Thursday 21 October 2021

Forte Forte's Tuscan boutique features subtle nautical details

Interior of Forte Forte shop in Forte dei Marmi

A hull-style ceiling and terrazzo flooring that resembles sea salt appear inside this store in Tuscany by fashion brand Forte Forte, which has been designed by creative duo Giada Forte and Robert Vattilana.

The boutique is rich with decorative features, which the pair says were informed by its location in Forte dei Marmi – a seaside town in northern Tuscany that's popular for its pristine beaches.

Hull-style wooden ceiling structure in interior of Forte Forte store
Clothes rails (top image) and wooden fins (above) have been suspended from the shop's walls

"The architectural language takes on local inflections and specific accents without ever becoming a dialect," Forte and Vattilana said of the way the interior of the store nods to its location.

"We also had an opportunity to work on unprecedented balances and harmonious contrasts. For the first time, we combined wood – which is organic and redolent with nautical memories – with the metals and minerals that are the defining elements of the Forte Forte materiality."

Brass display shelf in front of wall-mounted wooden fins in Forte dei Marmi retail space
A three-tiered shelf displays lifestyle items

After entering the glass-fronted Forte dei Marmi boutique, customers pass beneath five arched frames made from twisting timber beams.

When viewed together, the frames are meant to suggest the distinctive curvature of a ship's hull.

Gold-coloured clothes rails and terrazzo display plinth in Forte Forte shop interior
Shoes are showcased on narrow plinths

In keeping with the maritime theme, the store's terrazzo floor is inlaid with flecks of white stone that are reminiscent of salt crystals.

The same material also forms other elements across the interior such as door handles, side tables and slender plinths for displaying shoes.

Gold-coloured walls and velvet curtains curtains in Forte dei Marmi retail space
The rear of the store is lined in gold leaf

Other accessories and lifestyle items are presented on three-tiered shelving units, while garments hang from spindly rails.

Giada Forte, who co-founded Forte Forte, worked with art director Vattilana to fashion a relaxing courtyard-like area at the centre of the store, placing a bench beside a leafy tropical plant in a grooved vase.

Most of the walls are washed with blush-coloured plaster. But at the rear of the store, the material palette turns more decadent with gold leaf lining a boxed-in mezzanine level as well as a door leading to the back-of-house facilities.

This is hidden behind a matching L-shaped service counter crafted entirely from brass.

L-shaped Brass counter under mezzanine in Forte Forte Tuscany shop
Shiny brass has been used to create an L-shaped service counter

Designed to feel "as intimate as a boudoir", the dressing rooms are concealed behind heavy velvet curtains that are gold on one side and a rich shade of teal on the other.

Inside, there are cushioned stool seats and brass-edged rotating mirrors.

Changing rooms with light blue floors and gold velvet curtains in Forte dei Marmi retail space
The boudoir-like dressing rooms are hidden by velvet curtains

Giada Forte founded Forte Forte alongside her brother Paolo Forte in 2002, launching the business from their childhood home in Italy's Veneto region.

Since then the brand has expanded internationally, with stores in Milan, London, Madrid, Cannes, Paris and Tokyo. A branch in Rome also opened in June of this year, with an interior almost entirely lined in green onyx.

Photography is by Danilo Scarpati.

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Holly Jean Buck and Joseph Kunkel to present at The World Around In Focus: Land

Elizabeth Hoover's work at The World Around In Focus: Land event

Dezeen has teamed up with The World Around to live-stream its In Focus: Land event on 22 October, an afternoon of free online talks exploring the complex post-colonial issues of land use in the 21st century.

Environmental social scientist Holly Jean Buck and MASS Design Group principal Joseph Kunkel are among the speakers scheduled for The World Around In Focus: Land.

The event will bring together artists, activists and practitioners from around the world across three themed sessions as part of The World Around's year in residence at Guggenheim Museum.

Event to explore the "infrastructures and systems that shape our lives"

The free online public programme is the latest event by The World Around – a non-profit organisation founded in 2020 by Beatrice Galilee with the aim to deepen architectural discourse.

With The World Around in Focus: Land, the organisation says it will "share the compelling and important stories of artists, researchers, designers, scientists and architects whose work explores the agency of infrastructures and systems that shape our lives and deplete natural resources".

