Thursday, 3 September 2020

Wheeler Kearns Architects clusters gabled units for Lake Michigan house

St Joseph Beach Residence by Wheeler Kearns Architects

Chicago practice Wheeler Kearns Architects has built a lake house in Michigan with a cluster of buildings clad in wood.

Designed for a young family of four, St Joseph Beach Residence is located on a waterfront plot on Lake Michigan in the town of St Joseph.

St Joseph Beach Residence by Wheeler Kearns Architects

Wheeler Kearns Architects created a series of gabled volumes wrapped in horizontal wooden boards for a unified aesthetic. When viewed from the side, three of the rooflines appear to connect in a zig-zagging formation.

The studio built four structures for the residence, two of which are connected to form the main house, in order to create a series of intimate outdoor spaces.

St Joseph Beach Residence by Wheeler Kearns Architects

"To break down the massing and scale of both the enclosures and the open site, an arrangement of volumes purposely shapes different outdoor rooms and creates smaller, defined interior living spaces," said Wheeler Kearns Architects.

A grassy front lawn, one-storey garage and a two-storey guesthouse define the front-half of St Joseph Beach Residence, while the rear has an outdoor swimming pool and a partially-covered patio. Glass walls present wide views of the lakefront at the back.

St Joseph Beach Residence by Wheeler Kearns Architects

"The site offers two distinct environments, street side and lake side," the studio said. "The street-facing 'neighbourhood' facade is expressed with crisp black-steel, punched openings and a formal entry court."

"By contrast, on the lakeside, floor-to-ceiling glass provides panoramic westward views to the dunes and Lake Michigan."

The timber exterior of the house was chosen to withstand harsh winter winds while still having a traditional and maritime feel. Gridded black windows offer a contemporary flair.

Rather than using local or endangered hardwood siding, however, Wheeler Kearns Architects opted for an acetylated or compound wood material for siding called Radiata Accoya, which is known for being more sustainable and rot-resistant.

St Joseph Beach Residence by Wheeler Kearns Architects

"Horizontal shiplap wood-cladding and cedar shingles are detailed in a taut, minimal way, and are designed to both protect and weather gracefully in the constant wind coming off the lake," the studio said.

Upon entering the home from the front garden is an entry with a stairwell and a dining room beyond. To one side is a living room, while another portion of the ground floor has a kitchen with another dining space.

St Joseph Beach Residence by Wheeler Kearns Architects

The ground floor layout is formed by two rectangular structures that are offset from each other but linked together to form a Z-shaped layout. Upstairs includes a master suite located above the entry and kitchen, and two bedrooms with ensuites and a study above the living and dining room.

St Joseph Beach Residence by Wheeler Kearns Architects

The smaller, two-story structure on the property has a two-car garage, mudroom and bathroom on the ground level, and an office, bathroom, guest bedroom upstairs. On this level, a terrace acts as a walkway between the upper levels of the two volumes.

For interiors, the home features ceilings and matching floors and built-ins of white oak. The golden hue contrasts with the grey wood exterior to allude to a sense of warmth.

St Joseph Beach Residence by Wheeler Kearns Architects

"Throughout the home, inside and out, finished or exposed, wood captures the ever-changing dance of light, wind, sand and water," said the studio.

White walls and ceilings are interspersed throughout alongside large portions of windows with black steel frames. Munich-based designer Stephanie Thatenhorst created the decor based on wood furniture pieces and accents in black leather, blue and grey tones.

St Joseph Beach Residence by Wheeler Kearns Architects

A basement completes the project and includes a den, wine room, storage area, laundry room, sauna and gym.

Wheeler Kearns Architects was founded in 1987 by American architect Dan Wheeler after time spent at Skidmore Owings & Merrill. The studio has also designed a low-lying home in the woods of Illinois for a couple north of Chicago.

