Dezeen showroom: Swiss company Geberit's roof drainage system Pluvia is a solution for draining water quickly from large roof areas that has been standardised so that multiple units can be combined together in a single system.
The compact Pluvia system uses negative pressure to achieve almost double the discharge rate of conventional drainage systems.
Roof outlets come in a variety of different designs and sizes that can be installed on practically any roof structure.
The outlets have long outlet connection pieces to facilitate installation into highly insulated roofs, and the outlet grating has a rotating lock bar that allows it to be attached and removed easily and without tools.
For warm roofs, green roofs or weight-bearing roofs, Geberit has designed Pluvia solutions for vapour barrier connection to ensure a sealed, durable system.
Planning and calculation of all Pluvia drainage systems are supported by Geberit's ProPlanner software. The hydraulic calculation can now also be done in the Autodesk Revit CAD software using a corresponding plug-in.
Geberit offers a free download of all Building Information Modelling (BIM) data in the Autodesk Revit format, so that a sanitary engineer can calculate the configuration of the entire system in the CAD program.
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Three graduate designers have developed a body movement-recognition system that enables amputees and people with disabilities to use gesture-controlled smart devices more effectively.
It was developed by Valentin Gong, Xiaohui Wang and Lan Xiao, three designers from the Royal College of Art and Imperial College London, with the aim of making technology more inclusive.
By way of two white discs containing inertial measurement unit (IMU) sensors, which detect movement between any two body parts, people with disabilities can control spatial interfaces in mixed reality and the Internet of Things.
According to the designers, due to a lack of relative datasets technology developers often don't accommodate for people with disabilities when creating hand-gesture-controlled devices or machine-learning technology.
"While we may use thousands of people's hand-motion videos to train one model, it is almost impossible to find two people with exactly the same form of disabilities," the designers explained.
"Disability is often highly individual, which is not reflected in machine learning," they added. "Can we imagine to ask an upper limb amputee to use Hololens?"
The Dots system allows the user to choose how they interact with gesture-controlled technology based on their individual body condition, to best suit their unique disability.
Each of the two dots can be attached to any two moveable body parts to detect the motion between them, after the dots have been calibrated using the embedded inertial-navigation technology.
The two-point system is able to perform the four basic manipulations in 3D interfaces: selection, positioning, scaling and rotation.
For selection, the user would have to make the two dots quickly approach each other, while for positioning they would need to keep one dot in the same place while the other moves.
Then for scaling, the two dots need to move away or towards each other at the same time, and rotation requires the two points to rotate around a pivot point.
Dots would act as an add-on system to devices that use gesture-recognition. It uses application programming interface (API) – a software that allows two applications to talk to each other – to connect with a particular device and act as a controller for it.
It could be used to control spacial interfaces and augmented and virtual reality devices such as Hololens, Oculus and smart TVs.
The designers found that, with additional adaptable design, Dots can also be used to control 2D interfaces like smartphones and laptops.
"Access to digital information is an important right in our society, as it defines if one can integrate into society and get away from 'digital exclusion'," said the designers. "However, the future form of digital interaction is getting increasingly exclusive."
"With the development of mixed reality and Internet of Things, people are linking the digital and physical, and make intangibles tangible," they continued.
"However, while we are approaching this exciting era fulled with floating AR (augmented reality) interfaces and gesture-controlled smart devices, we seem to have forgotten to make it beneficial to everyone."
Other projects in the Dezeen Awards 2020 wearable design category include the Neuralink implant designed by Elon Musk, which aims to connect human brains with machine interfaces via artificial intelligence.
Lisa Marks' Algorithmic Lace bra is also shortlisted for wearable design of the year, and is designed to fit the form of an individual's body after they have had mastectomy surgery.
David Adjaye has partnered with luxury carmaker Aston Martin to design homes and limited edition SUVs for five residents who will live in the British-Ghanaian architect's first New York skyscraper.
Five Aston Martin Residences will be located on the 59th and 60th floors of 130 William – Adjaye's 244-metre-tall residential tower under construction in Manhattan. Each resident will also receive a limited-edition, Adjaye-designed Aston Martin DBX.
"The 130 William Aston Martin homes have been touched in a very particular way that merges our design sensibilities," said Adjaye.
"Together with the limited edition SUVs that come with these units, we've created a truly unique signature that blends our two disciplines."
Differing from the other homes in the 242-unit tower, these five will be decorated with materials, textiles and furniture sourced from the Aston Martin Home Collection by the Italian manufacturer Formitalia, with additional touches by Adjaye.
The entry hallway will be covered with a bronze cross-hatch, a signature of the Aston Martin brand, that will cover over dark Adjaye-designed wallpaper. A large arched smoked-glass mirror by Aston Martin's design team will hang on the wall, as a reference to the arched windows of the skyscraper.
