Friday, 2 July 2021

Use of hemp in architecture and design held back by "ridiculous" UK rules says farmer who built a house from cannabis

Flat House kitchen

A film producer who established a hemp farm to "pull carbon out of the atmosphere" has attacked UK laws that are holding back production of the biomaterial.

Architects are "desperate" to specify products made from the cannabis variety in their projects, said Steve Barron, who has converted a Cambridgeshire estate into an organic hemp farm and built a house from the plant.

Steve Barron portrait
Steve Barron (above) built his house (top) using hemp from his own fields

But lack of research needed to approve the material for use in construction, plus drug laws that prevent much of the plant from being processed, are hampering the UK's hemp industry, he said.

"We've probably had three or four hundred architects who have emailed us," said Barron, who bought an abandoned wheat farm four years ago and turned it into hemp-producing Margent Farm.

"They're desperate for a natural material and a carbon-zero way of building houses," he said. "Everybody's looking for it. The market's definitely there but it needs regulation."

Barron's house intended to prototype "sustainable hemp-based construction"

Barron, who directed seminal pop videos including Michael Jackson's Billie-Jean, Dire Straits' Money for Nothing and A-Ha's Take On Me, used hemp from his fields to build his own house.

He embarked on the project to explore hemp's potential both in the fight against climate change and as a high-performance, non-toxic construction material.

"The plan was to grow fibre hemp to sequester carbon from the atmosphere and use a fair amount of it to build the house," Barron explained.

Flat House on Margent Farm, Cambridgeshire by Practice Architecture
Barron's Flat House in Cambridgeshire, UK, was designed in collaboration with Practice Architecture and biomaterials researcher Darshil Shah

Flat House, described as "a groundbreaking, radically low embodied-carbon house," was designed in collaboration with Practice Architecture and Cambridge University biomaterials researcher Darshil Shah.

The three-bedroom house "was designed with the aim of prototyping prefabricated sustainable hemp-based construction to be applied to larger scales of house construction," the architects said.

Flat House sequestered "24 tonnes of carbon"

Shah, who is senior researcher at the Centre for Natural Material Innovation at Cambridge, said that hemp is "even more effective than trees" at sequestering atmospheric carbon.

It absorbs between 8 to 15 tonnes of CO2 per hectare of cultivation per year compared to forests, which absorb between 2 and 6 tonnes.

In an interview with Dezeen, Shah said that fast-growing, carbon-negative hemp can be used to "replace fibreglass composites, aluminium and other materials in a range of applications."

Flat House on Margent Farm, Cambridgeshire by Practice Architecture
The house on Margent Farm was constructed using hempcrete

Barron's house makes use of hempcrete, a non-load-bearing wall infill and insulation material made of the woody inner "shives" from hemp stems mixed with lime.

It is clad in a specially developed corrugated material made of a compressed mixture of hemp fibres and bio-resin.

"The house is pretty much made of hemp and it has locked in atmospheric carbon," said Barron, who said it took 100 days to grow the hemp on eight acres, or 3.2 hectares, of land.

"I guess that's 24 tonnes of carbon," he said.

Hemp was used for both the interior and exterior of the house

Barron is now working with a company in Devon to develop the corrugated panels and achieve certification for their use in construction. He is also producing hemp objects including trays and coasters and developing a range of cannabidiol (CBD) balms and oils made from hemp seeds.

However, UK production of hemp is controlled by the Drugs and Firearms Licencing Unit, which is a division of the Home Office, rather than the Department for Environment, Food & Rural Affairs (DEFRA), which oversees agriculture.

Hemp has been "ostracised for 70 or 80 years as a material"

This is despite the fact that, unlike marijuana, industrial hemp contains very low levels of psychoactive THC. "If your company or organisation want to cultivate industrial hemp you need to apply for a controlled drugs domestic licence," says the government's website.

"It's still being policed by the Home Office, which is pretty ridiculous actually," said Barron. "If you're going to get a license, you should go through DEFRA, who understand it."

Hemp has been cultivated for thousands of years for its strong, stiff fibres. But since the last century, it has been demonised for its supposed connections to recreational drug marijuana, even though the two plants are different varieties of Cannabis sativa.

"It's been ostracised for 70 or 80 years as a material," said Barron. "None of the studies [needed to certify it for construction use] have been done on it."

Hemp
Hemp is a variety of the Cannabis sativa plant

Barron described hemp's properties as "amazing".

