Thursday 13 August 2020

Derpy Animals by Ceramicist Nastia Calaca Channel Peculiar Storybook Characters

All images © Nastia Calaca, shared with permission

As a child, Nastia Calaca dreamed of illustrating the magical stories she devoured. Five years ago, she tried her hand at ceramics and soon was sculpting physical iterations of the anthropomorphized characters she loved. Her current collection of handmade creatures includes dopey pups and startled anteaters that are crafted with distinct personas in mind. Calaca paints the whimsical pieces in a tight color palette and opts for textured surfaces by adding bumpy patches to match a chameleon’s scales or tiny curves for a moose’s fur. To give one of the quirky creatures a new home, check out the ceramicist’s Etsy shop and see how the playful pieces are made on Instagram.

 



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Ravi Raj and Evan Watts expose chunky timber in Spears Building Loft renovation

Spears Building Loft by Ravi Raj

Architects Ravi Raj and Evan Watts have created a monolithic, concrete-like chimney in the overhaul of a loft apartment inside a former cigarette packing factory in New York City's Chelsea neighbourhood.

Raj, who runs RARARA, worked with Watts of D&A Companies to overhaul the residence in the former factory, which was completed by the Kinney Brothers in 1880. It also served as a furniture warehouse before it was converted into a condo building in 1996.

Spears Building Loft by Ravi Raj

Previously featuring "dark dwelling spaces", as described by the team, the residence was renovated to create a bright and open living space for a couple.

This included stripping out walls and dropped ceilings to create larger spaces and revealing existing brickwork and timber columns and beams.

Spears Building Loft by Ravi Raj

At the rear of the residence, the team reconfigured the layout of the bedrooms and bathrooms, creating a third bedroom and making a new hallway.

Spears Building Loft by Ravi Raj

"Extraneous millwork and partitions blocking daylight to the interior were thoughtfully removed to help open each room and improve the flow between them," said Ravi Raj Architect.

"The great room presented an unexpected discovery after the team removed the dropped ceilings and unnecessary wall enclosures, revealing the original heavy timber structure – in surprisingly great condition. This move both simplified the layout while also paying homage to the building's historical fabric."

Spears Building Loft by Ravi Raj

Throughout Spears Building Loft, the designers chose a soft and pale material palette that complements the existing details and also brightens the interiors.

Bleached walnut planks covers the floor in the living area, while the walls and built-in storage are painted bright-white or yellow.

A wood-burning stove is updated with a hearth covered in a plaster that looks like concrete and extends into a bench either side. The team chose the render because it is meant to reference the warehouse's poured concrete floors.

Spears Building Loft by Ravi Raj

Pale wood also forms the base of the white-marble island in the kitchen topped and old corner cabinets are ebonized black. They form a series of dark detail throughout, like the dark wooden dining chairs and artwork.

"The owners took care in selecting minimal yet soft and textured furnishings paired with colourful art that highlight the industrial-like quality of the space," the team added.

Spears Building Loft by Ravi Raj

The red brick is painted white in the bedrooms to make them all them light and bright, while the bathrooms display a mix of black, white and grey marbles.

Spears Building Loft is located in New York's Chelsea neighbourhood next to the city's elevated park, the High Line.

Other renovation projects in the area include a residence that architecture duo BoND turned into a light-filled home with a stainless steel fireplace surround and an apartment with a green mural dripping in gold paint.

Photography is by Nick Glimenakis.

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Renzo Piano's Genoa San Giorgio Bridge features in today's Dezeen Weekly newsletter

Genoa San Giorgio Bridge by Renzo Piano

The latest edition of our Dezeen Weekly newsletter features the Genoa San Giorgio Bridge in Italy, which has been built to replace the Morandi Bridge.

The Morandi Bridge collapsed in a storm almost two years ago in Renzo Piano's home town of Genoa, killing 43 people.

Readers are impressed at the speed at which the architect completed the replacement bridge, with one commenting "Renzo Piano just gets it."

"Its rapid reconstruction aims to become a model for the renovation and adaptation of Italian infrastructure with a high social, economic and strategic significance," said Piano's studio Renzo Piano Building Workshop.

MAD reveals Wormhole Library overlooking the South China Sea
MAD reveals Wormhole Library overlooking the South China Sea

Other stories in this week's newsletter include a library in China designed to resemble a wormhole, a smart reading light that narrates books aloud and architects and designers in Beirut's first-hand accounts of the recent explosion.

