Wednesday 18 November 2020

Demolition of Tadao Ando-designed wall in Manchester begins

Tadao Ando's wall in Piccadilly Gardens, Manchester

Demolition has begun on a wall in Piccadilly Gardens, Manchester, which forms part of Japanese architect Tadao Ando's only building in the UK.

Removal of the six-metre-long concrete wall, which locals have dubbed the Berlin Wall, began on 16 November and is expected to be completed this week.

The freestanding wall was built as part of a concrete pavilion designed by Pritzker Prize-winning architect Ando that was completed in 2002. It is owned by the Manchester City Council, as opposed to the main pavilion, which is privately owned.

View of Piccadilly Gardens and Tadao Ando's wall
Top: graffiti on the Tadao Ando wall. Above: the wall, at the back of the image, is a freestanding continuation of Ando's curved design

Ando designed the pavilion and freestanding wall as part of the regeneration of the city centre.

In recent years the area has had problems with antisocial behaviour and the wall has been covered in graffiti. In 2016, more than 20,000 people signed a Manchester Evening News petition to restore Piccadilly Gardens and tear down the wall.

Wall demolition part of larger regeneration scheme

According to the council, demolishing the wall will make it easier to see across and move through Piccadilly Gardens. It cited poor sightlines as a contributory factor to the antisocial behaviour.

The main part of Ando's building, a 130-metre-long curved concrete pavilion housing a cafe, will not be demolished as part of the current works.

However, the council has wider plans to transform the area as part of an overall regeneration scheme, which could impact the pavilion.

"The scheme also intends to address improvements to the pavilion building, which includes the other part of the wall," the council stated. "What form these improvements take is to be determined."

Tadao Ando's wall in Piccadilly Gardens
Demolishing the wall will improve sightlines, according to the council

The pavilion has been at risk of destruction before – a planned £10 million overhaul by property owners Legal & General would have seen it torn down and replaced with restaurants and a coffee shop designed by Urban Edge Architecture.

That scheme was abandoned when it became financially unviable.

Plants could be used to "soften" remainder of Ando design

This year Manchester City Council appointed landscape architects LDA Design – the landscape architects for the abandoned Legal & General scheme – to create a concept for improving  Piccadilly Gardens.

The council wants to add more planting and improve Piccadilly Gardens' lighting and design, as well as use plants to "soften" the Ando wall.

"There is also an aspiration to soften the appearance of the pavilion's concrete wall, transforming it into a green 'living wall' and by removing the free-standing part of the wall which, unlike the pavilion itself, is owned by the council," the council said.

Recent graffiti on the wall, which was created in response to the coronavirus lockdown and stated "the north is not a petri dish" could be preserved, as councillor Pat Karney said it has "historic importance." He welcomed the destruction of the wall itself.

"This is the news that everybody in Manchester has been waiting for – part of the wall is coming down," Karney, who is the city centre spokesperson, said. "I'm going to mark it on my calendar."

"This is only the first part of what will be much bigger plans to make Piccadilly Gardens the vibrant and inviting space at the heart of the city which it should be."

Ando's only other design in the UK is a water feature he created with Blair Associates in London's Mayfair.

The architect recently unveiled images of his completed He Art Museum in China and designed a circular toilet surrounded by cherry trees in Tokyo.

Photography is by Ardfern.

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Nook Pod is a gabled workspace

Nook pod workspace

Dezeen Showroom: Nook has created a family of gabled private working pods that respond to changes in office environments after the coronavirus pandemic.

The Nook Pod has a pitched frame enclosing chairs and benches for working.

It comes in three arrangements including a Huddle Pod for two people, with a glass partition between them, an Open Shelter for one person, or as A Solo Booth, which involves splitting the structure in two.

The brand envisions the pods helping companies provide extra space as people return to work.

Nook pod workspace
Nook Pods can create private workspaces within offices

"Social distancing places pressure on the capacity of any space," said Nook.

"As the flow of employees gradually increases, businesses will be challenged to provide spaces that work both in terms of social distancing and everyday productivity."

Nook pod workspace
Nook believes the pods are suitable for socially distant working

The gabled structures are built on lockable wheels so they can be moved around easily. The modules can also be attached together in a variety of arrangements.

