Friday, 2 July 2021

"Recipes are important archives of where we come from and how we've evolved" says Sumayya Vally

Material Histories by Counterspace

In the final instalment of our exclusive video series with Counterspace founder Sumayya Vally, the South African architect discusses the role of recipes in her Material Histories project for the Istanbul Design Biennial.

The Material Histories project comprised a series of abstract maps that depict the origins of popular dishes.

Material Histories by Counterspace
Material Histories was a project by Sumayya Vally, Sarah de Villiers and students of GSA Johannesburg

The maps were printed on large sheets of paper and installed in Istanbul, Turkey, in 2020, as well as in the Moroccan city of Casablanca and Egypt's capital Cairo.

The project drew on research that Vally conducted in Morocco with the students of the Graduate School of Architecture in Johannesburg, where she teaches a unit.

The work of architect Sarah de Villiers, who set up the Johannesburg-based architecture and research studio Counterspace alongside Vally in 2015, also informed the project.

Material Histories aimed to use recipes as a way to open up a discussion about migration, identity, trade and alternative methods of documenting culture.

Material Histories by Sumayya Vally
The project focussed on recipes from Cairo in Egypt and Casablanca in Morocco

"I think recipes are such important archives in telling us where we come from and how we've evolved," Vally said in the interview, which was shot at Dezeen's studio in London.

"For example, one of the recipes is for Kushari, which is a national dish of Egypt but was brought to Egypt by homesick Indian soldiers of the British Raj, who had lentils in their pockets."

Material Histories by Sumayya Vally
Recipes were illustrated with maps and archival images

The starting point of each diagram was a recipe for a dish that is local to Casablanca or Cairo, which was then broken down into its constituent ingredients and illustrated with maps and archival images that traced the dish's origins.

The project was intended to "extend and deepen and [...] broaden the understanding of territory beyond the Mediterranean as well," said Vally.

The drawings were installed in Istanbul, Cairo and Casablanca

The sheets of paper – described by Vally as "folding architectures" – were then displayed in an exhibition at the most recent Istanbul Biennial, which took empathy, care and nourishment as its central themes.

At the same time, a series of similar diagrams were placed in markets in Cairo and Casablanca "as tablecloths, as shopfront windows and surfaces for people to look at and gather," said Vally.

These interventions aimed to "really touch at the heart of the places that brought the [Istanbul Biennial] exhibition into being," the architect said.

Vally is the architect behind this year's Serpentine Pavillion. She founded her architecture studio Counterspace at the age of 23 and is the youngest architect to receive the prestigious commission.

Dezeen published a series of exclusive video interviews with the architect. In the previous instalment, Vally discusses Children's Courtroom, a collection of furniture that aims to teach children about the justice system.

Below is a transcript of the interview:


"Material histories is an exhibition project that was made in 2020 for the Istanbul biennial. And the project draws on some of my research in Morocco with my students at the Graduate School of Architecture, and also my collaborator Sarah de Villiers' research in Cairo.

"The exhibition takes the form of recipes. And really, I think recipes are such important archives in telling us where we come from and how we've evolved. For example, one of the recipes is for Koshari, which is a national dish of Egypt but was brought to Egypt by homesick Indian soldiers of the British Raj, who had lentils in their pockets.

"So the exhibition takes the form of several recipes from Cairo and Casablanca, in particular, but that extend and deepen and work to broaden the understanding of territory beyond the Mediterranean as well.

"It's installed as a set of folding architectures on the wall at the biennial in Istanbul. But it's also installed in markets in Cairo and Casablanca, as tablecloths, as shopfront windows and surfaces for people to look at and gather that really touch at the heart of the places that brought the exhibition into being."

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Rockwell tile collection by Saloni

Rockwell tiles by Saloni

Dezeen Showroom: Saloni has launched the Rockwell tile collection, which features textures and colours inspired by French stone, and includes relief-based designs.

Capable of creating both classic and contemporary looks, the Rockwell range of porcelain and ceramic tiles all feature natural hues ranging from the the cool-toned Blanco and Gris to the warm Beige and Marfil.

Rockwell tiles by Saloni
The Rockwell collection includes a brick-like relief design called Cedryc

Their limestone-like texture is enhanced with a subtle gloss finish, which creates a soft, delicate surface.

The Rockwell collection also includes two tiles designs with decorative reliefs: the latticework-like Avra and the more minimalist, linear Cedryc.

