Wednesday 13 October 2021

New York approves use of cross-laminated timber for six storey buildings

New York mass-timber regulations

The New York City Council has approved the use of mass timber for the construction of buildings of up to 85 feet tall in the city.

Included as part of a major update to the New York City Construction Codes, the new regulations mean that mass timber, including cross-laminated timber, can be used as a structural material for low and medium-rise buildings across the city.

The new regulations mean that buildings up to 85 feet (25.9 metres) tall can be built from the materials. This equates to structures of six or seven storeys.

CLT projects up to 85 feet allowed in New York

"The updated Construction Codes now includes cross-laminated timber (CLT) as an approved Type IV construction material here in New York City," a representative from the New York City Department of Buildings told Dezeen.

"Maximum building heights for CLT projects would be up to 85 feet."

Although some mass timber buildings have been built in New York, previous regulations did not allow for the material to be used in many areas of the city. The buildings that have been built required extensive additional permits.

Revision "a step in the right direction"

The regulation was passed by the council as part of the first major code update since 2014. In total the update included 7,400 revisions to the city's construction codes.

The majority of the regulations will go into effect from the beginning of next year.

New York's decision comes as mass timber is being more widely adopted as a structural building material around the world.

In response to the revision, the AIA said it was "a step in the right direction".

"The legalization of some mass timber products, such as CLT, for shorter buildings, is welcomed by New York City's architects," said AIA New York director of policy Adam Roberts.

"New York City-based architecture firms have been designing mass timber buildings for years throughout the country and world," he told Dezeen.

"Prior to this code revision, the city had made the approval of mass timber buildings incredibly difficult, so the allowance for shorter mass timber buildings represents a step in the right direction."

"This is a great opportunity for New York architects"

Timber specialist architect Michael Green, who designed the largest mass-timber building in the US (pictured), also welcomed the news.

"With the opportunity to build in mass timber, New York can now join many cities around the world as an important leader in carbon sensitive large and tall wood building," Green told Dezeen.

"This is a great opportunity for New York architects, developers and builders to show what New York can do in wood."

"City still lags behind other areas of the country and world"

The revision to the city's codes follows an update to the International Building Code (IBC) by the International Code Council (ICC) earlier this year that allows mass timber buildings of up to 270 feet (82.2 metres) tall. This equates to around 18 storeys.

"In this instance, our city still lags behind other areas of the country and world," said the AIA's Roberts.

"It should be a wake-up call that places like Utah and Idaho have adopted the IBC mass timber code provisions, and yet New York City still has not," he continued.

"We applaud the city for finally allowing for some legalization of mass timber but recognize that this code revision leaves us behind the international standard."

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Albert Kuip Coffee chair by APE for Zuvier

Albert Kuip Coffee chair by APE for Zuvier

Dezeen Showroom: Dutch furniture brand Zuvier has released a new version of its Albert Kuip chair by APE, with a brown textured seat made from used coffee grounds.

The Albert Kuip Coffee chair's moulded shell seat contains 42.5 per cent coffee waste, while the other 57.5 per cent is polypropylene.

Albert Kuip Coffee chair by APE for Zuvier
Albert Kuip Coffee chair has a seat made from used coffee grounds

"Coffee turns out to be a great and sustainable component for firm seats," said Zuvier.

The brand calls it its "most sustainable chair so far" because it also uses imperfect wood rejected from the production process for its legs.

Albert Kuip Coffee chair by APE for Zuvier
Black-painted legs hide imperfections that would otherwise lead to the wood being rejected

All Albert Kuip series chairs have natural oak wood legs, but whereas those with discolouration or knots cannot be used in the standard editions, in the coffee chair, they are rescued and simply painted black.

The waste grounds come from one of the large coffee companies and are part of an estimated 2.5 billion cups of coffee consumed daily worldwide.

Product: Albert Kuip Coffee chair
Designer: APE
Brand: Zuvier
Contact: assistant@s2hcommunication.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

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Ergonomically designed versatile seating from Leolux LX features on Dezeen Showroom

Lounge area in office filled with Leolux LX's LXR18 armchairs in green and beige colours

Leolux LX has presented a selection of highly customisable seating on Dezeen Showroom, including cocooning armchairs that embrace the sitter and ergonomic office chairs with adjustable headrests.

