Tuesday, 1 September 2020

Richard Rogers steps down from Rogers Stirk Harbour + Partners after 43 years

Portrait of Richard Rogers

Pritzker Prize-winning architect and high-tech architecture pioneer Richard Rogers has retired from Rogers Stirk Harbour + Partners, the practice he founded in 1977.

British-Italian architect Rogers, who is aged 87, has stepped down from the board of Rogers Stirk Harbour + Partners. His name will be dropped from the practice within the next two years, per the studio's founding constitution.

"Richard has been a huge inspiration to us all at Rogers Stirk Harbour + Partners, and to the architectural profession globally," said practice co-founder and former Dezeen Awards judge Ivan Harbour.

"His humanity, integrity and generosity are reflected in the practice he founded, and which continues to be guided by his principles."

A pioneer of the high-tech architecture movement, Rogers is one of the world's most well-respected architects.

The Lloyd's building in London by Richard Rogers and Partners (now Rogers Stirk Harbour + Partners)
Richard Rogers designed numerous well-known buildings including the Lloyd's building

As well as being awarded the Pritzker Prize – architecture's highest accolade – in 2007, over his career Rogers' awards include the Praemium Architecture Laureate from the Japan Art Association, the Royal Gold Medal and the Stirling Prize – which his studio won twice.

Last year he finally added the American Institute of Architect's Gold Medal to his collection.

He is perhaps best known for designing the Centre Pompidou in Paris, London's Lloyd's building, Millennium Dome and Heathrow Terminal Five. His two Stirling Prize-winning projects are Madrid's Barajas Airport and a Maggie's Centre in London.

High-tech architecture: Centre Pompidou by Richard Rogers and Renzo Piano
Centre Pompidou in Paris is one of Rogers most recognisable builings

Rogers made his name working in partnership with Italian architect Renzo Piano in the 1970s when the two relative unknowns won the competition to design the Centre Pompidou in Paris, which completed in 1977. He founded his practice – then known as Richard Rogers Partnership – that same year.

The Richard Rogers Partnership became Rogers Stirk Harbour + Partners in 2007, when Graham Stirk and Ivan Harbour's names were added to the studio name.

"Richard's resignation has been planned since 2007, as part of the comprehensive succession planning strategy established when the Richard Rogers Partnership became Rogers Stirk Harbour + Partners," explained the studio.

"The decision to rename the practice was influenced by the vital contributions of Graham Stirk and Ivan Harbour, two of Richard's colleagues who have been with the practice for over thirty years."

Rogers said he entered the Pompidou competition against his will in a VDF lecture

Rogers, who turned 87 in July, holds the title of Baron Rogers of Riverside, alongside a knighthood and a lordship. He was an advisor of Labour prime minister Tony Blair.

When he wrote the practice constitution, Rogers insisted that as the highest-paid architect he could only earn eight times the lowest-paid staff member's salary. Yearly profits are distributed according to a points-based system, with a portion donated to charity.

"We have a responsibility to society," Rogers told Dezeen in an interview ahead of his Royal Acadamy retrospective.

"That gives us a role as architects not just to the client but also to the passer-by and society as a whole."

Rogers designed Wimbledon house to solve the British housing problem, he told Dezeen in an interview

The architect has publically mourned the UK's loss of social housing projects in recent decades. In the 1960s Rogers designed a house for his parents that he once hoped would be "a standardised system to solve the whole of the British housing problem".

Rogers 2017 lecture for Architects, not Architecture was aired as part of Dezeen's Virtual Design Festival. The architect confided that he entered the competition to design the Centre Pompidou "against my will".

"It was absolutely against my will, but being a good democrat I accepted that I was voted out by Renzo Piano, my wife and the engineers," he said. "And I did it."

Main image belongs to Dezeen.

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Eliott Grunewald’s bold display typefaces deserve to be read big

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Dutch Invertuals designs Tiny Offices from corrugated aluminium plates

Tiny Offices by Dutch Invertuals

Design studio Dutch Invertuals has created a collection of compact offices made from corrugated aluminium and wood for Dutch holiday park operator Droomparken.

Named Tiny Offices, the small workspaces were designed to be places where you could "freely dream, perform and create". They have been installed in two of Droomparken's holiday parks in the Netherlands.

Tiny Offices by Dutch Invertuals
Dutch Invertuals has designed four Tiny Offices

The compact offices measure just over six square metres and were built from raw corrugated aluminium plates, with wooden doors and a large window frame on the front facade.

