Tuesday 14 September 2021

Woven screens cover cabin in Colombia by Santiago Pradilla + Zuloark

Woven House bySantiago Pradilla and Zuloark

A facade of woven wood screens filters light and air into this timber-framed home in Colombia, designed by architect Santiago Pradilla with architecture collective Zuloark as a prototype for more sustainable, local forms of construction.

Perched overlooking a rural landscape in the Department of Cudinamarca, Casa Tejida or Woven House was designed for the owners of a coffee plantation in 2019.

Santiago Pradilla and Zuloark designed the project
Casa Tejida translates as Woven House, named after its architectural elements

A range of construction techniques drawn from the expertise in the local community were incorporated into the design of the cabin-like home, including the timber structure, woven facade, metalwork elements and ceramic tile roof.

"Casa Tejida proposes an architecture made with techniques and materials better adapted to the places and climates they are located in, generating less impact and providing high-quality architectural solutions," explained the design team, which comprises Bogota-based Pradilla and international collective Zuloark.

The cabin on stilts
The cabin overlooks a rural landscape

"During the design and construction process, a community of work and coexistence has been formed, understanding the whole process as an opportunity for learning and training through the prototyping of the house."

The long, narrow plan of home is split into two storeys, with a double-height living area, dining and kitchen spaces alongside a bedroom on the lower level. Two further bedrooms above sit beneath the mono-pitch roof.

Wooden interiors in the cabin
The home has a double-height living area

Despite these discrete areas, the home is effectively one large volume, divided only by woven screens made using the natural fibre Yaré that also create balustrades for the upper level.

Similar woven shutters cover the entire southern elevation of the structure, allowing this side to be entirely opened up to the outside, shaded by the overhang of the roof.

Woven screens at Woven House
A hammock is positioned for enjoying views through the open shutters

"Dispensing with constructive elements such as interior divisions, insulation and interior veneers, the weather conditions allow it to be a house completely open to the environment, where some mornings the clouds enter for breakfast," said the designers.

The more solid northern section of the home is clad in wooden shingles, with double-height swing doors creating dramatic entrances into the home and allowing for cross ventilation.

Instead of being dug into the site, the eastern end of the home is raised on stilts to extend out over the edge of a hill, with the living area opening onto a small terrace providing panoramic views.

"Casa Tejida is located perpendicular to the contour lines, adapting better to the existing topography, avoiding large earthworks and taking advantage of the best solar orientation and creating different ecosystems in each side of the house," said the designers.

Santiago Pradilla and Zuloark designed Woven House on stilts
Woven House is raised on stilts at its eastern end

The interior has been left free of wall finishes to celebrate the timber structure, complete with woven furniture to mirror the appearance of the screens and a hammock hanging from the beams.

"The simple and visible assembling details make the architecture of Casa Tejida comprehensible, adaptable and replicable in any other place by anyone," the designers continued.

Views from the windows
Woven screens form permeable walls that allow for natural ventilation

Elsewhere in Colombia, a proposal was recently unveiled by a coffee company to build affordable and eco-friendly homes using recycled coffee husks.

The photography is by Federico Cairoli.

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School of the Art Institute of Chicago presents 10 student architectural projects

A project that uses hand-drawing techniques to explore 'contemporary ruins' and another that examines rapidly expanding global cities are included in Dezeen's latest school show by the School of the Art Institute of Chicago.

Also included is a project that explores adaptive reuse as a means to solve Chicago's housing issue and another that examines how "house museums" serve as an opportunity to think about the way architecture communicates.


School of the Art Institute of Chicago

Institute: School of the Art Institute of Chicago
School: Department of Architecture and Interior Architecture
Courses: 
Graduate Thesis Projects
Professors:
Linda Keane, Andres Hernandez, Carl Ray Miller, Charles Pipal, Hennie Reynders, Joshua Stein, Andrew Schachman, Tristan Sterk and Monika Thadhani

School statement:

"At the School of the Art Institute of Chicago's Department of Architecture and Interior Architecture, we encourage and practice a vibrant engagement with design at all scales – from the body to large scale environments.

"Our faculty in the Department of Architecture share a vision through which collaborative thinking, making, and sharing practices are the categorical imperatives in the 21st century through which meaningful cultural research and innovation reinforce society as we undergo deep transformations.

"Our vision is grounded in a reflective and critical engagement with an increasingly complex assemblage of environments and the realities of contemporary life. We encourage a restless curiosity in our students and belief in a plurality of approaches from our faculty, visiting designers, and critics.

"Students need to be comfortable with uncertainty and complexity, often having to locate their creative imagination outside disciplinary boundaries and as such, the department responds with significant alternative modes of learning.

