Thursday 7 October 2021

Matt Gibson transforms Melbourne home with courtyards and glazed bridge

Brick surrounds the exterior of the building

Australian practice Matt Gibson Architecture + Design has restored and extended a historic home in the suburbs of Melbourne, which has been shortlisted in the residential rebirth category of Dezeen Awards 2021.

Located in the South Fitzroy Heritage Precinct, the home's historic Victorian frontage was retained, while its rear has been completely transformed. The local practice split it into three pavilions separated by planted courtyards and linked by a glazed bridge.

"As opposed to providing a newly-attached, contrasting addition (an oft supported heritage approach), the resultant conversion is instead set out as a series of separate, similar mews-like outbuildings separated by courtyards," explained Matt Gibson Architecture + Design.

Top: Matt Gibson added a bridge above the courtyard that connects bedrooms. Above: Fitzroy Bridge House has a white painted brick exterior

The historic front of Fitzroy Bridge House has been preserved and restored to contain living and dining rooms, which connect across a large courtyard to a kitchen and a family room via a glazed corridor.

Above, these two blocks house bedrooms and bathrooms, linked by a bridge that crosses above the courtyard. A thin, low strip of glass provides views out while minimising the risk of overheating due to its southern orientation.

Behind the painted brick wall is a timber structure
Pavilion-style structures surround the home

At the western end of the home, a third, more independent block sits at the other side of a second courtyard. This houses a garage and studio at ground-floor level, and a study that can be converted into an additional bedroom above.

"The series of buildings house sleeping quarters above, with a linked open, 'living' breezeway beneath containing flexible living spaces that straddle two landscaped courtyards," said the practice.

These new pavilion-style structures were built using bricks recovered from the original home, which have been painted white throughout and are contrasted by black metal window frames in the courtyard's walkway.

The white bricks define the building's street-facing northern elevation, with the rising and lowering of the wall expressing the home's blocks and courtyards.

Fitzroy Bridge House living area opens out to the courtyard
The bridge spans the courtyard above a pond and irregularly-shaped stone slabs

For the rear facade, the black-painted heritage frontage is contrasted by the recovered white brickwork, with thin arched windows and a large, slatted wooden door to the garage

"When seen from the public realm of Little Napier Street the three buildings are viewed in combination, unified by their material lustre, colour and solidity," said the practice.

Tall and slender arched windows look out to the garden at Fitzroy Bridge House
The interior of the home has a paired back minimal look

The interiors combine new finishes with those of the original house that were required to be maintained, all treated to create a feeling of openness across the ground floor.

Pale timber panelling and white wall finishes work with flexible layouts, intended to increase the ability for "opening up" or "shutting down" the home from its courtyards. Pale curtains in the glazed walkway offer a looser way of enclosing the space.

Matt Gibson Architecture + Design has previously completed several conversions of heritage properties in Australia, including a redbrick extension with glazed undercroft in Melbourne.

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OOS turns Swiss Pavilion into giant mirror at Dubai Expo

Swiss pavilion at Dubai Expo

Zürich-based architecture studio OOS has covered the front of the Swiss Pavilion at Dubai Expo 2020 with a giant mirror.

Set alongside a giant red carpet, the pavilion is named Reflections and aims to make visitors think about the image of Switzerland.

OOS designed the Swiss Pavilion at the Dubai Expo. Photo is by Tom Ravenscroft

"The meaning lies in the reflection," explained Christoph Kellenberger, founding partner of OOS.

"The reflection of Switzerland. The reflection of the red carpet. The reflection of all the visitors," he told Dezeen.

mirrored pavilion at Dubai Expo
Its facade is a giant mirror

Designed by OOS in collaboration with scenography designer Bellprat Partner and landscape architect Lorenz Eugster, the pavilion is a simple cube.

However, it is brought to life by its mirrored facade that has a funnel-shaped indentation facing the large red carpet area for queueing.

Mirrored facade of Swiss Pavilion
The facade reflects the red carpet. Photo is by Tom Ravenscroft

"The funnel-shaped mirroring of the front welcomes visitors on a discovery tour from afar," said Kellenberger.

"This not only encourages visitors to reflect on themselves and others but also leads to an examination of the image of Switzerland," he continued.

"The reflection is also intended to bring people into contact with each other and is the translation of the Expo's leitmotiv: Connecting minds, creating the future."

Fog-filled visitor attraction
The pavilion contains a fog-filled room

Within the pavilion, visitors walk up a pathway in a fog-filled room that leads to a view of a mountain top.

"We developed a walking tour through Switzerland that leads through the natural fog high up the mountain to a panorama over the sea of fog," explained Kellenberger.

"The pavilion represents Swiss values such as inventiveness and openness, as well as the beauty of the Swiss landscape," he continued.