Renderings show these windows will flood daylight into the lounge and dining room, whose furnishings will include leather, metal and fabric chairs that are intended to draw on the aesthetic of Astin Martin car interiors.
An open-plan kitchen adjoining the living room will have rich materials like blackened-oak Italian cabinetry, marble countertops from Italy's Apuan Alps and a cantilevered Nero Marquina marble top.
In the main bathroom, meanwhile, dark Italian Salvtori will be carved into a bathtub and double vanity sinks. Design details in the main bedroom will include Formitalia furniture and a custom cashmere headboard.
Residents will also be able to turn one of the rooms in the two- or three-bedroom homes into a racing simulator, an office and library space or a bedroom. The racing simulator will be made in partnership with British technology company Curv Racing Simulators.
Each residence will also have an expansive outdoor space with bespoke slatted screens to divide up lounging areas.
The Adjaye-designed Aston Martin DBX that will accompany the purchase of each residence will feature rich materials to mirror the homes – including marble, walnut wood and hand-stitched leather with green trim.
The five Aston Martin Residences include two penthouses for sale at $11,500,000 and $10,500,000, and three loggia residences priced from $3,985,000, $5,985,000 and $10,000,000.
The partnership with Aston Martin is not the first time the car marker has turned its hand to architecture and design.
"This is a fascinating project for the Aston Martin design team to work on and a great opportunity to collaborate with David," Aston Martin CCO Marek Reichman said.
"It is our first real estate project in New York City but our second collaboration in real estate design after the Aston Martin Residences in Miami," he added. "We can apply what we have learnt in Miami and also bring our unique automotive design skills to these beautiful luxury homes.'
A year since its opening, the snow-free ski hill and entertainment hub that sits above a waste-to-energy power plant in Copenhagen is fully open to outdoor enthusiasts. New aerial photographs from Hufton+Crow capture the rooftop complex Copenhill (previously) through a blanket of fog, revealing the now lush landscaping that lines hiking trails and visitors as they peer out over the surrounding water. The multi-use site, which is located at the Amager Resource Centre, even has the world’s tallest climbing wall, an 80-meter-high rock structure that scales the entirety of the building.
Copenhill is the project of Danish architectural firm BIG and is the highest outlook in the capital city. The new complex also boasts multi-faceted energy reuse, with the indoor plant converting waste into heat for residents’ homes, while the biodiverse hill outside absorbs heat, filters the air, and minimizes water runoff.
More than 60 international architecture firms have put artworks and signed drawings up for auction, in a bid to raise funds for rebuilding Beirut after the explosion that rocked the city in August and left at least 300,000 people homeless.
Among the items for sale is a lithography by David Adjaye rendered in 24 karat gold leaf, a one-off sketch by Renzo Piano and a limited edition sculpture designed by the late Zaha Hadid.
Now, the collective is focusing on rebuilding the city in an equitable, sustainable way in the wake of the blast by helping to coordinate bottom-up efforts on both a neighbourhood and a wider urban planning level.
"Even before the explosion, the country was going through an economic and financial crisis that paralysed the banking system and the government's capabilities to deal with the aftermath of the blast," said Makram el Kadi of New York architecture firm LEFT, which organised the auction in collaboration with the dean of Columbia's Graduate School of Architecture Amale Andraos.
"This was made even worse with the outbreak of Covid 19," he added. "And mistrust in the government's ability to secure foreign aid – let alone manage it – led to a plethora of small local and international NGOs filling that void."
In particular, Beirut Urban Lab is planning to help reconstruct crucial infrastructure like hospitals and emergency accommodation, as well as gardens, libraries and other public spaces that hold a significance for the local community.
A number of original, one-off artworks, which pay homage to the city of Beirut, were created especially for the fundraiser to support these efforts.
Although the building's monolithic shell survived the explosion, the sketch captures the moment when all of its glazings shattered, as was the fate of countless buildings up to 10 kilometres away from the site of the blast.
"Renzo Piano's sketch showcases a certain hope that permeates the current grief – a scenario in which planning for a better tomorrow is still something one can and must dream about," El Kadi told Dezeen.
The smoked acrylic sculpture, called the Serenity Centrepiece, features the architect's characteristic fluid, sinuous lines and was donated on her behalf in recognition of her "deeply personal" connection to the city, which many of her friends and family call home.
"In addition to the architectural imagination that the drawings inspire in us, they collectively express a wonderful sense of generosity and global solidarity," LEFT co-founder Ziad Jamaleddine told Dezeen, "which is a quality that is hard to mobilise in an increasingly fragmented world."