Wednesday 22 September 2021

Dudet armchair by Patricia Urquiola for Cassina

A pink Dudet dining chair

Dezeen Showroom: Patricia Urquiola has created a dining chair called Dudet for Italian furniture brand Cassina that is recyclable and takes cues from 1970s design.

The Dudet chair has a curved form composed of just three elements: a padded seat and two legs that bend upwards to create armrests and a backrest.

A pink Dudet dining chair
Patricia Urquiola's Dudet dining chair takes cues from 1970s design

Dudet was developed by Urquiola to complement her Sengu Table and to lend a playful 70s aesthetic to modern interior spaces.

All of the chair's constituent elements can be recycled and reused to prevent waste.

The Dudet dining chair
The upholstery can be removed using a subtle zipper

Its hidden metal core was designed to be easily separated from the surrounding polyurethane foam padding while the fabric cover can be removed via a hidden zip.

Dudet can be upholstered in a variety of colours ranging from white to pink and blue.

Product: Dudet
Designer: Patricia Urquiola
Brand: Cassina
Contact: info@cassina.it

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

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Hermès displays furniture in five boldly patterned houses

Colourful structures by Charlotte Macaux Perelman for Hermès

Interior designer Charlotte Macaux Perelman has created five colourful houses at Milan design week for fashion brand Hermès to exhibit a range of furniture, textiles and objects.

Each of the houses, which measure five by 10 by seven metres, have been built on top of a bed of sand and are covered in playful, geometric prints.

Hermes furniture inside a white doorway
Designer Charlotte Macaux Perelman created five houses for the fashion brand Hermès

The walls have been covered in a unique combination of colours, lines and shapes. One is replete with a chequerboard pattern of bright yellow and white squares, another has red pinstripes and others make use of dizzying lines.

"This scenography was inspired by the traditional architecture of houses from all traditional cultures covered with earth, lime or plaster and painted by hand completed by artisans from La Scala in Milan," Hermès told Dezeen.

Three colourful house shaped structures
Each house is wrapped in a different colour scheme and pattern

The site-specific installation draws on the brand's known affiliation with bright colours and distinctive patterns.

"Colours and graphism are essential at Hermès, specifically in our textile, porcelain and objects collections," explained Hermès.

Structures covered in yellow and red stripes
The designer drew on the architecture of houses built with earth, lime and plaster

The houses form a "village" inside the Italian sports centre La Pelota as they are dotted along a continuous pathway or street. This creates what the brand sees as "a dialogue between volumes, colours and patterns".

Inside, items including an armchair by Indian firm Studio Mumbai and a wicker bottle basket can be seen.

Perelman hopes that that vivid installation echoes the tangible nature of these items.

"It was important to express materiality and texture, to feel the hand of the craftsman in this installation, express graphism on an architectural scale by drawing geometric patterns on the facades," the brand said.

"Now that our lives are seemingly more and more abstract, more remote, the new collection of decorative objects for the home explores the language of materials," it continued.

"It brings a sense of physicality and texture and lifts the curtain on an even more vast, invisible world."

A range of homeware items inside an installation
Furniture, textiles, porcelain and objects can be found inside each structure

The luxury fashion brand has previously worked with MVRDV to design its Amsterdam store which has a glass-fronted exterior.

Hermès called on French architecture studio RDAI for its Paris boutique which is located inside a 1930s swimming pool building.

Hermès' installation was displayed at La Pelota from 5-10 September as part of Milan design week. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Nikken Sekkei's Ariake Gymnastics Centre celebrates timber construction

Ariake Gymnastics Centre by Nikken Sekke

One of the largest timber-framed roofs in the world spans 90 metres over the arena of the Ariake Gymnastics Centre in Tokyo, designed by Japanese practice Nikken Sekkei for the delayed 2020 Olympic and Paralympic Games.

The structure, located a short distance from Tokyo's centre in Koto City, was originally unveiled in 2019 and has been the location for artistic, rhythmic and trampoline gymnastics as well as the wheelchair sport Boccia.