Rockwell tiles by Saloni
The tile texture is inspired by French stone

Both combine a polished top layer with a more matte texture in the cutaway sections, and are good for creative or dividing elements.

The relief designs are available as 40 by 120-centimetre white body ceramic tiles, while the solid designs are available in five porcelain formats ranging from 45 by 45 centimetres to 60 by 120 centimetres.

The Rockwell tiles can be used with underfloor heating and are also suitable for outdoor use around the patio, garden or swimming pool.

Product: Rockwell
Designer: Saloni
Brand: Saloni
Contact: london.sales@saloni.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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Mirrored cladding reflects gardens surrounding Maggie's Southampton by Amanda Levete

A mirrored pavilion surrounded by gardens

The indoors are "in permanent dialogue with the garden" at the latest Maggie's Centre for cancer care, completed by Amanda Levete's studio AL_A.

Maggie's Southampton is a low-lying pavilion hidden within Southampton General Hospital's car park by a verdant garden that covers three-quarters of the centre's plot.

It was designed by AL_A with Sarah Price Landscapes to bring greenery and "a piece of the nearby New Forest" to the otherwise grey site, according to the studio's director Maximiliano Arrocet.

A mirrored pavilion surrounded by gardens
Above: AL_A has completed Maggie's Southampton. Top image: it is a low-lying pavilion surrounded by gardens.

"The site for Maggie's Southampton was a challenging one, a set of nondescript buildings surrounded by a sea of car park," Arrocet told Dezeen.

"We wanted the Maggie's to be easily identifiable in this expanse of grey, and bring to the hospital what it needed most, a garden," he said.

An aerial view of Maggie's Southampton
It is divided into four zones

"We wanted everyone to see a garden, not another building," Arrocet continued.

"We planned the building as if there were no distinction between the inside and outside spaces, we wanted the interior to be in permanent dialogue with the garden."

The entrance to the Maggie's Centre in Southampton
Large ceramic walls are used to separate the spaces

Maggie's Southampton was built to support the hospital's specialist oncology unit. It is one-storey in height and has a pinwheel-shaped plan comprising four spaces that stem from a central point.

As with all Maggie's Centres, at the heart of the building is the communal kitchen and dining table. It is lit by a circular skylight, which is the only curved element in the entire building.

A wall made from ceramic blocks
Ceramics were chosen for an earthy aesthetic

The four zones are defined by four "blade walls", which extend outwards from the building and also loosely divide the garden into separate areas.

Each one of these walls was built with pastel-coloured ceramic blocks, chosen for an earthy aesthetic that looks as though they have "appeared to come from the soil of the garden".

Mirrored cladding
Mirrored cladding helps blend the building in with the gardens

AL_A frequently use ceramics as cladding in their projects, with other examples including the MAAT in Lisbon and the V&A Exhibition Road Quarter in London.

However, in this scheme, the ceramics were designed in collaboration with Ceramica Cumella to double as load-bearing and insulating structural elements.

A communal kitchen at Maggie's Southampton
A kitchen and dining table form the heart of the centre

Running parallel to the four ceramic-clad walls are four rectilinear boxes. These contain the centre's private rooms and offer visitors to the centre both acoustic and visual privacy.

According to AL_A, these "are the only recognisable building forms" from the outside, and they have therefore been covered in reflective stainless steel surfaces to help them blend in with the gardens.

However, rather than using flat mirrors, each stainless steel element has undulations on its surface to create distorted, impressionistic reflections.

This also prevents an optical illusion of continued open space, preventing birds from becoming confused and colliding with them.

A seating area in Maggie's Southampton
There are private rooms for visitors

Each private room has direct access to one of the four garden areas through full-height glazed sliding doors. The gardens are uniquely landscaped but each nod to the ecology of the New Forest.

Inside, the spaces between the walls and private rooms are left open as flexible communal areas that can be adapted to the centre's needs.

A seating area in Maggie's Southampton
Large sliding doors open the interiors to the outside

The interiors have deliberately pared-back finishes to offer visitors a calming environment that retains focus on the surrounding gardens.

There are large sliding windows throughout, while a polished concrete floor has been introduced to softly reflect the colours of the planting outside.