St Joseph Beach Residence by Wheeler Kearns Architects

Other homes on Lake Michigan, which spans the west side of the state and is one of the largest freshwater lakes in the US, include Desai Chia's Michigan Lake House, a dark residence by William Kaven and John Ronan's Courtyard House. All of them are similarly clad in wood, like St Joseph Beach Residence.

Photography is by Steve Hall of Hall + Merrick Photographers.


Project credits:

General contractor: Norman Zielke Residential Builders
Structural engineer: Enspect Engineering
Landscape architect: Mimi McKay Landscape Architecture
Interior design: Stephanie Thatenhorst

The post Wheeler Kearns Architects clusters gabled units for Lake Michigan house appeared first on Dezeen.



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Uncoiled Rope Sprawls Across Canvases and Open Spaces in Organic Forms by Artist Janaina Mello Landini

“Ciclotrama (expansão)” (2019), 4 Ciclotramas of “expansion” series with varied sizes, black and blue ropes, 270 x 600 x 400 centimeters. Zipper Galeria, São Paulo, Brazil. Photo by Gui Gomes. All images © Janaina Mello Landini, shared with permission

Janaina Mello Landini (previously) unbraids lengths of rope to create fibrous labyrinths that breach canvases’ edges and crawl from floor to ceiling. Including both sprawling site-specific installations and smaller pieces confined to a few dozen centimeters, the São Paulo-based artist’s body of work is broad. All of her projects, though, explore tension and space as they spread into arboreal forms or perfectly round networks.

Her recent works include a massive tree-like installation that fans out across Zipper Gallery’s floor and walls into delicate, tape blossoms. Another is a smaller, numbered piece (shown below) that was born from the artist’s response to the ongoing COVID-19 pandemic.  “My days are quite slow now, no more assistants around, but I’m still working and thinking a lot,” she shares with Colossal. “At the beginning of the pandemic, I did Ciclotrama 177 (Fibonacci)… Imagine a planet-scale Ciclotrama. It starts from the first contagion and expands, forming the actual course of infection of millions of people who were catching and transmitting the disease. And keeps going…”

Since 2010, Landini has been contributing to her Ciclotrama series, a moniker that defines each piece. “The social cartography of individual networks shows the infinite interconnectedness of personal trajectories throughout a system, society, and the world as a whole. The movement of bodies (ropes) and the relationship between rhythm and time are also fundamental aspects of these series,” she says.

To dive further into Landini’s work, check out her Instagram or Artsy, and take a virtual tour of her recent show at Zipper Gallery.

 

“Ciclotrama 177 (Fibonacci)” (2020), cotton threads and acrylic pen on canvas, 1.7 x 1.7 meters. Photo by Lucas Cimino

“Ciclotrama 177 (Fibonacci)” (2020), cotton threads and acrylic pen on canvas, 1.7 x 1.7 meters. Photo by Lucas Cimino

“Ciclotrama 141 (épura)” (2019), 20 meters of handmade cotton rope diameter 24 centimeters and 2880 meters of paper tape, 700 x 800 x 1600 centimeters. Zipper Galeria, São Paulo, Brazil. Photo by Gui Gomes

Left: “Ciclotrama 153 (aglomeração)” (2020), rope on canvas, 43 3/10 × 43 3/10 inches. Right: “Ciclotrama 124” (2018), Dipado rope sewed on natural linen, 78 7/10 × 78 7/10 × 2 inches

“Ciclotrama 141 (épura)” (2019), 20 meters of handmade cotton rope diameter 24 centimeters and 2880 meters of paper tape, 700 x 800 x 1600 centimeters

“Ciclotrama (expansão)” (2019), 4 Ciclotramas of “expansion” series with varied sizes, black and blue ropes, 270 x 600 x 400 centimeters. Zipper Galeria, São Paulo, Brazil. Photo by Gui Gomes

“Ciclotrama (expansão)” (2019), 4 Ciclotramas of “expansion” series with varied sizes, black and blue ropes, 270 x 600 x 400 centimeters. Zipper Galeria, São Paulo, Brazil. Photo by Gui Gomes