Timber-framed gymnastics centre
The gymnastics centre is located next to a canal in Koto City

Located next to a canal on the site of a former timber storage area, the centre is a celebration of wood and its centrality to traditional Japanese architecture. Around 2,300 cubic metres of sustainable timber are used throughout the building.

"Based on the architectural concept of a wooden vessel floating in the bay area, timber is used wherever possible, specifically in the roof frame structure, facade, spectator seats and exterior walls, while carefully considering the characteristics of wood in each application," said Nikken Sekkei.

The steel-ring supported concourse
Steel columns support the timber concourse

From its base, the centre's inverted pyramid form sweeps upwards to shelter an external concourse below, expressing the shape of the raked seating within with a stepped cladding of horizontal timber planks.

Referencing a traditional engawa, a verandah-like space found in Japanese architecture, the concourse is defined by two rings of steel supports: one vertical surrounding the entrances in the centre and another angled supporting the edge of the roof structure.

Larch arch-shaped roof
Arch-shaped timber beams form the roof span

"By positioning the circulation concourse on the outside of the building and creating an open and broad approach space, the design attempts to avoid the impenetrable exterior typically found on large-scale sports facilities," explained the practice.

The roof structure is formed by a series of large, arch-shaped glue laminated timber beams made using larch from the Nagano and Hokkaido prefectures, spanning a distance of 90 metres between the steel columns of the centre.

"We adopted a simple structure that uses single members of large glue-laminated timber with high heat capacity, rather than trusses containing a number of small members to achieve both fire resistance performance and structural stability," Nikken Sekkei said.

Steel cables attached to this roof structure support the arena's lighting rig, above the glulam stands that can accommodate 12,000 spectators. This number will reduce when the temporary seating is removed following the 2020 Olympic Games.

A corrugated steel roof covers the structure
A timber staircase leads to the seating area

A corrugated steel roof covers the structure, following the form of the timber beams below to create the arena's distinctive undulating roof shape.

The centrepiece of the Tokyo 2020 Olympic Games, the Japan National Stadium by Kengo Kuma Associates with Taisei Corporation and Azusa Sekkei Co also incorporated an extensive use of timber, with its roof structure made from steel and laminated larch and cedar trusses.

Both of these structures and more featured in Dezeen's roundup of the most architecturally significant buildings in the Tokyo 2020 Olympic Games, which took place during summer 2021 due to the coronavirus pandemic.

The images are courtesy of Nikken Sekkei.

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The Dezeen guide to plastic in architecture, design and interiors

Recycled PET lego bricks

Thinking of using plastic in your project? Our latest Dezeen guide includes more than 11 types of plastic commonly used in architecture, design and interiors, with links to hundreds of projects for inspiration.

Plastics are among the most versatile materials in existence. Defined by their plasticity, they have long carbon chains called polymers at their backbone and can be moulded, extruded or cast into any desired shape from films to textile fibres.

They can be divided into thermosetting plastics, which never soften once moulded, and thermoplastics, which can be melted and reshaped, making them more suited to recycling.

Plastics "are a co-product of fossil fuels"

Although certain plastics – such as rubber, which is derived from the rubber plant – occur naturally, most modern plastics are synthetic and more than 99 per cent are derived from fossil fuels.

This helps to make plastics more affordable than most other materials and sees them used to create millions of tonnes of single-use items every year.

"Part of why plastics are so cheap is that they are a co-product of fossil fuels," explained designer Charlotte McCurdy, who has created a bioplastic made from algae.

"Petroleum or natural gas is pumped out of the ground and at the refinery, it is broken up into different lengths of molecule and catalytically cracked into useful monomers."

79 per cent of all plastic is dumped in landfills

This refining process yields not just fuels such as gasoline and kerosene but also chemical byproducts such as ethylene and propylene, which are the most important feedstocks used to create plastics.

Once discarded, 79 per cent of all plastic is dumped in landfills or in the environment, where it will remain for thousands of years. Although this contributes to pollution, it also helps to sequester the carbon contained in the materials and prevents it from entering the atmosphere.