"The biggest inspiration came from projects which were completely embedded in natural surroundings," said Dutch Invertuals architect Chris Collaris and design director Wendy Plomp.

Tiny Offices by Dutch Invertuals
The Tiny Offices were built with corrugated aluminium walls

"It's almost an 'end of the world-place' with that big window overlooking it," Collaris and Plomp told Dezeen.

"The actual space itself didn't need to be very big."

Tiny Offices by Dutch Invertuals
Each of the Tiny Office interiors was designed by a different designer

The Tiny Offices have custom-designed interiors in different colours, clad in materials including felt and acrylic that were chosen for their functionality.

"The interiors are designed to create the most optimal work environment, where you can concentrate and work but also lay down on a beautifully designed daybed to think and look outside," Collaris and Plomp explained.

"Because it is a small and intimate space, all materials should make sense. Therefore we used an acrylic wall that makes the space look more spacious, but you can also write on it."

Tiny Offices by Dutch Invertuals
Tijmen Smeulders designed a paired-back colour scheme for one Tiny Office

The interiors were designed by three designers Raw Color, Thomas Ballouhey and Tijmen Smeulders.

Each designer created their own colour scheme, with some choosing a colourful identity and some going for darker, more sophisticated hues.

Tiny Offices by Dutch Invertuals
Designer Raw Colour added colour wall art to its Tiny Office

Droomparken, which runs holiday parks across the Netherlands, commissioned the project for Dutch Design Week in 2018 with the aim of creating a space that would be better to work in than a traditional office.

Today there are four Tiny Offices, with more to potentially be installed in the future.

Tiny Offices by Dutch Invertuals
Raw Colour also upholstered the chair in pink material

Their project became more timely as the coronavirus pandemic struck.

"In these last years offices have become more green and healthy, but criticism of the modern contemporary office has come to the surface, and today the office seems to be under pressure because of the COVID-19 virus," Collaris and Plomp explained.

"The units got more attention because going to the normal office was not an option any more. Tiny Offices were and are a much safer place than the traditional office."

Tiny Offices by Dutch Invertuals
Thomas Ballouhey designed the interiors of the final office

Tiny Offices has been longlisted for the Dezeen Awards 2020 in the small workspace interior category.

Dutch Invertuals previously designed an exhibition celebrating at the circle and experimented with creating products from unwanted household junk to produce less.

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Klemens Schillinger creates Off-Grid Lamp for remote Austrian castle

Klemens Schillinger creates Off-Grid Lamp for remote Austrian castle

The Off-Grid Lamp developed by designer Klemens Schillinger needs to be charged up through physical effort, in a bid to help users reassess their relationship to electricity.

It was developed as part of the designer's residency at Schloss Hollenegg, a castle in the Austrian countryside that offers young designers a space for exhibitions and workshops.

Due to its secluded location, several of its rooms are not connected to the electricity grid, leading Schillinger to conceptualise a light that has to be charged manually using a crank generator.

Klemens Schillinger creates Off-Grid Lamp for remote Austrian castle

The lamp consists of brass shade and a deep green, milled aluminium body, which can be docked into the matching, wall-mounted or tabletop charging stations that are strewn across the castle.

Cranking up the generator charges the small battery that is integrated into the stem. One minute of cranking is able to power its LEDs for more than six minutes.

Removing the lamp from its charging dock transforms it into a portable torch.

"As the lamp was conceived during my residency at Schloss Hollenegg, I drew inspiration from the medieval torches and sconces that were used to move through the castle at night," Schillinger told Dezeen.

"I tried to create a lamp that can work as a torch but also can stand on its own, so it has a heavy base."

Beyond responding to the practical constraints of the castle, Schillinger hopes that the design is able to help users consider how much they take electricity for granted.

"I think we are often not aware of how much energy it takes for certain machines to work," he explained.

"The Off-Grid Lamp offers a nice way to understand how much energy needs to be created to produce a few minutes of light and therefore might make us consider our energy consumption."

Klemens Schillinger creates Off-Grid Lamp for remote Austrian castle

The project was recently longlisted for a Dezeen Award in the lighting design category, with shortlists set to be announced at the start of September.

Since graduating from the Royal College of Art, Schillinger has worked with brands including Swedish furniture brand Hem and Danish textile company Kvadrat.

Several of his projects hope to help their users develop a healthier relationship to technology, including a lamp that only lights up when the user surrenders their smartphone and a therapeutic Substitute Phone.

The video and images are courtesy of Leonhard Hilzensauer.

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Take a trip back to 90s Manchester and its famed music scene in Amelia Troubridge’s nostalgic series

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