Thursday 9 September 2021

Former Apple design director launches mass-timber housing company "to bring productisation to the built environment"

Juno housing in Austin, Texas

Apple's former design director BJ Segal has recently established a mass-timber housing company named Juno. In this exclusive interview, he explains how it aims to design housing like it is a product.

Architect Segal, who worked for 19 years designing Apple stores – most recently as senior design director of real estate and development – believes that Juno can create housing that dispels people's preconceptions about modular buildings.

"If we're going to bring productisation to the built environment for people to live in, that's counter to most people's idea of what an ideal place to live in is," he told Dezeen.

"Typically, architecture is bespoke, bespoke, bespoke – one project to another, there's even a disparity or taboo about repetition within the culture of architecture."

"So we have to design something that is meant to be repeated and that is accepted as higher quality – almost aspirational."

BJ Segal
Above: former Apple design director BJ Segal recently launched Juno. Top: it is designing mass-timber housing in the US

Segal believes that designing using modular elements will allow Juno to take advantage of design efficiencies and economies of scale while being able to continuously improve the product.

And if the homes are high quality enough, people will not be concerned that they are not unique.

"Taking it from product design, no one cares that your iPhone is the same as the next person's iPhone," he told Dezeen.

"If the quality is so much better, then you're okay that you have the same phone as somebody else," he continued.

Housing built from 33 components 

Working with co-founder Jonathan Scherr and New York-based Ennead Architects, Segal has developed a modular system of around 33 components that can be assembled to create various different housing blocks.

These components are being built in a network of factories across the US, before being delivered, flat-pack, to the site.

Juno mass-timber housing in Austin
The first Juno project is on-site in Texas

"So for us, it comes down to three things," he said. "Design a project that's meant to be built over and over again – design out of components. Number two, set up that third party supply chain such that it's a decentralised supply chain."

"Then number three, provide a set of instructions, a set of tools for people assembling the project."

First Juno project on-site in Texas

Juno has recently broken ground on its first project, a five-storey 24-unit residential block in Austin, and larger projects with more than 100 units are working their way through the planning systems in Seattle and Denver.

The first developments are being delivered at "market rate", but Segal believes that as more developments are built, the savings from mass production will allow them to reduce the cost of the housing.

"We are starting at a goal of providing a much higher quality product to the market at a faster timeframe than conventional – we're seeing great gains in speed already," he said.

"And we're delivering it right now at market rate, just right out the gate at market rate. And then over time, that cost will continue to go down."

Housing will be mass timber above podium level

All of the housing will be built from mass-timber above a podium that will be adapted to each of the project's sites.

This will not be cross-laminated timber (CLT) – the most common type of mass timber – and Juno is not revealing details of the material at the moment, although it will be manufactured in the US.

Juno housing
The housing will be made from 33 components

"We are not using CLT," said Segal. "We are actually using another variety that we think is slightly better than cross-laminated timber for a number of reasons."

"The one that we've picked is not as widely available as cross-laminated timber," he continued. "And as a result, there's a slight advantage to being able to use it that we've discovered. We feel that we're actually using a lot less material."

Read the edited interview with Segal below:


Tom Ravenscroft: Can you tell me a little about how Juno began?

BJ Segal: Before working on Juno, I spend about 19 years working on the Apple retail store programme. Back in 1999 is when I kind of started working on projects at a small interdisciplinary design firm here in San Francisco. We were actually doing tradeshow work for Apple, the Macworld Expo stuff, and we got the opportunity to think about how Apple would bring their brand directly to the consumer.

So we spent a bunch of time coming up with the first concepts for the Apple stores. Long story short, I did that for about eight years, and then in 2009, got asked to work properly directly as head of AI innovations and standards. Then, within two years, as the head of design for Apple on their projects across the world.

Four major things that came out of that. First how to design a product that people really get emotionally connected to – that was a big thing at Apple.

Number two, work on continuous improvement to really understand how architecture can be more like product design, and really focus on the customer – continue to improve through feedback and innovation, not just using one-off projects.

