Tuesday 8 December 2020

Front and Moroso's Design by Nature furniture imitates mossy rock formations

Swedish studio Front has collaborated with Italian brand Moroso to translate elements in nature into amorphous furniture items using 3D-scanning technologies.

The Design by Nature furniture collection, which comprises six seating objects, is designed to mimic various objects typically found in the wilderness, such as branches and rocks covered with moss, lichen and algae.

Design by Nature furniture by Front and Moroso
Front collaborated with Moroso to create the Design by Nature furniture

Front and Moroso wanted to use the furniture designs to bring elements of the outside, in.

While the six objects function as seating, it is not in the conventional sense, Front told Dezeen. Rather, the pieces are designed to mimic "the way one sits in nature", encouraging users to climb on top of and lay down on them.

"We wanted the pieces to create the feeling that someone had lifted a whole glade from a forest with a gigantic shovel and moved it to a home," said Front co-founder Sofia Lagerkvist.

Design by Nature furniture by Front and Moroso
The furniture mimics rocks covered with moss, lichen and algae

The creators took photos and 3D scans of various rocky woodlands and seaside areas, as well as drew sketches, before using these images to digitally build the six designs.

The wooden furniture items were given their undulating, rocky shapes by a milling machine before being coated in patterned, tapestry-like fabric produced by Dutch textile company Febrik, owned by Kvadrat.

While each of the fabrics feature a dappled design, some are coloured in rock-grey tones scattered with mossy green hues to emulate lichen-covered rocks. Others are knitted from a range of blue yarns to represent rocks beside the sea.

Design by Nature furniture by Front and Moroso
Different coloured yarns were used to create the effect of moss and lichen

"We documented these places using different techniques, both high tech and traditional," explained Front co-founder Anna Lindgren. "We wanted to collect both the dimensions and physical properties, but also the experience and atmosphere of nature."

"There were lots of paintings and drawings, and we 3D-scanned entire areas in different natural settings and used those forms to create the pieces of furniture," she continued.

Design by Nature furniture by Front and Moroso
The furniture items are covered with Kvadrat textiles

The designers wanted to focus on nature when creating the collection because of the positive effects it has on people's mental and physical health.

"Being close to nature is of course a stress reliever and good for your health. But we are also interested in other strong effects of images of the natural world," said the designers.

"For instance, there are studies that suggest that people feel good when they see various aspects of nature at the same time. You instinctively understand that there are many ways to survive: you can take fish from the water, you can pick berries and hunt in the forest and fields."

"This is very basic, a fundamental part of human perception that we are interested in experimenting with," they added.

Design by Nature furniture by Front and Moroso
The designers were interested in nature for its mental health benefits

Front and Moroso also researched the homes and structures that animals build, how they choose their locations and what "intelligence" can be found in their designs.

The two brands used this research to create a separate but similar collection of objects that will be unveiled alongside the Design By Nature furniture in an exhibition due to take place during Milan design week 2021.

Front also focused on animal-related design when creating the Resting Animals series for Vitra in 2018.

The collection, which includes a resting bear, a curled up cat and a pair of sleeping birds, are made in wool and ceramics and aimed to explore the close connection between humans and figurative objects.

The post Front and Moroso's Design by Nature furniture imitates mossy rock formations appeared first on Dezeen.



from Dezeen https://ift.tt/2IrKtcH

LSA's Christmas gift guide features 15 contemporary glassware designs

Dezeen has teamed up with glassware brand LSA to curate a gift guide for the festive season, featuring a decanter inspired by Battersea Power Station and vases designed in partnership with the Eden Project.


LSA Metropole Battersea Decanter

Metropole Battersea Decanter

Battersea Power Station was the inspiration for this glass decanter, making it the perfect gift for an architecture aficionado.

Each decanter is made from mouth-blown glass, with a stopper that has been ground by hand to precisely fit.

Shop now from LSA ›


LSA Metropole Five Mini Vase Set

Metropole Five Mini Vase Set

These vases also come from the Metropole collection, so share the same architectural shapes and proportions.

There are five in each set and they are designed to interlock.

Shop now from LSA ›


LSA Vessel Vase

Vessel Vase

Those with an eye for interior design will appreciate the warm golden tones of these vases, well suited to the earthy colour palettes that are currently in vogue.

The design also boasts a slim neck, allowing you to artfully display a few choice stems.

Shop now from LSA ›


LSA Wine Culture Wine Carafe

Wine Culture Wine Carafe

This modern take on the traditional wine decanter features a curvaceous form that makes it both elegant and functional.

To create this unique shape, the glass is mouth-blown by master glassblowers.