"Our faculty believe that future designers need to be thinking designers – practitioners willing to explore unknown territory and engage problems not yet defined – as such allowing transversal forms of exploration and meaningful moments of sharing across all clusters of research and practice throughout the institution and beyond."


A photograph and drawing of buildings by Bogdan Bogdanović

Encounter by Jovana Crnomarkovic

"Encounter engages the work of architect, urbanist and essayist Bogdan Bogdanović in a speculative, collaborative dialogue. It places him amongst the company of figures such as ACTUP's Gran Fury, surrealist authors, and me, as a curious architectural student, to recover the underpinnings of memorialisation in the former Yugoslavia before its fragmentation and subsequent oblivion.

"Through a close reading of Bogdanović's memoirs and essays and study of his drawings, I map out his unique position as the state's creative proxy as well as one of its most outspoken dissidents.

"Instead of relating to others through apparent commonalities or by insisting we can map ourselves onto another's experience, how can we form relationships across the distance of our difference? In this vein, I am not arguing for the commonalities of my chosen conversational partners, but their relationship is a complex fabric.

"Bogdanović eludes both figurative and abstract representations in his memorials, offering a perspective into incommensurate belonging in design which moves beyond translating these ideas to expand upon an accepted 20th-century architectural canon."

Student: Jovana Crnomarkovic
Course: MArch Thesis


A graphic image showing how adaptive reuse can be used

Adaptive Reuse as a Tool by Amanda Fuson

"My thesis responds to the condition of the housing crisis in Chicago and the solution that vacant, historically significant buildings provide. My methodology includes creating a research engine that identifies buildings in disinvested neighbourhoods that are historically significant and vacant, identifying the common building types that characterise the fabric of these neighbourhoods, and testing these building types against economies of scale and preservation principles.

"This methodology establishes a conceptual template for identifying networks of the historic building stock and provides typology-specific design solutions for their adaptive reuse.

"Through this lens, I hope to examine the strategy of reusing embodied energy as sustainable practice and its benefits that support both equitable housing and preserving the cultural identity of neighbourhoods."

Student: Amanda Fuson
Course: 
MArch Thesis / Certificate in Historic Preservation


A graphic image of people protesting

Tactical Urbanism for Protesting by Shun Nien Miao

"The project explores and propositions a public space in which activists and the protesting public can insert infrastructure within interstitial spaces and quasi-private thresholds that exist between buildings and the commons in Lower Manhattan, New York City. An intervention that bridges urban typologies and aims to create a new urban culture through architectural innovation and political disruption.

"The series is a combination of mapping public/private and the odd existence of 'privately owned public space', factual and fictional scenario collages and 'text/script', that informs the process by which a grassroots creation of public space – from the contingent condition, temporal occupation to permanent intervention, can take hold."

Student: Shun Nien Miao
Course: 
MArch – with an Emphasis in Interior Architecture Thesis


A map of Linhai

Connect the Line by Tinglei Zhang

"Connect the Line refreshes Linhai as a contemporary site and addresses the current shifts between traditional and contemporary cultural landscapes on county-level scales of urbanisation.

"The proposed architectural interventions aim to counter the shrinking of the population and create alternative opportunities for the mobile youth and left-behind elderly groups alike. Building upon existing historical infrastructure and traditional neighbourhood texture, new and surprising interventions activate social interactions between young and old."

Student: Tinglei Zhang
Course: 
MArch Thesis


A drawing of the Mechanics of Ethnocratic Colonial Urbanism by Rula Zuhour

Present Futures: Mechanics of Ethnocratic Colonial Urbanism by Rula Zuhour

"Within Jerusalem's city boundary but outside the Separation Wall, the neighbourhood of Kafr Aqab is a ledge where Palestinian Jerusalemites resort to live. Behind them is a concrete wall sealing off a city that constantly pushes them out, and ahead of them is a downfall that renders them stateless.

"This thesis investigates past and current Israeli colonization tactics that have created the Kafr Aqab phenomenon, where architecture and urban planning are instruments of dispossession, displacement and control. Based on this investigation, the thesis speculates about possible futures for Kafr Aqab and its inhabitants.

"By examining moments in space and time of idiosyncratic collisions between the urban fabric, military structures, and political boundaries, the thesis reveals the method in which those territorial tools operate in parallel with oppressive legal, civilian, and administrative policies to expand Israel's territory and consolidate its control while displacing and fragmenting Palestinian communities."

Student: Rula Zuhour
Course: 
MArch Thesis


A photograph of an architectural model exploring algorithmic processes used by digital networks and social media platforms

Data Can Architect – and it is personal by Heidi Metcalf

"Our data permeates every aspect of our lived experience. Architecture has become the backdrop of these digital realities. In this world, can data architect? Through digital networks like Twitter and Instagram, users are primed to expect adaptive environments.