The third is Apple really challenged us to think about the way we deliver the project more like the way they deliver products through a kind of owner-furnished direct source supply chain model.

And that actually spurred a lot of investigation as to how to translate that work from a product into this industry, which is really kind of not focused on that.

So that really was a big, big focus.

And then the last one was really a commitment to the responsibility of the building to its environment, I think that was, you know, in the second half of my time at Apple that became a big deal.

Tom Ravenscroft: How did this experience inform Juno?

BJ Segal: Those four lessons were kind of primed in my head, as I was deciding to take off after 19 years of working on Apple. When I met John, the other co-founder, we realised that the customer, the end-user, wasn't always a consideration in developer housing.

So we set out to think, can we design a much better, higher quality product, a product that really focuses on the environment, and addresses the needs of the users and matches our own values.

So the question ended up being how do you design a product that's higher quality, but not deliver it at price points that people can't afford, because typically higher quality, higher environmental impact comes at a price premium.

For us, the kind of the generative idea was delivering that higher quality product at a more approachable and achievable, more accessible price point for folks.

And that's where we started really diving into technologies, processes, you know, things that we could do. What can we do in the background, to really make it possible to deliver it that way. The customers that live there don't really mind or care about how you got there, but they do care about what it costs and if they can afford it.

So all of the business models that we've created in the background is there to serve this better quality product.

Tom Ravenscroft: Can you give me more detail about the business model?

BJ Segal: If we're going to bring productisation to the built environment for people to live in, that's very kind of counter to most people's idea of what an ideal place to live in.

Typically, architecture is bespoke, bespoke, bespoke – one project to another, there's even a disparity or taboo about repetition within the culture of architecture. So we have to design something that is meant to be repeated and that is accepted as higher quality – almost aspirational.

So taking it from product design, no one cares that your iPhone is the same as the next person's iPhone. If the quality is so much better, then you're okay that you have the same phone as somebody else.

So you've got to design something that relates to people's values, feels higher quality, higher craftsmanship, it relates to the things that people would aspire to, but it can't be priced out.

We're looking at middle-income, market-rate housing. This is for people who have everyday jobs. And so how do you deliver that kind of aspirational product at a price point. And so the first thing that we really did was decided to look to see what were the smallest number of parts that we could design to actually keep the skew count low, keep the quality really high.

And then take those very small number of parts to build a supply chain around delivering those parts to our project sites. So that we could put these things together.

And those parts are made such that they can live independent of each other, they can be second or third sourced if need be, we can always chase the best technology, the best vendor who's doing the best work, we can learn from their techniques.

We then take those parts, make them very predictable, make them relate the same way every time they're using the project, and then allow a lot of flexibility in creating many, many different buildings on different sites.

Then make it such that the assembly of the project on the site is really like a factory assembly line, but it's on a construction site. So you've really simplified down, potentially, the assembly of the project because much of it is done ahead of time.

So for us, it comes down to three things. Design a project that's meant to be built over and over again – design out of components. Number two, set up that third-party supply chain such that it's a decentralised supply chain.

Then number three, provide a set of instructions, a set of tools for people assembling the project.

Tom Ravenscroft: And how does timber fit into that?

BJ Segal: Timber is really quite important for us. We started out by wanting to take advantage of new technologies and be more manufactured than constructed. We also wanted low labour, high machine, high technology in their manufacturing.

And finally, what does it contribute to the sustainability of the project? What we discovered very quickly, as we were doing our design work, was that we wanted to focus on mass timber.

In the United States, it's a slightly new conversation. It's a much older conversation in Europe.

But you know, you look around you do your research, you learn from everybody that's done something in the past. And so for us, mass timber was coming online in the United States  – the building code was changing.

For us, mass timber was key to unlocking a lot of benefits. It's a material that has many advantages. We found one that we think is highly advantageous – low waste, highly manufacturable, highly strike-strong in its strength compared to other mass timber.

Tom Ravenscroft: Is it cross-laminated timber that you'll be using?