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ACDF outfits Montreal FlightHub office with vibrant colours

Flighthub Offices by ACDF Architecture

Curving glass walls and brightly coloured curtains for partitioning workspaces are among the details Canadian studio ACDF Architecture has used in an office renovation for a Montreal travel agency.

FlightHub, an online travel agency, asked the local studio to design a workspace to accommodate the expanding operations in its Montreal headquarters.

Flighthub Offices by ACDF Architecture

The office occupies 12,800 square feet (1,189 square metres) and spans an entire floor. Its design is intended to embody the agency's three key elements: technology, travel and tribes.

Flighthub Offices by ACDF Architecture

Private offices, open-plan workstations and conference rooms are set up around the perimeter of the floor and divided into the company's teams.

In the centre a circular room houses communal spaces, including a reception area, kitchen, lounge and game room.

Flighthub Offices by ACDF Architecture

"The design includes common areas at its core, with distinct 'tribal' zones beyond those spaces where teams can retreat to their different lines of business," said ACDF partner Joan Renaud. "The layout provides a functional balance of flow and concentration that is conducive to the FlightHub culture."

Flighthub Offices by ACDF Architecture

A circular glass wall detailed with narrow translucent panes wraps around the common area concealing the interior from the outer spaces. Inside, a rectangular volume, reminiscent of aerospace technology, is clad with perforated aluminium foam to block ambient sounds.

To separate the spaces within the communal zone the studio has installed several fabric curtains and used vibrant wall colours and furnishings that also act as a wayfinding system.

Flighthub Offices by ACDF Architecture

In the kitchen stainless steel appliances and a rounded counter are paired with a green ceiling and floor, while the lounge features red office chairs and matching walls. Blue chairs in the reception area blend with the hues used on the walls and in the game room the bright yellow paint stands out against the foosball table and other furnishings.

Flighthub Offices by ACDF Architecture

On the outer ring each of the four zones is outfitted with storage, a printing room, a small kitchenette, private phone call booths and a conference room.

Workspaces comprise clusters of eight desks arranged in two rows of four. A low-lying black screen divides the row of desks to create a privacy wall between workers.

Flighthub Offices by ACDF Architecture

ADCF completed the project in April 2020 before businesses reconsidered how to layout offices to adhere to social distancing protocols as a result of the coronavirus pandemic. However, it believes the design scheme reduces contact between people.

The circular plan forms two pathways and entrances for moving through the space and the small kitchen and meeting rooms in each "tribe" reduce the likelihood of large gatherings in the communal areas.

Flighthub Offices by ACDF Architecture

ACDF is led by Canadian architects Maxime-Alexis Frappier, Joan Renaud and Étienne Laplante Courchesne.

The studio has completed a number of office projects in Montreal, including a colourful workspace for entertainment service Playster and offices for software company Lightspeed that combines historic brickwork with pastel hues.

Photography is by Maxime Brouillet.

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An Astronaut and Photographer Collaboratively Document NASA’s Vast International Space Station in a New Book

Cupola with Clouds and Ocean, International Space Station – ISS, Low Earth Orbit, Space. By Roland Miller and Paolo Nespoli. All images © Roland Miller and Paolo Nespoli, ISS interior images courtesy of NASA and ASI, shared with permission

In what is believed to be the first collaboration between an Earth-bound artist and an astronaut in space, photographer Roland Miller and engineer Paolo Nespoli have recorded the momentous journey of NASA’s International Space Station (ISS). The two have been working together during the last few years to document the current technologies and sights of modern space travel. They’ve shot extraordinary photographs of an ocean blanketed with clouds, the wire labyrinths lining the vehicle, and astronaut’s bulging suits and helmets.  “If you were to stand there and look at (the spacecraft), I’m hoping that this is how you would see it,” Miller shares with Colossal.

The project began after the photographer spoke with astronaut and chemist Cady Coleman, who encouraged him to share his vision and approach to the medium with those on the space station. While researching the possibilities for such an endeavor, he discovered that Coleman is an avid flutist and would carry several of the instruments with her during missions. She even performed a duet with Ian Anderson of Jethro Tull, while he was in Russia and she far above the earth, to commemorate the 50th anniversary of Yuri Gagarin’s first human launch. “And I thought, what if I did something like that? Maybe I could somehow work with an astronaut directly,” Miller says.

