by Dialog

Founded in 1960, Dialog has offices in Vancouver, Edmonton, Toronto, Calgary and San Francisco. The studio has also designed Calgary's New Central Library with Snøhetta, a pedestrian bridge in Edmonton and Calgary's tallest skyscraper with Arney Fender Katsalidis.

Irish practice Grafton Architects has also designed a cross-laminated timber college building for the University of Arkansas.

Images are by Dialog.


Project credits:

Dialog project team: Craig Applegath, Chen Cohen, Juan Carlos Portuese
Collaborators: RJC Engineers, Smith + Andersen, Vertechs Design, WalterFedy
Construction: EllisDon

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