BJ Segal: Well, no, we are not using CLT. We are actually using another variety that we think is slightly better than cross-laminated timber for a number of reasons. The one that we've picked, is not as widely available as cross-laminated timber. And as a result, there's a slight advantage to being able to use it that we've discovered. We feel that we're actually using a lot less material.

I can't say what it is right now as we want to keep our advantage. But I can say it's a mass timber manufactured in the US.

Tom Ravenscroft: So you are expecting to get much of the benefits associated with CLT, plus some additional ones?

BJ Segal: Yes, and it's worth mentioning that by using mass timber and the way that we are using it, we are finding a very significant advantage over other materials that can build tall projects like concrete or steel. As a result, we're building much lighter buildings. The mass timber that we're using is coming from a responsibly and responsible forestry practice environment and as a result, it actually is being considered a negative contribution to carbon from a biogenic resource.

As a result, we are finding ourselves in an embodied carbon situation that is quite unique, actually. And quite advantageous.

Tom Ravenscroft: So all of what you've described sounds similar to what others have strived to achieve. What makes you think that you've got the secret sauce to do what others have failed to?

BJ Segal: The process of trying to productize homebuilding has taken place since the 1940s. This is not a new thing. And a lot of architects get into this and try to figure out what's the recipe.

And a lot of folks have come up with some really great ideas that just haven't worked. There were a lot of things that we learned and watched. Our system, first and foremost, tries to learn from the lessons of the past.

We have only one volumetric component, which is our bathroom, everything else is panelized, flat packed, and shipped very efficiently. And some very large companies have invested in fabrication and placed a real emphasis on vertical integration – companies would buy up architecture firms, general contractors, their own factories. Asset intensity was unable to be sustained.

So, one of the things that we're really focused on is this idea of instead of being vertically integrated, we're really very focused on being vertically aligned. And that was a mission right from when we first started the company – vertical alignment with amazing partners. So we are not setting out to be everything.

In fact, we're like the orchestra conductor, we are actually bringing together people who don't typically work on these kinds of projects. And we're trying to bring this amazing resource, this amazing skill set together, great fabricators who build parts; they're kind of becoming part of this ecosystem.

So I think that is a stark difference to the way a lot of folks have approached this problem, we are ending up being very asset-light, we can be very nimble, we can follow the best technology, the best techniques, we can get competition within the supply chain, and continue to really chase the best ideas, always listen and learn and be humble that way.

Tom Ravenscroft: And is this theory being put into practice?

BJ Segal: One of the things that we'll announce next week is that we have broken ground on a first project in Austin, Texas. It's a five-storey 24-unit project. And we actually have a couple of other projects in our pipeline already under control and moving forward. Much larger, much larger projects, eight to 12-storey projects in Seattle and Denver.

And really, that's where we're going to concentrate our efforts in these kind of 100 to 300 unit projects, eight to 12 story projects.

So you are operating in the real world, not theory?

BJ Segal: We're not aspirational in that way. We are actually doing everything we're saying. And actually, everything that we're building is compliant with today's codes.

We don't have things that we're dreaming will happen. We have real projects with real general contractors, real investors, real component fabricators who have actually built the real parts for us.

We've built full-scale mock-ups of the one residential unit. We've studied all of the assembly with the installers and the fabricators we've actually used, we have a team of continual like data collection experts, so to speak, watching and learning so that we continue to feed that back into our process and get better and better.

Tom Ravenscroft: So you're happy to work within the current building system?

BJ Segal: We want to make living sustainably easy for people. We want to actually create the first network of mass timber. Kind of a net-zero carbon contribution from the embodied carbon standpoint, which is highly unique. In fact, our environmental engineers that we've been working with have told us that they've actually never seen anybody getting to this point in the embodied carbon category.

You know, our operational carbon is 20 per cent, better than the most stringent codes in the United States right now. So we are, we are leaning in, we're not there yet. We're on a journey. We're not telling people we are net-zero, because that would be silly. It's a journey. And it takes a lot of effort. Especially in housing, it's a place where there's not a lot of investment just for the sake of making statements like that.