But when incinerated, as 12 per cent of all plastic waste is, this carbon is emitted as carbon dioxide.

Taken together, plastic production and incineration were responsible for more than 850 million metric tons of greenhouse-gas emissions in 2019.

However, with growing efforts to decarbonise the economy, non-fossil alternatives are being developed in a bid to meet the ever-increasing demand for plastics in a more sustainable way.

Read on to find out more about the most popular types of plastic and their possible substitutes.


RIKR is a recycled plastic backpack by Groundtruth that can withstand Arctic conditions

Polyethylene terephthalate (PET)

PET is a strong yet lightweight thermoplastic, originally developed in the 1940s by combining fossil fuel-derived ethylene glycol and terephthalic acid.

The resulting polymer can be blow-moulded to form single-use bottles, stretched into a film for food packaging or spun into fibres to create polyester fabric, which accounts for more than half the world's synthetic fibres.

Designers often make use of PET for its translucent finish, with Marjan van Aubel turning it into solar panels that resemble stained glass windows while Beyond Space created a cavernous interior in an Amsterdam office using a kilometre's worth of semi-sheer polyester.

PET is also the most widely recycled plastic, at which point it is called rPET and can be used to create everything from backpacks (above) to Emeco's Navy chair.

See projects featuring PET ›


Trash to Chair by Peggy Gou and Space Available

High-density polyethylene (HDPE)

HDPE is a variation of polyethylene, the most common type of plastic in use today. While its low-density equivalent LDPE is used to make plastic bags, HDPE is sturdier and more rigid, lending itself to everything from milk jugs to packaging for cleaning products and toiletries.

The material is also used to create plastic bottle caps and even when brands such as Evian claim they've created bottles from "100 per cent recycled plastic", their lid is generally made from virgin HDPE to guarantee durability.

However, the material can ultimately be recycled after use, with architecture firm Bulot+Collins using the waste plastic to form 1,400 thermochromic tiles for a floating diving platform while Space Available and techno DJ Peggy Gou turned 20 kilograms of HDPE collected from Bali's beaches into a chair.

See projects featuring HDPE ›


Overtreders W and Bureau SLA Music Pavilion at Sint-Oelbert Gymnasium with Pretty Plastic cladding by Overtreders W and Bureau SLA

Polyvinyl chloride (PVC)

Derived from chlorine and ethylene, PVC makes up about 20 per cent of all plastic produced. Due to its strength and durability, the material is commonly used to create pipes, gutters and window frames, which designers have variously recycled into flower vases and cladding (above).

With the addition of a phthalate plasticiser, PVC can be turned into flexible vinyl and used to form flooring, shower curtains and imitation leather. Swiss studio Bureau A made use of the material's pliability to create an inflatable nightclub while Formafantasma played with its translucency in a "deconstructed" stage design for fashion label Sportmax.

Due to additives like phthalate, vinyl is among the least recyclable plastics and has been linked to a number of health concerns. But latex made from the sap of the rubber tree can offer a renewable, plant-based alternative.

See projects featuring PVC ›


Bell Chair by Konstantin Grcic for Magis

Polypropylene (PP)

Polypropylene is derived from propylene gas, a byproduct of the gasoline refining process, and is commonly used to form more rigid, hardwearing items such as Tupperware, kid's toys and outdoor furniture.

Designers began experimenting with the material in the 1950s to create monobloc chairs, injection moulded and formed from a single piece of material. Among the most notable designs are Verner Panton's Panton chair, the Air-Chair by Jasper Morrison and more recently the recycled polypropylene Bell Chair by Konstantin Grcic for Magis, which is manufactured in less than a minute.

The thermoplastic can also be spun into fibres to create surgical masks, which South Korean designer Haneul Kim has recycled to create a series of stackable stools, or used as a 3D-printing filament as in the performance sports tiles on Yinka Ilori's Bank Street Park basketball court.

See projects featuring PP ›


Au Gré des Champs by La Shed

Polycarbonate

Polycarbonate is a thermoplastic with carbonate groups in its chemical structure, making the material exceptionally resistant to impacts and temperature changes.

