Thursday 5 November 2020

Pagerie is the "first-ever luxury fashion house for pets"

The Tascher leash and Dórro collar by Pagerie

American petwear brand Pagerie has released its debut collection Sahara, featuring a leather dog collar, leash and harness treated in the same tannery as Hermès's coveted Birkin bags.

The business bills itself as the world's first "luxury fashion house for pets", and each piece is made by hand using sandy-hued, full-grain French leather and marine-grade stainless steel normally reserved for making yachts.

The Babbi harness and Dórro collar
The Babbi harness is paired with the as-yet unreleased Colombo harness

"I just always found it odd when I'd see people dressed immaculately but then their dog is sporting a bright red plastic leash from a chain pet store," founder Mandy Madden Kelley told Dezeen.

"Our pets are a reflection and extension of ourselves and I realised there was such a gap in the market for products that live up to that connection."

The front of the Dórro collar and turnlock by Pagerie
A steel turnlock graces the front of the Dórro collar

The Sahara collection shuns an overly cutesy or utilitarian look in favour of a minimalist design and form-fitting silhouette reminiscent of equestrian equipment.

"Everything about Pagerie's styles, shapes cuts and patterns is meant to conform to the shapes and contours of our dogs," said Kelley.

"Other pet accessories tend to be too sporty, masculine or they tend to cover the pet's entire body. What I was looking for was something more sensual. I wanted to create designs that highlight the gracefulness and elegance that pets have."

The back of the Dórro collar and turnlock
The turnlock can be closed by flipping down the central hook

At $380, the Dórro collar is the cheapest item in the collection and comes with a buckle that can be adjusted to its wearer on first use.

From then on, the collar can be fastened and unfastened in a process "as seamless as opening and closing your Birkin", Kelley explained, simply by closing the steel turnlock and securing it by flipping down the hook at the centre.

The Tascher leash and Dórro collar by Pagerie

The matching Tascher leash can be set to three different lengths and used for two dogs simultaneously. It also comes with a cylindrical pouch for doggie bags or treats, rendered in the same sand-coloured leather as the other pieces.

As the most expensive piece, the $720 Babbi harness is modelled after a horse's saddle and even comes with a removable, quilted lining similar to the saddle pads worn by horses.

The Babbi harness and quilted lining
The Babbi harness comes with removable quilted padding

Kelley, a former lawyer and current beauty influencer, argues the collection's price tag is justified because it will encourage slower, more considered consumption.

"I would be shocked walking into someone's homes if they had several different leashes and collars simply because they weren't able to come across something high quality that they love," she said.

"Quality costs more but it can last a lifetime. When my team and I developed the designs for Pagerie, we made them to be timeless, high-quality pieces that would never go out of style or need to be disposed of or replaced."

The Babbi harness and Dórro collar by Pagerie
The Sahara collection is the first release by petwear label Pagerie

Choupette, the famed cat of late fashion designer Karl Lagerfeld, also made its first foray into pet accessories this year, releasing a woollen, hammock-style cat bed in collaboration with German brand LucyBalu.

Elsewhere, Asif Khan's contribution to the Architecture for Dogs exhibition at London's Japan House saw the British architect add a circular crater to the top of a felt-covered table to allow dogs to snuggle up in it.

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Wednesday 4 November 2020

Space Popular uses green tones throughout Infinity Wellbeing spa in Bangkok

Infinity Wellbeing spa in Bangkok has garden views

A tropical garden can be seen from within this spa in Sukhumvit, Bangkok, which architecture studio Space Popular has designed with soothing green and white treatment rooms.

Infinity Wellbeing is set within a building on one of the side streets, or "sois", that lead off Sukhumvit's main road.

It is entered via a luscious garden planted with dragon trees and lipstick palms, which Space Popular hopes will offset the shops, food vendors and towering skyscrapers that cluster around the spa.

Exterior of Infinity Wellbeing spa in Bangkok
Above image: the garden that surrounds the spa's entrance. Top image: one of the spa's treatment rooms.

"Designing the arrival and departure sequence is perhaps the most challenging element as the interior ambience is highly contrasting with the bustling street atmosphere in Bangkok," the studio's founders, Lara Lesmes and Fredrik Hellberg, told Dezeen.

"Through the leaves of the garden, the spa is in strong contrast to the street with its often chaotic collage of sounds and sights."

Infinity Wellbeing spa in Bangkok has calming white and green interiors
The spa's reception is decked out in calming shades of green and white

The leafy plants also help obscure views through to the interior of the spa, where the studio has continued the calming ambience by utilising a serene colour palette of off-whites and pastel greens.

Lesmes and Hellberg were particularly inspired to use the colour after coming across a local green-hued marble.