The World Around's previous events include January's 2021 summit, also live-streamed on Dezeen, and an Earth Day symposium held as part of Dezeen's Virtual Design Festival.

The October 22 forum will be the first in a series of "In Focus" events focused on contemporary post-colonial land-use issues and aimed at building a more equitable future.

The talks will unfold across three sessions – titled Community, Technology and Ecology – and will be followed by discussion.

The World Around In Focus: Land will be live-streamed on Dezeen on Friday October 22 from 6:00pm to 9:00pm London time (1:00pm to 4:00pm New York Time), as well as the Guggenheim Museum's YouTube channel.

The World Around has been in residence at the museum throughout 2021, with the October 22 event marking the last of the activities programmed under its auspices.

Read on for the full line-up and register to take part on the day.

Welcome to Africatown sign
Renee Kemp-Rotan will present her Africatown International Design Idea Competition project

Community

The first session will feature designer and educator Kunkel, who is a citizen of the Northern Cheyenne Nation Kunkel and a principal at MASS Design Group, where he directs the Sustainable Native Communities Design Lab. He will speak about integrating and lifting indigenous voices into community design projects.

He will be followed by urban planner Renee Kemp-Rotan, who is the first African American woman to graduate from Syracuse University with a Bachelor of Architecture. She will share the story of her current project, the Africatown International Design Idea Competition, which will create an Africatown Cultural Mile to mark the first African settlement in the US in Mobile, Alabama.

This session will be moderated by architect Emanuel Admassu.

Simon Denny's industrial machinery artwork in a gallery
Simon Denny will present his work that explores how technologists view land

Technology

Artist Simon Denny will start the next session. Denny's art, including the recent exhibitions Mine and Proof of Stake, interrogates the way technologists frame land-use issues, including around mineral extraction and labour practices.

Speaking next will be environmental social scientist and geographer Buck, whose recent book After Geoengineering laid out the progressive case for geoengineering. She will speak about how emerging technologies can help build a regenerative society.

This session will be moderated by curator Dani Admiss.

Wild rice harvesting in a field
Elizabeth Hoover will present work focusing on Native American food sovereignty

Ecology

The final session will start with anthropologist Elizabeth Hoover, who is an associate professor in Environmental Science, Policy and Management at UC Berkeley. She will speak about her work on food sovereignty and environmental justice for Native American communities.

Following her will be multidisciplinary artists Carolina Caycedo and David De Rozas. They will present on their new body of work examining the issues of land ownership, infrastructure and natural resources in Texas.

Academic Macarena Gómez-Barris will chair the discussion.

The World Around In Focus: Land programme will be accompanied by a commissioned essay by Hoover, and The World Around newsletter subscribers will also have access to films.

The World Around In Focus: Land takes place online on 22 October. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.


Partnership content

This article was written for The World Awround as part of a partnership. Find out more about Dezeen's partnership content here.

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Filips Staņislavskis' Human-Cloud Project turns human breath into clouds

Human-Cloud Project by Filips Staņislavskis from Design Academy Eindhoven

One of the award-winning projects from this year's Design Academy Eindhoven graduation show explores how humans might use geoengineering to develop a more intimate relationship with the climate.

With Human-Cloud Project, Filips Staņislavskis has created a series of tools that turn human breath into clouds.

Human-Cloud Project by Filips Staņislavskis from Design Academy Eindhoven
Human-Cloud Project wants to challenge the use of geoengineering

The BA Leisure graduate wants to challenge the use of geoengineering, also known as climate engineering – the deliberate large-scale intervention in the Earth’s natural systems to counteract climate change.

Instead of using geoengineering to control the weather or minimise global warming, he would like people to feel a more personal connection with the climate.

Breathing device in Human-Cloud Project by Filips Staņislavskis
The process involves extracting liquid from exhaled breath

"Geoengineering presents the logical solution to an existential crisis, by making us the masters of nature," said the designer.

"I was curious about how this technology was mediating our relationship to the climate system," he told Dezeen, "and whether it was possible to instead use it to create a sense of belonging and compassion towards it."

Staņislavskis has designed two devices that allow a person to artificially create their own personal clouds.

The first is a device that captures exhaled breath and turns it into liquid. It is a double-walled lab condenser equipped with a mouthpiece, which uses a process of condensation to extract the moisture from each exhaled breath.

Once the process is complete, the liquid can be decanted into a small glass vial.

