Wednesday 22 September 2021

Atang Tshikare, India Mahdavi and Nendo reinterpret Dior's Medallion chair

Ma Yansong Medallion chair

Seventeen designers have presented their own versions of fashion house Dior's Medallion chair, including chairs in glass and polyurethane as well as a seat designed to also be appreciated by people with visual impairments.

On show for Maison Dior as part of Milan design week, the chairs were showcased wrapped in the mist from a smoke machine in a basement room, as well as in the garden of the 18th-century Palazzo Citterio in Milan's Brera district.

Dior Medallion at Palazzo Citterio in Milan
Above: the 17 chairs were shown at the Palazzo Citterio. Top image: Nendo reinterpreted the chair in curved glass

The 17 designers who took part in the Dior Medallion exhibition created furniture pieces that span from true-to-form interpretations of the Medallion chair to wilder designs with intertwined legs and backrests that looked as if they had been blown back by a stiff wind.

 

 

Among the designers showcasing their chairs was Atang Tshikare, who created Dinaledi, a chair decorated with beadwork that was handmade by a group of women from the Xhosa people in Cape Town, South Africa.

Atang Tshikare's Dinaledi chair
Atang Tshikare's chair is made from debossed leather and beads

It also features a seat and backrest made from thick vegan tanned leather with debossed celestial designs, which were chosen as stars were symbolic for both Dior founder Christian Dior and Tshikare himself.

"Basically, there are two different patterns," Tshikare told Dezeen. "On the backrest is the northern hemisphere, and the other is the southern hemisphere. They're both celestial patterns that are seen at the beginning of spring."

Dior Medallion chairs
Tshikare's chair, right, was shown next to a chair by Linde Freya Tangelder

The designer hoped that the stars on the chair, which took over six months to make, would also allow the chair to be viewed by visually impaired people.

"I wanted to emphasise that as artists and designers, we don't always include everyone when it comes to experiencing our work," he said.

"I realised that some people don't see the stars physically, because they're visually impaired in some way. This debossing would help bridge the visual gap and, in a way, help people actually feel the stars."

Dior Medallion exhibition in Milan
The Medallion chairs were displayed in a dark room lit by spotlights

French architect India Mahdavi also looked to local craft techniques for her five Medallion chairs.

Each was made using Indian craft techniques from Kashmir and together "form a united tribe despite their individuality."

Chairs in Dior Medallion exhibition
India Mahdavi's chairs were made using Indian craft techniques

While Mahdavi and Tshikare's designs keep the recognisable oval shape of the Medallion chair – a symbol of Louis XVI style and the chair that Christian Dior used to seat fashion show guests – other creatives designed more unusual takes on the chair.

Japanese studio Nendo reinterpreted the Medallion chair as a "graceful fusion of modernity and tradition."

The resulting chair is made from curved glass sheets that have been immersed in potassium nitrate molten salt at 450 degrees Celsius and then chemically hardened by cooling.

An oval cutout in the back of the chair is an almost ghostly reminder of the original chair, as it's shaped like the classic Medallion chair backrest.

Nendo chair designs for Dior
Nendo's glass chairs came in different colours

Ma Yansong, founder of architecture studio MAD, also reimagined the shape of the Medallion chair for the show.

His two 3D-printed polyurethane chairs, called Meteor, aimed to transport the chair into the future.

"Traveling through time, the chair is caught in motion," the studio said of the pieces, which look like they have been caught in a breeze.

Ma Yangsong chairs for Maison Dior
Ma Yansong designed his chairs to look like they were "traveling through time"

Designer Sam Baron also branched out, interpreting the chair as an outdoor swing and double rocking chair as well as a group of stylised seats connected to each other by their entangled backrests.

The other designers taking part in the Dior Medallion Chair exhibition were Nacho Carbonell, Pierre Charpin, Dimore Studio, Khaled El Mays, Martino Gamper, Constance Guisset, Joy de Rohan Chabot, Linde Freya Tangelder, Seungjin Yang, Jinyeong Yeon, Tokujin Yoshioka and Pierre Yovanovitch.

