Friday, 29 October 2021

"COP26 marks a critical juncture for humanity" say architects and designers attending the climate conference

Earth from space

This weekend the world's governments come together to move forward plans to tackle climate change at the COP26 summit. Ten architects and designers who are heading to Glasgow told Dezeen about their hopes and fears for the conference.

The hugely anticipated 26th Conference of the Parties (COP26), also known as the UN Climate Change Conference, kicks off in Glasgow on Sunday and the stakes could scarcely be higher.

The two-week event "marks a critical juncture for humanity", said Royal Institute of British Architects (RIBA) president Simon Allford.

Leading architecture and design figures attending the summit expressed concerns that the built environment is not being talked about enough, as well as calling for clear, achievable targets to bring down greenhouse gas emissions.

They agreed that greater action is needed to tackle issues like embodied carbon while urging architects to think more about circularity through their work.

Read on for their pre-conference thoughts.


Becca Thomas New Practice

"I hope for bold and achievable targets" says Glasgow architect Becca Thomas

Why are you attending COP26? As a resident and someone who runs an architecture practice in the city, it very much feels that COP26 has come to us. It really feels like this is a great moment to amplify the sorts of great content and conversation that have been happening locally as Glasgow becomes a global stage for vital discussions about the future of the planet.

What do you hope the conference will achieve? I hope for bold and achievable targets with clear routes to delivery, anything else is more talk when we need action.

In particular, I would like for there to be a significant change in the approach to active travel and a solution to the ongoing reliance on and celebration of the private motor vehicle.

Is there an issue you're concerned could be overlooked? The impact of private residences on emissions. This is a huge sector that feels quite challenging to address especially where large material and financial outlays might be required to insulate and re-engineer our homes to be fit for the future.

What more could governments be doing to help architects and designers reduce emissions? For our practice, the single biggest political issue is VAT on renovations. When we build as a practice, we predominantly work with communities to bring their spaces back into active use from dereliction or decay. Whilst new builds benefit from a 0 per cent rate, our projects take a 20 per cent hit on doing the 'right' thing which can have a knock on effect on the quality and scope of the finished projects.

What more could architects and designers be doing to reduce emissions? We need to be extremely considerate of how and why we build. Always new and always more can never be sustainable, but that is the very premise of what the majority of our industry do. We need to slow down and think carefully and consciously about what we build, why we build and if a building is always the right solution.

Becca Thomas is creative director of New Practice.


Andrew Waugh

"This should be time for architects to shine" says London-based architect Andrew Waugh

Why are you attending COP26? I'm presenting at a couple of events around COP, I think it's really important to be involved – to fight to be involved. There isn't nearly enough focus on the built environment at COP – so we need to make sure our voice is heard. I'm also really intrigued to actually experience a global event like this!

What do you hope the conference will achieve? Consensus – an understanding and an agreement about the desperate state we're in – and perhaps even an optimism of what a greener future could bring.

Is there an issue you're concerned could be overlooked? The built environment. The industry has been relegated to an afternoon on the last working day of the conference and the fault for that lies with our industry – we're just not putting the effort into the transformation necessary, still fiddling around the edges and celebrating the same old shiny boxes.

What more could governments be doing to help architects and designers reduce emissions? Legislation, funding and support. Proper reporting of our greenhouse gas emissions based on what we consume – not what we produce.
There should be confident embodied carbon regulations, carbon taxes, no more peddling of fatuous net-zero targets. How about published carbon emissions on the front of every project? Planetary health warnings like on a cigarette packet?

What more could architects and designers be doing to reduce emissions? Say no to new buildings when possible, don't build basements, be resource efficient in design decisions, collaborate, share ideas, use bio-based and re-used materials, re-frame notions of success in design! Be passionate and enthusiastic about regenerative design – and design with real purpose. Take a deep breath and be different. This should be the time for architects to shine.

Andrew Waugh is director at Waugh Thistleton Architects.


Simon Allford elected next president of the RIBA

"COP26 marks a critical juncture for humanity" says RIBA president Simon Allford

Why are you attending COP26? COP26 marks a critical juncture for humanity. With the built environment responsible for 38 per cent of global energy-related carbon emissions, we must massively reduce our carbon output. Now.

