Friday 18 December 2020

Dezeen's top 10 architecture trends of 2020

Continuing our review of 2020, here are 10 of the most interesting architecture trends, from escapist cabins to Thomas Heatherwick's green thumb and, of course, architects' responses to the coronavirus pandemic.


Mountain Refuge by Massimo Gnocchi and Paolo Danesi

Prefabricated cabins

Factory-made homes are a hot topic in discussions of addressing global housing shortages, but 2020 was the year that architects explored their dreamier qualities. Perhaps it was the seemingly endless isolation, but prefabricated cabins that can be packed off to remote locations for living out an off-grid fantasy were very popular this year.

Muji was first out of the gate with Yō no Ie, a single-story dwelling designed for rural areas that features an expansive deck – complete with a sunken conversation pit – to encourage outdoor living.

Italian architects Massimo Gnocchi and Paolo Danesi provided a romantic vision of modular construction with Mountain Refuge, a concept for a plywood micro home designed for relaxing in the wild.

Studio Puisto also created a modular prefabricated cabin called Space of Mind that can function as an off-grid retreat or, in light of the coronavirus pandemic, as an extra room for working or exercising. The A-frame Den Cabin Kit also arrives in a flatpack kit of parts and can be assembled in just a few days.


Connected Units for Respiratory Ailments (CURA) intensive care  shipping-container pod by Carlo Ratti and Italo Rota

Coronavirus field hospitals

As the coronavirus pandemic put hospitals around the world under pressure, architects and builders sprang into action to create field hospitals to treat patients.

In Wuhan, China, where the outbreak began, work continued through the night at the end of January on the 1,000-bed Wuhan Huoshenshan Hospital. In February it was able to accept its first patients after just nine days of construction.

Italy was one of the earliest countries to be hit hard by Covid-19, with hospitals quickly reaching capacity. In March, Italian architects Carlo Ratti and Italo Rota developed an intensive care unit housed in a shipping container and by April the first two-bed unit was accepting coronavirus patients in a Turin hospital.

In the UK, architecture and engineering firm BDP helped turn the ExCel centre, a London conference venue, into the 4,000-bed NHS nightingale.


The Red Roof by TAA Design

Aerial photography

As drones become more and more accessible, architecture photographers took to the skies to capture a birds-eye view of structures.

Aerial photographer Tom Hegen produced a series of photos of greenhouses in the Netherlands to ask questions about the world's food supplies.

Photography from above was a particular theme in the projects that won in Dezeen Awards 2020. Shots from the sky showed off the stepped roof garden of a red house in Vietnam by TAA, which won rural house of the year and architecture project of the year.

Aerial photography also captured arresting visuals of the civic building of the year, a primary school in Iran by FEA Studio, and a bicycle park in Copenhagen by COBE that won landscape project of the year. Drone photography also featured in shots of a treetop cycling circuit by BuroLandschap and De Gregorio & Partners, which was crowned infrastructure project of the year.


EDEN tower by Heatherwick Studio

Biophilic Heatherwick 

Heatherwick Studio flew the flag for biophilic architecture in 2020 – the practice of integrating plants to create indoor spaces that still allow occupants to connect to nature.

For its Maggie's Centre in Leeds, UK, the architecture firm created a timber-lined space filled with greenery and shelves especially for plant plots. With its grass-covered roof, the centre is designed to provide respite for people living with cancer.

In Singapore, the Thomas Heatherwick-founded practice completed a 20-storey residential tower apartment building called EDEN that's covered in plants, thanks to each home having its own balcony-style garden.

Even on a much smaller scale, the studio found ways to help people bring greenery into their homes, creating a desk that has plant holders for legs.


10 architecture films to watch in coronavirus isolation

Architecture on film

2020 was the year that lots of people finally had time to catch up on their to-watch list.

To ease the boredom of lockdown and the loneliness of self-isolation, Dezeen put together a list of all the most interesting architecture on the big screen, and a round-up of all the top architecture and design documentaries to watch in quarantine.