We're trying to build in the most responsible way, in today's context. And we're trying to bring a whole network of these projects to a lot of people, and not make people change the way they live in order to be able to live in a sustainable way. We're actually going to start with today's goal and get better as we go.

Tom Ravenscroft: Then I suppose the way your system's built, if codes change, you can adapt and amend?

BJ Segal: Absolutely, it's meant to have continuous improvement components, one of the beautiful things about the components is that they're independent of each other – there's a very small number of components, maybe like 33 components that make up every part of the residential part of a project.

The podium will be very unique for each site, with a different programme, different foundation, etc. and a fairly conventional podium.

Tom Ravenscroft: And above that, you will have the modular residential housing?

BJ Segal: Yes. And really, it's meant to be where we exploded with our efficiency, and the quality of everyday life. That's really where we want to focus. When people walk through the front door of the unit, they're going to look at it, hopefully see craftsmanship, light, air, materials, the volume of space that you can't find in a developer housing – an emphasis on the everyday life, not just the list of amenities, but where people actually spend their time.

Tom Ravenscroft: So you've got big aims and ambitions for Juno?

BJ Segal: Not big aims for the sake of just big aims, but big aims for making a contribution. So we're on a trajectory with the Austin project. We are self-developing, we are the developers. The next two projects, the ones in Seattle and Denver, we're co-developing with local co-developers. Then we will continue to reach further towards other developers.

We're starting by eating your own dog food, so to speak. We're proving it to ourselves, and everybody else. And then as we grow, and as we do bigger projects, and more of them, we start reaching forward, sharing up development tasks with others. Then we start using that as a service and a platform where others can choose to help us deploy our product, really, because it is more like product design at that point where the investment of R&D, the investment of tools, and processes, which we've proven out, and we'll have a track record, we can start getting more and more interest from the development community.

And then every time we do this, you know, we get better, we learn more about what happens, we collect the data, we build more partnerships with more people. And at that point, you know, you start adding scale to the matrix and scale reduces cost, you start adding repetition of partnerships, and that comfort level helps to kind of continue to reduce the cost.

So we are starting at a goal of providing a much higher quality product to the market at a faster timeframe than conventional where we're seeing great gains in speed already.

And we're delivering it right now at market rate, just right out the gate at market rate. And then over time, that cost will continue to go down.

Tom Ravenscroft: So you're working within the real-world constraints of each project?

BJ Segal: Yes, the projects themselves are funded with conventional construction development capital. Not funded by venture capital.

Tom Ravenscroft: What do you think will be the biggest obstacle to this actually upscaling into something that is viable across the whole United States?

BJ Segal: Well, first of all, because of this decentralised supply chain, if we chose to be global, we could do that. We could build supply chains in other countries. And we could apply this thinking to other places. That is not a constraint.

We believe in focus, we have one product right now. And I think that's another area where folks have failed in the past, where they've tried to do too many things at one time.

So we have one product right now, market rate, multifamily housing. We can choose to go into other verticals; student housing, elderly, housing, hospitality, but we're really being focused right now.

I'd say there are two things that are road bumps, but not obstacles. One is time because it's different from a product company or software company, the cycle time is longer to do a project.

As a result, you have to be patient enough to allow it to get through regulatory approval processes in places like Seattle, which is very slow. It has nothing to do with how fast we work, it's to do with the city. It's just reality, right?

So time, we have to be patient enough to get it done.

I think the second thing is that some folks that are just a little less excited to be innovative, they're really a little bit more risk-averse. And so for those people in that chain, a lot of the benefits come after seeing one or two of these happen.

In order to get the full benefit of the process. You've got to demonstrate a couple of times and so that patience that I mentioned to you, we have to be patient. Not everybody wants to be an early adopter.

So that kind of scale has to come once you can demonstrate to people who want to see first and get involved second, but we've gotten so many people who have said to us, we are so excited to get on this bandwagon, but we just don't want to be first.