"The experience of feeling real fog on their skin and then looking out over the sea of fog into the Swiss mountains is intended to awaken a desire to visit Switzerland."

Visitor attraction in Swiss Pavilion
The fog reveals a mountain view

Following the mountain experience, visitors descend into an exhibition hall that focuses on Swiss innovation, before exiting from the side of the pavilion.

An additional event space is located on the roof of the building.

Exhibition hall in Swiss Pavilion
An exhibition hall contains examples of Swiss innovation

Despite the bright sunshine expected at the expo, the studio was not concerned about the reflected light.

"The main entrance faces west (and Mecca) – and thus sunset," said Kellenberger.

"The reflection of the evening sunlight makes the red carpet shine. The visitors receive sun umbrellas which lead to a playful image in the reflection of the facade," he continued.

"And if you look at the local architecture, reflective surfaces are often used."

Rooftop events space
The pavilion is topped with a rooftop events space

Kellenberger also expects the pavilion to be popular with visitors as a spot for taking selfies.

"It was already clear on the opening day of the expo that the pavilion is a magnet for visitors," he said.

"Many visitors take a picture or selfie of themselves right on the red carpet: so the iconographic shot is something they're sure to take home with them."

OOS' Swiss Pavilion is one of numerous national pavilion's designed to promote nations at the Dubai Expo, which is open for the next six months.

Es Devlin created a timber structure that presents an AI-generated poem for the UK's pavilion, while Carlo Ratti topped the Italy Pavilion with a trio of boats.

The photography is by Jon Wallis, unless stated.

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Balenciaga collaborates with Simpsons to launch Spring Summer collection

Homer simpsons is dressed in a red balenciaga jacket

Luxury fashion house Balenciaga has launched its Spring Summer 2022 collection with a fake red carpet event followed by a short film showing The Simpsons characters dressed in the brand's clothing.

Balenciaga hosted the film premiere-style red carpet event at the Théâtre du Châtelet in Paris on Saturday 2 October to mark the return of physical runway shows and reveal its Spring Summer collection.

Model pictured at the fake premiere of the simpsons balenciaga
Balenciaga created a film premiere red carpet to showcase its Spring Summer 2022 collection

A tented space with a bright-red carpet and paparazzi press pit was built outside the theatre, which led into the auditorium where the Simpsons film was premiered.

Prior to the red carpet event, regular guests, including fashion press and buyers, were seated inside the theatre, where they watched a live stream of the celebrity invitees arriving.

Alongside the celebrity invitees, a mixture of models and friends of the fashion brand walked the carpet and posed for pictures dressed in the brand's Spring Summer 2022 collection.

Only once they were ushered into their seats inside the theatre did the high-profile celebrity guests realise that their trip down the carpet was the brand's official runway show.

A model walked in a silver foiled gown at the balenciaga show
The red carpet event was live-streamed into the nearby theatre

"I've wanted to do a premiere concept where the guests would be the show for many seasons," said Balenciaga creative director, Demna Gvasalia in a recent interview with Vogue.

"It was nice to have a social occasion again. I hoped it would make people smile."

A model is covered with umbrellas at the balenciaga simspons premiere
Amber Valletta walked the show amongst other celebrities

After the red carpet concluded, the audience was seated for the premiere of a Balenciaga-themed mini-episode of The Simpsons.

The short film told the story of Homer Simpson contacting Balenciaga to request the fashion house send a branded item or "piece of cloth with a tag" to celebrate his "fashion-deprived" wife, Marge Simpson's birthday.

Balenciaga employees were animated in the short film, wearing full past-season Balenciaga clothing. Creative director Gvasalia was also featured and visited Springfield to fly residents of the fictional city to Paris for a fashion show.

Characters from The Simpsons appeared in an animated runway show wearing some of Balenciaga's most iconic looks. Twins Sherri and Terri were dressed in identical black hourglass gowns that were the finale looks from Balenciaga's Spring Summer 2020 show.

A simpsons character was animated wearing a black outfit from a previous balenciaga show
Simpsons character Selma Bouvier wears Balenciaga's Fall Winter 2018 collection

Springfield bar owner, Moe Szyslak was dressed in Spring Summer 2017. Homer Simpson appeared in an oversized sports jacket with an exaggerated collar from Spring Summer 2020 and Marge Simpson closed the animated show in a golden-foiled dress also from Balenciaga's Spring Summer 2020 show.

The animated show's audience was filled with Simpsons-style caricatures of celebrities, including cameo's from singers Kanye West and Justin Bieber.

Homer simpson wearing an oversized balenciaga coat
The characters from the show each had a different Balenciaga look

The Spring Summer 2022 show aimed to challenge the typical conventions of fashion shows.

The brand's most recent physical runway prior to the coronavirus pandemic for Autumn Winter 2020 explored themes related to climate change and featured an apocalyptic, flooded venue.

