Friday, 2 July 2021

This week we interviewed Frank Gehry about his Luma Arles tower

The Tower at Luma Arles

This week on Dezeen, we spoke to Frank Gehry about the environmental performance of his latest project, The Tower in the French town of Arles.

In an exclusive interview with Dezeen, the 92-year-old Canadian-American architect said The Tower responds to concerns about the carbon footprint of architecture.

"We fit into it," he said. "But I can't explain it. I respond to every fucking detail of the time we're in with the people we live with, in this place."

The Tower at Luma Arles
Iwan Baan photographs Frank Gehry's Luma Arles tower

Following the opening of The Tower last week, architectural photographer Iwan Baan took photos of the building.

Baan's photos show the distinctive stainless steel tower rising above the Luma Arles arts campus in the town of Arles.

Industrial hemp plantation
Hemp "more effective than trees" at sequestering carbon says Cambridge researcher

We continued our carbon revolution series with a pair of stories focused on hemp, which can capture atmospheric carbon twice as effectively as forests, according to Cambridge University researcher Darshil Shah.

However, the use of hemp in architecture and design is being held back by "ridiculous" rules, a UK farmer who a house made from the material told Dezeen.

As part of the series, we also interviewed Pakistani architect Yasmeen Lari who said that using "ancient wisdoms and techniques" can lead to carbon-neutral buildings.

A bamboo tensegrity structure at Hoxton Docks
Antepavilion building "smashed up" and staff arrested in police raid on design workshops

In the UK, police raided the building that hosts London's annual Antepavilion architecture commission and arrested a number of its staff.

A UNESCO report also revealed that Liverpool is set to lose its World Heritage status due to the planned construction waterfront developments that are "eroding the integrity" of the site.

Burkina Institute of Technology
Kéré Architecture uses local clay to construct Burkina Institute of Technology

This week Burkinabe architect Diébédo Francis Kéré unveiled a pair of recently completed education projects.

In western Africa, his studio built a university in Burkina Faso, with walls made from locally sourced clay and screens of eucalyptus wood.

The studio also revealed a campus for non-profit organisation Learning Lions on the banks of Lake Turkana in Kenya.

Treehouse
Helen & Hard hangs Woodnest treehouses from pine trees above Norwegian fjord

Popular projects this week included a treehouse overlooking a fjord in Norway, a brick house inserted into a stone ruin in Portugal and a Corten extension to the Manchester Jewish Museum.

Our lookbook this week focused on L-shaped kitchens.

This week on Dezeen is our regular roundup of the week's top news stories. Subscribe to our newsletters to be sure you don't miss anything.

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Ross Barney Architects designs public park for city in Arkansas

Railyard in Arkansas

Railyard is a colourful public park by Chicago-based practice Ross Barney Architects straddling the railway line running through the city of Rogers in Arkansas.

The five-acre park was designed as a series of plazas connected by walkways with sheltered benches, along with a children's playground and a pavilion for live events.

Top: the Butterfield Stage has a zigzag pavilion. Above: water features below the old water tanks

Ross Barney Architects designed the park after collecting 1,000 survey responses from the local community.

Rogers, a city in the Ozark Mountains, was founded in the 1800s as a stop on a railroad line. Formerly called Frisco Park, the public space has been rechristened after the redesign as a nod to the city's history.

Play Yard playground at Rogers park
The colourful children's playground at Railyard

Railyard is now the location of the local farmers market, called the DTR Market, which is held on Frisco Plaza every Saturday morning.

Water stops that were once used to refill the trains' tanks have been turned into a canvas for artists. Water features are set into the ground underneath so that people can play in the fountains during the summer.

Picnic tables at a plaza in a park designed by Ross Barney Architects
Picnic tables on rails can be pushed together

The tanks overlook the Play Yard, a children's play area featuring colourful flooring and lots of tunnels.

Sail-style canopies provide shade for the many wooden benches and picnic tables that look like old railway sleepers. The picnic tables have wheels on rails so that people can push them together to create long tables.

