Tuesday 7 September 2021

Fabien Roy creates power cut-resilient incubator to protect babies in sub-Saharan Africa from hypothermia

A woman lifts the lid to the Robust Nest incubator

Swiss architect Fabien Roy has designed Robust Nest, an incubator for hospitals in sub-Saharan Africa that functions throughout power cuts and is currently being exhibited as part of Milan design week.

With the small-scale incubator, on display at the Alcova design show until 12 September, Roy hopes to save some of the 1.1 million premature babies lost each year to hypothermia in the region.

A woman tends to a baby inside Robust Nest
Robust Nest is much smaller and lighter than traditional incubators

According to the designer, the standard incubators aren't suitable for use in hospitals in countries such as Kenya, where power cuts can be common.

"The main causes are their inability to provide heat during frequent blackouts, the difficulty to transport heavy and bulky devices on dirt roads and their vulnerability to high humidity rates, dust and temperatures," Roy told Dezeen.

"Blackouts kill a lot of babies. It's a super sad situation. This incubator is supposed to heat the baby for the entire blackout. The goal is to keep the babies warm."

A woman checks a baby inside the white incubator
A thermal battery inside the incubator keeps the baby warm for four hours

Robust Nest, which runs on a thermal battery developed by the Essential Tech Center of the École polytechnique fédérale de Lausanne, can keep babies warm for up to four hours. This will protect babies throughout the majority of blackouts.

When the incubator is plugged in at the hospital, the energy heats pouches of parrafin wax inside the battery, turning the wax into liquid in the process. During a power cut, the paraffin solidifies and releases energy as heat which keeps the baby warm.

Each incubator has a thermal battery that is predicted to last one million cycles of heating and cooling.

A hand touching the handle of Robust Nest
Roy added a handle so that healthcare professionals can easily carry the incubator

To make the medical device less "heavy and bulky", the designer made Robust Nest smaller than traditional incubators.

This was made possible thanks to the difference in hospital practices around the world.

Two medics carry an incubator to an ambulance
The handle can also be used to help secure the incubator while in transit

In the region, it is routine for mothers to warm premature babies through skin-to-skin contact, an effective natural way to reduce the risk of hypothermia.

"The size is based on the local medical protocol in Kenya and sub-Saharan countries," Roy explained.

"In Kenya, they remove the babies from incubators much earlier than in other countries such as Switzerland," he explained.

"The maximum size of the babies is 40 centimetres before they are removed from the incubator."

White and grey Robust Nest incubator
Polycarbonate was used for the lid of the dome

Another benefit of the reduced size is that it makes construction and modification much easier, something that is particularly useful in hospitals where space is contested.

"They don't have a lot of space in hospitals and dispensaries," said Roy. "You can stack the polycarbonate domes of Robust Nest as well as the base and save space."

"You also reduce the cost of the shipment and then once it has arrived in the country, you facilitate the local logistics because it only needs one person to carry it," he added.

Alongside solving the powercut issue, Roy envisions that Robust Nest will help prevent deaths that occur as babies are transferred between hospitals and distilleries.

A metal handle around the rim acts as both a handle for healthcare professionals to carry the device as well as a "bumper" in vehicles.

A hand unscrews an orange screw on Robust Nest
Roy adopted a minimal grey and white design with orange signage

"The concept was to consider the entire lifecycle of the project and not just be using a hospital. We wanted to create something that we can transport babies transfer babies from a dispensary to a higher level hospital if necessary," he said.

"When you put it in a car, you can attach the seatbelt and it acts as a bumper to transport babies," he added.

For Roy, this feature is "super important for specialists" as it solves deaths both in and outside of hospitals.

A baby sleeping inside the incubator
Robust Nest can be deconstructed and stacked on top of each other when not in use

Roy chose a minimalist grey and white colour palette with bright orange signage to highlight sensitive areas such as around locks.

"I made the choice to design something quite conventional in the minimalist design field," he recalled.

"For the interface, I avoided using text, which is language-dependent, because a percentage of the medical staff cannot read. Instead, I chose to use pictograms."

Robust Nest will undergo trials in Kenya in early November. It is expected to be ready for use in 2022.

The project recently received the national James Dyson Award for Switzerland, and will now proceed to the international stage of the award. The shortlist for the award, which reward excellence in design and engineering from students around the world, will be announced on 13 October.

Another of this year's national award-winning designs was Coso, a male contraceptive device designed by Rebecca Weiss that uses ultrasound waves to temporarily halt sperm regeneration.