The collection of seating from Dutch furniture brand Leolux LX comprises gently-reclined, cosy armchairs with ample seating space intended for commercial interiors.

These all come in an expansive range of upholstery options as well as varying sizes, finishes and colours that can be mix and matched and made to order, making the products an ideal option for architects and designers working on contract projects.

Orange LXR18 armchair with oak side table attached to its side holding books and water
The LXR18 armchair features a "smile-like" opening in the backrest and can be paired with an optional side table

Leolux LX recently launched the LXR18 armchair by German designer Martin Ballendat. The chair was developed specifically for the contract market to be used in contemporary workplace and hospitality settings, as well as residential spaces.

The LXR18 chair is composed of two rounded sections that seamlessly connect to make up the backrest and seat and give the chair its circular form. The seat and backrest are separated by a small opening with customisable piping that give the chair its distinct "smile-like" appearance.

The chair can also be equipped with a small oak writing table that can be swivelled over the seat, which can be attached to either side of the chair.

Bright orange LX662 armchair situated a neutral-coloured, pared-back room
The LX662 armchair has a cocooning profile designed to offer maximum comfort and privacy

Dutch furniture and industrial designer Frans Schrofer created the LX662 swivel armchair, which is well-suited to lobbies, lounges and interiors with "an exclusive look."

The LX662 chair is designed to maximise comfort and privacy through its engulfing profile. It is distinguished by exaggerated winged sides and an enveloping high back, which is contrasted with a slender metal steel base that comes in a four or five-prong version.

These bases can be fitted with either a reclining mechanism or an auto-return mechanism, which reverts the chair back to its original upright position.

LXR10 armchair in a black leather finish with an accompanying footrest situated in a neutral-toned room
The LXR10 armchair is characterised by its fluid form that juxtaposes its rigid plywood shell

Dutch designers Studio Truly Truly created the LXR10 swivel armchair for Leolux LX, which was conceived as a single, fluid form that folds and bends to take the shape of a chair.

The LXR10 chair was designed as a study of contrasts: the plush upholstery overflows onto a wraparound plywood shell that curves into a half-pipe. The shell comes in a choice of walnut or oak, while the base is available in polished aluminium or powder-coated colour finish.

Other features of the chair include an adjustable headrest and tilt function to offer added comfort.

LXR03 armchair in blush pink finish with an accompanying footstool and side table situated in a pared-back room
The LXR03 armchair can be made bespoke with different materials and colours on the front and back of the seat

Amsterdam designer Thijs Smeets created the versatile LXR03 swivel chair, which comes in an array of styling options to ensure it can be tailored to a wide of interior settings. The chair exemplifies the brand's commitment to creating highly customisable furniture to adapt to various surroundings.

Like all of Leolux LX's products, the LXR03 chair is available with several upholstery options including coloured fabrics and leathers that can be mismatched with various parts of the chair, such as the front and back of the seat.

The chair also comes in two different heights: the lower backrest conveys a sense of openness, while the higher-backed version creates an enclosed feeling to foster privacy and offer respite in bustling environments.

Four LXR671 armchairs in beige surrounding a black desk situated in an office setting
The LX671 armchair is designed for offices, conferences and meeting rooms

German designer Christian Werner created the ergonomically designed LX671 chair, which is intended for offices, conferences and meeting rooms, as well as residential spaces.

The LX671 chair features inviting armrests and a distinctive contoured shell seat. Multiple options are available for the base, including solid oak legs that can be finished in a wide range of oil and wood stain colours, as well as a trapezoidal steel base and a swivel base with the choice of castors or gliders.

Multiple LXR18 armchairs in blue and beige colours situated in a lounge area with greenery, lamps and sofas dotted around
Leolux LX is a Dutch brand founded in 1934 that produces bespoke contemporary furniture

Established in 1934, Leolux LX is a Dutch brand that produces contemporary furniture for commercial interiors, created by international architects designers for professional craftspeople.

Its products range from modular sofas, stools and chairs to side tables and coffee tables made from PEFC-certified wood, leather, fabric and epoxy.

The company is distinguished by its extensive offering of different finishes, upholstery materials, sizes and colours for all its products, which can be made to order for contract projects.