It was so popular we also put together a spooky list of films and television shows where the haunted house plays a starring role.

Readers were inspired to share their own must-see film favourites, and we published these top quality recommendations in a list of their own.


No Footprint House by A-01

Carbon-neutral architecture

As the world wakes up to the serious risk of a climate emergency, the architecture industry took a serious look at how the sector needs to cut its contribution. Some studios have become pioneers of carbon-neutral architecture – where a structure doesn't release more carbon dioxide into the atmosphere than it traps in place, or is designed to run on renewable energy sources.

Architecture studio A-01 unveiled a prototype for zero-carbon housing in Costa Rica, and a carbon-neutral hotel designed by Von M opened in Germany.

Stirling Prize-winning studio Mikhail Riches has a plan to deliver 600 Passivhaus homes in York, which is set to be the largest net-zero carbon housing scheme in England. In Wales, Loyn & Co is planning a 35-home net-zero-carbon housing scheme that will be built from cross-laminated timber (CLT).

People also shared tools to help other professionals achieve carbon neutrality. Construction company Skanska and software developer C Change Labs created a calculator to help compare the environmental impact of materials, and Feilden Clegg Bradley Studios made a spreadsheet that can predict a building's carbon emissions over its lifespan.


Home Farm by John Pawson

Self-designed homes

Everyone was in the market for a little home improvement after months of staring at the same four walls, but no-one does a makeover quite like architects designing their own homes.

British architect John Pawson unveiled Home Farm, his minimalist countryside retreat set in a series of converted 17th-century farm buildings. Edinburgh pair Luke and Joanne McClelland carved a lateral apartment out of a set of Georgian townhouses.

In Australia, John Wardle remodelled his house of over two decades, while architect Simon Pole and graphic designer Annabel Dundas created a family home on the banks of the Yarra River.

More architects who became their own clients include the owners of Berman Horn Studio, who built their holiday home in Maine, and Lorenzo Grifantini with his house in Puglia.


Bjarke Ingels meets Brazil's president Jair Bolsonaro to "change the face of tourism in Brazil"

Bjarke's BIG year

BIG founder Bjarke Ingels made plenty of headlines in 2020. In January he was heavily criticised for meeting with Brazil's controversial president Jair Bolsonaro. Ingels defended the meeting, arguing that "creating a list of countries or companies that BIG should shy away from working with seems to be an oversimplification of a complex world".

In March, as the pandemic bit, BIG turned its 3D printing facilities in New York over to making face shields. "The massive urgency and shortcomings of the traditional provisions and supply chain during the Covid outbreak has revealed the flexible making capacity that resides in so many places you don't normally associate with manufacturing, like architecture and design studios," Ingels told Dezeen.

In Albania there were protests in May over plans to replace Tirana's national theatre with a BIG design. Ingels made front-page news again in October, where a profile in TIME magazine revealed the extent of his next project: redesigning the entire planet to solve climate change.

His studio also announced some high profile projects in 2020, including a 3d-printed Moonbase for NASA, a city built out of wood at the foot of Mount Fuji, and a Virgin Hyperloop testing facility for Virginia.


North Greenwich Sculptural Screen by Neiheiser Argyros

Disguised ventilation shafts

Cunningly-disguised infrastructure elements were a more unexpected trend in 2020.

Grimshaw unveiled a range of vents for HS2 that will be masquerading as something else, including a farmyard barn in Chalfont and a sculptural crown-shaped landmark for Amersham.

Neiheiser Argyros built a white metal pavilion that integrates a digital screen, a cafe and public toilets to hide the fire escape and exhaust vents of the London Underground. On another part of the line, Cullinan Studio built an energy centre over the top of a vent to turn hot air created by the Northern Line into hot water for the surrounding homes – all hidden behind a bright red perforated metal screen.


Shift Architecture Urbanism designs social distancing into the food market

Social distancing

Architects stepped in to help people and businesses cope with the pandemic, redesigning places and spaces so that people could use them while keeping a distance of over a metre from each other.

