Tuesday, 1 September 2020

A Prismatic Installation with Giant, Abstract Forms Sweeps Across a Berlin Museum

“It Wasn’t Us“ (2020), Hamburger Bahnhof – Museum für Gegenwart. All images © Katharina Grosse, VG Bild-Kunst, Bonn 202o. Photos by Jens Ziehe

Katharina Grosse’s latest installation transcends the boundaries of the Hamburger Bahnhof – Museum für Gegenwart as it erupts into a sprawling kaleidoscope. From varicolored surges inside to the vast paintings on the ground and nearby outdoor walls, “It Wasn’t Us” is an expansive artwork on the site of a former railway building. As visitors walk throughout the work, the abstract forms swell in various directions, creating a new visual at each angle. “I painted my way out of the building,” Grosse (previously) said about the site-specific project.

“It Wasn’t Us” will be on view at the Berlin museum until October 1, 2021, and if you can’t experience it in person, watch the immersive video and interview with the artist below. To dive further into Grosse’s work, purchase a copy of her forthcoming monograph or check out her Instagram. (via designboom)

 



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Available Inc: the fake studio for unemployed creatives that could become a real thing

Set up by creative duo Will Grave and Sander Vos to stand out from the “available for work” crowd on LinkedIn, the tongue-in-cheek company advertising for pretend jobs has – at the very least – provided some camaraderie during a tumultuous time.



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Superimpose becomes Futurimpose, changing its approach in reaction to current events

“When the champagne stops flowing, the hard questions need answering” – the design studio’s new manifesto takes the industry (itself included) to task, and ‘rebirths’ based on learnings.



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Through her artistic practice, Johanna Tagada Hoffbeck invites positivity into everyday life

Working across painting, drawing, installation, sculpture, film, photography and writing, Johanna sees her practice “as a garden”.



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Welcome to Qianhui Yu’s sugar-coated world of Wastopia where wasted food comes to life

The recent Royal College of Art graduate talks us through her four-and-a-half-minute short, Wastopia.



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