Shop now from LSA ›


LSA Bar Culture Balloon Glasses

Bar Culture Balloon Glasses

These balloon glasses demonstrate high levels of craft. Available in sets of two, they combine ultra-fine, flat-based bowls with extremely slender stems.

Shop now from LSA ›


LSA Celebrate Dual Champagne Bucket

Celebrate Dual Champagne Bucket

Designed to hold two bottles of champagne, this glass bucket is the gift with New Year's Eve in mind.

Thick walls make the design as durable as possible, meaning it can easily double as a fruit bowl or vase at other times of the year.

Shop now from LSA ›


LSA Champagne Theatre Saucers

Champagne Theatre Saucers

The sparkle of champagne is referenced in the design of this hand-crafted saucer (pictured left). A braided detail allows the stem to catch the light, just like champagne bubbles in the glass.

The saucers come in sets of two, so celebrations can be easily shared.

Shop now from LSA ›


LSA Canopy Self Watering Planter

Canopy Self Watering Planter

The Eden Project collaborated with LSA on the Canopy collection, a range of planters and vases designed with sustainability in mind.

Each piece is made entirely from recycled glass and designed to cultivate living plants rather than flower stems. This design is a self-watering planter, ideal for plants that like moist soil.

Shop now from LSA ›


LSA Canopy Trio Vase Set

Canopy Trio Vase Set

Also in the Canopy collection, this set of three small sculptural vases can be used for propagating plants and bulbs.

The shapes reference the domed forms of the Eden Project biospheres and are blown from recycled glass.

Shop now from LSA ›


LSA Boris Whiskey Set

Boris Whiskey Set

Designed especially for whisky, this decanter and tumblers set features heavy-bottomed glass, giving an enjoyable weight to the design.

Perfectly straight sides contrast with the gently curved interior of the vessels, giving them a clean contemporary feel.

Shop now from LSA ›


LSA Vodka Shot Glasses

Vodka Shot Glasses

The architecture and graphic design of the Eastern Bloc informed the chunky geometric shapes of these vodka glasses.

They come as a pair of opposites that tesselate together – one has an extra-wide base, while the other is top heavy.

Shop now from LSA ›


LSA Bar Culture Cocktail Glasses

Bar Culture Cocktail Glasses

A softer version of the classic Martini glass, this design (pictured centre) makes a great gift for those who like their cocktails straight up with a twist.

Available in a set of two, the glass has a fire-polished rim to give it an exceptionally smooth finish.

Shop now from LSA ›


LSA Umberto Vase

Umberto Vase

Antique apothecary jars were the inspiration behind the Umberto collection, a series of glass vases with soft cube-like forms.

These designs are made using scissor-cutting, a precise technique for shaping the overhanging rim. The hand techniques used in the manufacturing process ensure that no piece is identical.

Shop now from LSA ›


LSA Lotta Vase

Lotta Vase

It doesn't have to be all about glass. This streamlined vase features a wooden base, made from sustainable FSC-certified ash wood.

The natural, irregular grain of the wood creates an attractive counterpoint to the simple cylindrical form of the glass above.

Shop now from LSA ›


LSA Void Oil/Vinegar Bottle and Cork Stopper

Void Oil/Vinegar Bottle and Cork Stopper

Those who like spending their time in the kitchen might enjoy this glass bottle, designed to hold oils or vinegars.

A hand-shaped hole in the centre create a natural holding point, making it easy to pour over food.

Shop now from LSA ›

The post LSA's Christmas gift guide features 15 contemporary glassware designs appeared first on Dezeen.



from Dezeen https://ift.tt/3qDhYd9

Pantechnicon store in London infuses Japanese and Nordic culture

Interiors of Pantechnicon in London

Architecture firm Farrells has overhauled a 19th-century building in London's Belgravia neighbourhood to create a shopping and dining destination that spotlights both Japanese and Nordic craft.

The Pantechnicon building was originally built in 1830 as an arts and crafts centre, before becoming a warehouse where the affluent locals of Belgravia could store their excess belongings.

Now, following five years of renovation works, it contains shops, cafes, bars and restaurants that all, in some way, reflect Japanese and Nordic culture.

Rear extension of Pantechnicon, a Japanese-Nordic store in London
Top image: the exterior of Pantechnicon. Above: the white-brick extension at the rear of the store. Photo by Charlie Mckay

The renovation saw Farrells dramatically expand Pantechnicon by adding a three-storey rear extension and enlarging its basement.

Clad in glazed white bricks, the extension is stepped in form and is punctuated by large crittal-style windows that wink at the building's past as a warehouse.

Pantechnicon has warm, exposed-brick interiors. Photo by Charlie Mckay

Care was taken to preserve Pantechnicon's grandiose facade, which features a series of towering columns. The building also kept its original name – "pan" stems from the Greek term for "all", and "techne" loosely translates to "arts and crafts" or the act of making.