"The fact that Nooks are built on lockable wheels becomes a very valuable proposition," added the brand. "Unused and unloved corners of an office can be transformed into meeting spaces and breakout areas simply by wheeling a Nook into position."

Nook pod workspace
Three different arrangements – Huddle Pod, Open Shelter and Solo Booth – suit different needs

Nook Pods have a hard exterior and a textile interior for added comfort. Additional details can include added backdrops and lighting control.

In addition to offices, Nook said the pods can be used for a variety of other spaces like in hospitals to provide doctors and nurses with a place to relax. They were also recently installed in the stadium of American football team the Las Vegas Raiders.

"These Sensory Nooks are equipped with soothing lighting and tactile surfaces to provide neurodiverse fans with a place to relax and recharge if the atmosphere of the stadium ever becomes too much," said the brand.

Product: Nook Pod
Brand: Nook Pod
Contact: hello@nookpod.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

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LG Display and Dezeen launch €46,000 OLEDs Go! design competition

OLEDs Go! design competition illustration by Sam Peet

Dezeen has teamed up with LG Display to launch a global design competition seeking innovative designs that showcase OLED technology in new and creative ways.

LG Display and Dezeen's OLEDs Go! competition challenges contestants to create beautiful designs that make innovative use of OLED technology.

The contest is free to enter for anyone over the age of 18 in any country around the world, with prize money totalling €46,000. It is open for entries until 15 January 2021.

Render of a rollable OLED television by LG Display
LG Display has used OLED technology to create a rollable television

OLED, which stands for organic light-emitting diode, is a technology used in lighting and for digital displays on products such as televisions and smartphones.

It is different from other lighting technologies, such as LED, because it creates illumination across a surface rather than from a single point. This results in a glare-free, diffused light source that does not require the addition of a diffuser or reflector.

In displays, OLED pixels are self-illuminating, which means the technology can be used without a backlight. This results in deeper blacks, more accurate colour reproduction and wider viewing angles.

Render of a flexible OLED television by LG Display
OLED panels are light, thin and can be flexible

Whether used in lighting or for displays, one of the main benefits of OLED technology is that the panels are extremely light and thin.

OLED panels can also be flexible or can be transparent when they are not illuminated. LG has used the technology to create the world's first rollable television, decorative lighting installations and transparent signage.

Competition seeks designs that showcase the possibilities of OLED

Contestants are free to design any kind of product that incorporates OLED technology.

We are looking for beautiful designs that make use of the technology in innovative ways to solve problems or enhance people's lives.

Rather than handheld devices, we are looking for larger objects that incorporate OLED displays of at least 22 inches (measured diagonally).

Designs should elevate the technology to create useful and desirable products. Entrants should consider who their product is designed for and how it will fit in with and enhance their lifestyle.

OLED lighting installation by LG Display at a Baskin Robbins cafe in Seoul
LG Display created an OLED lighting installation at a Baskin Robbins cafe in Seoul

Proposed designs should showcase the key characteristics and capabilities of OLED technology – in particular how light and thin the panels are – while being feasible to manufacture using LG Display's latest technology.

Full details of how to enter the competition are included in the competition brief and rules.

€15,000 prize for the winner

Competition entries will be judged by a jury comprising Dezeen editors and LG Display executives and designers, who will select the finalists and determine the overall winner.

Render of a transparent OLED television by LG Display
OLED panels can be transparent

A shortlist will be published on Dezeen in March 2021, with the finalists revealed in April 2021 and the winner announced in May 2021.

The winner will receive a top prize of €15,000 and the runner up will receive €10,000, while the remaining three finalists will receive €7,000 each.

Competition closes on 15 January 2021

The OLEDs Go! competition closes for entries on 15 January 2021.

For more information about how to enter, including the full brief and rules, visit www.dezeen.com/oledsgo.

The top illustration is by Sam Peet. Images are from oledspace.com.

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Sara Martinsen creates library of plant fibres to support sustainable manufacturing

Phytophilia by Sara Martinsen

Danish designer Sara Martinsen has explored the vast potential of plant fibres in the world of architecture and design at her Phytophilia exhibition at A Petersen in Copenhagen. 