A zigzagging canopy forms a pavilion over the Butterfield Stage, an outdoor events area with a 1,000-person capacity named after the old stagecoach line that ran through the area prior to the railway.

The park project was funded in part by a donation from the Walton Family Foundation, the organisation set up by Walmart founder Sam Walton. The first-ever Walmart store opened in 1962 in Rogers.

The Butterfield Stage pavilion at the Railyard park in Arkansas
The Butterfield Stage has a capacity of 1,000 people

Ross Barney Architects is an office based in Chicago. Previous projects from the practice include a riverfront promenade complete with fishing spots and a McDonald's that's been compared to an Apple Store.

More park design includes Thomas Heatherwick's Little Island in the Hudson River and a park built over an old airport in Taiwan by Mosbach Paysagistes.

The photography is courtesy of Ross Barney Architects.


Architect: Ross Barney Architects
Civil engineering: CEI Engineering Associates
Structural engineering: Goodfriend Magruder Structure
MEP engineering: HP Engineering
Lighting design: Schuler Shook
Associate architect: AFJH Architects
Branding and environmental graphics: SPAN
Land surveying: CEI Engineering Associates
Av consultants: Crowne Group
General contractor: Nabholz Construction

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California Baptist University spotlights ten student architecture projects

A museum dedicated to poetry, an airport with a courtyard and an urban agriculture development are included in Dezeen's latest school show by architecture students at the California Baptist University.

Also featured is an analysis of how daylight transcends through space and a women's healthcare clinic in rural Rwanda.


California Baptist University

School: California Baptist University (CBU), College of Architecture, Visual Art and Design
Courses: Architecture programme

Tutors: Krysten Burton, Susan Duemer, Aaron Greene, Keelan Kaiser, Matthew Niermann, David Ogoli, Mark Roberson and Caleb Walder

School statement:

"California Baptist University (CBU) architecture students design for the public good. The architecture programme at CBU prepares students to serve as design professionals rooted in the Christian faith tradition. This unique approach to architectural education encourages students to be inspired and guided by faith as they endeavour to serve the public good.

"The CBU architecture programme offers an accelerated five-year accredited Master of Architecture degree in the Inland Empire of Southern California, which features a variety of opportunities for interdisciplinary inquiry, professional development and global study and engagement.

"The design curriculum within the CBU architecture programme emphasises an analytical and data-driven approach to understanding the impact of architecture on human experience and the natural environment across a range of project types. The work in this VDF school show represents the imagination of a plurality of questions and courses by students who, as a whole, participate in critical investigations of design, material and the ephemeral."


California Baptist University (CBU)

Terminal by Allison Bighouse

"For this spatial concept for a hypothetical airport terminal, I was inspired by courtyard buildings. I wanted to incorporate this into my airport to challenge the assumption that you have to be 'inside a building' when you're in an airport. My design includes a large courtyard area in the centre with outdoor seating. Natural plant elements are visible from all sides of the indoor area through glass walls.

"By including a courtyard was integral to the design concept, a linear terminal building wouldn't work. Instead, I created a closed structure. I tried many different shapes and incorporated convex curves and obtuse angles to maximise surface area for plane gates.

"I decided on a distorted hexagon shape because it naturally worked with my origami-inspired roof plan. The building shape also provided clear areas for the main entrance and security area, plane gates and courtyard."

Student: Allison Bighouse
Tutor:
Keelan Kaiser
Course: 
SP21 ARC122


California Baptist University (CBU)

Context by Alyssa Lee and Christopher Diaz

"The work of second-year students Alyssa Lee and Christopher Diaz typifies the foundation experiences of CBU students, creating imagined space and objects. The pair of strategies, collage from within, and generating shape, employ primary design principles that are strong in themselves while also serve as formative works.

"Considering imagined space as a place one is drawn into, collages serve to knit together a plurality of materials, volumes, and programmes. Each fragment embodies abstract and intricate messages and meanings, and these are used to explore the quality and nuances of placemaking.