The 2021 Alcova design show is taking place from 4 to 12 September at Via Simone Saint Bon 1 as part of Milan design week 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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SPAN Architects builds Astor Residence on remote Maine coast

The project is by SPAN Architecture

New York City studio SPAN Architects has completed a remote retreat in Maine on a property that includes a replica of a traditional Chinese tea house and gardens.

The home is located on Maine's rugged coast, overlooking the waters of Western Bay. Encompassing roughly 200 acres (80.9 hectares) of land, the residence serves as a retreat for a New York City couple.

The house was built on a property on the Maine coastline

The property once belonged to American socialite Brooke Astor, who gained an early interest in China through her travels as a child when her father served in the US military. Her secluded Western Bay property served as a getaway for her and close acquaintances, where she built a traditional Chinese pavilion and tea house.

Its current owners first engaged Karen Stonely and Peter Pelsinski of SPAN Architecture several years ago for an apartment in Manhattan. They chose to work with the architects again to restore the property's existing tea house and pavilion, as well as create a new guest house and primary house for the owners, their family, and friends.

The house previously belonged to Brooke Astor
A Chinese pavilion on the site was renovated as part of the work

"The meandering garden and structures by late architect Robert Patterson have been meticulously restored and modernised," said SPAN Architecture. "SPAN's larger masterplan for the property incorporates these accessory structures – the historic, Chinese-styled cottage now called the Pool Pavilion and the Teahouse as it was – to complement a new guest house as well as a new main house."

The angled rooflines of both these structures offer views of the bay beyond the owner's living spaces, and create sheltered outdoor areas for socialising and gathering.

The project is in Maine, US
The new structures have angled rooflines

SPAN Architecture created the guest house first, as a way of testing certain design ideas that would later be applied to the main residence. This smaller building sits slightly further away from the water than the main house, which also helps keep it out of sight.

The main residence's lowest level comprises four bedrooms and is partially sunken into the landscape, opening on one side to the exterior. This creates a plinth for the upper stories, which contain all of the home's public spaces, and the owner's bedroom above.

"The experience of walking through the house parallels that of meandering through the landscape," said SPAN Architecture. "The same way that the landscape offers ever-changing vistas, surprise, delight and a sense of discovery, the plan creates a narrow entrance that gives just a hint, to visitors, of the open, double-height living space beyond, with the kitchen in another direction entirely."

The primary bedroom occupies the top floor of the house and enjoys a wraparound terrace that overlooks the other outdoor spaces. Full-height glass walls on three sides create a complete immersion in the site's lush natural surroundings.

The property is located on Maine's rugged coast
A wraparound terrace provides panoramic views from the primary bedroom

SPAN Architecture's material palette was based on local materials, as well as research on the tea house and pavilion's original architect. Local cedar, Douglas fir, and stone from the same quarry as used for the earlier building were applied throughout the interiors.

An eclectic selection of furniture pieces rounds out the decor. "A charming aspect of the furnishing is that old and new happily co-exist; antique and vintage decor contrasts with other, more modern sculptural elements," said SPAN Architecture.

SPAN Architecture designed the project
Eclectic furniture features throughout the house

Other waterfront homes in Maine include a cedar-clad home by Caleb Johnson that sits on sturdy wooden stilts, and a home split into two parts connected by a tall glass atrium that architects Maria Berman and Brad Horn built for themselves on Vinalhaven Island.

The photography is by Rob Karosis.

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Norman Foster criticises architects' "hypocritical moral stance" on airports

Norman Foster on coronavirus

Pritzker Prize-winning architect Norman Foster has criticised architects that have walked away from designing airports due to concerns about the environmental impact of air travel.

Foster, the founder of the UK's largest architecture studio Foster + Partners, defended his decision to work in the aviation sector and suggested that other studios are being hypocritical by not working on airports.

"I do feel passionately that we have to address the infrastructure of mobility," he said. "We have to reduce its carbon footprint, like everything else. We can't walk away from it. We can't adopt a hypocritical moral stance."

"The carbon footprint of air travel is relatively small"

Speaking on Bloomberg TV show Leaders With Lacqua Goes Green, Foster made the comments in defence of his decision to withdraw his studio from environmental group climate change action group Architects Declare last year.

Foster + Partners left the group after it was criticised for working on aviation projects including the Amaala airport in Saudi Arabia.