Martinsen has spent the past year building an archive of plant fibres, and learning about their possible uses in design and manufacturing.

The result is Phytophilia, an exhibition showcasing over 20 of these different fibres. Some of them are familiar, like bamboo and sisal, while others are more obscure, such as water hyacinth and kapok.

Phytophilia by Sara Martinsen
Phytophilia features plant fibres both processed and unprocessed

The designer hopes to start a conversation about the role some of these materials will play in the future, as manufacturers face increasing pressure to move towards sustainable methods of production.

She was motivated to start the project after struggling to find information about sustainable materials and processes for her own furniture designs.

Exhibition on plant fibres in Copenhagen
Fabric samples on display include corn, hemp, flax, soybean, pineapple and sisal

"It was always hard to get the full insight from farming, production, transport, construction, etc," she told Dezeen. "Therefore I chose to start from scratch, collecting all the fibres and all the facts about the plants I could find."

"The process has changed my view on nature, and how we as designers and consumers always expect to get something out of nature," she continued.

"All species have a role, otherwise they would not be here. But if we as humans can't turn them into something useful, we disregard this role and their raison d'etre."

Reed, pine wood and cactus fibre sculpture
A sculpture brings together reed, pine wood and cactus fibres

Phytophilia is on show in Bygning A, the exhibition gallery on the first floor of the A Petersen furniture showroom.

It showcases fibres in five different states: preserved in a herbarium; dried and debarked; degummed and ready to spin into yarn; as fabric samples; and as building materials ready for use.

Phytophilia by Sara Martinsen
Bundles of dried and debarked fibres include okra, flax, water hyacinth and banana

The exhibits include various plants best known in agriculture, but which also offer a range of other applications, such as banana, pineapple, soybean, okra and corn. Other plants are better known for other uses, such as loofah and hemp.

"The intention is to give a better understanding of the plant fibres and their qualities," explained Martinsen.

Phytophilia by Sara Martinsen
These four bundles are pineapple, soy, date palm and rattan

"Not all fibres are suitable for yarn," she said. "Some of them should be left as raw fibres and used for building material, reinforcement of concrete or insulation."

She points to Kenaf as an example – this plant, which is native to tropical and subtropical Africa and Asia, can grow to a height of six metres. It is traditionally used to make rope and rugs, but more recently has been used as insulation in the walls of buildings.

Coconut bricks at Phytophilia by Sara Martinsen
Some fibres have been turned into objects, including a set of coconut bricks

Martinsen hopes the exhibition will raise greater awareness of the potential of natural fibres, particularly as an alternative to polluting materials. Furniture and fashion are two of the industries she suggests could benefit.

"This knowledge used to be passed on from generations, but the volumes and distance in modern production methods leaves us as consumers without a clue of what to look for and what to avoid," she added.

Phytophilia opened on 22 October and continues until 20 December at Bygning A. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Photography is by Kristian Holm.

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Tuesday 17 November 2020

Linear System Series by Thomas Bentzen for Muuto

Products from Thomas Bentzen's The Linear System Series for Muuto

Dezeen Showroom: Danish designer Thomas Bentzen's Linear System Series for Muuto includes tables, lighting, screens and trays and was designed to adapt to many different workplaces.

The Linear System Series collection is suitable for workspaces, educational buildings and hospitality settings and includes the pared-down Linear System Table, which is made from oak and comes in a range of different tabletop finishes.

Products in the Linear System Series by Muuto
Pendant lights, tables and moveable trays from the Linear System Series

The table can be used as a freestanding piece or as modular tables and is also available in predesigned configurations. It features one power outlet at each end, a USB-A and USB-C plug, and a cable tray made from recycled PET.

The Linear Lamp Series, which comprises a pendant light, a table lamp and a mounted lamp, was designed to complement the tables and evoke classic library settings where users can personalise public workspaces.

Also included in the Linear System Series is a tray and a screen. The tray adds more space for accessories, while the screen can give users more privacy while still allowing them to interact.

"The Linear System Series places people at its centre, being a place to meet, collaborate and work in focused solitude," said Bentzen.

Product: Linear System Series
Designer: Thomas Bentzen
Brand: Muuto
Contact: nh@muuto.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

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