"With a simple 'like' or forward, the digital condition is algorithmically redesigned to suit our interests. This work evaluates eight cultural sites in Chicago and appropriates algorithmic processes used by digital networks and social media platforms. Designing a speculative process for re-conceptualizing the foundations of architectural ideating determines that data can architect – and it is personal."

Student: Heidi Metcalf
Course:
 MArch Thesis


Illustrations and photographs of "architectural ruins"

Vagabondage on Architectural Ruins by Yiwen Chu

"As a Master of Architecture graduate Yiwen Chu is interested in all kinds of contemporary ruins. With an undergraduate background in 3D design and furniture design, Chu practices design across various disciplines and scales.

"She uses hand-drawing techniques to illustrate her conceptual thinking and in her thesis asked whether explorers and vagrant nomads can insert a narrative of occupation and de-occupation over contemporary ruins so as to create places that stress the importance of death, birth, memory and introduce a contingent spatial typology of temporal belonging."

Student: Yiwen Chu
Course: 
MArch Thesis


An illustration of an architectural handbook

Exurban Futures: A handbook for architecture's potential on an emerging frontier; Chicagoland's periphery by Andrew Phyfer

"Intrigued by the 'edge conditions' that surround our rapidly expanding global cities – the moments where city and countryside begin to blur – this project aims to provide architectural suggestions for a zone that is under-addressed by the academy and profession.

"From a series of prompts and artefacts – geological calendars, soil production indices, supply and logistics networks, settler outpost, suburban present, and projected future planning scenarios – five exploratory operations are produced for Building Thriving Ecologies.

"This includes Establishing Robust Agricultural Platforms; Diversifying Regional Exchange; Radicalizing the Single-family Home and Empowering Sociocultural Network. The final hybrids that emerge from these typological explorations suggest spatial propositions of exurban futures, a synthesis of a journey, exposing the invisible forces at play and invite further integration by stakeholders."

Student: Andrew Phyfer
Course:
MArch Thesis


A pink drawing that explores "home museums"

Space Frame Earth Sky by Kekeli Sumah

"As a city, Chicago has influenced how I think about the scope of my work. I used to confine my work to paper and to the studio, but there is a lot of freedom here and a lot of opportunities to work with organisations and individuals from many different fields.

"This environment has made my practice interdisciplinary in a way that extends beyond the studio and into the built environment. My current interests are in house museums and how they serve as an opportunity to think about the way architecture communicates.

"I'm interested in investigating this typology through three constructs: "Homeness," "Houseness," and "Museumness." These categories are mapped to a different way of understanding architectural communication, namely: symbolic, materialistic, and programmatic.

"I hope to draw attention to how house museums as a typology flicker between these different modes of communication, becoming indeterminate in the process, which I argue, opens them up to new possibilities."

Student: Kekeli Sumah
Course:
MArch Thesis


A book about the immigration and placemaking of Arabs in Detroit

A Soulful Body: School of the Art Institute of Chicago presents ten student architectural projectsby Leila Khoury

"Khoury's graduate thesis, A Soulful Body: The Immigration and Placemaking of Arabs in Detroit, chronicles the history and built environment of Detroit's Arab American communities.

"In addition to highlighting buildings that were adaptively reused by refugee and immigrant groups in the last century, A Soulful Body speaks to the ways in which the groups continually carve out space for themselves in spite of the displacement they’ve endured in both historic and contemporary contexts. A Soulful Body was selected to be published by Empress Editions through their juried Artist Book Residency in August 2020."

Student: Leila Khoury
Course:
MArch Thesis


Partnership content

This school show is a partnership between Dezeen and the School of the Art Institute of Chicago. Find out more about Dezeen partnership content here.

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Minimalist hotel in Mozambique dominates at AHEAD MEA 2021 awards

A photograph of a winning project in the Ahead awards

Dezeen promotion: a Foster + Partners hotel in Saudi Arabia and a series of private bungalows in Mozambique that celebrate African minimalism are among the hotels celebrated in the 2021 edition of the AHEAD MEA awards.

AHEAD, which stands for the Awards for Hospitality Experience and Design, celebrates striking hospitality projects from across the world.

The winners of this year's Middle East and Africa region awards were announced at an in-person ceremony held at Caesars Forum Bluewaters Dubai on 9 September.

The ceremony was attended by hoteliers, architects and designers from across the region and included a lively panel debate on development trends in the region before the winners were announced.

A photograph of a camp that won an Ahead Award
Singita Sabora Camp was praised for "remaining true to the concept of a canvas lodge that touches the earth lightly"

Selected by a panel of judges, the winning projects showcase the best new hotel designs from across the region. The biggest winner of the night was design-led hotel Sussurro, which took home three awards the Landscaping and Outdoor Spaces, Resort Hotel, and the AHEAD MEA 2021 Hotel of the Year award.