Amaala airport
Norman Foster (top) was criticised for designing Amaala airport (above) in Saudi Arabia

He told host Francine Lacqua that all infrastructure and forms of travel have a carbon footprint and singling out airports was unfair, claiming that air travel only contributes a small percentage of global carbon emissions.

Most estimates calculate that the aviation industry contributes between two and three per cent of total carbon emissions, although its impact on climate change is increased by other factors, such as the water vapour produced by aircraft, which also contribute to global warming.

"There are those who – I respect that their outlook, their views – who walk away and say: 'As a moral principle, we're not going to have anything to do with mobility in the form of travel because it has a carbon footprint'," he said.

"I argue that everything has a carbon footprint. In relative terms, the carbon footprint of air travel is relatively small."

"Imperative to reduce the carbon imprint of transportation"

In the interview, Foster also reiterated his view that his studio has a role to play in reducing the carbon impact of aviation through the design of its airport terminals.

"Air travel is not the journey of a jet across the sky," he said. "Travel mobility in any shape or form is about infrastructure."

"So the buildings that that will move people to a train or to an aircraft consume energy, so there's an imperative to reduce the carbon imprint of transportation of mobility," he continued. "And our society is about mobility."

Foster + Partners withdrew from Architects Declare in December 2020 following tension over its decision to design an airport in Saudi Arabia.

At the time, the group stated that leading architects were "clearly contravening" climate pledges, while climate activist group Architects Climate Action Network called on the studio to withdraw from the project or leave Architects Declare.

Fellow founding signatory to the Architects Declare manifesto Zaha Hadid Architects withdrew from the group a day after Foster + Partners.

"Architects Declare's steering group has unilaterally decided on its own precise and absolute interpretation of the coalition's commitments," said Zaha Hadid Architects at the time.

"By doing so, we believe they are setting the profession up for failure. Redefining these commitments without engagement undermines the coalition and trust."

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Commenter says Bjarke Ingels' desert city is "like a greenwashed Vegas"

In this week's comments update, readers are baffled by Bjarke Ingels' plans to build a city in the US desert and discussing other top stories.

Danish architect Bjarke Ingels is master planning a city called Telosa for entrepreneur Marc Lore, which is set to be built "from scratch" in the US desert.

Telosa would be built on an unoccupied 150,000-acre site in the western United States.

"Our vision is to create a new city in America that sets a global standard for urban living, expands human potential, and becomes a blueprint for future generations," said a statement from Telosa.

"The word sustainability is thrown around a lot"

Commenters aren't sold. "This is a truly terrible idea on so many levels," said Brian. "It's hard to know where to start."

"Nothing says sustainable like building an entirely new city in the middle of the desert for no reason other than to showcase sustainability", added Joe Ziggler.

Magda agreed: "So... like a greenwashed Vegas? Uttering the phrases 'the world's most sustainable city' and 'built from scratch in a barren desert' in the same breath is unconscionable. Ugh, everything about this is so wrong."

"Do they need water?" asked David Marquette. "Where does it come from? Presume solar is the electricity source. Great images, but is this fantastical vis-a-vis sustainability? That word is thrown around quite a bit."

What do you think of the plans? Join the discussion ›

Coso male contraceptive device by Rebecca Weiss
Rebecca Weiss designs ultrasound-powered male contraceptive device

Reader says it's time for men to "step up" and use contraceptive device

Commenters are debating a male contraceptive device, which uses ultrasound waves to temporarily halt sperm regeneration. It was designed by graduate Rebecca Weiss and has been awarded a James Dyson Award. 

"It sounds to me like it requires men to put their balls in the microwave," said Sim. "Not sure that doesn't have long-term consequences for their health."

"Yet we have been totally cool for women to have literal mechanical devices inserted into them, take hormone-manipulating drugs, have implants, or even in some cases injections..." replied Nimdoorquoi.

"Love this story," added Anne. "And love the relevance in relation to the awful Texas legislation right now. Men – step up it is your turn, answers have arrived."

Would you use Coso? Join the discussion ›

Audrey Irmas Pavilion by OMA
OMA designs Audrey Irmas Pavilion as extension to Jewish temple in Los Angeles

Commenter thinks extension of a Jewish temple is "incredibly bizarre"

Architecture firm OMA has put the finishing touches to an extension of a Jewish temple on Los Angeles' Wilshire Boulevard. Readers are divided over the results.