 

Longitudinal View, from ISS Forward to ISS Aft, US Laboratory – Destiny, International Space Station – ISS, Low Earth Orbit, Space. By Roland Miller and Paolo Nespoli

While a similar process executed simultaneously proved too complicated, the photographer decided on a unique collaboration utilizing Google Street View, which shows both the views inside and outside the ISS. “Not only could I use it to see what the station really looked like, but I could do screenshots of parts of it,” he says, a process that he ultimately used. Miller would capture different portions within the station or views out its windows and share them with Nespoli, who would then recreate the image during a mission.

Because the ISS was in a weightless environment with fluctuating light, many of the images astronauts typically capture utilize a flash, which Miller, who generally photographs using a very low shutter speed, wanted to avoid. “The first problem you run into is you can’t use a tripod in space because it just floats away, and the station itself is going 17,500 miles an hour. Just because of the size and the speed, there’s a harmonic vibration to it,” he notes. To combat the constant quivering, Nespoli constructed a stabilizing bipod and shot about 135 images with a high shutter speed, before sending the shots to Miller for aesthetic editing.

Now, the photographs have culminated in a 200-page, full-color book titled Interior Space: A Visual Exploration of the International Space Station, which already has passed its fundraising goal on Kickstarter and still has 17 days to go. Included in the forthcoming tome are essays by four experts, the celestial photographs, and some Earth-based shots, which Miller took separately at the Kennedy and Johnson space centers. These images range from scaffolding obscuring a Pressurized Mating Adapter to up-close frames of a portable water cooler that position the dials and buttons side-by-side with stickers chronicling previous missions. With a publish date of November 2, 2020, Interior Space will launch the 20-year anniversary of uninterrupted human habitation on the ISS.

 

Potable Water Dispenser, Galley, Node 1 – Unity Mockup, Space Vehicle Mockup Facility – SVMF, NASA Johnson Space Center, Texas. By Roland Miller

Preferring an abstract, documentarian approach, Miller strives to tell a broader story that integrates design, art, and science. “It makes it more visually interesting than just topographic recording of things,” he says, noting that he always layers his photographs with distinct elements. Miller explains his particular fascination with space artifacts and the ISS:

This is a very good subject for that because they’re really amazing, beautiful things and are very complex modules… If you look at Star Trek and people walk down these spacious, pristine, white-walled hallways with carpeting and nice lights, and then you look at what a real spacecraft is, and you look at that hallway with wires and cables and computers hanging out, and it’s just crazy, chaotic, a mess of stuff. I think it’s really good to show this is what it really looks like… This is the reality of space travel right now.

An ardent photographer for more than 30 years, Miller’s foray into the field began with a visit to an old launchpad at Cape Canaveral Air Force Station. He previously shot the NASA, Air Force, and Army facilities across the United States for his 2016 book, Abandoned in Place: Preserving America’s Space History. The collection contains a glimpse into the stations, launchpads, and other vehicles that have been deactivated, repurposed, and even demolished in recent years.

Until Interior Spaces is released, you can pick up a copy of Abandoned in Place from Bookshop and follow Miller’s work on Instagram.

 

Starboard View through Port Hatch of Equipment Lock and Crew Lock with Extravehicular Activity Hardware
Quest Joint Airlock, International Space Station – ISS, Low Earth Orbit, Space. By Roland Miller and Paolo Nespoli

Scaffolding and Pressurized Mating Adapter 3 – PMA 3, High Bay, Space Station Processing Facility – SSPF, NASA Kennedy Space Center, Florida. By Roland Miller

Combined Operational Load-Bearing External Resistance Treadmill – C.O.L.B.E.R.T., Node 3 – Tranquility
International Space Station – ISS, Low Earth Orbit, Space. By Roland Miller and Paolo Nespoli

View Port-Aft, with Pressurized Mating Adapter 1 (on left) and Node 3 (on right), Node 1 – Unity, International Space Station – ISS, Low Earth Orbit, Space. By Roland Miller and Paolo Nespoli

Node 1 Equipped with Mating Systems (left) and Pressurized Mating Adapter (right) Ground Fit-Check Test, High Bay
Space Station Processing Facility – SSPF, NASA Kennedy Space Center, Florida. By Roland Miller



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