So that's okay, we'll find a couple of people who want to be first with us, and we'll do with them, they'll probably benefit in the long run more, because they've been part of the beginning.

Renders are by Engraff Studio.

The post Former Apple design director launches mass-timber housing company "to bring productisation to the built environment" appeared first on Dezeen.



from Dezeen https://ift.tt/2XdXEVP

World's largest carbon-capture plant Orca opens in Iceland

Climeworks Orca plant in Iceland

The world's largest direct air carbon capture and storage plant has started operating in Iceland, run by Swiss company Climeworks.

Named Orca, the plant sucks carbon dioxide directly from the air and buries it as rocks deep underground, using technology from Climeworks' Icelandic partner Carbfix.

Stackable collector units at the Climeworks Orca plant
The Orca plant is made up of stackable carbon dioxide collector units

Orca has the capacity to remove 4,000 tonnes of carbon dioxide from the atmosphere this way each year.

The number equates roughly the emissions from 870 cars or 9,281 consumed barrels of oil, according to the United States Environmental Protection Agency greenhouse gas calculator.

Plant is run on renewable energy

The Orca plant is located in Hellisheidi, Iceland, adjacent to Icelandic energy company ON Power's geothermal power plant, and is entirely run on this renewable energy.

Climeworks claims it is the "world's first and largest climate-positive direct air capture and storage plant", and says it makes the capture of atmospheric carbon on an industrial scale a reality.

"Orca, as a milestone in the direct air capture industry, has provided a scalable, flexible and replicable blueprint for Climeworks' future expansion," said Climeworks co-CEO and co-founder Jan Wurzbacher.

"With this success, we are prepared to rapidly ramp up our capacity in the next years. Achieving global net-zero emissions is still a long way to go, but with Orca, we believe that Climeworks has taken one significant step closer to achieving that goal."

Climeworks' plant was built in 15 months, using a modular system in the form of stackable container-sized collector units. Eight such units make up the Orca plant.

The company claims this system has a small physical footprint, cuts construction time and can be replicated anywhere in the world with sufficient renewable energy and storage conditions.

It also uses around half as much steel as Climeworks' previous technology.

Orca is Climeworks' second carbon capture plant

The company launched a pilot plant in Switzerland in 2017, which packaged the collected carbon up for commercial use in fertilisers, fizzy drinks and synthetic fuels.

The Orca plant captures significantly greater quantities of carbon dioxide, and instead of using it converts it for storage through Carbfix's "natural mineralisation process".

This involves mixing the carbon dioxide with water and pumping it deep underground, where it is trapped in stone. This effectively removes it from the atmosphere permanently.

Climeworks plans to achieve megatonne removal capacity in its global operations by the second part of this decade.

Critics of carbon capture and storage have argued that it is a costly distraction from the real policy measures needed to fight climate change.

However, the United Nations Intergovernmental Panel on Climate Change report suggests that scaling up carbon removal technologies could help the world limit global warming to 1.5 degrees.

Climeworks head of climate policy Christoph Beuttler told Dezeen in June that mining carbon from the sky instead of the ground could represent a circular resource that could fuel aeroplanes and produce cement.

The post World's largest carbon-capture plant Orca opens in Iceland appeared first on Dezeen.



from Dezeen https://ift.tt/38QwGG4

Dezeen Awards 2021 media shortlist announced

Bouverie Apartments by Individual

The Dezeen Awards 2021 media shortlist has been revealed, with 33 projects selected across five newly introduced media categories for the best photographs, videos, visualisations and websites.

All shortlisted projects are listed below, each with a link to a dedicated page on the Dezeen Awards website where you can find more information about each one.

All shortlists announced this week

The media selection is the fifth Dezeen Awards 2021 shortlist to be unveiled. The architecture shortlist, interiors shortlistdesign shortlist, sustainability shortlist were published earlier this week, with the studio shortlist revealed tomorrow.