Infinity Wellbeing spa in Bangkok has calming white and green interiors
Chairs in the spa are part of Space Popular's latest furniture collection

At the centre of the reception area is a fluted white service counter. Sheer white curtains have then been hung at the peripheries of the room, serving as a backdrop to customer seating areas.

The accompanying armchairs, recliners and bar stools are all from Space Popular's latest range of furniture called The Second Collection. Each piece features a tubular mint-green framework and "petroleum-blue" upholstery.

Grooved green walls feature inside Infinity Wellbeing spa in Bangkok
Mint-green timber louvres line the spa's corridors

Green tube-like bases also feature on the stone-topped side tables dotted throughout the room, which also come as part of The Second Collection.

A contrasting pop of colour is provided by the copper-tone grid that runs across the reception's backlit ceiling. Stems of the grid extend down and away from the ceiling to form overhead lamps.

Infinity Wellbeing spa in Bangkok has calming white and green interiors
Green-terrazzo vanity units feature in the spa's treatment rooms

Corridors lined with mint-coloured timber louvres lead through to Infinity Wellbeing's white-painted treatment rooms, most of which have been finished with vanity stands and washbasins crafted from green terrazzo.

The garden-facing massage rooms are slightly moodier in tone – walls are clad in dark teal acoustic panels, while packaging foam is used to create coffered ceilings. Space Popular said it wanted to juxtapose high-end and humble materials like this from the outset of the project.

"It's a contrast often seen throughout Bangkok, which despite its abundance of luxury and shine manages to maintain its agility and inventiveness through its market and street food culture," the studio explained.

Infinity Wellbeing spa in Bangkok has garden views
The moody massage rooms have up-close views of the garden

Only one of the treatment rooms, which boasts sandy-pink walls, diverts from the colour palette seen in the rest of the spa. It also has a dramatic tiered ceiling which staggers upwards into a cone-like shape.

"[The room] had very particular constraints due to where it was located – it doesn't face the garden – so we decided to turn it into its own world," added Space Popular.

Tiered ceiling of Infinity Wellbeing spa in Bangkok
A tiered ceiling is the focal point of another treatment room

This is the second branch that the studio has designed for the spa company. The first location, which is simply titled Infinity, was completed back in 2017. It's situated in Bangkok's Bang Rak district, occupying a pair of traditional Thai shophouses.

More recently Space Popular has designed the venue for Punto de Inflexión, the first-ever architecture conference to be held in virtual reality.

Photography is by Wison Tungthunya.

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Painted on Vintage Postcards, Flora and Fauna Celebrate Farming Traditions and Wildlife of the Midwest

All images © Diana Sudyka, shared with permission

Twenty-seven years ago while studying at the University of Illinois, illustrator Diana Sudyka (previously) retrieved a bundle of postcards from a dumpster. The ephemeral correspondence revealed a relationship between farmers and workers from the Harvard area and a man named John Dwyer, either their accountant or investor who lived throughout Chicago, Cicero, and Berwyn. Dated from 1939 to 1942, the short letters generally contained information about livestock sales and farm expenses.

Now based in the Chicago area, Sudyka repurposes the envelopes as canvases for her watercolor and gouache paintings of flora and fauna native to the Midwest. “I have a strong attachment to the envelopes for various reasons, not least of which is that I was born and raised in Illinois, and spent a good deal of time in rural areas of the state,” she shares with Colossal. The penmanship, patina, and markings on the paper all inform her decisions to reflect a particular shrub or beetle duo amongst the remaining postmark and stamp. “I am drawn to the beauty of the handwriting on the envelopes, and the variation in the inks used,” she says, also noting her affinity for the assembled artworks of late artist Joseph Cornell.

Through delicate depictions of squirrels and long-legged herons, the illustrator connects her own experience enjoying the region’s bucolic settings with the decades-old content of the letters. “I often think about the wildlife that I saw as a child in those rural areas, unaware at the time of how much agriculture had already altered the land. And now as an adult, so much of both wildlife and those family farms are gone. The envelope paintings are my homage to both,” she says.

Prints of Sudyka’s postcard illustrations, which you can follow on Instagram, are available on her site.

 

Flying squirrel

Heron

Grey tree frog

Barn owl

Left: Milkweed. Right: Pawpaw tree

Blue salamander

Underwing moth



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RISD launches Race in Art & Design cluster-hire for anti-racism initiative

RISD design school in Providence

Rhode Island School of Design is hiring 10 faculty members that specialise in issues of race and decoloniality in the arts, architecture and design as part of its wider plan to tackle systemic racism in the school.