We're attending COP to demonstrate that the built environment is ready and willing to make the changes needed to remain within planetary limits – but we need the government's help. We can't do it alone.

What do you hope the conference will achieve? COP should raise global interest and concern about the impact of the built environment on the planet – and push for government support. The Cities, Regions and Built Environment Day [on 11 November] is a nod to this, but current government policies, such as [last] week's Heat and Buildings Strategy continue to fall short of what's required to reach net-zero.

Is there an issue you're concerned could be overlooked? Embodied carbon. As the electricity and gas grid continue to decarbonise, the embodied carbon emissions of most new buildings created between now and 2050 will be greater than those emissions released through energy use during the building's lifetime. But in the Heat and Buildings Strategy, it wasn't even mentioned.

What more could governments be doing to help architects and designers reduce emissions? Current building codes and regulations focus almost exclusively on the energy use of new buildings but do not regulate actual energy use. We know that buildings sometimes do not perform as predicted during the design process, so we must regulate their in-use operational energy performance.

Embodied carbon also remains almost entirely unregulated and there's currently too little government encouragement to reuse and retrofit our existing building stock.

What more could architects and designers be doing to reduce emissions? We cannot tackle global climate and biodiversity emergencies without changing the way we design and construct buildings. We've also got to prioritise reuse and retrofit where possible and – as an entire sector – we must commit to breaking down silos and sharing knowledge to scale-up capabilities. We need government support, but we can also do a lot on our own.

Simon Allford is president of the RIBA and executive director at London, Bristol and Oklahoma City-based studio Allford Hall Monaghan Morris (AHMM). He will be sharing recommendations from the RIBA and Architects Declare's recent report, Built for the Environment.


Christina Gaiger RIAS

"We need to build once for the future" says RIAS president Christina Gaiger

Why are you attending COP26? I am attending COP26 on behalf of, and as president of the RIAS. All building has a substantial carbon footprint and our members across Scotland are committed to supporting the government and communities to change this.

What do you hope the conference will achieve? I hope that COP26 will acknowledge and place due importance on the role of the built environment in the challenges that lie ahead. The climate emergency alongside the global pandemic has highlighted how important design is for people, homes, buildings and places.

Is there an issue you're concerned could be overlooked? Circularity. The construction industry currently consumes half of all our raw materials and produces half of our waste.

What more could governments be doing to help architects and designers reduce emissions? Policies need to match our priorities and be supported by a procurement system that delivers a high-quality built environment. We need to build once for the future.

What more could architects and designers be doing to reduce emissions? Architects have the knowledge and tools to make informed decisions and design with a carbon-conscious approach. For example, we can prioritise re-use, consider circularity and select materials that have a light touch on the environment. However, we cannot do this alone. There needs to be a supportive procurement system and a market-driven or regulatory stimulus in order for this approach and critical skill set not to be value engineered!

Christina Grainger is president of the Royal Incorporation of Architects in Scotland (RIAS). The portrait is by Angus Bremner.


Dezeen Awards 2021 judge Anab Jain

"We need action and we need it now" says Anab Jain of London design studio Superflux

Why are you attending COP26? I am attending just a couple of days at COP26, specifically at the New York Times Climate Hub. We at Superflux helped IKEA to translate their climate solutions and net-zero commitments into an action-based exhibition being presented at the New York Times Climate Hub.

What do you hope the conference will achieve? Actionable commitments that leaders can deliver in their time at the office. Long term pledges are important, but we need action and we need it now. I hope the conference can create the roadmap for action for this decade.

Is there an issue you're concerned could be overlooked? According to experts, the summit will fail to result in pledges that could limit global heating to 1.5 degrees Celsius. It's very worrying.

What more could governments be doing to help architects and designers reduce emissions? Incentivise net-zero schemes, ensure a good supply of sustainable materials, commend best practices – there is so much the government can do!

What more could architects and designers be doing to reduce emissions? Reduce carbon emissions. Stop using unsustainable materials, design for circularity, design within planetary boundaries, embrace a more-than-human perspective. The list is endless.