Situated on the tropical beach of a secluded saltwater lagoon in Southern Mozambique, Sussurro's private bungalows provide over a thousand square feet of personal space and generous waterfront verandahs.

"The hotel was built and is now serviced by the community and the team commit to only using 100 per cent African materials," said the award organisers.

The judges praised Sussurro as a "perfect example of African minimalism with incredible attention to detail and craftsmanship".

A photograph of a restaurant that won an Ahead Award
It was the hotel's L'Asiatique restaurant that caught the judge's eye for its "epicurious and sensual dining experience".

A development built on an archipelago of more than 90 islands won the New Concept Award.

Called Coral Bloom by the Red Sea, the project in Saudi Arabia includes a resort designed by Foster + Partners and is expected to have its first hotels open in 2022.

The 6-star St Regis Cairo designed by US practice Michael Graves Architecture and Design won two awards for its opulent Event Spaces and Lobby and Public Spaces that feature a 250,000-piece Swarovski crystal chandelier and a sweeping stair with a curving glass-block and bronze railing.

A photograph of a bar that won an Ahead Award
The Churchill Bar at La Mamounia Marrakech won in the Bar and Restaurant categories

Singita Sabora Tented Camp scooped the Lodges, Cabins and Tented Camps award as well as the Visual Identity award. The judges praised the safari camp for "remaining true to the concept of a canvas lodge that touches the earth lightly".

They also appreciated how the mix of colour and tones used in the design reflects the surrounding nature. Parisian design firm Jouin Manku's work at the iconic The Churchill Bar at La Mamounia Marrakech won in the Bar and Restaurant categories.

The firm led the hotel's recent major renovation to its public spaces and F&B venues, which now include an underground wine bar and two new restaurants helmed by three Michelin-starred chef Jean-Georges. It was the hotel's L'Asiatique restaurant that caught the judge's eye for its "epicurious and sensual dining experience".

Appreciated by the judges for its "bravery", Hotel Indigo Downtown Dubai won in the Hotel Newbuild category. Its interiors, which include mother of pearl bathrooms inspired by the industry that made Dubai famous, were said to bring "regional art to the forefront whilst showing a spirit of creativity and collaboration".

To learn more about the AHEAD Awards, visit its website.


Partnership content

This article was written by Dezeen for AHEAD Awards as part of a partnership. Find out more about Dezeen partnership content here.

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Minimum bathroom collection by Victor Vasilev for Falper

Minimum bathroom collection by Victor Vasilev for Falper

Dezeen Showroom: designer Victor Vasilev has designed the Minimum bathroom collection for Falper, intended to bring elegant, monolithic forms into the bathroom.

The Minimum collection features wall-mounted washbasins, freestanding shelves and cabinets, all imagined with strong forms and sharp angles.

A photograph of the bathroom collection by Victor Vasilev for Falper
The Minimum collection features monolithic forms

"Designing Minimum, I was inspired by the art of Donald Judd," said Vasilev. "The apparent simplicity of his work made me think about the expressive power of pure volumes, and especially about the importance of proportions and the empty spaces that define the relationships between them."

Minimum's elements are all available in various sizes and modular combinations.

A photograph of the bathroom collection by Victor Vasilev for Falper
Marble is one of the material options

They are made of natural materials like marble and wood, with the addition of high-performance compound materials Cementobasic and Cristalplant Biobased Active to create durable, resistant surfaces.

The Minimum collection is part of Falper's vision for the "living bathroom", which conceptualises the bathroom as an extension of the living space, where attention is paid to both functionality and aesthetics.

Product: Minimum
Designer: Victor Vasilev
Brand: Falper
Contact: export@falper.it

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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Carlotta armchair by Afra and Tobia Scarpa for Cassina

Aerial view of Carlotta armchair by Cassina on a patio

Dezeen Showroom: Italian furniture brand Cassina has reissued the Carlotta armchair, designed by husband-wife duo Afra and Tobia Scarpa in 1967, for its outdoor collection.

Tobia Scarpa, who has worked alone since the death of his wife in 2011, collaborated with Cassina to reimagine the Carlotta armchair in durable, weather-resistant materials.

Carlotta armchair
The armchair was originally designed in 1967

The revamped design features a low-slung teak frame and cushions padded with recycled PET fibre.

"Carlotta has an informal, carefree soul with an ample and welcoming seat," Cassina explained.

Carlotta woven threads
Woven cords support Carlotta's backrest

Woven cords are threaded into a linear pattern across the chair's backrest, functioning as both support and subtle decoration.

Carlotta is available in a range of outdoor fabrics from Cassina's collection, which are able to withstand a variety of weather conditions.

Product: Carlotta outdoor armchair
Designers: Afra and Tobia Scarpa
Brand: Cassina
Contact: info@cassina.it

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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