Sam Baron Dior Medallion chairs
A sofa consisting of cojoined chairs, a rocking chair and a swing were among Sam Baron's designs

This year's Milan design week saw a number of brands return to Milan for the first Salone del Mobile and design week since 2019.

Among the designs on show were Kengo Kuma and OPPO's Bamboo Ring installation, a collaboration between Muji and ÉCAL, and a collection of candleholders created by contemporary designers for a charity project.

Designers and exhibitors taking part in the design week this year said it offered a calmer, more meaningful experience reminiscent of the event's early editions.

Photography is by Alessandro Garofalo.


Dior Medallion Chair was shown on 5-10 September as part of Milan design week. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Neutra's VDL II House hosts Built In group exhibition in Los Angeles

Neutra VDL II House in Silver Lake

A house designed by famed modernist Richard Neutra is both site and muse for an exhibition that sees artists, architects and designers create works that respond directly to the architecture.

Curated by Los Angeles gallery Marta with artist and writer Erik Benjamins, Built In is a site-specific group show hosted at the VDL II House.

Interventions including silk curtains in the penthouse
The Built In exhibition includes interventions to the VDL II House like silk curtains surrounding the penthouse by Misa Chhan (also top image)

This National Historic Landmark in the east LA neighbourhood of Silver Lake was first completed in 1932 by American architect Richard Neutra as an example of the International Style on the compact hillside plot. It was also Neutra's own home for many years.

The original VDL Research House was destroyed in a fire, then rebuilt by Neutra's son and architectural partner Dion between 1964 and 1968 with some significant changes.

Bespoke furniture in the living room
Furniture pieces such as a gingham recliner by LA Door and coffee table by Alex Reed are placed in the living room

Its legacy as a place for architectural experimentation is continued as part of Cal Poly Pomona College of Environmental Design, which offers public tours, and as an occasional gallery for exhibitions like this one.

The first at the house since reopening in the wake of the coronavirus pandemic, the show features interventions to the many built-in elements of its design.

Garments hung in a bedroom wardrobe
Leisure uniforms designed for the house by Nancy Stella Soto hang in a wardrobe

"Built In celebrates the possibilities inherent to residential programming by inviting exhibition participants to dialogue with various structures intrinsic to the residence," said a statement from the curators.

"Invitations to respond to these sites and phenomena that elegantly punctuate the VDL House have prompted a collection of alternately present and receding works, variously arranged among, sensitive towards, fitted atop, responsive to, informed by, encased in, suspended from, and rested upon these built-ins."

Twenty-six individuals and studios from the Los Angeles area were selected to design furniture and artworks, which range in scale, style and function.

On the exterior, PapiBoyBabyBoy has replaced the house number with a brightly coloured, cartoon-style alternative.

Outdoor furniture and artworks
Works outdoors include a fountain by Charlap Hyman and Herrero

Also visible from the street are patterned silk drapes by Misa Chhan, which are hung around the floor-to-ceiling windows of the penthouse.

Chains made from cast aluminium shapes by A History of Frogs occupy another unused curtain track, facing the courtyard and reflected in an adjacent mirrored surface.

Fountain formed from an upturned shell
The fountain is formed from an upturned shell atop a stainless steel pole

The garden also hosts a series of ceramic pots that hold plants and feature brand imagery from Campbell's soup, designed by Candice and Darren Romanelli.

Standalone furniture pieces include a padded recliner chair upholstered in yellow gingham by LA Door, and a reproduction of a Neutra-designed coffee table by Alex Reed, who added a puzzle built into its top.

Aluminium chain curtain facing the courtyard
Cast aluminium shapes by A History of Frogs create a curtain in front of the courtyard

More subtly, Brody Albert replaced the living room sofa cushions with versions that conceal electric heaters.

A fountain comprising a giant upturned shell atop a polished stainless steel pole was created by Charlap Hyman and Herrero.

