Thursday 6 August 2020

Bell Chair by Konstantin Grcic for Magis

Bell Chair by Konstantin Grcic for Magis

Products fair: Italian furniture brand Magis has launched the Bell Chair, an affordable, stackable monobloc seat made of recycled polypropylene by Konstantin Grcic.

The Bell Chair, which retails for €77 (£70), is injection-moulded in one piece in less than a minute. This allows the production process to be as energy- and cost-efficient as possible.

Instead of using virgin plastic, the chair is made from recycled polypropylene from industrial waste from Magis' own factory, as well as from local automotive manufacturers.

Once the product has reached the end of its life it can be fully recycled, creating "an almost closed material cycle", according to Magis.

To keep material use to a minimum, Grcic engineered the rounded geometry of the design to offer maximum stability.

"You have to design everything in such a way that structurally it's strong, but with as little material as possible," Grcic explained in an exclusive video interview with Dezeen. "The best way to do that is to look at an egg-shaped shell."

This allows the Bell Chair to weigh just 2.7 kilograms, just over half the weight of a comparable plastic chair, according to the brand.

The chair comes in three colours, High Noon white, Midnight black and Sunrise orange, and can be used indoors and outdoors.

Bell Chair can be stacked in a tower of up to 24 chairs. It is shipped in a stack of 12 units on a specially designed reusable delivery pallet that is also made of recycled polypropylene. This can be used to display the chairs in a retail environment.

Product: Bell Chair
Designer: Konstantin Grcic
Brand: Magis
Contact address: info@magisdesign.com

About Dezeen's products fair: the products fair offers an affordable launchpad for new products. For more details email sales@dezeen.com.

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UK government reveals full extent of "radical" planning reform proposals

UK government publishes planning reform white paper

In a report published today, the UK government has laid out proposals to speed up planning approval for developments and scrap section 106 agreements.

Called Planning for the Future, the white paper details plans for upcoming changes to the planning system in England.

Housing minister Robert Jenrick had already announced plans to expand permitted development rights, prompting the Royal Institute of British Architects (RIBA) to brand the proposals a "disgrace".

Report outlines "radical reform" for planning

Prime minister Boris Johnson described the existing planning system as a "relic" that's "outdated and ineffective" in a foreword to the white paper.

"The whole thing is beginning to crumble and the time has come to do what too many have for too long lacked the courage to do – tear it down and start again," said Johnson.

"That is what this paper proposes. Radical reform unlike anything we have seen since the second world war," he added.

"Not more fiddling around the edges, not simply painting over the damp patches, but levelling the foundations and building, from the ground up, a whole new planning system for England."

Automatic approval for designated areas

These reforms include redrawing local plans produced by the Local Planning Authority (LPA) so that land would fall into only one of three categories: growth, renewal and protected.

Planning would be "automatically secured" for areas categorised for growth. Some development would be allowed in renewal areas but it would be restricted in protected zones.

Local authorities would be bound by a new national requirement for the number of new homes built in their areas.

To speed up planning approval, new laws could decree that local authorities and the planning inspectorate must get projects through planning in under 30 months or be sanctioned.

"Decision-making should be faster and more certain, within firm deadlines, and should make greater use of data and digital technology," said the paper.

The report said this data could come from the property technology sector, dubbed PropTech, and local authorities should all adopt digital planning services where local residents can view and respond to maps and visualisations of upcoming development proposals online.

Priority for "beautiful" developments

A " fast-track for beauty" will also grant automatic permits for "proposals for high-quality developments where they reflect local character and preferences".

As a continuation of the Building Better, Building Beautiful commission, developments that comply with local design codes would be guaranteed faster planning permission.

"Pattern books" in the form of style guides for "popular and replicable designs" could be used for permitted developments and schemes in land designated for renewal.

Section 106 replaced by infrastructure levy

The government has also suggested scrapping section 106, the legal agreements developers are required to make with local councils to make development schemes more acceptable, whether by building affordable homes or paying for public services.

In its place, an updated version of the pre-existing community infrastructure levy could become the standard.

This levy is a flat-rate fixed charge that is calculated based on the floor space of the development. Currently, this is paid once development commences, but under the reforms, it could be paid on the final value of the scheme once it is fully occupied – with sanctions on developers caught preventing occupation to avoid the charge.

The report highlighted that a non-negotiable tariff would eliminate the weaknesses of section 106, where large developers employ lawyers to help them get out of their side of the agreement.

Discounts for developers building affordable homes

Under the reforms, local authorities will be able to borrow money against their infrastructure levy revenue to fund projects. Infrastructure levy money currently can't be put towards affordable housing, which is normally secured through section 106. The white paper proposes giving developers a discount on the levy if they build affordable homes.

"In effect, the difference between the price at which the unit was sold to the provider and the market price would be offset from the final cash liability to the levy," said the paper. "This would create an incentive for the developer to build on-site affordable housing where appropriate."

However, as a government housing inquiry published last month pointed out, the definition of an affordable home in the UK is currently ill-defined.

To mitigate the risk of developers delivering low-quality affordable homes, the Planning for the Future paper suggests that local authorities could demand a cash equivalent from the developer if no buyers are found.

This white paper marks the start of a 12-week public consultation where the government has asked for feedback.