"The thermal insulation on the [hempcrete] blocks is fantastic," he said, adding that the acoustic properties make the home sound like "you're in a recording studio". He also pointed to hemp's lack of carcinogens and other noxious chemicals, which are present in many synthetic materials.

Hemp laws in the UK a "hypocrisy"

But Home Office licences for growing hemp in the UK are rarely granted and only allow the processing of hemp fibre and seeds. This means that the leaves and flowers, which can also be processed to make valuable CBD, have to be destroyed.

The few licences that have been granted have been given to big pharmaceutical companies, Barron said. However, CBD can legally be imported from overseas, which Barron described as "hypocrisy".

"We can buy the CBD from anywhere in Europe and yet we cannot process our own CBD," said Barron. This hinders UK hemp farmers, he said, giving an advantage to large corporations and overseas growers.

"You need to do it on a very big scale to make it financially viable," he said. "You can buy hemp fibre and CBD so much more cheaply from the Far East or France."

But rising interest in carbon-negative design means there is "tremendous interest" in allowing hemp to be grown and processed into construction materials, he added. "I think it's a good time and hopefully it will happen on a big scale."


Carbon revolution logo

Carbon revolution

This article is part of Dezeen's carbon revolution series, which explores how this miracle material could be removed from the atmosphere and put to use on earth. Read all the content at: www.dezeen.com/carbon.

The sky photograph used in the carbon revolution graphic is by Taylor van Riper via Unsplash.

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Associated Architects designs first "mixed-use net-zero tall-building development in the world" for Birmingham

A visual of skyscrapers in Birmingham

Associated Architects has unveiled plans for Curzon Wharf, a 53-storey development in Birmingham, UK, that it claims will be the first skyscraper to produce no net emissions in operation.

Curzon Wharf is being developed by Associated Architects with engineering consultancy Cundall using a "fabric-first approach", meaning the building fabric will be super-insulated to minimise energy consumption.

Energy will be supplied from renewable sources, meaning it will produce no greenhouse gas emissions in its day-to-day operation based on the UK Green Building Council's (UKGBC) definition, the consultant claimed.

"The project is designed to be 'net-zero carbon ready' in accordance with the UKGBC definition," said Cundall.

However, the development will not achieve net-zero emissions in its construction, which the UKGBC says is of "equal importance".

"Net-zero carbon for both construction and operational energy represents the greatest level of commitment to the framework," says the UKGBC in its zero-carbon definition.

A visual of Corten steel-clad towers in Birmingham
Above: Associated Architects has released visuals of Curzon Wharf. Top image: it will combine towers and low-rise blocks

Achieving net-zero involves eliminating all possible emissions and offsetting the remainder with schemes that actively remove carbon from the atmosphere.

According to the UN's Race to Zero campaign, this is essential if the world is to hit the targets set out in the Paris Agreement and keep global warming within 1.5 degrees Celcius of pre-industrial temperatures.

Associated Architects and Cundall claim Curzon Wharf will be the world's first skyscraper development to be net-zero in operational energy.

"To our knowledge, we are not aware of a comparable mixed-use net-zero tall-building development in the world," Cundall partner Alex Carter told Dezeen.

"It is still in the planning stages, but with the net-zero carbon measures integrated into the current design, Curzon Wharf can be a landmark example of a net-zero carbon development once it is completed and in operation."

While the scheme's embodied carbon will not be net-zero, the team hopes to minimise these emissions by specifying low-carbon construction materials such as the cement substitute Ground Granulated Blast furnace Slag (GGBS) for the concrete structure.

Embodied carbon refers to the emissions that result from the manufacturing, construction, maintenance and demolition of buildings, which is currently unregulated in the UK.

An aerial visual of Curzon Wharf in Birmingham
The complex will occupy a site at the gateway to the city centre

Curzon Wharf is designed "as a composition of sculptural forms" that will increase in scale towards the north of the site, reaching 165 metres in height at its tallest point.

The tallest tower will comprise 498 apartments over 53-storeys, while the second tallest will contain 41-storeys of student accommodation.

These two towers, which will distinguish the development from afar, are designed to echo the proportions of the nearby BT tower and pay homage to tall industrial chimneys that were once seen on the city's skyline.

A smaller 14-storey building will be used as a co-living block with 265 units, while offices will occupy a nine-storey structure.