Woman and child, Springdale Library, Brampton Canada, RDHA Architects by Nic Lehoux
Above: Nic Lehoux's photograph of Springdale Library in Brampton, Canada, is shortlisted in the architecture photograph of the year category. Top:

The Dezeen Awards media shortlisted projects have been selected from 165 entries and judged by our panel of experts, including filmmaker Gary Hustwit, photographer Jeanette Hagglund and graphic designer Micha Weidmann.

Subscribe for updates

To receive regular updates about Dezeen Awards, including details of how to enter next year, subscribe to our newsletter.

See the full media longlist below:


The One by Ema Peter
The One by Ema Peter is shortlisted in the architecture photograph of the year category

Architecture photograph of the year

› David Rubenstein Forum 0005 by Angie McMonigal Photography
Niliaitta by Archmospheres
The One by Ema Peter Photography
Shanghai 92 by HGEsch Photography
Bouverie Apartments by Individual
Woman and child, Springdale Library, Brampton Canada, RDHA Architects 2019 by Nic Lehoux Photographie Architecturale
David Brownlow Theatre (Jonathan Tuckey Design) by Stephenson&

Browse all projects on the architecture photograph of the year shortlist page.


Rural studios by Breadtruck films
Rural studios by Breadtruck Films is shortlisted in the architecture video of the year category

Architecture video of the year

Tadao Ando by HGEsch Photography
Connections by Breadtruck Films
Rural Studio by Breadtruck Films
Village Lounge, Shangcun by XIAZHI Pictures
Piazza Giardino by dapstudio/Elena Sacco and Paolo Danelli

Browse all projects on the architecture video of the year shortlist page.


Peckham Rye Station by Flashforward Studio
Peckham Rye Station by Flashforward Studio is shortlisted in the visualisation of the year category

Visualisation of the year

Remember To Breathe by Alexis C Studio for Facebook (Instagram @Design Department)
Peckham Rye Station by Flashforward
Como Terraces, Living by Gabriel Saunders for Sterling Global
The Goodtime Hotel, Bar by Gabriel Saunders for Dreamscape Companies
The Mulberry Tree by Marek Wojciechowski Architects
Somewhere in the World by Mue Studio
Rockaway by Notion Workshop
The secret cave by UNISM for KDW Automobile
The Modern at Embassy Gardens (1) by V1 for EcoWorld and Ballymore
Landmark Pinnacle by V1 for Chalegrove Properties

Browse all projects on the visualisation of the year shortlist page.


Periscope
Periscope website by Periscope is shortlisted in the website of the year category for architecture, interiors and design

Website of the year (architecture, interiors, design)

Orange Architects by Enchilada and PMS72
Rafael de Cárdenas by Ohlman Consorti
Samuel Day by Samuel Day
Periscope by Villalba Lawson/United Forms
Wyer & Co. by Wyer & Co.

Browse all projects on the website of the year (architecture, interiors and design) shortlist page.


Muuto website by Muuto
Muuto website by Muuto is shortlisted in the website of the year category for brands

Website of the year (brands)

Architextures by Architextures
› Build in Amsterdam by Build in Amsterdam
› Molten Corporation by Garden Eight
Muuto by Muuto
Plant Designs by Plant Designs
Notorious Nooch Co. by Wildish & Co

Browse all projects on the website of the year (brands) shortlist page.

The post Dezeen Awards 2021 media shortlist announced appeared first on Dezeen.



from Dezeen https://ift.tt/3niAuIO

Call for entries to Clarion Housing Group's William Sutton Prize

A photograph of a square wooden building

Dezeen promotion: designers and architects are invited to submit their entries for housing provider Clarion Housing Group's annual William Sutton Prize, which this year will focus on sustainability and placemaking.

Clarion Housing Group's William Sutton Prize is looking for ground-breaking architectural concepts that use sustainable design principles, promote local biodiversity and create environments that foster residents' wellbeing.

Now in its fourth year, the awards celebrate William Sutton, a 19th-century philanthropist who Clarion Housing Group said "used his fortune to improve the quality of social housing".