A white-walled corridor and seating area
Interior finishes are pared-back to retain focus on the outside

Maggie's Centres are run by Maggie's charity, which was established by Maggie Keswick Jencks and Charles Jencks in 1995. The first centre was completed by Richard Murphy in Edinburgh in 1996.

More recently, Steven Holl completed a luminous centre next to Britain's oldest hospital and Heatherwick Studio designed a plant-filled venue in Leeds.

In 2019, Benedetta Tagliabue and Patricia Urquiola became the first designers to create a building for the charity in mainland Europe – the Maggie's Barcelona at Sant Pau Hospital.

The photography is by Hufton + Crow.

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Kengo Kuma reveals cedar-clad public toilet in Tokyo

Nabeshima Shoto Park toilet by Kengo Kuma

Japanese architect Kengo Kuma has unveiled a toilet in Tokyo named A Walk in the Woods, which was designed to "to dispel the conventional image of public toilets".

The cedar-clad toilet is Kuma's contribution to the Nippon Foundation's Tokyo Toilet project, which has seen public toilets designed by Pritzker Architecture Prize winners Tadao Ando, Shigeru Ban and Fumihiko Maki in the city's Shibuya area.

Cedar-clad toilet by Kengo Kuma
Kengo Kuma has designed a public toilet clad with cedar

Built to replace an existing brick toilet block within Nabeshima Shoto Park, the toilet was designed to integrate with the park's trees and lush greenery.

"There were many potential sites for this project, but I chose Nabeshima Shoto Park because it has the lushest greenery and I thought I would be able to dispel the conventional image of public toilets," explained Kuma.

Nabeshima Shoto Park public toilet
The toilet was designed to integrate with the park's trees

Rather than creating a single block, Kuma broke down the facility into five huts that are connected by a stepped walkway that gives the project its name – A Walk in the Woods.

"In addition to the toilets, I designed the path that creates a line of flow, with the hope of offering a total experience that encompasses the surrounding environment as well as the structures."

Timber-clad toilet block in Tokyo
The five blocks are divided by footpaths

The blocks are covered in cedar louvres, which are also used to create edges to the walkway and stairs.

Each one contains an individual toilet that was laid out to meet a particular user's needs.

"Until now, public toilets have all had exactly the same design, but for this project, I designed five small toilets including one that can be used by children and one where people attending Shibuya's many events can change clothes for the occasion," said Kuma.

"Unlike conventional public toilets, these are unique in that they can be used by a diverse range of people."

Public toilet in Japan
Kuma created a walkway between the toilet blocks

The toilet is the latest built as part of the Tokyo Toilet project, which aims to change people in Japan's perception of public toilets.

"We hope this will become a model for dispelling the conventional image of public toilets being dark, dirty, smelly, and scary, and that many people will use these toilets," said the Nippon Foundation's executive director Jumpei Sasakawa.

Sink in public toilet
Each toilet was designed with a specific user in mind

Previous facilities completed as part of the project include a circular toilet designed by Tadao Ando, a pair of transparent blocks designed by Shigeru Ban and a bright red triangular toilet created by Nao Tamura.

In total, 16 toilets are planned as part of the project.

Photography is by Satoshi Nagare, courtesy of The Nippon Foundation.

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Swell acoustic wall cladding by Jones & Partners for The Collective

Swell wall cladding by Jones & Partners for The Collective

Dezeen Showroom: with a seamless finish and rippled appearance, the Swell acoustic wall panel by Jones & Partners for The Collective brings a calming aesthetic into the workplace.

Swell is an acoustic wall cladding solution distinguished by its expansive, 2.7-metre height and continuous horizontal look.

Swell by Jones & Partners for The Collective
Swell comes in 33 contemporary colours

"Using a concentric circle, the tangency point of Swell is able to match on both the up and down pivot to achieve a direct side by side join," said Jones & Partners designer Craig Jones.

"This enables Swell's unique continuous material run with a seamless visual joint."

Swell by Jones & Partners for The Collective
It has a seamless horizontal appearance

Swell's shape is reminiscent of a wave or loose curtain and has the effect of softening interior environments while dampening noise.

It is made in the UK from a felt-like acoustic material called EchoPanel and heat-moulded using The Collective's bespoke tooling.

The material is 60 per cent recycled from PET bottles and The Collective makes Swell in 33 trend-driven colours with low-VOC content.

Product: Swell
Designer: Jones & Partners
Brand: The Collective
Contact: enquiry@thecollective.agency

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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