Anab Jain is co-founder and director at Superflux.


Julie Hirigoyen UKGBC

"I fear that some of the more challenging priorities will fall by the wayside" says UK Green Building Council boss Julie Hirigoyen

Why are you attending COP26? I will take every opportunity to put the built environment front and first as a critical solution to be embraced by state and non-state actors alike and I'm delighted that the important work of Green Building Councils globally has been recognised as critical and is featured in the COP26 conference programming.

What do you hope the conference will achieve? I hope COP26 is recognised as a critical tipping point in the fight against climate change – one that sees finance, business, cities, and civil society all accelerating their leadership and action towards net zero carbon. We need to see more granular plans for the complete decarbonisation of buildings and infrastructure emerging soon after COP26.

Is there an issue you're concerned could be overlooked? I fear that some of the more challenging yet crucial priorities such as improving energy efficiency of existing assets and tackling the embodied carbon within construction processes will fall by the wayside. Tackling issues as huge as how we're going to retrofit close to two homes per minute over the coming 30 years will not disappear because they're difficult or complex.

What more could governments be doing to help architects and designers reduce emissions? Governments must update policy frameworks to embed a culture of design for performance, rather than design for compliance. This would create an outcomes-based approach that drives architects and designers to innovate and develop the best solutions for their specific projects.

Additionally, governments must regulate for the whole life carbon of buildings, starting with mandatory measurement on larger projects and quickly move to set embodied carbon limits for different building types.

What more could architects and designers be doing to reduce emissions? They must champion ambitious energy use and embodied carbon targets in project briefs, as well as promoting a design-for-performance approach. They should also help shift demand away from high embodied carbon, new construction to one that prioritises circularity, design for deconstruction and reuse with emphasis on low carbon design.

Finally, they should prioritise the gathering of post-occupancy data to evaluate building performance and generate the feedback loop that is needed to rapidly share net-zero carbon knowledge across projects and the wider industry.

Julie Hirigoyen is chief executive of the UK Green Building Council (UKGBC). UKGBC has put together a virtual pavilion for COP26 with more than 100 partners called Build Better Now.


Helene Chartier portrait

"The 2020s will be a make-or-break decade" says Hélène Chartier of international network C40 Cities

Why are you attending COP26? C40 is one of the leading organisations on climate change – over the years it has become the voice of mayors on the international stage and a key support for cities to act on the ground. It is therefore important for us to be there. COP26 will be key not only to engage the national governments but also for the mobilisation of society as a whole.

What do you hope the conference will achieve? I hope this COP will move climate action from a peripheral issue to the central organising principle of society. It is also essential that COP26 better prescribes the tools and financial resources for implementation.

Lastly, a focus on adaptation is necessary. Even if the temperature rise is kept below 2 degrees celsius, which is unlikely, the consequences will be extreme. We have to get prepared.

Is there an issue you're concerned could be overlooked? It is important to consider all greenhouse-gas emissions, including the Scope 3 emissions which are the indirect emissions generated in the value chain from the goods and services, including those from raw materials, manufacturing, distribution, retail and disposal. For decades, we have been neglecting the impact of Scope 3 emissions on the main targets and strategies set by national and local governments.

It is now key to address these emissions and to allocate them to the final consumers of those goods and services, rather than to the original producers, especially for the built environment sector which must better tackle embodied emissions from construction.

What could governments be doing to help architects and designers reduce emissions? The first thing would be to require lifecycle emissions assessments (LCA) from all constructions. Then, they must set the right reduction targets and give visibility for the future so the industry can be prepared.

To align with the objectives of the Paris agreement, ambitious targets would be to ensure new buildings operate at net-zero carbon by 2030 and have all buildings do so by 2050, and reduce embodied emissions by 50 per cent for all new buildings and major retrofits by 2030, and aim at a 30 per cent reduction by 2025.

What more could architects and designers be doing to reduce emissions? First, all architects should educate themselves on LCA. Good digital tools are now available to run carbon assessments within a design model. With these tools, it is now possible to put emission reduction goals at the heart of design practice.