Plant pots with Campbell's soup brand imagery
Plant pots decorated Campbell's soup brand imagery were made by Candice and Darren Romanelli

Smaller items include Jason Lipeles and Janet Solval's sculpture disguised as a bar of soap, and Emily Endo's cast glass bowls that are fragranced to reflect the olfactory experiences on each floor.

The theme of smell is continued in BC's stone scent diffusers, placed in the toothbrush housings in the main bathrooms.

VDL II House exterior with swapped address numbers
PapiBoyBabyBoy replaced the house number with a brightly coloured, cartoon-style alternative

Video installations, fashion designs, homeware, drawings and poetry are also scattered across the property.

Photography is by Erik Benjamins.

Built In takes place at the VDL II House in Los Angeles from 18 September to 7 November 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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"Authentic Balenciaga looks" released in video game Fortnite

Fortnite characters wearing balenciaga

Fashion house Balenciaga has collaborated with video game Fortnite to release a collection of in-game clothes and limited edition physical garments.

The digital clothes, which were informed by Balenciaga's previous collections, were created for four in-game characters.

A line up of the Fortnite Balenciaga collection
Balenciaga designed a range of digital clothing, which is available to purchase in Fortnite

Players of Fortnite, a battle royale video game developed by Epic Games using the Unreal Engine platform, are able to purchase the skins and accessories to customise playable in-game characters.

The collaboration followed the release of Afterworld: The Age of Tomorrow, in December 2020, a video game developed by Epic Games to showcase Balenciaga's Autumn Winter 2021 collection.

A fortnite character is dressed in balenciaga
The collaboration includes designs from previous collections

"Our partnership with Epic didn't start with Fortnite, actually," said Balenciaga's creative director Demna Gvasalia.

"It started with our own first video game, Afterworld, which we built using Unreal Engine to debut our Fall 2021 collection."

A hoodie has fortnite printed across it
The Fortnite logo is placed across the front of a hoodie

"From [Afterworld: The Age of Tomorrow], we have continued to be inspired by the creativity of Unreal and Fortnite communities," Gvasalia said.

"It made total sense, to me, that we collaborate further by creating these authentic Balenciaga looks for Fortnite and a new physical Fortnite clothing series for our stores."

A fortnite character wears a digital sequin outfit
A striped one-piece from Balenciaga's Spring 2020 collection

The digital clothes feature the Autumn Winter 2021 medieval, armour-style pieces, as well as shredded jeans with tracksuit lining, and an animal striped look from its Spring 2020 collection.

In game-weaponry was also given a high-fashion update in form of the brand's iconic accessories.

Sock-style Speed trainers were transformed into a range of pickaxes and the brand's Hourglass bag was modified to be used as a glider.

"Fashion has a long history in the Fortnite community, where players have the agency to show up however they want in our world," said Epic Games president Adam Sussman.

"Self-expression is one of the things that makes Fortnite so unique, and there couldn't be a better first fashion partner than Balenciaga to bring their authentic designs and trendsetting culture to millions of players around the world."

Armoured balenciaga items can be purchased in-game
Clothing was given a Fortnite twist

A virtual store, that reflects the design of physical Balenciaga locations, will appear in Fortnite's battle royale mode in a location aptly named Retail Row where players can purchase the garments.

A limited-edition run of physical garments will be available that feature the Fortnite logo across staple Balenciaga items of clothing including, hoodies, denim jackets and button-down shirts.

Balenciaga shoes are used as weaponry
Speed trainers were transformed into pickaxes

The in-game garments were created through existing 3D scans of Balenciaga's designs. The Fortnite team then recreated and modified the garments for the game with a "Fortnite spin".

The game engine developers behind Fortnite, Unreal Engine explained that virtual and physical worlds are becoming increasingly blurred.

"In embracing cutting-edge technologies, Balenciaga has been empowered to court a new digital-native audience, unconstrained by the limits of either world," said Unreal Engine.

Balenciaga bag was turned into a fortnite glider
A Balenciaga Hourglass bag was redesigned to be used in-game

Earlier this year, Gucci released digital trainers that people can "wear" in augmented reality and in photographs for social media.