Dutch studio Shift Architecture Urbanism came up with a model to allow food markets to re-open safely, and Italian practice Caret Studio painted a public square in a town near Florence so that residents could socialise outdoors.

Weston Williamson + Partners put together a plan to help workplaces to comply with social distancing rules, and The Manser Practice did the same for hotels.

MASS Design Group came up with strategies to help bars and restaurants separate customers, while Isometric Studio put together a toolkit for museums and galleries.

Precht presented a design for a socially distanced park based on a hedge maze, and Arup made miniature parks with built-in benches to help businesses re-open in Liverpool.

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Spacon & X creates casual diner for Noma's burger spinoff POPL

POPL burger restaurant by Spacon & X and e15 for Noma

Prolific Copenhagen restaurant Noma has opened a burger joint featuring an interior filled with natural materials and plants designed by Spacon & X.

Born out of a summer pop-up, POPL is a diner in Copenhagen's pretty Christianshavn neighbourhood, serving a simple menu of burgers, fries and light bites.

POPL is designed by Danish studio Spacon & X, the Emerging Interior Designer of the Year from the inaugural Dezeen Awards in 2018.

Red and yellow tones in POPL burger restaurant by Spacon & X and e15 for Noma
POPL is a burger joint in Christianshavn, Copenhagen

The interior design takes cues from Izakaya, informal drinking venues that can be found in Japan. The aim was to create a raw simplicity but to also create a feeling of warmth and comfort.

The designers did this with the use of warm colours and materials, which contrast the starkness of the building's concrete structure. They also added a wooden "plant bridge" above the tables, so that greenery is visible everywhere.

Plant bridge in POPL burger restaurant by Spacon & X and e15 for Noma
A plant bridge is suspended above the tables

"We found it a natural decision that the design concept follows Noma's approach to the burger: simple, welcoming, and with the best quality ingredients," explained Malene Hvidt, architect and partner at Spacon & X.

"The design is welcoming to the extent that guests are not afraid to use the space as a hangout," she told Dezeen. "The surface materials and careful detailing communicate this through their expressive robustness and honesty."

Natural materials in POPL burger restaurant by Spacon & X and e15 for Noma
Natural materials feature throughout the interior

The design centres around the use of natural materials. Acoustic ceiling panels are lined with dried and compressed meadow flowers, which offer a delicate fragrance, while paper lights and artworks are dotted around.

All of the furniture is made from brown core ash wood. These pieces were all designed bespoke for POPL through a collaboration with furniture brand e15, to help give the restaurant its own identity.

Wooden furniture in POPL burger restaurant by Spacon & X and e15 for Noma
Spacon & X worked with e15 to create bespoke furniture

Bespoke tables, chairs, stools, benches and coat hangers are all characterised by simple forms that celebrate the construction joints, fusing Nordic, Japanese and American furniture-making traditions.

Tables are topped with Richlite, a composite material made from recycled paper and bio-resin. Meanwhile, benches are upholstered in a distinctive yellow leather, which is complemented a tactile red artwork that covers the rear wall.

Wooden bar stools in POPL burger restaurant by Spacon & X and e15 for Noma
Warm tones help to create a cosy atmosphere

"The focus of this project is on the use of natural materials and craftsmanship," said e15 founder Philipp Mainzer. "This is very much in line with the approach to our work at e15."

"Every surface tells a story," added Hvidt, "like the compressed flower acoustic board solutions, which from a distance are a dappled colour but up-close reveal their texture and scent. Or the red artwork, celebrating the handcraft skill of applying tile mortar."

Yellow leather seats in POPL burger restaurant by Spacon & X and e15 for Noma
Benches are upholstered in yellow leather

This is the first time that Spacon & X and e15 have collaborated with Noma, which is regularly named as one of the best restaurants in the world. For Noma's main venue, it worked with architects BIG, interior designer David Thulstrup and furniture brand Brdr Krüger.

By allowing a new creative team to put their stamp on the Noma aesthetic, POPL hopes to reach a wider audience.