Hélène Chartier is head of zero-carbon development at C40 Cities.


Mark Dytham, co-founder of Tokyo-based Klein Dytham Architecture and Dezeen Awards 2019 judge

"You have to think about it at your next design meeting" says Tokyo-based architect Mark Dytham

Why are you attending COP26? I'm attending COP26 with PechaKucha, our global show and tell format, as a part of 'After the Pandemic', a creative and cultural fringe event at Strath Union in the heart of Glasgow.

What do you hope the conference will achieve? We hope it will continue to raise awareness in young people, the next generation who just want us to get on with it and make clear, tangible steps to stop climate change.

Is there an issue you're concerned could be overlooked? Time. We have to do this now, you have to think about it at your next design meeting. What can we do today that will have an impact, however small?

What more could governments be doing to help architects and designers reduce emissions? They need to support core ideas to help us rethink, reimagine and redesign our community and environments to be greener, more resilient and more vibrant – the key goals of the After the Pandemic event at COP26.

What more could architects and designers be doing to reduce emissions? Less is more. Use less to build more. We have to redefine architecture and interiors by using less – we live on a finite planet.

Mark Dytham is co-founder of Klein Dytham Architecture.


Dominique Jakob and Brendan MacFarlane

"As architects it's important to make our voice heard" say Paris-based architects Dominique Jakob and Brendan MacFarlane

Why are you attending COP26? As architects, it's important to make our voice heard at this forum so that it's not just governments and institutions making crucial decisions for this planet on our behalf.

What do you hope the conference will achieve? The objective of COP would be to achieve international agreement of how we will be collectively meeting the key target – to limit global warming to the lowest possible level. Having the second biggest carbon emitter, the US, on board of COP26, is a huge step forward.

At the same time, China and India, respectively the first and the third largest greenhouse gas emitters, haven't confirmed their commitment yet, which weakens the potential of a truly global climate deal.

Is there an issue you're concerned could be overlooked? The big message we are getting from a lot of people around the world is that we are still talking while we need to be acting. Action has started, but that's not enough, and we believe that solutions should be found – probably including some economic and political measures – so that non-committing would no longer be an option.

What more could governments be doing to help architects and designers reduce emissions? What we need is a coordinated policy, legislation that provides strict regulations about the use of non-polluting, non-petrochemical-based materials with a gradual ban on environmentally harmful products – and, on the other hand, incentivises the use of environmentally friendly materials. Unless this happens, we're never going to get out of a vicious cycle, because people will always opt for what they already know.

What more could architects and designers be doing to reduce emissions? Polluting materials have been named, and architects have a role of refusing to use these products and opting for cleaner alternatives instead. Currently, many of the alternatives are more expensive, but as soon as the demand for such products goes up, the costs should come down. We do have a choice. Of course, in some cases, the transition will be gradual, but that's the general direction in which our profession should be pushing more actively.

Dominique Jakob and Brendan MacFarlane are founders of Jakob+MacFarlane. At COP26, the studio is presenting a project called TongAbove created with Tongan artist and activist Uili Lousi. The portrait is by Alexandre Tabaste.


COP26 will take place at SEC Centre in Glasgow from 1 to 12 November 2021. See Dezeen Events Guide for all the latest information you need to know to attend the event, as well as a list of other architecture and design events taking place around the world.

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Textile wall covering collection by Dedar

Textile wallcovering collection by Dedar

Dezeen Showroom: taking cues from the grand tapestries in castles, Dedar's collection of textile wall coverings features large screen-printed illustrations and rich textures.

Dedar's new wall coverings collection has four patterned designs and a selection of "classic weaves" designed to highlight the subtle tactility of linen and jute.

Textile wallcovering collection by Dedar in This Must Be The Place
Dedar's new collection includes the design This Must Be the Place, which is screen-printed on linen

The Italian brand points to luxurious castle wall hangings as a reference for the way they enliven a room while softening sound and creating a warm atmosphere.

The collection includes two designs created together with illustration duo Icinori and screen-printed, colour by colour, onto pure linen: This Must Be the Place, a paradisiacal bird motif, and Altronde, a magical cityscape.

