Monday 4 October 2021

Deakin Law School by Woods Bagot features zinc cladding and fluted concrete towers

Architecture practice Woods Bagot has completed a university building for Deakin Law School in Melbourne comprising a zinc-clad volume and a fluted concrete tower.

The Deakin Law School is a new campus building for Deakin University, which has campuses in Geelong, Melbourne and Warrnambool.

Deakin Law School is comprised of a concrete tower and a stacked volume
Woods Bagot incorporated fluted concrete and zinc panels across the university building

The building is comprises a trio of stacked zinc-clad volumes, used to house learning spaces, and a tall, concrete fluted tower that houses ancillary spaces.

Adjoining the stacked volumes is the building's main wing, a rectangular glass structure that is used primarily for teaching and contains traditional learning spaces.

"The refined and limited palette of concrete, zinc and glass relates directly to the formal expression of the building and how it responds to the site," Woods Bagot principal Bruno Mendes told Dezeen.

The zinc panels curve around the stacked volumes
Zinc was used to clad the curving, stacked volumes

Education spaces are spread across five levels and aim to offer students study areas that are suited to both formal and informal learning.

Alongside traditional teaching spaces like lecture halls, an amphitheatre and study areas, the building also contains technology bars, group working pods and individual workspaces.

Steps lead up to a plaza at Deakin Law School
Paving at Deakin Law School has a tonal and geometric pattern

The three zinc-clad volumes, located at the front of the building, have a stacked arrangement and contain what the studio describes as "premier learning spaces".

These areas were primarily intended as lecture halls and presentation spaces, but can also be transformed into collaborative or group workspaces when not in larger use.

The largest wing at Deakin Law School was clad in glass
Woods Bagot used glass across the structure to provide views across the surrounding landscape

The end of each stacked volume is sliced to incorporate glazing that stretches the width and height of the space, orienting the interior and providing views out to the surrounding site.

Although curved in form and clad in zinc, the large, glass wing is visually connected to its adjoined stacked volumes through their part-transparent elevations.

The interior of Deakin Law School has a white finish
Warm-hued wood and white plasterboard covers the walls and staircase

The fluted concrete tower houses the building's stairs, toilets, and service core, while also doubling as a buffer that protects the rest of the structure from the harsh sun.

"The monolithic fluted concrete to the west is a solar buffer to this elevation, whereas the choice of zinc is well suited to being moulded around the three main complex sinuous forms," said Mendes.

"Glass is the final abundant material used freely to ensure unimpeded views of the lush landscape are maximised."

Woods Bagot used timber and white plasterboard throughout the interior in an effort to create a simplistic finish and frame views of the surrounding green landscape.

A large amphitheatre has a minimal look
Spaces were designed to be used for both formal and informal learning

"The interiors are also restrained, concrete, white plasterboard and timber are the materials of choice," said Mendes.

"The abundant use of contrasting white surfaces help frame views of the green landscape beyond," he explained. "The tonal green palette of the informal spaces and timber cladding were chosen to provide some warmth to the interiors."

Glass walls an elevation of the stacked zinc-clad volumes
The curved forms are sliced to reveal learning spaces inside

A wellness garden on the ground level and a winter garden on the fifth floor were also incorporated into the building.

The wellness garden includes native plants, a deconstructed creek and tiered seating, while the winter garden features a vertical plant wall and large glass louvres.

The Deakin Law School pictured at dusk with light reflecting off the exterior
The concrete tower contains the building's services and circulation core

"It is a calming, natural space," Woods Bagot principal Sarah Ball told Dezeen. "There are spaces to connect, study and collaborate as well as quiet and relaxing zones to take some time out."

"The student campus learning experience was at the heart of every design decision. The new building has created an immersive, highly engaging student learning experience."

This year, Woods Bagot has also unveiled a concept for electric vehicle charging stations in Downtown Los Angeles and completed a library building in England with a faceted wooden ceiling.