Often used to create bulletproof windows, it can be engineered to be almost as clear as glass while being lighter and up to 250 times stronger.

Polycarbonate sheets are popular among architects and interiors designers for their ability to maximise natural light while maintaining privacy, as well as improving a building's thermal insulation.

Francesc Rifé Studio used the sheeting to divide an old textile factory into offices for the team behind Michelin-starred restaurant El Bulli while La Shed Architecture clad an entire barn (above) in the translucent material to give cows "a better quality of life".

See projects featuring polycarbonate ›


ElectroDermis by Carnegie Mellon University

Polyurethane (PU)

Polyurethanes are a diverse class of plastic polymers derived from isocyanic acid. Most commonly, PU takes the form of a flexible foam used for mattresses and upholstery while a more rigid variety is turned into trainer soles for brands from Adidas to Allbirds.

As a coating, lacquer or varnish, it can waterproof fabrics and protect wooden furniture as well as helping leather alternatives such as Piñatex withstand wear and tear.

Design studio Layer made use of PU's adhesive qualities to create a heat-sealing tape that bonds textiles without the need for stitches. And spun into fibres, it forms the main ingredient in spandex, which is used to make sportswear as well as more boundary-pushing items such as fabric-cast concrete moulds and wearables that can be stuck to the body like plasters (above).

Polyurethanes are not easily recycled and can contain potentially carcinogenic compounds that irritate the skin and respiratory system.

See projects featuring PU ›


Fibreglass

Also known as glass-reinforced plastic or GRP, fibreglass is made by taking thin glass filaments, either loose or woven into cloth, and encasing them within a petrochemical resin.

The composite material is lighter and stronger than steel while being cheaper and more flexible than carbon fibre. As a result, fibreglass is used to create products where performance is key, including skis as well as the rotor blades of helicopters and wind turbines.

Architects have made use of the material to create tall, lightweight structures such as BIG's 2016 Serpentine Pavilion (above), which was formed from 1,900 translucent blocks, and a tubular installation designed by Neri Oxman and erected by a swarm of autonomous robots.

See projects featuring fibreglass ›


Soil House by ADC architects

Polystyrene

In its original form, polystyrene is a hard, solid resin used to make disposable cutlery. But when solid beads of the plastic are exposed to hot steam, they puff up like popcorn to create expanded polystyrene (EPS) foam, mostly known by its brand name Styrofoam.

The rigid, closed-cell foam is 98 per cent air and has a low thermal conductivity, making EPS a widely used packaging for fragile items as well as for hot foods and drinks.

Once discarded, designers have been able to repurpose this packaging into sculptural chairs and beckoning cats, as well as melting it to create moulds. In architecture, it can be used for insulation or more experimental applications as in ADX's Soil House (above), which features walls of loose soil fixed in place with a foam spray.

See projects featuring polystyrene ›


Sky Pool at Embassy Gardens in Battersea by HAL

Acrylic

Acrylic is a catchall term used to describe a range of different resins derived from acrylic acid. These can be suspended in water to create paint or spun into fibres that can be used to make clothing or as precursors for carbon fibre.

When cast into sheets, the thermoplastic is known as plexiglass and used as a low-cost, shatter-resistant alternative for glass due to its exceptional optical clarity. This application was pioneered during the second world war when it was used to form fighter jet windows and submarine periscopes.

More recently, English architecture firm HAL used giant plexiglass panels to form a 35-metre-high swimming pool bridge connecting two buildings in London (above) while designer Christophe Gernigon turned the material into suspended hoods for socially distanced dining.

Furniture made from acrylic can reflect light or disappear into its surroundings, as demonstrated by the see-through counter that Yota Kakuda created for Bake Kitasenju brasserie and Say Architects' ghostly interior for the Lika Lab boutique in Hangzhou.

See projects featuring acrylic ›


Phan Thao Dang transforms sewage pipes into graphical furniture items

Acrylonitrile butadiene styrene (ABS)

Acrylonitrile butadiene styrene, much like polystyrene, is a hard thermoplastic derived from a clear, liquid petrochemical called styrene. In ABS, this is combined with butadiene rubber to create a stronger, more durable material that can withstand compression better than concrete and has been injection moulded to form billions of hardwearing Lego bricks since 1963.