Textile wallcovering collection by Dedar in Fitzcarraldo
There also classic weave designs such as Fitzcarraldo, which feature the subtle textures of natural fibres

The new classic weaves include two designs that recall the textures of a painter's raw canvas, Mandolino and Toile Bâche, and another, Fitzcarraldo, that references the yarns of a gauzy chambray shirt.

"The wall covering collection offers an ambiance infused with texture, a perceptible sense of warmth, and an atmosphere of comfort," said Dedar artistic director Raffaele Fabrizio.

Product: Textile wall coverings
Brand: Dedar
Contact: info@dedar.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

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"Act up, disrupt and get noisy"

Insulate Britain protesters

Environmental protest group Insulate Britain has caused controversy by blocking roads to highlight the need for better insulation in homes. But its aims are correct and direct action is "pretty much the only effective democratic way" to achieve change, argues architect Duncan Baker-Brown.


What does it take to affect societal change? This is what is required to meet the challenges of this climate and ecological emergency. History tells us that non-violent direct action is pretty much the only effective democratic way.

Whether one considers the suffragettes from the turn of the 20th century or freedom riders who deliberately drove interstate buses into segregated southern United States in the early 1960s, non-violent direct action can effect change. To put it another way, it can speed up the evolution of thoughts into deeds in a matter of years instead of decades or even centuries.

It would appear that humankind is on the verge of admitting that we can't organise ourselves to help ourselves

Quite clearly, nobody who reads the scientific facts about our burning planet or the current mass extinction of species can feel complacent about the future.

Portrait of Duncan Baker-Brown
Architect and environmental activist Duncan Baker-Brown

Perhaps you only started to read the scary headlines now, such as those in the recent IPCC climate report? Or perhaps, like me, you feel that COP26 is currently looking more like OPEC '73 as world leaders from China, India, Australia etcetera make it clear that they intend to stick with fossil fuels for the time being?

It would appear that humankind is on the verge of admitting that we can't organise ourselves to help ourselves! Perhaps Greta Thunberg is correct when she says "We need public pressure, not just summits. Change will only come when people demand change."

Our housing stock must be adequately retrofitted to meet our net-zero carbon targets

I'm not sure how scary it has to get, how much of the world's forests have to be burned (one in eight hectares of California's once-vast forests have burned in the last 10 years) or how many people have to die before the majority of us from change from being passive observers to pro-active campaigners.

I guess it's the passive observer in all of us that finds Insulate Britain's current direct-action protests such an inconvenient pain in the neck? What are they thinking, especially straight after three Covid-19 lockdowns? Well, beyond the short-term inconvenience, I believe it all makes complete sense.

I have publicly supported the Insulate Britain campaign, although I think some of their direct action protests are misguided. I'd focus on the procurers of fossil fuels and the members of parliament who support them, rather than commuters.

However, they are well-informed and quite rightly insisting that our housing stock must be adequately retrofitted to meet our net-zero carbon targets, that it should be coordinated by central government and rolled out systematically and by all accounts very quickly.

Most impressively, they have pretty single-handedly raised the profile of this normally rather esoteric of topics.

Insulate Britain understands the bleeding obvious, or what is obvious to anybody who understands that one of the most straightforward ways to meet our commitment to being net-zero carbon by 2050 is to upgrade the performance of our existing built environment, 80 per cent of which will still be around in 2050 trying to meet said ambitious targets.

Low carbon retrofit doesn't come cheap, but it does have a number of huge benefits

Insulate Britain is taking the scientists (including numerous IPCC reports) at their word and demanding that we retrofit all 29 million UK homes within eight years in order to have half a chance of sticking to the 1.5 degree Celsius temperature-rise commitment made by most nations in the 2015 Paris Agreement.

Insulate Britain's demands also acknowledge that the cost of this nationwide infrastructure project cannot be met by UK citizens alone. At anything from £18,000 to £35,000 per dwelling, or around £580 billion in total, low carbon retrofitting doesn't come cheap, but it does have a number of huge benefits.