In 2019, Louis Vuitton released a video game titled Endless Runner which was informed by its Autumn Winter 2019 show.

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Philippe Starck and Lualdi create intelligent door system for hotels

Welcome by Philippe Starck and Lualdi

Dezeen promotion: French creator Philippe Starck has teamed up with Italian brand Lualdi to create Welcome, a system of door accessories that turn a hotel-room door into a smart device.

Lualdi's system includes a series of connected objects: a handle, a light, a room number panel, and a smart screen with integrated facial recognition.

Together, they can offer a range of guest services that include checking in, adjusting conditions in the room, and contacting hotel staff.

Welcome by Philippe Starck and Lualdi
Connected objects create an intelligent door system

Starck sees the project as a step towards the future of the hospitality sector.

"The doors of the future will become so intelligent that they will communicate with each other," he said.

"They will be set up to manage the home through artificial intelligence.
 The doors will certainly be smarter than us."

Welcome by Philippe Starck and Lualdi
The system includes a handle, a light, a room number panel and a smart screen

The creator likens the system to the intelligent doors in Philip K Dick's sci-fi novel, Ubik.

"Interactive and connected, the collection of Welcome doors answers a range of services: recognise people, heat a home, send messages, become a screen, in order to both welcome and protect us," he said.

As the Welcome range was developed especially for hotels, the smart accessories are available in different finishes, meaning they can be easily customised for different brands.

Welcome by Philippe Starck and Lualdi
The elements are designed to resemble smooth pebbles

These elements are designed to resemble smooth pebbles, giving them a clean and contemporary feel, and they integrate a backlighting system that emphasises the three-dimensionality of the form.

The system combines with a flush-to-wall door that is also available in a wide range of finishes, including wood, aluminium or matt lacquer, making it easily customisable for different hospitality brands.

"The hotel sector is very challenging," said Pierluigi Lualdi, contract manager for Lualdi, "because it requires an exceptional ability to customise the product, a service we have long been renowned for."

Welcome by Philippe Starck and Lualdi
The smart screen integrates facial recognition, for increased security

Other products in Lualdi's collection include Shoin, a range of sliding glass doors that take cues from Japanese design, and Altaj, a swing door with a gridded, three-dimensional profile.

Welcome is the brand's first collaboration with Starck, the designer known for iconic products like the Juicy Salif lemon squeezer and the Louis Ghost chair.

“With Philippe Starck, we have established a rewarding collaboration," added Pierluigi Lualdi. "We love his witty spirit and his skill in creating objects with original shapes."

To view more of Lualdi's products visit its website.


Partnership content

This article was written by Dezeen for Fakro as part of a partnership. Find out more about Dezeen partnership content here.

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Womb Lamp series by Jan Ernst via Galerie Revel

Womb Lamp series by Jan Ernst de Wet via Artskop

Dezeen Showroom: sold via Galerie Revel, the Womb Lamp series by designer Jan Ernst is inspired by the South African landscape and intends to bring a "primeval energy" to table lighting.

Jan Ernst based the white stoneware Womb Lamp and red terracotta Womb Lamp II on the mountainous terrain of the Cederberg region, located two hours outside of Cape Town.

A photograph of the Womb Lamp series by Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town

The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.

"Walking these ancestral grounds evoke a feeling of mystery and reverence for the people who once inhabited the interleading Stadsaal Caves [Townhall Caves]," said Jan Ernst.

"Enormous voids and cracks shaped by the natural elements created a sanctuary for the first humans inhabiting these spaces."

A photograph of the Womb Lamp series by Jan Ernst
The lamps create a warm, indirect glow

When designing the lamps, Ernst wanted to "evoke feelings of 'the primal'" and celebrate life and birth through illuminance, which gave rise to the Womb Lamps' organic, enfolding shapes and indirect light.

The lamps are said to emit a soft glow, reminiscent of a campfire. They are presented unglazed but can be glazed on request.

Product: Womb Lamp
Designer: Jan Ernst
Brand: Galerie Revel
Contact: info@galerierevel.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

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