"Modern interpretation of a religious temple," said Apsco Radiales. "Lovely exterior, and interior too. Very well done."

Speed disagreed: "'jarring [ˈjäriNG] Adjective, meaning incongruous in a striking or shocking way; clashing'."

"It's just incredibly bizarre, isn't it?" concluded Sharad Majumdar.

What do you think of the Audrey Irmas Pavilion? Join the discussion ›

3D-printed home in Austin
Logan Architecture and ICON complete "first 3D-printed homes for sale in the US"

Reader says "new doesn't always mean better"

Commenters aren't impressed by a quartet of 3D-printed concrete houses in Austin, Texas. They were designed by Logan Architecture and built by construction tech company ICON.

"If these aren't 300K or less then this is irrelevant," said Archi.

"Five to seven days to 'print' the first floor?" asked Frank L. Wright. "A block crew could easily do it in one. Not to mention the designs are very generic and unimpressive. Unless they are at least 50 per cent more energy-efficient than a 'regular' house, there is no point. New doesn't always mean better."

Rob Weeve agreed: "A printed house and what we get is a flat, vertical wall. How soon until these machines are capable of creating decorative surfaces?"

Are readers being harsh? Join the discussion ›

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Dezeen is the world's most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions on our comments page.

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Inchbald School of Design spotlights ten architecture projects

A visualisation of a restaurant and bar

A pop-up store made from natural and recycled materials and an Isle of Skye hotel immersed in nature are included in Dezeen's latest school show by students at the Inchbald School of Design.

Also featured is a rectory in the town of Bath transformed into a contemporary family home and a restaurant that combines Scandinavian fine dining with a tapas bar.


Inchbald School of Design

School: Inchbald School of Design
Courses: Inchbald Diploma Architectural Interior Design, BA(Hons) Architectural Interior Design and MA Architectural Interior Design
Tutors: Alan Hughes, Tony Taliadoros, Piers Northam, Corinne Blackburn, Jo Walker and Nick Williamson

School statement:

"Inchbald has over 60 years experience of design education fostering the talents of some of the world's leading interior and garden designers. Students are taught that to be confident designers, they need to understand the sensory perception of space from a personal point of view, leading to greater empathy for the client's view.

"Learning through the process of survey and analysis, the development of a professional, and most importantly, an individual approach to design is achieved. Inchbald graduates are equipped with skills to interpret clients and space, to understand collaboration and implementation of a scheme and in doing so develop the creative confidence to succeed.

"You can view the 2021 Graduate work on the Ichbald School of Design's website."


An illustration and model of a house

Chantal Bard

"Situated next to the Thames River at Imperial Wharf, London, this duplex penthouse was designed to create a sophisticated and functional home for a family of three. Using both single and double-height spaces, a sense of openness was generated, allowing light to travel every room.

"The focus of this project was to design a harmonious and natural home through the use of natural materials, organic shapes and views. Combining a wide variety of textures within a neutral colour palette creates a tactile atmosphere and variety of lights."

Student: Chantal Bard
Course: Inchbald Diploma Architectural Interior Design
Email: chantalmichelle.bard[at]gmail.com


An illustration of a bar with views of St Paul's Cathedral

Elysia Cartwright

"The brief for this rooftop bar was to design an entirely new structure on top of an office building in Paternoster Square. The undulating window offers up a frame to the view of St Paul's Cathedral.

"The building that dominates the view also provides the inspiration for the design, with the concept being centred around the fluting on the exterior columns of St Paul's.

"The design explores fluting in a variety of forms, sizes and materials. Visitors are introduced to this in the lift lobby, where a curving wall of fluted glass leads them through to the bar."

Student: Elysia Cartwright
Course: BA(Hons) Architectural Interior Design
Email: elysiacartwright[at]gmail.com


An illustration of a listed Italian house

Eleonora Cellino

"My idea was to find an authentic Italian villa that had a great deal of history behind it, but that also challenged me to keep its authenticity while modernising the interior and turning it into a liveable environment. It's very interesting to merge old architecture with new and modern interiors.

"The villa I chose, located in Caprino Veronese Italy, imposes some great challenges as it is a listed house which means the changes I can make to it are extremely restricted. It also has a very irregular shape, as one of the sides of the house was built in a second moment, which gives it an irregular curved shape."