Window seats in POPL burger restaurant by Spacon & X and e15 for Noma
The design takes its cues from Japan's Izakaya drinking venues

Hvidt hopes visitors will liken the experience to the casual atmosphere of an American diner, even though the space looks very different.

"We have definitely brought a new dialect to the Noma language," she added.

"The nuanced American diner feel is created through elements such as the heavy diner booth typology, but the association is then offset through the care put into the material sourcing, detailing and craftsmanship. The striking yet natural colours again play with the American diner tradition in a Scandinavian context."

Photography is by Bjørn Bertheussen.

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HP DesignJet Studio is a piece of "furniture that prints"

Render of HP Designjet Studio Printer

Dezeen promotion: American technology company HP has developed a large-format plotter for architects and designers, which aims to be closer to a piece of furniture than a traditional printer.

Called the DesignJet Studio, it sits perched on a slim, white metal frame and features an integrated shelf, much like a console table. By making the printer an attractive and useful piece of furniture the brand believes that companies will place it centrally in offices rather than hiding it in back rooms.

Render of HP's large-format printer
The DesignJet Studio features a light wooden top that can be used as a work surface

Instead of a black plastic shell, the machine is finished with either a wooden or steel top, allowing it to blend easily into different, modern workspaces.

During the current pandemic, this also means it won't look out of place in a home office set-up and can complement residential environments.

Render of HP Designjet Studio Printer with wooden or steel top
It is available in 24-inch and 36-inch output sizes with either a wood or steel finish

The DesignJet Studio, and its corresponding mobile app, allows users to print documents straight from their phones while on the go.

Render of HP's large-format printer and mobile app
The printer can be operated via a mobile app

With the aim of minimising clutter, the fabric sling that acts as the output bin can be retracted into the printer when not in use while instructions for setting up the device are delivered not via a paper manual but via the mobile app. This focus on a simplistic set up removes confusing instructions making the DesignJet Studio easy to integrate with existing systems.

To simplify the printing of large formats and different file types, HP's Click software automatically nests different items to be printed on one sheet, optimises their orientation and checks PDFs for errors.

The application also supports collaboration between creative teams working in design and architecture studios. Who print various formats from CAD drawings to posters and roll-up banners on different paper sizes all in one go.

Render of HP Designjet Studio Printer in an office
The DesignJet Studio is designed to fit into modern office environments

The DesignJet Studio is the company's first net-carbon-neutral plotter – certified in accordance with The CarbonNeutral Protocol, which covers lifecycle emissions connected to raw material extraction, manufacturing, transportation, the use and finally disposal of the printers.

Taken together with its sleek design, this has earned the printer both a Good Design Award and a German Design Award Gold this year as well as a Spark Gold award and Interior Design Best of Year Honoree in the technology category.

To find out more about the DesignJet Studio, visit HP's website.

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Thursday 17 December 2020

Snøhetta covers arched Le Monde Group Headquarters with shimmering glass tiles

Le Monde Headquarters in Paris by Snøhetta

A pixelated skin made from thousands of glass tiles wraps around the sweeping headquarters for French daily newspaper Le Monde designed by Snøhetta in Paris.

Set within the capital's 13th arrondissement, the office provides newsrooms for each of the French media company Le Monde Group's publications, under the same roof, for the first time.

Its semi-transparent shell arches over a new plaza and also contains public facilities, designed by Snøhetta with local studio SRA to establish a dialogue between the company and the public.

The exterior of the Le Monde Headquarters in Paris by Snøhetta
Above: the Le Monde Headquarters is covered in thousands of glass tiles. Top image: its arched form reduces weight on a railway line below ground

Snøhetta first revealed the design for Le Monde Group Headquarters in 2015, two weeks after the terrorist attacks on the satirical magazine Charlie Hebdo in Paris.

The openness of the design therefore comments on the importance of freedom of speech and also reflects Le Monde Group's goal of continuing to provide accessible information for all.