"Our designs have carefully restored the building and celebrated its heritage, whilst enhancing its interiors for modern-day use," said Russ Hamilton, design partner at Farrells.

The Edit shop interior of Pantechnicon in London
The Edit on the ground floor showcases products from 150 Japanese and Nordic brands

The ground floor of Pantechnicon showcases what's referred to as The Edit, a curated selection of products from Japanese or Nordic brands. This includes design objects from Tokyo-based studio Nendo, jewellery by Norweigan designer Tom Wood and footwear from Danish label Erik Schedin.

Pieces are presented on wooden counters that have small leafy trees rising up through their centre, while lantern-like lights hang directly overhead.

The Edit shop interior of Pantechnicon in London
Trees rise up through product display plinths

Should visitors get peckish, they can grab a coffee and snacks at Pantechnicon's in-house branch of Cafe Kitsuné. It comes as part of a chain of cafes presided over by Kitsuné, a French-Japanese music and fashion label.

As evening falls there's additionally the option of Sakaya, a bar designed by DEIK that offers an extensive menu of whiskies, sake and umeshu – a sweet Japanese liqueur made by soaking ume plums in liquor and sugar.

The Studio shop interior of Pantechnicon in London
The Studio on the first floor provides more retail space

More products will be displayed on Pantechnicon's first floor in another retail area called The Studio. This level of the store, however, is overall meant to be more immersive, where visitors can get to know more of Japanese and Nordic culture through workshops and pop-up dining experiences.

At the time of opening, there was a 20-cover eatery called Sachi, which served up dishes made from typical Japanese market ingredients. A permanent iteration of Sachi will open in Pantechnicon's basement in 2021.

Interiors of Eldr restaurant inside Pantechnicon in London
Eldr restaurant can be found on Pantechnicon's second floor

On the store's second floor is another restaurant called Eldr, or "fire" in Old Norse. Its diverse menu borrows from the cuisines of the 10 different countries that make up the Nordic region.

A further dining venue headed up by Finnish chef Joni Ketonen occupies a light-filled, greenhouse-style structure on Pantechnicon's rooftop, which Farrells added during the renovation.

Interiors of Roof Garden restaurant inside Pantechnicon in London
Another restaurant sits inside a greenhouse-style room on Pantechnicon's roof

Farrells has been established for over 50 years and works between offices in London, Hong Kong and Shanghai. Other recent projects by the firm include the creation of six interconnected skyscrapers in Shenzhen.

The post Pantechnicon store in London infuses Japanese and Nordic culture appeared first on Dezeen.



from Dezeen https://ift.tt/37OrgKZ

FebriSol is a scratch-card-style sticker that helps people remember to take their medication

Renderings of Ricky Stoch's FebriSol

South African designer Ricky Stoch has created a scratch-card-style sticker for medicine bottles that "gamifies" taking medication in order to encourage patients to remember to take their daily dose.

While FebriSol is designed to be used with any daily medication, the project has a special focus on the antiretrovirals (ARVs) used to combat HIV.

The patient simply sticks the label on their bottle, box or packet and scratches off the day's metallic coating after taking their medication.

"By doing this they reveal a green tick providing positive reinforcement, essential to making behavioural change sustainable," Stoch told Dezeen. "The patient can also see, at a glance, whether or not they have taken their medication on any given day."

Ricky Stoch's FebriSol label on a bottle
Top image: the user simply scratches off the date when taking the medications. Above: a green tick is revealed when scratching the label

The Johannesburg- and London-based designer created the FebriSol label for a competition brief, the Dundeed Challenge, for which she ended up being shortlisted.

Stoch took cues from the contraceptive pill's packaging design when creating the label, which features 28 days that run as a loop before ending back at the start.

"99% Invisible, one of my favourite podcasts, made an episode about repackaging the Pill and the positive effect it had on women's adherence to oral contraceptives," the designer explained.

"It has been at the back of my mind ever since. When I started working on the design for FebriSol I remembered the episode and drew inspiration from David Wagner's original design from the 1960s and subsequent iterations."

Labels from FebriSol by Ricky Stoch
FebriSol's layout design was inspired by that of contraceptive pills

The designer also reflected on her own experience of taking the contraceptive pill and other chronic medications, and tried to incorporate aspects that she felt would enhance the patient's experience.

"The scratch card metaphor adds an element of gamification and means that the patient doesn't need a pen or any other auxiliary tools to mark off the day," Stoch said, explaining that this easy-to-use element is key in changing patient behaviour.

Stoch says focusing her research on HIV felt quite natural, as she has always been aware of the risks of the virus.