Student: Eleonora Cellino
Course:
MA Architectural Interior Design
Email:
ele-eleonora[at]hotmail.com


An illustration of a pop-up shop that sells sustainable clothing

Pippa Macdonald

"This pop-up is a launch for the new app UpGarm, which promotes and sells sustainable fashion brands within an app. The atmosphere, branding and concept are designed to engage customers, and only sustainable materials have been used – car tyres, driftwood, denim offcuts and more.

"The idea of the stall is also to educate by telling a story on the ceiling of the ocean today and what it would be like if we were to up-cycle. The stall provides organic refreshments, an opportunity to bring in old clothing for a discount on an up-cycled piece, free wifi to engage with the virtual audience, and an option to post an Instagram with the latest collection to win credits to use on the app."

Student: Pippa Macdonald
Course:
Diploma HE Architectural Interior Design
Email: 
pippa[at]keppoch.net


A pop up store that sells eco-friendly clothing

Juliana Mazzucchelli

"This 'pop-up store' was designed using natural and recycled materials to explore sustainability. The colour scheme and texture of finished materials convey an organic atmosphere.

"The patterns allude to native people and cultures, and the botanical decorations on the ceiling and walls add to that. The furniture is all made of recycled materials, and the decorative objects that are composing with the products on sale all reflect the same philosophy of sustainability."

Student: Juliana Mazzucchelli
Course:
BA(Hons) Architectural Interior Design
Email:
juliana.mazzucchelli[at]gmail.com


A photograph of a sculpture in a restaurant

Léa Scott

"Akrobat is a restaurant that aims to embrace the original architecture of the German Gymnasium King's Cross but also its original use. I chose to do that through a mix of a historic and modern feel.

"The finishes have been chosen as if they had always been there. Mixing modern and less modern finishes creates a comfortable and inspiring interior that impacts the customers."

Student: Léa Scott
Course:
BA(Hons) Architectural Interior Design
Email:
scottlea2000[at]gmail.com


An illustration of a family living room

Josephine Treschow

"This design intended to convert an old and characteristic rectory outside Bath into a contemporary family home. The aim was to analyse and modify the current layout and interior to gain a more open and spacious feeling yet creating a sense of intimacy for a young family. The focus was to create a contemporary, relaxed and elegant mood while not compromising the charming historic features.

"The reception room, also called the cocktail lounge, was created to be a more formal space for entertaining. The Georgian fireplace was considered a central element of the room and was encompassed by modern bespoke glass cabinetry to hold the owner's glassware collections."

Student: Josephine Treschow
Course:
BA(Hons) Architectural Interior Design
Email:
josephine[at]treschow.se


A visualisation of a hotel room inspired by nature

Michelle van der Meer

"Imagine a home away from home on the misty Isle of Skye, where you are greeted by name and made to feel as welcome as a friend. Flora and Glenn Douglas have created Cloud House Hotel, where people will gather time and time again to relax while immersed in nature.

"Shades of pinky-purple from the island's fields of heather and green from the windswept grass are found throughout the hotel. Textures of wool add depth, pale European oak adds brightness and hints of brass and walnut add warmth to the space."

Student: Michelle van der Meer
Course:
MA Architectural Interior Design
Email:
michelle[at]studioherbarium.co


A visualisation of a restaurant and bar

Jonna Jarvenpaa

"This restaurant proposal blends contrasting cultures and designs into one large open space, separating dual themes. The top floor has a Scandinavian fine dining premise, while there is a casual tapas bar on the ground floor.

"This allows the client to traverse two worlds in one space. The stairs, inspired by the horns of a bull, alongside the central bar, create a theatrical identify, contrasting with the intimate upper level, where the temperature seemingly drops as the patrons' profiles adjust, while the space establishes a much slower pace."

Student: Jonna Jarvenpaa
Course:
BA(Hons) Architectural Interior Design
Email:
jonnajarvenpaa[at]hotmail.com


An illustration of a house

Masha Makarova

"The task was to create a home for a family of four with young children. The house was an old rectory with a vast garden in the beautiful English countryside, near the Cotswolds. Here you can see the main elevation plan throughout both floors.

"The main floor consists of kitchen, dining rooms together with library and living rooms, as well as a separate en-suite guest bedroom. The house also has a spa section with sauna and relaxation rooms with large Crittall windows overlooking the heated swimming pool and the garden."

Student: Masha Makarova
Course:
Inchbald Diploma Architectural Interior Design
Email:
mashmak26[at]gmail.com


Partnership content

This school show is a partnership between Dezeen and Inchbald School of Design. Find out more about Dezeen partnership content here.

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