Cloud generator in Human-Cloud Project by Filips Staņislavskis
The liquid is used to create a personal cloud

The second tool, a "cloud generator", is attached to a weather balloon so it can release its cloud high up in the sky.

A circuit board is programmed to activate the device when it reaches an appropriate height, where an atomiser turns the liquid back into vapour and the pumps produce the cloud.

"These clouds are tiny and dissipate quickly," said Staņislavskis. "Therefore, even if produced on a grand scale, they would probably have close to no environmental impact."

Weather balloon in Human-Cloud Project by Filips Staņislavskis
A weather balloon is used to release the cloud into the sky

Artificial cloud production is currently involved in various climate engineering processes.

In cloud seeding, chemical substances such as silver iodide or dry ice (the solid form of carbon dioxide) are released into the atmosphere as a form of condensation nuclei, causing more raindrops or snowflakes to form.

The process was developed as a solution for drought, although some scientists have doubts about its effectiveness.

Liquid vials in Human-Cloud Project by Filips Staņislavskis
The designer wants users to develop an intimate relationship with the climate

Clouds are also key to the theoretical geoengineering practice known as marine cloud brightening, which involves spraying natural substances such as sea salt into marine clouds to make them thicker and more reflective. In theory, this could help the clouds act as sun shields.

The full impact of these technologies can be difficult to measure, although Staņislavskis claims they have been linked to a range of other phenomena.

"Extreme climate events, air pollution, respiratory diseases and systemic smothering have intensified since we started drastically altering the composition of gasses in the atmosphere," said Staņislavskis.

"We need to question where we're going with this," he continued. "Is it really to make a more inhabitable world or is it some sort of power play?"

Cloud being released in Human-Cloud Project by Filips Staņislavskis
The process is similar to cloud seeding, but is believed to have no environmental impact

The Human-Cloud Project was selected by Design Academy Eindhoven judges as the winner of the Melkweg Award, which recognises exceptional talent at bachelor degree level.

The project aligns with the concept of the anthropocene, which categorises our current time period as the first age where humans are the dominant environmental force on the planet.

Staņislavskis hopes the project will help people to realise that they are already closely connected with the world around them.

"All living creatures are directly entangled by respiration," he said. "All of the breaths that ever were taken on this planet are still here, no more, no less."

"Could an attunement to breath open us up to the ways we are, always already, intimately related to the atmosphere?"

The DAE Graduation Show 2021 is exhibited at Beursgebouw, Lardinoisstraat 10, Eindhoven from 16 to 24 October, as part of Dutch Design Week. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Wednesday 20 October 2021

BLUE creates BAN Villa hotel in the Chinese countryside

BAN Villa by BLUE Architecture

Beijing-based BLUE Architecture Studio has completed a nature-infused, riverside hotel that resembles a "small floating village from a distance".

The BAN Villa project is located in the Jijiadun Village in the city of Kunshan, which lies about 1.5 hours by car from Shanghai. The area sits within a geographic region known as Jiangnan.

Hotel in Jijiadun Village
The BAN Villa hotel is surrounded on three sides by waterways

Designed by BLUE Architecture Studio – which stands for Beijing Laboratory for Urban Environment – the hotel occupies a roughly rectangular site that is surrounded on three sides by a small river.

"The designers imagine the architecture of the villa as a comfortable space integrated with nature that gently grows from the texture and fabric of a traditional Jiangnan watertown," the team said.

BAN Villa rectangular structures
The complex comprises rectangular structures that vary in size

The property is owned by a native of Jijiadun, who requested that the project include a private residence for himself. The rest of the site offers accommodation for visitors.

The architects were invited by the local government to help revitalise the village in an effort to prevent its demise.

A continuous roof
A continuous roof plane divides the ground and first floors

"With the rapid development of urbanisation in China, the problem of rural hollowing-out is becoming increasingly serious," the team said.

"By introducing cultural and creative industries into the village while respecting its rural scene and culture, Jijiadun village is attracting 'new villagers' from the cities and thus forming a new, dynamic, rural living community."

Bamboo and stucco-clad structures
The lower portion of the complex is clad in bamboo

The 1,800-square-metre complex consists of 10 independent buildings, each rising two levels. All of the structures are rectangular in plan, but they vary in size.

Over the ground level is a continuous roof plate, which allows the upper level to have rock gardens, patios and an open-air walkway.