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Kim Kardashian launches first pop-up SKIMS store in Paris

The beige interior of SKIMS pop up store in Paris

Art director Willo Perron has designed the first pop-up store for Kim Kardashian's underwear brand SKIMS, which is in Paris and furnished with glossy, chunky display units and partitions.

The temporary SKIMS store is located in a 2,800-square-metre ground floor space at the entrance of the Parisian department store Galeries Lafayette Paris Haussmann.

The lossy, beige interior of the Paris SKIMS pop-up shop
The SKIMS Paris pop-up store by Willo Perron is replete with chunky partitions and display units

Central to the store's distinctive design is the shiny, beige-coloured partitions and shelving units.

"The whole concept was based on there being no hard corners, everything is round with soft edges and all the pieces are super glossy," Perron told Dezeen.

"I wanted people to feel like they had to touch it. It's also reminiscent of body forms and the curves of a body."

A beige doorway leading to a changing room
Customers can try on the underwear brand's selection in the chunky changing rooms

Underwear, shapewear and loungewear items are displayed inside chunky, beige cupboards fitted with hooks. Built-in shelves and nooks offer additional display space for clothes.

Customers can try on items inside the thick-walled changing rooms which are framed with soft pink curtains.

As they shop, visitors can also enjoy macaroons by pastry chef and chocolatier Pierre Hermes, which come in the same neutral colours as the collection.

Underwear displayed on hangers and on counters in the SKIMS store
Underwear, loungewear and shapewear are displayed on hangers and on counters

The store was informed by the underwear brand's ethos which is committed to providing an inclusive range of sizes and shapes for all bodies.

"The ethos of the brand is about shape, curves, and skin tones," Perron explained.

"We just expanded upon that existing language. It should sit somewhere between levity and sensuality. It wants to be playful but sexy at the same time."

Adding to this language, Perron decided to use colours and materials that similarly reflect the brand. A thermoformed plastic coated in glossy beige was used throughout.

"The color choices were made based on the Skims collection and the color palette they use," he said.

"The material is predominantly vacuformed and some of it is traditional carpentry with the same finish as vacuformed pieces" the designer continued.

The SKIMS logo on a beige partition
Perron wanted to reflect the inclusive ethos of SKIMS

Other details include posters of Kardashian wearing the collection and a giant version of the SKIMS logo on the front of a partition near the entrance of the store.

"I also really love how the SKIMS logo feels like this very amorphic shape and I wanted to continue that into a real space," said Perron.

Shapewear displayed in an open wardrobe
The colour choices match the clothing palette used by the American brand

The SKIMS pop up shop is open until Tuesday 5 October in the Galeries Lafayette Paris Haussmann.

Other fashion pop-up stores include OutThere Lab, a pop-up shop in New York designed by fashion brand The Arrivals.

In Sardinia, a pop-up store for circular-economy engineering company Minwiz gave customers the opportunity to purchase items made in-store from donated materials.

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The Focus Room is a private work space by Room

The volumes have a modular form

Dezeen Showroom:  office furniture company Room has designed a private work pod that can be inserted into offices to provide a private and productive working space.

The Focus Room has a modular form and was designed to allow employees and office workers an escape from what can be distracting work environments.

The Focus Room has a white exterior
The Focus Room is a private workspace for offices

The pod has a square form and can be customised with a variety of furnishings including a custom-built credenza, a workspace desk area, accessory rails, coat hooks and storage.

The Focus Room is available in both a standard and pro model, which caters to both sitting and standing working. The Pro has a height-adjustable desk, whiteboard and desk light.

The Focus Room is fitted with a desk and storage
Glass lines the doors of the structure

Both options have built-in skylights and power units with outlets and USB charging ports.

The space is soundproofed and is said to reduce noise by 27 decibels making it a suitable environment to take phone calls, virtual meetings and focused work.

Soundproofing within each Focus Room is made from over recycled 1,000 water bottles.

It is available in two colourways, a dark grey option has an anthracite exterior with a dark grey interior. The light version has a white exterior with a light grey interior.