RISD's Race in Art & Design cluster-hire initiative includes four roles in the school's Liberal Arts and Experimental and Foundation Studies divisions, three in Architecture and Design and three in Fine Arts.

In order to improve the diversity of both staffing and curriculum, the school intends to hire those with scholarship, practice and pedagogies related to the African American and African diasporas, Indigenous North American and Latinx communities.

RISD aims to diversify staff and curricula

The school added that applicants can also be scholars focusing on any Indigenous or communities of colour that have been historically marginalised.

"We repeatedly heard from our community that the most definitive transformation we could make would be to increase the diversity of the scholarship of our faculty and thereby our pedagogy," said RISD president Rosanne Somerson.

"This initiative will bring 10 new faculty members to RISD in fall 2021, launching a fundamental transformation toward diversifying and expanding our curricula."

"Cluster hire initiative is a cornerstone effort"

RISD, a private art and design school in Providence, said the cluster hire is made possible by one of the largest and anonymous gifts it has ever received.

The cluster hire forms part of a wider, anti-racist plan created in response to issues highlighted by the student-led RISD Anti-Racism Coalition (risdARC) and black, indigenous and people of colour (BIPOC) faculty members amid racial unrest in the US.

Somerson revealed the proposal in an open letter sent to the Rhode Island School of Design (RISD) community in July this year, following the call for the school to do more for social equity and inclusion amid racial unrest in the US.

"I want to acknowledge and thank the student-led risdARC and the group of BIPOC faculty who passionately led the efforts to instigate much-needed change at RISD, along with the generous anonymous donors who made this possible," she said.

"This cluster hire initiative is a cornerstone effort of many major commitments underway to make substantive, meaningful and durable change at RISD."

"We'll continue to focus on issues of racism and colonialism"

In addition to expanding and diversifying curriculum and pedagogy, other key aims include cultivating a more diverse community; implementing research on issues of social equity and inclusion in art and design; and embedding anti-racist and anti-discriminatory infrastructures.

A faculty-led Social Equity and Inclusion (SEI) committee will spearhead change.

"The cluster hire is a concrete and significant step forward for RISD but I see it as the impetus behind a much larger and more durable initiative," SEI associate provost said Matthew Shenoda.

"Over the coming years, we'll continue to focus on issues of racism and colonialism and how they intersect with other key issues like sustainability."

Architecture and design profession tackles systemic racism

RISD's proposal came in the wake of the killing of African-American George Floyd in police custody in May this year. His death sparked racial unrest and anti-racism protests in cities across the US and countries across the world.

It also brought to focus the systemic racism in the architecture and design profession and resulted in members of the industry,  such as RISD, establishing a number of initiatives  to address and improve racial equality

Examples include a Google Docs spreadsheet listing black-owned studios and anti-racism design conference Where are the Black Designers?.

Photo is by Dimitri Bong, courtesy pf Unsplash.

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A Socially Anxious Character Disguises Itself As Owls, Pigeons, and Other Birds in Textured Sculptures by Clavin Ma

“Comfort Zone,” ceramic with glaze, 12.5 x 7 x 7 inches. All images © Calvin Ma, courtesy of Foster/White Gallery, shared with permission

In his ongoing series titled Blend In: Making Home, artist Calvin Ma (previously) conveys an incessant need to belong through a quirky character camouflaging itself as different birds. From owls to pigeons to Mandarin ducks, the precisely hued costumes envelop the figure in a mass of feathers and scaled footwear. The artist textures the ceramic sculptures by hand, etching countless lines into every plume.

Each species represents an emotion or experience tied to social anxiety, which Ma bolsters with corresponding environments, like a birch cage or flower-lined nest. “Being shy, timid, and a bit socially awkward is something that will always be a part of me. The goal is to come to terms with it and grow from it,” the artist says of his own experience.

If you’re in Seattle, head to Foster/White Gallery where Ma’s anthropomorphic pieces are on view through November 21. To see the works-in-progress, check out the artist’s Instagram.

 

“In The Wind,” ceramic with glaze, 13 x 11 x 8 inches

“Break Free,” ceramic with glaze, 13 x 9 x 9 inches

Left: “Making Home,” ceramic with glaze, 17 x 12 x 9 inches. Right: “Out of the Woods,” ceramic with glaze, 11 x 6 x 6 inches

“First Step,” ceramic with glaze, 14 x 7 x 6 inches

“Hover,” ceramic with glaze, 14 x 10 x 8 inches

Left: “Nesting,” ceramic with glaze, 10 x 7 x 6 inches. Right: “Time And Again,” ceramic with glaze, 12 x 11 x 8 inches

“Fleeting,” ceramic with glaze, 16 x 29 x 8 inches



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