All four buildings will be finished with the same red-hued checkerboard facades, which nod to the city's old brick buildings and industrial architectural heritage.

The checkerboard look will be achieved with alternating Corten steel panels and glass. However, the glass will be kept to a minimum to ensure high insulation levels.

"The early concept stage elevations have been steered by the need to achieve a very careful balance of solid and glass, with a target set to provide no more than 30 per cent glazing," the team told Dezeen.

Corten steel-clad buildings
The towers will be clad in Corten steel

To achieve net-zero carbon in operation, the building fabric will be super-insulated and designed to Passivhaus principles, while all windows will be triple-glazed.

Passivhaus is an international energy performance standard that dramatically reduces space heating and cooling requirements in a building, as well as its carbon emissions.

All heating and hot water for the buildings will be provided by heat pumps, while on- and off-site renewable sources such as photovoltaics will supply electricity.

Electricity consumption will be minimised to "a very low level" by maximising daylight inside, using LED lighting and smart controls.

The complex will be complete with sky terraces, winter gardens and tree-lined public plazas, alongside amenity and retail spaces at ground floor level.

The design team has also collaborated with the local council to tie the development in with a wider masterplan and network of pathways, cycle routes, canals and public places.

Achieving net-zero carbon architecture is one of several topics explored in Dezeen's ongoing editorial series called Carbon revolution.

As part of the series, The Carbon Trust shed light on the difference between the definitions of net-zero and carbon neutrality, which are often oversimplified or confused. Diane Millis told Dezeen that this can hinder some companies' abilities to achieve net-zero carbon emissions.

In another interview, UN champion Nigel Topping told Dezeen that architecture is "one of the least well-represented businesses" in the UN's Race to Zero campaign, despite the fact that the built environment contributes as much as 40 per cent of greenhouse gas emissions.

The visuals are courtesy of Associated Architects.

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Wooden residential tower in Rotterdam by Mei Architects delayed due to "explosively high" timber prices

SAWA timber tower by Mei Architects

Construction of SAWA, Rotterdam's first wooden residential tower, has been put on hold due to a shortage of timber and other construction materials.

Work on the SAWA project, a 50-metre-high cross-laminated timber tower by Mei Architects, has been delayed until September.

"The timber shortage is a problem at the moment," said Harmen Brink, a representative of the project. "The prices of timber are explosively high at the moment, which makes it a bit more difficult."

SAWA residential tower
SAWA will be Rotterdam's first wooden residential tower

Described as "the most eco-friendly buildings in the Netherlands," the 16-storey SAWA project will provide 109 homes in the former dock area of Schiemond in Rotterdam.

Over 90 per cent of the wedge-shaped block, including its structure, will be built of CLT using timber coming from sustainably managed forest in Scandinavia. "For every tree felled for SAWA, three trees are replanted," the project's website says.

SAWA in the fog
Construction of the tower has been delayed

The project will use 4,500 cubic metres of timber, which will sequester 2,800 tonnes of atmospheric carbon, according to the architect, who claimed the project will be carbon negative.

But Mieke Winkel of Mei Architects added: "To be honest, we do not yet know what the [carbon] impact will be on the total lifecycle of the project. That is being calculated."

Timber building in Rotterdam
SAWA will be built from 4,500 cubic metres of timber

Winkel added that the delay was due to more general increases in construction costs, rather than just the timber.

"The project has been delayed somewhat but this is not directly related to the timber shortage in terms of delivery time," she said. "The sharp increase in construction costs in the broad sense has delayed the process somewhat."

The delay follows reports of soaring costs of materials including timber, steel and concrete around the world as construction ramps up in the wake of the pandemic, which disrupted supply chains.

Lumber prices have fallen this month from last month's highs but still remain higher than pre-pandemic levels, the New York Times reported this week.

CLT building in Rotterdam
It will have a CLT structure

Timber shortages have been particularly acute in France as architects switch to more sustainable building practices cause a surge in demand in the country, which is also preparing for the 2024 Summer Olympics in Paris.

"The prices are going up every week," Christophe Lemoal of Paris studio Lemoal-Lemoal told Dezeen last month. "We have two construction projects where the wood company can't give us any date for the delivery because they can't find the supply."

CLT housing
SAWA will contain 109 homes

The situation in France is made more acute by new laws requiring half of the materials used to construct public buildings to be wood or other biomaterials. The law is part of the country's drive to become carbon neutral by 2050.