View from a guest room
A view from one of the guest rooms

"The space of the second floor appears more open and natural," the team said. "The 10 scattered boxes divided by the continuous, large roof look like a small floating village from a distance."

For the facades, two different materials were chosen.

The lower portion of the complex is clad in laminated, warm-toned bamboo, which draws upon the natural landscape. Moreover, bamboo is well-suited to the area's wet climate, the architects said.

The upper walls are sheathed in white stucco. Roofs are covered with white metal in a matte finish, and corridors are lined with galvanised sheets of steel.

Neutral hotel interiors
White terrazzo flooring adds to the hotel's neutral interiors

"The upper floor's materials present a more pure atmosphere," the team said. "The whiteness shows a sense of simplicity and neatness."

In addition to private guest rooms, the hotel has a restaurant, a tea room and a communal outdoor area. Spaces are awash in neutral colours and soft daylight.

Vanilla-hued stucco in a BAN Villa bedroom
Walls and ceilings feature vanilla-hued stucco

Interior finishes include white terrazzo flooring and vanilla-hued stucco on walls and ceilings. Wooden furniture and plants – along with large stretches of glass – help strengthen the hotel's connection to the natural landscape.

"The project of Ban Villa is an attempt to explore new possibilities of the countryside in future," the team said. "Overall, the whole villa can be considered as a micro, contemporary version of a traditional Jiangnan watertown."

Chinese hotel in the countryside
Ten independent buildings make up the hotel

Other projects in Kunshan include a farm visitor centre by Vector Architects, which has a long facade with a mesh screen made of weathering steel.

The photography is by Zhi Xia.


Project credits:

Architect: BLUE Architecture Studio
Team: Shuhei Aoyama, Yoko Fujii, Yixin Yang, Yu Cao, Lu Chen
Client: BAN Villa

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Adjaye Associates proposes inverted supertall skyscraper for New York

Affirmation Tower by Adjaye Associates

Architecture studio Adjaye Associates has designed a supertall skyscraper in New York, which has a series of cantilevers to give it a dramatic form.

Named The Affirmation Tower, the skyscraper was designed for a 1.2-acre vacant plot of land at 418 11th Avenue in Manhattan where New York State has issued a Request for Proposals (RFP) in order to fill the site.

Affirmation Tower
The Affirmation Tower would be built in Manhattan

Adjaye Associates designed the 1,663-feet-tall (498-metre) supertall skyscraper – a building over 300 metres – to cantilever outwards five times so that the upper levels are much larger than the lower levels. This would give it an inverted appearance compared to a traditional skyscraper.

Outwardly defined by these stepped blocks, the building would include two hotels and office space, as well as an ice skating rink and an observation deck.

Adjaye supertall public space
The skyscraper would include two hotels and office spaces

Local developer Peebles Corporation has submitted the supertall to the Empire State Development Corporation in a bid to build the skyscraper on the vacant site, which is called Site K.

It is positioned next to Manhattan's Javits Center, one block away from the city's High Line, as well as the Hudson Yards real estate development and Number 7 subway line.

Adjaye supertall observation deck
An observation deck would feature in the design

If built, the project would be Adjaye Associates' tallest tower to date.

According to the studio it would be the first skyscraper built by a team of Black architects, developers, lenders and builders in New York City's history.

There are plans to house the headquarters of the NAACP's Mid-Manhattan branch within the building.

"Unfortunately for most of New York's history, African-Americans and people of color have been rendered as mere economic tourists who gaze upward at one of the greatest skylines in the world with the intrinsic knowledge they will never be able to participate in what really makes New York unique," said Rev Dr Charles Curtis, Head of NY Interfaith Commission For Housing Equality.

"The awarding of this project to this team will send a statement across the globe that architects, developers, engineers and financial professionals of color are now full participants in this great miracle of global capitalism called New York City."

Cantilevered skyscraper
Cantilevers would define the supertall's structure

The supertall would be the second New York tower designed by Adjaye Associates following 130 William, a concrete residential skyscraper designed by the firm, which was founded by Ghanaian-British architect David Adjaye in 2000.

The building would be the latest in a series of supertall skyscrapers built in New York with buildings over 300 metres designed by BIG, Foster + Partners and SHoP currently under development in the city.

The images are courtesy of Adjaye Associates. 

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