The glazed exterior of the Le Monde Headquarters in Paris by Snøhetta
The glass tiles vary in transparency and create a pixelated pattern

"Since its inception, the Le Monde Group Headquarters has embodied an architectural and symbolic counterpoint to the many challenges our societies face today," explained Snøhetta founding partner Kjetil Trædal Thorsen.

"The building is primarily about opening up in a time where fear and uncertainty pushes our societies to increase barriers and strengthen security enforcement," he continued.

The plaza of the Le Monde Headquarters in Paris by Snøhetta
The building's arched form shelters a new public plaza

"In this sense, the project invites us to reflect on how architecture can create spaces that can be both public and private, exterior and interior, transparent or opaque," added Thorsen.

"Like so many other of our projects, it is a hybrid building that explores the interstices of architecture and that is conceived to be at the service of the public."

The plaza below the Le Monde Headquarters in Paris by Snøhetta
Both the arch and plaza are lined with concrete

The arched shape of the 23,000-square-metre office evolved in response to the rail lines of the Gare d'Austerlitz metro station that are positioned directly below the site.

Due to the railway, the site could only carry the weight of a building on its edges. It also meant a basement could also not be added, so all the office's technical equipment is incorporated within its structure.

The transparent facade of the Le Monde Headquarters in Paris by Snøhetta
LEDs are embedded within the concrete arch

The 80-metre-long building, therefore, comprises two seven-storey cantilevering volumes at either end, married by the sweeping arch that is made from a network of steel.

According to Snøhetta, this was "a highly demanding engineering task" as the building "weighs more than the Eiffel Tower".

The arched form of the Le Monde Headquarters in Paris by Snøhetta
The openness of the facade and site reflects the company's values

The shimmering cladding, which is composed of over 20,000 pixelated glass tiles, helps to unify the building.

These tiles vary in transparency and are arranged to maximise outward views and light inside the offices. From a distance, this creates a pixelated pattern intended to evoke letters printed in a newspaper.

A sign outside the Le Monde Headquarters in Paris by Snøhetta
The headquarters contains space for all of Le Monde Group's publications

The shimmering glass facade is disrupted only where the base of the arch is lined with concrete cast in-situ, which has been dotted with LED lights.

This is complemented by the new central plaza directly below it, which is also made from concrete and lined with vegetation and benches to encourage passersby to linger.

An informal workspace within the Le Monde Headquarters in Paris by Snøhetta
Inside are various open and informal meeting spaces

Two entrances to the building are positioned at either end of the building. One of these is public, providing access to a mix of food and retail services as well as a two-story auditorium.

The second entrance is private and leads to a reception for the offices that are only accessible to the Le Monde Group. Here, a grey-scaled concrete terrazzo floor acts as a continuation of the plaza.

An office within the Le Monde Headquarters in Paris by Snøhetta
There are also many private work areas

Inside, the headquarters comprise a mix of open-plan and informal workspaces, alongside private offices and meeting rooms. There is also a library, a staff restaurant and an archive area.

The two upper levels of the building are dedicated exclusively to Le Monde, which is the Le Monde Group's main publication.

At the heart of these two levels is an open space with a spiralling staircase, designed so that employees can easily collaborate across the newsroom.

Le Monde's office within the Le Monde Headquarters in Paris by Snøhetta
The Le Monde publication occupies the two upper storeys

The Le Monde Headquarters are complete with a slim rooftop terrace that is accessible from both sides of the building.

It is lined with greenery and provides employees with views out over the city and the Seine river.

The roof terrace of the Le Monde Headquarters in Paris by Snøhetta
The headquarters is complete with a long roof terrace

Snøhetta is an international architecture and design studio. It was founded by architects Kjetil Trædal Thorsen and Craig Dykers in 1989 with headquarters in Norway.

The Le Monde Headquarters featured in our roundup of buildings to look forward to in 2020, alongside the recently completed Axel Springer headquarters by OMA and the Musée Atelier Audemars Piguet by BIG.

This year, Snøhetta has also concluded its carbon-negative Powerhouse Telemark office, a timber workplace in Austria that is covered in plants and a collection of pentagonal hiking cabins perched on a Norwegian glacier.

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