A photograph of a square wooden building
In 2020 Ecomotive and SNUG Homes won the prize for their training hub in Bristol

"William Sutton's legacy was to transform lives and communities and it's been a real privilege to see our winners doing the same over the last few years," said Clare Miller, chief executive of Clarion Housing Group.

"Through the prize, we're committed to helping develop ideas to make a difference to communities."

The projects must address social and environmental issues such as energy efficiency and affordability, using recyclable materials, incorporating renewable or alternative energy resources, and helping to create "vibrant neighbourhoods".

A photograph of a kitchen with wooden flooring
Clarion Housing Group is looking for more groundbreaking sustainable design concepts

The winner will receive £20,000 from Clarion Futures, the charitable foundation of Clarion Housing Group. The prize money will help turn the winning concept into reality and it will be trialled on one of Clarion's upcoming development sites.

The William Sutton Prize judging panel is led by Clare Miller, group chief executive of Clarion, and includes Jas Bhalla, founder of Jas Bhalla Architects; Alastair Mant, director of business transformation at the UK Green Building Council; Richard Cook, group development director at Clarion; and Matthew Morgan, director at Quality of Life Foundation.

The annual William Sutton Prize will focus this year on sustainability and placemaking

"Promoting the value of good housing design is more important now than ever, as we look to meet the enormous challenges of climate resilience, affordability, and social isolation," said Jas Bhalla.

Bhalla won the prize in 2019 with a planning policy proposal intended to encourage the transformation of nine underutilised roads in outer London into streets for affordable housing.

In 2020, the workers' cooperative Ecomotive and housing developer SNUG Homes won the prize for their proposal for a construction and training hub in Bristol that intends to enable local people to coproduce eco-friendly, modular housing.

A photograph of a wooden club-like home
The winner will receive £20,000 from Clarion Futures

"Winning the William Sutton Prize has given us a massive boost – not only by raising the profile of our project but also through giving us the opportunity to collaborate with professionals from the Clarion team to scale up our plans and increase our social impact," said Anna Hope, director of training and consultancy at Ecomotive.

"We would encourage anyone with projects or ideas in the field of sustainable housing and placemaking to apply for this award, which is unique in its scope, vision, and the practical support available to help turn ideas into reality."

Applications close at midday on 6 October.

To find out more about The William Sutton Prize or to apply visit Clarion Housing Group's website.

Photographs are of the Ecomotive and SNUG Homes Scheme by Tony Gilbert unless otherwise stated.


Partnership content

This article was written by Dezeen for Clarion Housing Group as part of a partnership. Find out more about Dezeen partnership content here.

The post Call for entries to Clarion Housing Group's William Sutton Prize appeared first on Dezeen.



from Dezeen https://ift.tt/3E5BZA2

Nuvola Rossa bookcase by Vico Magistretti for Cassina

Nuvola Rossa bookcase

Dezeen Showroom: Italian furniture brand Cassina has reissued Vico Magistretti's Nuvola Rossa, a folding bookcase with sleek angles and lines.

The Nuvola Rossa bookcase was originally designed in 1977 by renowned Italian furniture designer and architect Vico Magistretti, who died in 2006.

A photograph of a grey bookcase and red chair
The bookcase by Magistretti in grey

Magistretti's eponymous company has reissued the bookcase for Cassina's PRO – I Contemporanei collection.

The bookcase has a distinct diagonal structure that provides support to six shelves without the need for conventional sides.

A photograph of the orange bookcase
Nuvola Rossa in goose-beak orange

The bookcase is foldable, making it a versatile piece of furniture that can also serve as a room divider. It also comes in either goose-beak orange or grey, which are custom colours designed for the Cassina collection.

Product: The Nuvola Rossa
Designer:
Vico Magistretti
Brand:
 Cassina
Contact: 
info@cassina.it

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Nuvola Rossa bookcase by Vico Magistretti for Cassina appeared first on Dezeen.



from Dezeen https://ift.tt/3BYV9Fw