Similar laws are being introduced in the Netherlands, with Amsterdam now requiring 20 per cent of new housing to be made of wood.

But Winkel said that Rotterdam's decarbonisation plans lag behind other cities and do not pay enough attention to emissions from the built environment.

"In short, the built environment plays only a limited role in reducing CO2 emissions [in Rotterdam's plans], she said. "The focus is mainly on the existing built environment. Nothing is said about new buildings and nothing at all is said about building in wood."

"From our point of view, this is of course very strange and a missed opportunity," she added.

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Runxuan Textile Office features curvilinear aluminium facade

The building has a squared form

Design studio Rationale International — Masanori Design Studio has created an office in China with a curvilinear facade and undulating ceiling that draws on the qualities of fabric.

The Chinese studio drew on the process of cloth production and interpreted the movement of textiles through an architectural language to create the design.

Runxuan textile office used white aluminium battens across its facade
Top image: aluminium battens clad the exterior of the building. Above: the facade has a curvilinear form

"We innovatively applied 'cloth elements' to both the facade and indoor space via architectural languages," Rationale International — Masanori Design Studio founder Terry Xu told Dezeen.

"Producing three-dimensional visual effects and realizing the unity of interior and exterior."

Runxuan textile office has white interiors
The battens extend into the interior

Built for a fabric production company, the Runxuan Textile Office is located in a textile town in Foshan in the Guandong province of China.

Its exterior was clad in vertical aluminium battens arranged in a curvilinear formation that extend above the building's windows.

Runxuan textile office has an open plan look
A column punctuates the centre of the lobby

The aluminium battens stretch through to the interior of the office across the ceiling, mimicking the rolling form of the facade to connect the interior and exterior.

"In this space, one seems to be standing under a loom," said Xu. "The 'yarns' are interwoven with the light, and such black and white colours form artistic scenes from different angles."

Runxuan textile office has a minimal interior
The ceiling echoes the rolling form of the facade

"For example, the undulating ceiling gives the space a strong sense of architecture," said Xu.

"Meticulous details, connection between ceiling and walls, columns, and play of light and shadows, bring various changes to the space."

The lobby was placed at the centre of the plan, with offices, meeting rooms and conference spaces organise around it.

White was used throughout the interior of the building, which has a minimalist aesthetic with furniture, decorative objects and plants sparsely placed in the space.

a window looks into neighbouring rooms at Runxuan textile office
Openings in walls link the adjoining spaces

Openings and glass walls divide and connect the building's functional spaces in a semi-open plan layout, creating fluid and flexible workspaces.

Offices have been fitted with artificial skylights that stretch across large parts of the ceiling to combat the interior's lack of natural light.

Black furniture was used in the Runxuan textile office
Glass walls create a light and airy look

"The artificial 'skylight' reconnects the space with nature, and helps produce a comfortable, pleasant working environment," said Xu.

"By optimizing the indoor functional layout and solving its lighting and ventilation problems, it created a healthier and more comfortable office, which became another feature of this project."

Strip lighting was suspended over a long table
Other spaces were finished with black ceilings

Founded in 2017, Rationale International — Masanori Design Studio uses nature, balance and brand identity to create spaces that are not limited to a specific style.

Other recent Chinese projects include a visitor centre with a striped wall and circular windows by Wutopia Lab and a recycled brick podium that envelops a campus containing three-striped office blocks by Neri & Hu.

Photography is by Yun Ouyang.


Project credits:

Design firm: Rationale International — Masanori Design Studio
Chief designer: Terry Xu
Design team: Gorry Huang, Gavin Peng
Construction drawings: AND Design
Materials supplier: Grepoo Material Trade
Main materials: Aluminium Alloy, Florina Ceramics
Original brand furniture: Masanori Art

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Ten interior finishing materials from Dezeen Showroom for architects and designers

Inset flooring collection by Patcraft

Here are ten innovative interior finishes from Dezeen Showroom, including tiles, flooring products and surfacing materials from leading brands.

The selection includes porcelain and stoneware tiles, clay plaster, micro cements and solid surfacing materials by leading designers and brands including HI-MACS, Patcraft, MUT Design and Marazzi.

From vinyl tiles with digitally-printed scans of wood to flooring that mimics the appearance of concrete, here's a selection of the latest finishing products on Dezeen Showroom.