Product: Focus Room
Brand: Room
Contact: support@room.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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The Meeting Room modular conference room by Room

The Meeting Room

Dezeen Showroom: office furniture brand Room has designed a modular conference pod with soundproof walls built for flexible, post-pandemic working life.

As office culture evolves around the world, The Meeting Room provides an adaptable solution to changing work environments and comes in a Standard and a Pro model.

Modular conference space in dark
The Meeting Room comes in both light and dark colour variants

The pod is fitted with soundproof walls made from over 1,000 plastic bottles and features a propriety ventilation system built to be ultra-quiet and replenish air every minute.

Available in dark or light colour variants, The Meeting Room has minimal interiors with a wooden desktop and seating designed to fit a group of four.

Conference room in light
Soundproof walls provide a peaceful space for working

The Pro model features a built-in monitor and an 180-degree Jaba PanaCast camera for video-conferencing. Both models include overhead spotlights and a built-in powerbox with power outlets and charging stations.

"The Meeting Room also comes equipped with Room Sense, Room's proprietary analytics software that monitors space utilisation and density for a more adaptable, productive workplace," said Room.

Product: The Meeting Room
Brand: Room
Contact: support@room.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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JKMM Architects "brings a fragment of Finnish nature to UAE" with Dubai Expo pavilion

Finish Pavilion at Dubai Expo 2020 by JKMM Architects

Helsinki studio JKMM Architects has created a calm, chapel-like pavilion as the Finnish contribution to Dubai Expo 2020.

Located in the Mobility district at the Dubai Expo site, the Finland Pavilion is covered in a white tensioned industrial fabric that was designed to evoke Finnish snow.

Finland Pavilion at Dubai Expo
The pavilion has a white facade to evoke snow

"In designing the pavilion, we sought to bring a fragment of Finnish nature to UAE and Dubai," said Teemu Kurkela, founder of JKMM Architects.

"The pavilion was inspired by the thin white layer of first snow that covers the Finnish landscape at the beginning of winter," he told Dezeen. "In Finnish, it is called 'Lumi', which means snow."

Timber-lined interior space
The entrance leads to a chapel-like space

The fabric skin is pulled up at the centre, like a draped curtain that marks the entrance into the pavilion. Evoking a tent, this refers to both the Finnish and Middle Eastern nomadic heritage.

"The main entrance was inspired by a traditional Arabic tent," said Kurkela. "Two cultures meet in the architectural concept of the pavilion."

Finland Pavilion
The pace is topped with an eyedrop-shaped skylight

The entrance leads to a space lined with curved slatted-wooden surfaces described by the studio as a "gorge-like space carved into the building".

This top-lit space was designed to be a calm space away from the bustle of the surrounding expo. The floor is made from Finnish granite tiles.

JKMM Architects hope that this space will be an ideal place for having in-person meetings during the six-month-long event.

"Hopefully, this will be the best space in expo for meeting face-to-face," the studio said.

Finland exhibition at Dubai Expo
An exhibition space is wrapped around the central gorge

Surrounding the central gorge is a space containing an exhibition that aims to demonstrate how nature and technology can be utilised to develop happiness, as Finland is the happiest country in the world.

The display, which includes a 53-metre-long film display, was designed by Futudesign, Sun Effects and Flatlight Creative House in collaboration with JKMM Architects.

Timber-lined space
The space was designed as a retreat from the bustle of the expo

Following the expo, the pavilion will remain on the site for five years, after which it will be dismantled. JKMM Architects estimates that more than 80 per cent of the materials used in its construction will be recycled and reused.

Overseen by Paris-based intergovernmental organisation the Bureau International des Expositions, the Dubai Expo has contributions from 180 countries.

Other national pavilions at the expo include Es Devlin's timber UK Pavilion, which incorporates an AI-generated poem in its facade and the Qatar and UAE Pavilion that were both designed by Spanish Architect Santiago Calatrava.

Photography is by Marc Goodwin.

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