About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. To launch a new product or collection at Dezeen Showroom, please email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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Bay Sofa by Omayra Maymó for Broste Copenhagen

Bay sofa

Dezeen Showroom: Omayra Maymó has designed a sofa named Bay for interiors brand Broste Copenhagen, equipped with a deep seat and rounded edges.

The Spanish designer created the sofa "to transmit a summer indoor-outdoor lounge-by-the-sea-feel, very inviting and welcoming, yet keeping a very Scandinavian, pure and minimal essence," Maymó explained.

Bay Sofa
Bay was designed to have a cosy feel

Bay has a laid-back, fluid silhouette with a deep seat and wide upholstered feet. Its base extends out below the padded seat, creating a convenient shelf on which users can put trays, books, or even lamps.

The sofa also features low armrests and a padded backrest with extra cushions that add to its inviting feel.

Built-in shelf on Bay Sofa
Its base forms a practical shelf

It comes in beige or grey and the extended base can be to the left or to the right of the seating.

The Bay Sofa is one of a selection of products available through French furniture and design fair Maison & Objet.

Product: Bay Sofa
Brand: Broste Copenhagen
Designer: Omayra Maymó
Contact: assistant@s2hcommunication.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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Salboy to create swimming pool and spa in Victorian arches under Manchester Central

Viadux by Salboy

Dezeen promotion: property developer Salboy has unveiled plans to convert the Victorian arches under the former Manchester Central railway station into luxury facilities for a new residential tower.

Salboy is working with Manchester-based architecture practice SimpsonHaugh on Viadux, a development that will create 399 one- and two-bedroom apartments over 40 storeys, as well as a separate office tower.

Viadux by Salboy
A swimming pool and spa will feature beneath the brick arches

The Grade II-listed arches will be transformed into high-end facilities for residents, including a swimming pool and spa, a lounge bar and a residents' entrance lobby featuring an aquarium.

Design studio Lister&Lister is designing the interiors. Visuals released by the developer show the brick vaults celebrated with atmospheric lighting and sensitive glazing details.

Viadux by Salboy
Other facilities will include a residents' lounge bar

"The vaulted spaces are on a huge scale and are absolutely majestic," said Salboy co-founder Simon Ismail.

"We wanted to incorporate this historical element into the project and use them to create the most luxurious and unique facilities in the city."

Viadux by Salboy
The entrance lobby will feature an aquarium

The Viadux site has a rich history, having once been the location of a Roman settlement. Manchester Central opened on the site in 1880, with the brick vaults serving as the train line until the station's eventual closure in 1969.

"We have all this architectural history underground while rising above will be spacious modern apartments, fitted to the latest and highest specification right in the heart of the centre of the city," said Ismail.

Viadux by Salboy
Viadux will create two towers on the central Manchester site

This history created a number of challenges for engineer Renaissance and construction partner DOMIS Construction.

Before work could begin on site, an archaeological team from Salford University carried out a 12-week dig to uncover any remnants of the Roman settlement.

Then, in order for the new structure to stand separately from the brick vaults, specialist rigs had to be used to dig 273 foundation piles, creating a superstructure supported by reinforced columns.

Viadux by Salboy
The new structure will stand independently from the heritage-listed arches

"The scale of work going on underground is breathtaking," said Rob McLoughlin, senior project manager for DOMIS Construction.

"And while it involves intervention to create the foundation platform for the towers, it is also preserving and opening up the arches, which will be an integral feature of the development."

Viadux by Salboy
Residents will also have access to a private gym and yoga studio

Viadux is earmarked for completion in 2024. As well as the facilities in the arches, residents will have access to a range of other amenities including private dining, a karaoke bar and a gym.

There will also be flexible co-working spaces and lounge areas, so that residents can easily work from home.

Landscaped gardens will link the two towers, while public spaces will surround the buildings.

Viadux by Salboy
Co-working spaces will feature in the residential tower

A limited allocation of off-plan apartments for Viadux are now available, with prices starting from £265,000 to £650,000.

For more information about Viadux, visit the Salboy website.

Visualisations are by OurStudio


Partnership content

This article was written by Dezeen for Salboy as part of a partnership. Find out more about Dezeen partnership content here.

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