The RIBA has already urged the housing minister to reconsider the proposals. "Deregulation is not the way to bring about new homes," said RIBA president Alan Jones.

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A Furry Utopia is Overrun with Delicately Rendered Cats in Kamwei Fong’s New Illustration

“Wonderfurryland” (2020), 25 x 37 inches. All images © Kamwei Fong, shared with permission

According to long-held superstitions, a horde of black cats certainly indicates impending misfortune, but for Kamwei Fong, a mass of the furry creatures is actually a fluffy utopia. Containing felines in various emotional and physical states—drowsy, peeved, and deep in slumber— “Wonderfurryland” features a diverse kitty population defined by their rotund bodies, splayed limbs, and puffed tails. Fong even inked cat-shaped environmental fixtures, like a moon, sun, and mountain, into the black-and-white landscape.

Having an idea for the delicately rendered illustration for years, the Malaysian artist (previously) tells Colossal that it took him more than a month to detail the proper density for each animal. “Despite the long hours of effort and exhaust(ing) tons of micro-pigment ink pens, Kamwei finds the working process therapeutic and enjoyable, to see every bit of his creations being added day by day to complete the whole painting,” a statement about the project says.

To follow Fong’s upcoming kitty-centered illustrations, follow him on Instagram

 

 

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Lahofer Winery by Chybik + Kristof features undulating roof with amphitheatre

Lahofer Winery by Chybik + Kristof

Architecture studio Chybik + Kristof has topped the Lahofer Winery in the Czech Republic with a walkable roof with an open-air theatre.

The concrete winery in a vineyard near the villages of Dobšice and Suchohrdly, was designed for Lahofer – one of the largest wine producers in the Czech Republic.

Lahofer Winery by Chybik + Kristof
Photography is by Chybik + Kristof

Chybik + Kristof drew on the region's archetypal Moravian wine cellars when designing the building.

It measures 3,900 square metres and is formed of three interconnected structures: a wine-making facility, an administrative space and a visitor centre with an adjoining tasting room.

The studio added stairs leading up to the sloping, walkable roof of the visitor centre to create an amphitheatre between the public spaces and the parts of the building used for production.

Lahofer Winery by Chybik + Kristof

The wine producer plans to use the amphitheatre as a community space that will host cultural events, including theatre performances and grape harvest celebrations.

Its contoured structure was informed by the agricultural landscape surrounding it, where the grapevine grows in neat rows.

Lahofer Winery by Chybik + Kristof
Photgraphy is by Laurian Ghinitoiu

"The building is integrated within the landscape in a way that the distance between the vine rows determines the structural elements," said Chybik + Kristof co-founders Ondřej Chybík and Michal Krištof.

"This series of structural elements forms the space of the visitor centre and the administration part of the complex," they told Dezeen. "This relates to the archetypal shape of the wine-tasting spaces of the region, that of a long-arched gathering room."

Lahofer Winery by Chybik + Kristof
Photo is by Laurian Ghinitoiu

Inside the visitor centre, concrete arches are designed to fit the specific angle of the ceiling and spaced to match the distances between the rows of grapevines outside the Lahofer Winery.

This guides the visitors' gaze across the fields, which can be seen through the glass facade that forms one wall of the wine-tasting space.

Lahofer Winery by Chybik + Kristof

"We used raw natural materials inspired by the location, concrete, wooden finishes, and a large glass facade opens to the view," Chybík and Krištof said.

"The ceiling is decorated by an art piece that reflects the colours of the terroir, by local contemporary artist Patrik Hábl."

Lahofer Winery by Chybik + Kristof
Photo is by Laurian Ghinitoiu

In addition to following the layout of the grapevines, the triple-glazed building was also oriented so that it would receive as much natural light as possible.

The spaces that focus on production, storage and bottling – including the fermentation room – were given their own access and exterior space and adapted to suit their various functions.

Lahofer Winery by Chybik + Kristof

"The fermentation rooms are not lit naturally as this would greatly affect the temperature and subsequently the wines, whereas the bottling spaces and the areas where workers are present during the day are," the architects said.

The studio spread out the production spaces over two halls, with the lower hall hosting wine-making production and employee facilities and the other home to a wine press, cellar and wine store.

Lahofer Winery by Chybik + Kristof

Chybik + Kristof was founded in 2010 by Chybík and Krištof and has offices in Prague, Brno and Bratislava.

It recently designed a greenhouse-style pavilion for a Czech abbey and also looked to traditional Moravian wine cellars for its House of Wine wine bar in Znojmo, Czech Republic.

Photography is by Alex shoots buildings unless stated.


Project credits:

Architects: Chybik + Kristof
Team: Ondrej Chybik, Michal Kristof, Hanin Al-Gibury, Karolina Holankova, Martin Holy, Vojtech Kouril, Ondrej Mundl, Matej Strba, Zuzana Zathurecka, Zuzana Pelikanova, Victor Cojocaru, Laura Emilija Druktenytė, Zuzana Lisoňová, Gabriela Voláková.

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“When I shoot, it is visceral”: photographer Jeremy Grier on his therapeutic practice

The New York-based photographer, who has been featured in the likes of Vogue and Broccoli Mag, talks us through his thoughtful practice.



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