Inset flooring collection by Patcraft

Inset is a collection of parquet-style flooring made of vinyl-covered planks that resemble concrete and wood, created by Patcraft.

Intended for commercial spaces, the flooring is embellished with metallic accents of bronze, silver or gold that are scattered diagonally across the flooring, which creates a playful contrast.

Find out more about Inset ›


Bow tile collection by MUT Design for Harmony

Bow is a collection of wall coverings modelled on the traditional clay roof tiles found in the Mediterranean, created by MUT Design with Spanish tile specialist Harmony.

Characterised by its concave shape, the Bow collection comes in an array of colours including azure, white, teal, silver and maroon, as well as glossy or matt finishes.

Find out more about Bow ›


HI-MACS solid surface material in terrazzo classico colour

HI-MACS solid surfacing by HI-MACS

HI-MACS is a durable and stain-resistant surfacing product intended for commercial and residential projects with new recycled and terrazzo options.

The material is made of acrylic mixed with minerals and can be moulded to produce a seamless finish. The recycled versions include granite stone-effect finishes as well a Volcanics range that emulates the look of precious natural stones.

Find out more about HI-MACS ›


Il Veneziano tiles by Fiandre

Il Veneziano tiles by Fiandre Architectural Surfaces

Il Veneziano is a family of durable porcelain tiles that echo the look of traditional Venetian terrazzo or seminato flooring, created by Italian manufacturer Fiandre.

The terrazzo-style tiles feature flecked stone that runs all the way through their form instead of just appearing on the surface, which makes the tile suitable for spatial manufacturing processes to create rounded, contoured or bevelled edges.

Find out more about Il Veneziano ›


Turquoise tiled wall around a sink

Crogiolo Lume tiles by Marazzi

Crogiolo Lume is a series of wall tiles informed by the handmade majolica tiles native to the Mediterranean, created by Italian brand Marazzi.

The tiles, which are frost-proof and resistant to abrasion, have a high-gloss finish and come in a number of mottled colours including blue, green, musk and greige.

Find out more about Crogiolo Lume ›


Carpenter tile collection by Argenta Cerámica

Carpenter tile collection by Argenta Cerámica

Carpenter is a range of porcelain stoneware tiles that come in natural shades to suit any interior, created by Spanish brand Argenta Cerámica.

The tiles feature a bactericidal finish, which makes them suited to spaces that require good hygiene such as hospitals, clinics and libraries.

Find out more about Carpenter ›


Clay Plasters Rustic Range by Clayworks

Clay Plasters Rustic Range by Clayworks

Clayworks has created a family of sustainable clay plasters that emulate the appearance of concrete, stone and earth called Clay Plasters Rustic Range.

The plasters are composed of unfired clays that have been mixed with natural pigments and minerals, which means it is compostable and free from toxic ingredients.

As well as being easy to repair, the plasters are sound-absorbing and can assist in humidity and temperature regulation in interior spaces.

Find out more about Clay Plasters ›


Microtopping finish by Ideal Work

Microtopping finish by Ideal Work

Microtopping is a micro cement finish that allows existing surfaces to be remodelled without the need for extensive renovation, created by Ideal Work.

The finish, which is suitable for walls, floors, stairs and bathrooms, can be applied to any material and can be hand-finished with a choice of acid-stained, clouded, silky or polished effects.

Find out more about Microtopping ›


iD Inspiration vinyl flooring by Tarkett

iD Inspiration vinyl flooring by Tarkett

Scans of natural materials including wood and stone have been digitally printed on vinyl tiles to create flooring brand Tarkett’s iD Inspiration collection.

Intended for areas with high foot traffic, the versatile flooring comes in 100 different patterns informed by the varying grains, textures and imperfections of natural materials.

Find out more about iD Inspiration ›


Squar(e) tiles by Giovanni Barbieri

Squar(e) tiles by Giovanni Barbieri

Squar(e) is a series of mosaic and standard ceramic tiles that can be configured to create customised three-dimensional wall finishes, created by Vicenza-based designer Giovanni Barbieri.

The tiles are made from recycled marble dust collected from the production waste and come in a number of finishes, including ones that replicate the appearance of travertine or natural stone.

Find out more about Squar(e) ›


About Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. 

Want to be included in our upcoming Dezeen Showroom special features? To launch a new product or collection at Dezeen Showroom, please email showroom@dezeen.com.

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