"Shape generation, subsequent duplication and positioning is also a key part of the foundation years. Imaginary and fantastical sites bring these studies to life and stimulate consideration of their possible pragmatic ends."

Student: Alyssa Lee and Christopher Diaz
Tutor:
Caleb Walder
Course:
SP21 ARC212


California Baptist University (CBU)

A Poetry Museum by Thamali Natasha Sri Kantha

"I combined methods, information and products from the previous studio projects through a series of design workflows. The starting point for this particular workflow was the earth and sky collage I did previously during the semester. This design includes public areas; on the first floor, there is the gallery, performance space and service areas; the second floor includes a public collection; while a cafe, roof terrace and research collection are on the third floor.

"This design has a linear perspective that opens up the entire floors from the south to the north of the site. The use of grid lines to determine each space and programme also allowed me to place an atrium and a huge skylight in the middle of the building.

"In addition, the overlapping shapes created unique spaces in both interior and exterior of the building that will shape the experience. In order to determine the placement of the building on the site, I referred to the site analysis done in a previous project. I examined the circulation diagrams and decided to place the building close to Orange and 6th Streets since there is more pedestrian circulation around those streets."

Student: Thamali Natasha Sri Kantha
Tutor:
Caleb Walder
Course:
SP21 ARC212


California Baptist University (CBU)

Lighting Analysis by Mark Denison

"Light is an elusive yet critical aspect of designing transcendent spaces. Any impactful incorporation of natural light requires a technical understanding alongside an artful vision. This requires intentional experimentation. The student developed light studies aiming to exemplify one specific characteristic effect of natural light through apertures of various types, sizes, and materials.

"The student combined techniques creating taxonomies of evidence, documenting the design with sequential photography for analysis and adaptation. Direction, intensity, colour and quality were examined over the course of a day. The resulting choreography of light uncovered possibilities for framing architecture as an experience of the transcendent."

Student: Mark Denison
Tutor:
Matthew Niermann
Course:
SP21 ARC212


California Baptist University (CBU)

School of Ecology by Gerald Portea

"The envelop system complements the structural and environmental systems to enhance both the occupant experience and aesthetic design through sustainable strategies.

"It is designed as a composite of cladding and sun-shading devices: a layered network that contributes to the resilience of the building. The machined aesthetic of the envelope is meant to inspire and stimulate the learning, craft and collaboration that occurs inside.

"Using a highly refined sleek material and incorporating the natural landscape of the park around it, the architectural expression becomes that of a connection and dynamic of technology and nature, understood and enjoyed by the students who attend the school.

"The school then becomes a statement for the city of Riverside, a city of art and innovation. Overall, the aesthetic of the exterior envelope aims to become a part of the building networks and begin to express their level of integration."

Student: Gerald Portea
Tutor:
Caleb Walder
Course:
FA20 ARC410


California Baptist University (CBU)

Christian Study Centre by Andriani Sugianto

"The Christian Study Centre moves the passerby with its glowing presence, prompting longing into the viewer beckoning them to venture towards an enchanting world. The Christian Study Centre's intricate, natural form hints at something captivating – something beyond the physical world.

"The centre questions the ordinary and leads its viewers to transcendent thought. The experience parallels our pursuit to satisfy this constant longing with a physical experience from a garden space to the prayer chapels and reading room to finally reach the central chapel.

"This image highlights the reading room, which offers other moments to dwell in contemplation both in community and individually, and extends the representation of the intermediate space between humanity and God.

"The reading room is met with diaphanous lighting from the chapel and lighting communicating absolute time from the East façade. The reading room tenders an ethereal vantage of the chapel that beckons longing to reach that central space."