Due to its low melting point and the fact that it can be easily painted and glued, the plastic is also one of the most common additive manufacturing filaments and was used to form the world's first 3D-printed gun.

Extruded ABS pipes are more resilient than their PVC counterparts, making them suitable for constructing sewer systems and being repurposed into a corrugated seating collection by designer Phan Thao Dang (above).

See projects featuring ABS ›


Nylon

As the first fully man-made fibre, created in a US lab in the 1930s, nylon spawned an era of innovation in synthetic fabrics.

Although initially synonymous with stockings, the term nylon has since expanded to include a whole family of plastics composed of polyamides. These can be found in toothbrush bristles, films for food packaging and moulded components in cars and electronics.

However, the material's primary application remains in fibres, with SO-IL using nylon webbing to form a colourful hammock around 130 trees and Studio Drift crafting it into a kinetic sculpture for the Dutch National Touring Opera (above).

In recent years, a number of fashion brands including Prada have moved from virgin to regenerated nylon, also known under the brand name Econyl, in a bid to mitigate the material's environmental impact. Rayon can offer an alternative that is based on plant-based cellulose fibres rather than fossil fuels.

See projects featuring nylon ›


Plastic alternatives

With growing concerns around pollution and efforts to create a circular economy not reliant on fossil fuels, architects and designers are increasingly looking to substitute virgin and petroleum-based plastics for more sustainable alternatives.

This includes recycled plastic, which presents a huge source of untapped potential as only nine per cent of the 8.3 billion tonnes of plastic waste produced across the world have so far been turned into new products.

The material can be sourced from recycling plants or companies such as The Ocean Cleanup and Parley for the Oceans, which are fishing marine plastic from our oceans and waterways before teaming up with brands to turn it into sunglasses, trainers and more.

Bioplastics that use natural materials rather than crude oil as feedstocks present another possible alternative. Polylactic acid (PLA), the most common type of bioplastic, is generally made from corn starch or sugar cane while others are derived from algae or chitin.

Many are designed to be compostable or biodegradable under specific conditions to reduce the amount of plastic waste in the environment, although some experts have raised concerns that this could ultimately lead to soil and water acidification.

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Escape Kelim rug by Space Copenhagen for Massimo Copenhagen

Escape Kelim rug by Space Copenhagen for Massimo Copenhagen

Dezeen Showroom: Danish design studio Space Copenhagen has put a contemporary spin on the traditional kelim rug for Massimo Copenhagen, creating an accessory that adds texture and softness to minimalist environments.

The Escape Kelim rug is handmade in India using the ancient flat-weaving technique that originated in the Turkish or Anatolian region, where the weft and warp threads are interwoven to create a flat finish.

A photograph of Escape Kelim rug by Space Copenhagen for Massimo Copenhagen
Subtle details such as contrast edges feature on the Escape Kelim rugs

Space Copenhagen's take on the style harnesses its organic aesthetic. The rugs are available with a fringe or a contrasting edge.

"We have always been very fascinated by the beauty and understated elegance of ancient flatweave Kelim Rugs – the subdued colour tones and the natural feel," said Space Copenhagen.

"Our wish has been to design a modern collection of minimal yet tactile and crafted rugs with subtle details – to support and enhance the warmth, softness, human layer and ambience in a modern space."

A photograph of Escape Kelim rug by Space Copenhagen for Massimo Copenhagen
The rugs are made of undyed natural wool

The Escape Kelim rugs are woven from 100 per cent undyed natural wool, making them durable, easy to maintain and naturally biodegradable and fire-resistant.

They are available in eight design variations in neutral hues of light grey and beige. There are five sizes ranging from 90x250 to 300x400 centimetres.

Product: Escape Kelim
Designer: Space Copenhagen
Brand: Massimo Copenhagen
Contact: dominika@massimo.dk

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

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