"Normal" infrastructure projects such as the HS2 train line (costing £100 billion and counting) have limited benefits to specific trades and specific regions of the UK. HS2's benefits to commuters are also debatable unless you happen to travel between London and Birmingham and need to shave an extra 20 minutes off your journey time.

HS2 also comes with some very negative side-effects and bad PR, not least the destruction of over 100 ecologically sensitive sites in what is already Europe's most ecologically depleted country.

This mass retrofit project will train and employ tens of thousands of people across the whole of the UK

On the other hand, the mass retrofitting of the national housing stock has lots of universal benefits that even work from the point of view of Boris Johnson's own levelling-up agenda.

If conceived more as a national infrastructure project managed by its own government ministry, this mass retrofit project will train and employ tens of thousands of people across the whole of the UK, not just the south.

It will also create climate-resilient, low carbon, comfortable homes for the masses and help us meet our net-zero targets whilst supporting green, clean technologies.

So I ask you all – what's not to like? How else do you raise awareness of our current government's seismically slow response to the existential problem that is the climate and ecological emergency?

I say act up, disrupt and get noisy. Ask yourself, what is stopping you from doing something today? If you work in the built environment sector, you can easily have a far greater impact at work than at home.

For example, I heard recently that if you were to specify a 10-metre x 10-metre concrete slab that is 50 millimetres thinner than normal, that will save more CO2 than giving up eating meat for the whole year.

We are in a hugely impactful industry that actually has the collective knowledge to know what to do

In addition, it is increasingly understood by many people that humankind simply won't get anywhere near a net-zero carbon lifestyle unless we deal with the built environment that is responsible for about 45 per cent of all CO2 emissions worldwide, whilst consuming 50 million tonnes of raw materials harvested and mined annually.

In the UK, this creates 60 per cent of our waste (that's 120 million tonnes of stuff going to landfill and incineration).

Designing, constructing, occupying, maintaining and demolishing the world's built environment is responsible for half the negative impact humans have on our host planet.

We are in a hugely impactful industry that actually has the collective knowledge to know what to do. Just think of the impact that the recent LETI Climate Emergency Design Guide has had.

It, and other publications from RIBA, Architects Declare, UKGBC and more, have completely changed the critical debate and understanding within our sector in less than a two-year period. Now it's time to act on these words. Perhaps that includes direct action.

The main image is by Insulate Britain.

Duncan Baker-Brown is a practising architect, academic and environmental activist. Author of The Re-Use Atlas published by RIBA and Climate Literacy Champion at the University of Brighton, he has practised, researched, and taught around issues of sustainable and closed-looped systems for more than 25 years.

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Antonio Citterio designs Personal Line fitness equipment for Technogym

Technogym bike by Antonio Citterio

Dezeen promotion: architect Antonio Citterio's fitness equipment collection Personal Line for Technogym was created to be placed "in the most beautiful spaces" of people's homes.

Technogym was launched in the 1980s by Nerio and Pierluigi Alessandri and has been the official equipment supplier for athletic training at the Olympics since 2000.

The Personal Line collection of premium home fitness equipment includes a treadmill, bike, recline, elliptical, kinesis and power station.

Exercise bike designed by Antonio Citterio
Technogym's Cross Personal was designed by Antonio Citterio

The various fitness products can be combined to create a fully-equipped home gym, or users can choose their favourite equipment to use in their bedroom or living room.

The pieces are crafted with refined materials. They designed by Citterio to not stand out as training equipment, but rather be stylish additions to the home.

Home gym with Technogym equipment
The collection can be used to create a fully-equipped home gym

The complete cardio collection from Technogym is made in Italy and has a sleek, streamlined design.

The Recline Personal exercise bike received the 2012 "Best of the Best" Red Dot Design Award in the product category, while the steel-and-aluminium Bike Personal was conceived as a design to suit any interior style.

Another piece in the collection is Technogym's Kinesis Personal, which intends to enable coordinated movements based on fitness techniques.

The wall-mounted equipment offers 200 exercise possibilities with a focus on strength, flexibility, and balance training.

Kinesis Personal from Technogym
Kinesis Personal offers 200 exercise possibilities

Technogym's collection aims to "take fitness and wellness at home into a new era".