Student: Andriani Sugianto
Tutor:
Matthew Niermann
Course:
SP21 ARC412


California Baptist University (CBU)

Urban Oasis by Ulysses Hermosillo and Enzo Vliches

"Urban Oasis is an affordable housing and sustainable hybrid housing and urban agriculture development. It is based on a Biblical passage where God instructs the Israelites through the prophet Jeremiah saying, 'build houses and live in them; and plant gardens and eat their produce'. Residents of Lake Elsinore are provided with a pleasant and dignified space to live and prosper regardless of their financial situation.

"Neighbours and visitors can share and enjoy communal spaces with exceptional views of the lake and mountains where they can mingle together and tend their gardens. Urban Oasis provides opportunities for life skills around healthy food consumption by integrating community farm management and harvesting with the facility as a significant part of the architectural and operational program.

"Through the art and craft of growing their food, taking care of vegetation, and motivating people to work together, Urban Oasis aims to make a dwelling and farming a synthetic experience in an increasingly urban future."

Student: Ulysses Hermosillo and Enzo Vliches
Tutor:
Caleb Walder
Course: SP21 ARC514


California Baptist University (CBU)

Health Services in Rural Rwanda by Courtney Mitchell

"Exploring the contextual application of evidence-based healthcare design, this thesis project aimed to synthesise the best practices of disease-focused healthcare with established methods of patient-focused healthcare into a proposal for a women's health care clinic in rural Rwanda.

"This hybrid healthcare approach was augmented by intentional program development and spatial delineation that empathetically supported rural women's needs and patient family needs during extended maternity stays."

Student: Courtney Mitchell
Tutor:
Matthew Niermann
Course:
SP21 ARC511


California Baptist University (CBU)

Media lab by Jacob Arellano

"Culture, community, materiality and technology permeate nearly every facet of our lives and are both the catalysts for and generating proponents of the physical manifestations and boundaries of space we call architecture.

"These four aspects contribute in varying degrees to the success and/or failure of works of the built environment. Collectively these variables simultaneously span from intangible to tangible-between art and science-and determine aesthetics and functionality.

"The relationship of their interconnectivity are tethered to reconciliation and empathy – two additional factors of architecture that designers increasingly find themselves grappling with.

"The instructive Media Lab at Leimert Park in Lake Elsinor provided an opportunity for students to explore design through focusing on these four architectural variables with reconciliation and empathy requiring students to consider the culture and communities served and sustained."

Student: Jacob Arellano
Tutor:
Aaron Greene
Course:
FA20 ARC510


California Baptist University (CBU)

Chapel by Samuel Soine

"The chapel space is the culmination of a broader architectural gradient, experienced through space and time, contrasting the orthogonal and the organic. This highlights the juxtaposition between the human-made and the God-made.

"Through organic form and the implementation of natural materials and space echoes the grandeur of God's design and his interpersonal relationship with humankind. As daylight floods the space below, users are encouraged to pause, to look up and reflect God's character.

"The chapel consists of a central multi-usable space on the ground floor, with stepped balconies forming the outer edge. These balconies offer users intimate spaces to pray, worship and gather. The singular skylight further encourages a vertical view as opposed to horizontal, as all otherworldly distractions fade away in the presence of God."

Student: Samuel Soine
Tutor:
Matthew Niermann
Course:
SP21 ARC412


Partnership content

This school show is a partnership between Dezeen and the California Baptist University. Find out more about Dezeen partnership content here.

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Wrap chair by StyleNations

Wrap chair by StyleNations

Dezeen Showroom: characterised by their body-hugging backrests, the Wrap chairs by US brand StyleNations can be adapted to suit any hotel or hospitality venue.

Designed and made in Italy, the Wrap family includes an armchair and barstool as well as a dining and lounge chair.

All are formed from the same basic shapes, which StyleNations describes as "instantly inviting".

There are two backrest options for the Wrap chairs, both of which are rounded to envelop the occupant to different degrees.

Wrap chair by StyleNations
The Wrap family of chairs features backrests that wrap around the body

The Wrap chair has an upholstered seat and back, available in a range of fabric or leather options. Its wooden frame is made of either beech, ash, oak or walnut wood and can be finished in different lacquers.