Marge simpson is pictured posing wearing a balenciaga dress
Marge Simpson wears a couture-like gown from Spring Summer 20

The Simpsons collaboration marks one of Balenciaga's many recent pop-culture partnerships which also include marvel superhero The Hulk and drag queen RuPaul.

In September, the fashion brand collaborated with Fortnite to release a collection of in-game Balenciaga skins and physical garments with Fortnite branding.

Photography is by German Larkin. Images are courtesy of Balenciaga.

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Future housing will be built to facilitate remote working, say panellists of Aritco talk

Illustration for Aritco's Redefining Space white paper

Housing blocks with co-working areas and greener interiors will help facilitate remote working in the post-pandemic world, according to panellists in this talk that Dezeen filmed for lift brand Aritco.

Titled Redefining Our Domestic Spaces, the talk took place last month as part of London Design Festival’s Design London trade show.

Moderated by writer Riya Patel, the discussion drew from a trend report called Future of the Home and a white paper titled Redefining Space, which Aritco produced in collaboration with forecasting company Springwise.

"Not everyone has the possibility to have a workspace as well as a living room and bedroom"

The talk saw David Schill, marketing director of lift company Aritco, Renée Searle, director of Threefold Architects, and James Bidwell, founder of Springwise and strategy consultancy Re_Set, discuss the ways in which homes can be adapted to suit new work routines that have been brought about by the coronavirus pandemic.

Schill said that there is likely going to be an increase in housing developments that include co-working spaces for residents to use to work remotely.

"We will see more and more people living together and finding common areas," he said.

"Not everyone who lives in a one or two-room apartment has the possibility to have a workspace as well as a living room and bedroom."

"There's a real call to introduce more mixed-use buildings"

Searl agreed: "There's a real call to introduce more mixed-use buildings, to not have solely residential blocks which are uninviting at ground level and have no active frontage," she said.

"To incorporate generous spaces that provide additional amenity for people living within urban blocks would be a benefit for all."

Searl added that this will also likely spark a change in the way we perceive and engage with cities.

"Our city centres will have to adapt to be something else other than the place that we go to every day, our suburbs will be where we can work close to our homes… I think that's a really exciting typology that's emerging as part of this."

Illustration for Aritco's Redefining Space white paper
The talk drew from an Aritco white paper titled Redefining Space

Bidwell commented that interiors will also need to be altered to support remote workers, namely with the introduction of more greenery.

"[During lockdowns] when we've been allowed out in London to go to the parks, they were completely packed because we need nature," he said.

"There's vertical farming going on at large scales but in our individual homes, having that connection with mother nature and with the earth will almost act as a counterpoint to all this tech. Nature is an amazing force in terms of wellbeing and mental health.

"We have seen the importance of having clear borders" between work and home

More structured living spaces will also be required so that residents can easily separate their professional and personal lives, according to Schill.

"What we have seen in some studies is the importance of having clear borders so everything doesn’t just blend into one big mess of working, leisure and spare time."

The panellists all noted that sustainability should continue to be a key consideration for the architects and designers instigating these changes to housing.

"I think we've all got a responsibility to look after our planet on an individual level: to consume less, reuse more and recycle," said Searle.

"In terms of procuring our buildings, we have to think about the whole lifecycle of a project from its inception to what will happen to it in the future."

The talk was organised by lift company Aritco. Founded in Stockholm in 1955, Aritco's smart lifts are installed in residential, commercial and hospitality projects across the globe. To find out more about Aritco, click here.


Partnership content

This talk was filmed by Dezeen for Aritco as part of a partnership. Find out more about Dezeen's partnership content here.

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Short film offers tour of Dutch Holocaust Memorial of Names by Studio Libeskind

Dutch Holocaust Memorial of Names by Studio Libeskind

This video guides viewers around a memorial by Studio Libeskind in Amsterdam, the Netherlands, which is dedicated to the Dutch victims of the Holocaust.

The Dutch Holocaust Memorial of Names was designed by Studio Libeskind with local office Rijnboutt to honour the 102,000 Jews, Sinti and Roma people who were killed by Nazis during the second world war.

It is characterised by a labyrinth of brick walls inscribed with the names of these victims, giving the monument its title. However, there are also 1,000 blank bricks to honour those who remain unknown.

Crowning the brick walls are a group of angular mirrored volumes, modelled by Studio Libeskind on four Hebrew letters.

In the video, these mirrored elements can be viewed together from above, where they spell out the Hebrew word for "in memory of".

Find out more about the Dutch Holocaust Memorial of Names here ›

The video is by Stijn Poelstra.


Project credits:

Architect: Studio Libeskind
Architect of record: Rijnboutt
Client: Dutch Auschwitz Committee

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