“Ciclotrama 141 (épura)” (2019), 20 meters of handmade cotton rope diameter 24 centimeters and 2880 meters of paper tape, 700 x 800 x 1600 centimeters

“Ciclotrama 141 (épura)” (2019), 20 meters of handmade cotton rope diameter 24 centimeters and 2880 meters of paper tape, 700 x 800 x 1600 centimeters

“Ciclotrama 174 (impregnação)” (2019), 50 meters of black nylon rope 40 millimeters diameter and 4.200 black nails, 6 x 7 x 5 meters. Photo by Gui Gomes



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Images of the new Apple Store in Singapore feature in today's Dezeen Weekly newsletter

Apple Marina Bay Sands is a "floating" spherical Apple Store bt Foster + Partners

The latest edition of our Dezeen Weekly newsletter features Instagram images of the soon-to-open Apple Store in Singapore.

Foster + Partners has designed a spherical Apple Store on the water alongside the Marina Bay Sands hotel in Singapore and social media users have posted images on Instagram ahead of its opening.

The Apple Marina Bay Sands store is surrounded by water so that it appears to be floating and will be accessible via a footbridge from the waterfront promenade.

swimming polls: Casa Xólotl by Punto Arquitectónico
Ten architect-designed swimming pools for cooling off at home

Other stories in this week's newsletter include architectural swimming pools around the world, a scaffold-covered house and news of Richard Rogers' retirement.

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Brandon Tauszik’s Pale Blue Dress examines the subculture of reenactment groups

After years spent with Civil War re-enactment groups, the photographer offers a look inside the re-enactors’ “fabricated mental and physical realm”.



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Translucent Sculptures of Segmented Glass by Artist Jiyong Lee Evoke Single-Celled Organisms

“Green Cosmarium Segmentation” (2018), hot sculpted, cut, color laminated, carved, glass, 7 1/4 × 10 × 7 1/4 inches. All images © Jiyong Lee, shared with permission

Fascinated by the organisms found in the sea and bodies of freshwater, artist Jiyong Lee (previously) sculpts semi-transparent artworks that evoke the various forms of algae and other microscopic creatures. The segmented pieces, which are composed of smooth, matte glass, create both organic and geometric shapes. Part of an ongoing Segmentation Series, the composite works consider the evolution of a single cell, which Lee expands on:

I work with glass that has transparency and translucency, two qualities that serve as perfect metaphors for what is known and unknown about life science. The segmented, geometrical forms of my work represent cells, embryos, biological and molecular structures—each symbolizing the building blocks of life as well as the starting point of life.

Lee is based in Carbondale, Illinois, where he teaches at Southern Illinois University, and many of the pieces shown here will be part of a group show at Duane Reed Gallery in St. Louis from September 12 to October 17, 2020. The artist also was chosen as one of 30 artists for the Loewe Foundation’s Craft Prize, which will bring him to Paris for an exhibition in the spring of 2021. Until then, explore more of Lee’s biology-informed sculptures on Artsy.

 

“Mitosis”

“Diatom segmentation”

“Black and White Diatom Segmentation” (2020), hot sculpted, cut, color laminated, carved, glass, 8 × 12 × 8 inches

Left: “Gray Diatom Segmentation” (2018), cut, color laminated, carved glass, 5 1/4 × 12 1/2 inches. Right: “Yellow Orange Diatom Segmentation” (2020), hot sculpted, cut, color laminated, carved, glass, 7 1/2 x 10 x 8 1/2 inches

“Green Yellow Diatom Segmentation” (2020), hot sculpted, cut, color laminated, carved, glass, 5 3/4 × 12 × 12 inches

“White Green Diatom Segmentation” (2020), hot sculpted, cut, color laminated, carved, glass, 8 1/2 × 10 × 8 1/2 inches



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