There is also the option of a steel frame, which comes in a brass, copper, carbon or chromed version.

"It slots easily into both trendy and more elegant and formal settings," said StyleNations.

Product: Wrap
Brand: StyleNations
Contact: sales@stylenations.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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"Recipes are important archives of where we come from and how we've evolved" says Sumayya Vally

Material Histories by Counterspace

In the final instalment of our exclusive video series with Counterspace founder Sumayya Vally, the South African architect discusses the role of recipes in her Material Histories project for the Istanbul Design Biennial.

The Material Histories project comprised a series of abstract maps that depict the origins of popular dishes.

Material Histories by Counterspace
Material Histories was a project by Sumayya Vally, Sarah de Villiers and students of GSA Johannesburg

The maps were printed on large sheets of paper and installed in Istanbul, Turkey, in 2020, as well as in the Moroccan city of Casablanca and Egypt's capital Cairo.

The project drew on research that Vally conducted in Morocco with the students of the Graduate School of Architecture in Johannesburg, where she teaches a unit.

The work of architect Sarah de Villiers, who set up the Johannesburg-based architecture and research studio Counterspace alongside Vally in 2015, also informed the project.

Material Histories aimed to use recipes as a way to open up a discussion about migration, identity, trade and alternative methods of documenting culture.

Material Histories by Sumayya Vally
The project focussed on recipes from Cairo in Egypt and Casablanca in Morocco

"I think recipes are such important archives in telling us where we come from and how we've evolved," Vally said in the interview, which was shot at Dezeen's studio in London.

"For example, one of the recipes is for Kushari, which is a national dish of Egypt but was brought to Egypt by homesick Indian soldiers of the British Raj, who had lentils in their pockets."

Material Histories by Sumayya Vally
Recipes were illustrated with maps and archival images

The starting point of each diagram was a recipe for a dish that is local to Casablanca or Cairo, which was then broken down into its constituent ingredients and illustrated with maps and archival images that traced the dish's origins.

The project was intended to "extend and deepen and [...] broaden the understanding of territory beyond the Mediterranean as well," said Vally.

The drawings were installed in Istanbul, Cairo and Casablanca

The sheets of paper – described by Vally as "folding architectures" – were then displayed in an exhibition at the most recent Istanbul Biennial, which took empathy, care and nourishment as its central themes.

At the same time, a series of similar diagrams were placed in markets in Cairo and Casablanca "as tablecloths, as shopfront windows and surfaces for people to look at and gather," said Vally.

These interventions aimed to "really touch at the heart of the places that brought the [Istanbul Biennial] exhibition into being," the architect said.

Vally is the architect behind this year's Serpentine Pavillion. She founded her architecture studio Counterspace at the age of 23 and is the youngest architect to receive the prestigious commission.

Dezeen published a series of exclusive video interviews with the architect. In the previous instalment, Vally discusses Children's Courtroom, a collection of furniture that aims to teach children about the justice system.

Below is a transcript of the interview:


"Material histories is an exhibition project that was made in 2020 for the Istanbul biennial. And the project draws on some of my research in Morocco with my students at the Graduate School of Architecture, and also my collaborator Sarah de Villiers' research in Cairo.

"The exhibition takes the form of recipes. And really, I think recipes are such important archives in telling us where we come from and how we've evolved. For example, one of the recipes is for Koshari, which is a national dish of Egypt but was brought to Egypt by homesick Indian soldiers of the British Raj, who had lentils in their pockets.

"So the exhibition takes the form of several recipes from Cairo and Casablanca, in particular, but that extend and deepen and work to broaden the understanding of territory beyond the Mediterranean as well.

"It's installed as a set of folding architectures on the wall at the biennial in Istanbul. But it's also installed in markets in Cairo and Casablanca, as tablecloths, as shopfront windows and surfaces for people to look at and gather that really touch at the heart of the places that brought the exhibition into being."

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