"I grew up in South Africa at the height of the HIV crisis, so I have always been very aware of the virus and the associated risks," Stoch explained. "It felt quite natural to focus my research on HIV. "

Examples of Ricky Stoch's FebriSol in use
The sticker has 28 days on the label

Stoch focused on antiretrovirals as they are fundamental to ending the HIV epidemic, since they lead to viral suppression that prolongs patients' lives and means they can't transmit the virus.

However, she points out that poor adherence to medication is not unique to ARVs.

"It is estimated that poor adherence to chronic medications costs the NHS over 500 million pounds per annum," said Stoch. "The beauty of a solution like FebriSol is that it is so simple, cheap and easy to produce that it is applicable anywhere."

FebriSol currently only works for a single-day treatment protocol, but the designer is adapting it to suit those who take multiple doses of medication each day, and wants to eventually also develop an accompanying app.

FebriSol's design is registered in the UK and South Africa and is pending registration in the US.

Stoch, who says she has built a relationship with technical suppliers, is ready to put it into production and would ideally like to partner with a pharmaceutical company, chain or the NHS to ensure the product is dispensed with chronic prescriptions.

"I'd like FebriSol to be accessible to as many people as possible," she said.

Other designers to create health products include Norway's ANTI, which created a pocket-sized naloxone kit to prevent opioid-overdoes deaths, and graduate Natalie Kerres, who designed a flexible body cast.

The post FebriSol is a scratch-card-style sticker that helps people remember to take their medication appeared first on Dezeen.



from Dezeen https://ift.tt/3mZL706

Dezeen and House by Urban Splash present a talk on building new neighbourhoods

Dezeen has teamed up with House by Urban Splash to host a live talk about how new neighbourhoods can be built to prioritise wellbeing and sustainability. Watch the talk here from 11:00am London time.

Named Housing: A blueprint for the future, the talk is moderated by Dezeen's founder and editor-in-chief Marcus Fairs, and features Suzy Jones, director of the Future Lab division of House by Urban Splash, as well as Sekisui House UK CEO Kenta Konishi and Albert Hall, founder of The Modern House.

House by Urban Splash
House by Urban Splash is a British builder of modular homes

House by Urban Splash is a new company that builds modular homes, created by property developer Urban Splash. It is a partnership between Urban Splash, Japanese housebuilder Sekisui House, and government housing accelerator Homes England.

The talk coincides with the launch of Live Well by Design, a manifesto that sets out the principles that guide House by Urban Splash's building projects.

House by Urban Splash offers home buyers the opportunity to customise their homes, which are built off-site in a factory. While rare in Britain, modular housing is common in Japan, where Sekisui House is the biggest housebuilder and specialises in modular construction methods.

During the panel discussion, the speakers will interrogate how well-designed homes and neighbourhoods make us happier and healthier, encourage us to live in our homes for longer, and create strong communities with biodiversity, sustainability and flexibility built in.

Suzy Jones of House by Urban Splash
Suzy Jones, director of the Future Lab at House by Urban Splash

As director of House by Urban Splash's research and innovation-focused Future Lab, Jones leads teams of specialists exploring the impacts of societal, environmental and technological change on the design and development of homes and communities.

Previously, Jones was director of RIBA North, the Liverpool-based wing of the Royal Institute of British Architects. She studied Interactive Arts at Manchester Metropolitan University and Visual Anthropology at the University of Lapland.

Kenta Konishi, CEO of Sekisui House UK
Kenta Konishi, CEO of Sekisui House UK

Konishi acted as the managing director of Sekisui House in Singapore before moving to London in 2019 to inaugurate the UK branch of the company as its CEO.

Sekisui House is expanding into the British housing market through its part in the House by Urban Splash partnership. The company, founded in 1960, is one of the world's largest housebuilders, with cumulative sales of over 2.4 million homes.

In Japan, Sekisui House has built more than 44 thousand net-zero energy houses, and is known for its "gohon no ki" (meaning "five trees") landscaping concept, by which it pledges to plant tree species that are suitable for local ecosystems as part of each project.

Albert Hill co-founder of The Modern House
Albert Hill, co-founder of The Modern House

Hill was working as the design editor at Wallpaper* magazine when he and fellow journalist and art history graduate Matt Gibberd co-founded design-led estate agency The Modern House in 2005.

The pair saw an opportunity for aesthetically-led real estate and sought to bring an editorial sensibility to what they saw as a staid housing market.

Hill has written for The Guardian, The Times and The Independent, contributed to a number of books and commentated on architecture and property on television and radio.

The post Dezeen and House by Urban Splash present a talk on building new neighbourhoods appeared first on Dezeen.



from Dezeen https://ift.tt/3owBUfP