Also included in the collection are Run Personal, a treadmill that combines functional design with state-of-the-art technology, and the Cross Personal crosstrainer.

Fitness equipment by Technogym
The Recline Personal won a design award

Each of the machines features Technogym's Live console, a newly-launched addition that lets users choose from on-demand training content.

These include personalised content, outdoor virtual training, and trainer-led sessions, as well as entertainment options including a wide range of apps, social media platforms and TV and streaming channels.

The Live console also features Technogym Coach, which the brand says is the first artificial intelligence applied to fitness, and which manages users' data to create a personalised experience.

To view more of Technogym's products and how to create a wellness space at home, visit its website.


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Thursday, 28 October 2021

Stride Treglown places "sinking" Monopoly-style house in River Avon ahead of COP26

Sinking red house

Architecture firm Stride Treglown has installed a sculpture of an alarming red "sinking house" in Bath's Pulteney Weir in order to highlight climate change.

Stride Treglown collaborated with engineering designers Format Engineers to create the sculpture, which is called Sinking House, ahead of the COP26 climate conference.

Human-like figure on roof
A human-like figure is positioned on the house's roof

Sinking House is a 5.5-metre by 3.5-metre bright red timber sculpture designed in a universally recognisable shape that takes cues from classic Monopoly houses.

The house is located in Pulteney Weir, a low dam in front of Pulteney Bridge on the River Avon in Bath, where passersby can experience it from the ground above.

Monopoly-style house
The sculpture takes cues from Monopoly houses

Positioned at an angle so that the sculpture looks as if it is sinking beneath the water's surface, the house includes a human-like figure sitting on its chimney, holding onto a rope and banner attached to the bridge that reads "COP26."

The installation intends to represent the idea that COP26 – the 2021 United Nations Climate Change Conference – offers the world a lifeline for world leaders to act in order to address climate change.

Pulteney Weir in Bath
Sinking House sits in Pulteney Weir

"The project was inspired by Greta Thunberg’s 'Our house is on fire' speech at the 2019 World Economic Forum," Stride Treglown head of sustainability Rob Delius told Dezeen.

"We wanted to use that reference to highlight how 'our house' is in great danger and make a literal house in peril floating in the river."

"The catastrophic floods in Europe this summer were also a big influence, as we saw pictures of people stranded on the roofs of their houses. Suddenly, the effects of climate change felt very close to home," added Delius.

Sculpture from above
Passersby can view the sculpture from above

Format Engineers worked with local sculptor Anna Gillespie and carpenters Fifield Moss to install the sculpture.

As well as representing the emergency and danger of climate change, Sinking House's bright red colour was also designed to contrast with Pulteney Bridge's historic backdrop.

Sinking House
It sits in a low dam

"Reinforcing our colour choice, the UN Secretary-General said of the recent IPCC climate change report that the world was now at code Red and that we need widespread, immediate, and substantial action," explained Delius.

"It is also a play on the classic Monopoly house, or hotel, and how our leaders have prioritised economic growth over a more sustainable approach, which has left us in this perilous position," he added.

"Sinking House was chosen as a name to represent how our house, our planet, is sinking into disaster but if we act now, we still have a chance to save it from complete catastrophe."

The structure was constructed using timber, which Stride Treglown says will be donated to the nearby Bristol Wood Recycling Project once the installation is dismantled.

The architecture firm also sought assistance from the local Sea Cadets, who offered their pontoon to help the sculpture float and create the submerged effect.

Striking red Sinking House sculpture
The sculpture's red colour was designed to be striking

"We wanted to get the message across to world leaders about how important COP26 is and how the wider community is counting on them to take action," concluded Delius.

"But Sinking House also sends a message of hope – COP26, along with other measures, offer us all an opportunity, a lifeline to improve our current position."

COP26 call-to-action
Sinking House is a call-to-action ahead of COP26

COP26 will take place in Glasgow from 31 October. Other creative projects designed for the event include the Build Better Now virtual pavilion featuring 17 sustainable projects and a "conference of trees" by UK designer Es Devlin.

The photography is by Peter Landers.


Sinking House is on show in Bath until 7 November 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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