Wednesday 1 December 2021

Charlotte Taylor creates NFT of OMA-designed underwater sculpture for Miami Beach

NFT of OMA-designed underwater sculpture

Visualisation artists Charlotte Taylor and Nicholas Préaud have created an NFT artwork based on an OMA-designed sculpture that will form part of an underwater park near Miami Beach.

Taylor and Préaud's video artwork is focused on a sculpture named Coral Arena that was designed by Shohei Shigematsu, who heads architecture studio OMA's New York office.

The piece was sold as an NFT to help promote the ReefLine sculpture park, which is set to be built off the coast of Miami Beach and was also designed by OMA. A physical version of the sculpture will form part of the underwater park.

The video shows the sculpture being displayed in a museum, before being immersed in the sea and covered in coral.

Charlotte Taylor and Nicholas Préaud design artwork of OMA sculpture
Charlotte Taylor and Nicholas Préaud have created three artworks based on an OMA-designed sculpture

"The NFT is meant to depict the unique nature of the ReefLine sculpture," OMA told Dezeen. "It would at first appear to be more appropriate or fitting in a museum, so the video begins with the sculpture displayed as a static piece of artwork in a scaleless, white box setting."

"As the film transitions to the underwater deployment of the sculpture, we hope that people understand that this is the true purpose of the sculpture, whose physical twin will be placed underwater off the coast of Miami Beach," explained OMA.

"The sculpture is a piece of resilient infrastructure as much as it is a formal object. The form will encourage coral reef growth, creating a new aquatic ecosystem that helps to protect the coastline."

Taylor and Préaud collaborated with OMA to create three artworks to be sold as NFTs. Alongside the video, two stills were created.

The first, named Coral Arena/2021, shows the sculpture in a fictional gallery, and the second, named Coral Arena/2031, shows the piece after it has been sunk in the ocean for ten years as part of the sculpture park.

The pieces were created to draw attention to the positive environmental impact of the project.

OMA-designed underwater sculpture
The video visualises the artwork after it has been underwater for 10 years

"With the built environment expanding at an exponential rate, we wanted to highlight the projects within this quota that give back to the environment," Taylor told Dezeen.

"OMA's structure for the Reefline project is one of these poignant projects; rebuilding an ecosystem and redefining the coastline of Miami," she continued.

"The structure itself is a sculptural masterpiece yet it has very modest purpose; architecture not for the masses but for the aquatic ecosystem. We hope to convey this humble monument and its very meaningful impact though following its journey."

"This 35 second short film is an essay both on the architectural and environmental aspects of this project," Préaud told Dezeen.

"It builds up in intensity to the point where the structure is barely recognizable, and nature has taken its rights back."

The Coral Arena sculpture will be formed from nine spiral staircases arranged around a central core. It will be installed as part of the sculpture park, which is currently under construction.

"Our sculpture explores the nature of weightlessness underwater – the stair, a rudimentary architecture element suggestive of directionality and movement, is taken out of its usual context and transformed into an underwater folly," OMA said.

"Like the circular formation of the atoll, the series of sinuous spiral stairs create a three-dimensional structure reminiscent of marine life," it continued.

"The organic form provides layered zones for coral reef growth and interstitial spaces for unique underwater experiences. The stairs rotate around a central forum for underwater gathering and activities."

Alongside OMA's sculpture, the park will contain pieces from multiple designers including Argentinian conceptual artist Leandro Erlich. He will create an underwater version of his Order of Importance traffic jam installation, which was originally made of sand and installed on Miami Beach.

The post Charlotte Taylor creates NFT of OMA-designed underwater sculpture for Miami Beach appeared first on Dezeen.



from Dezeen https://ift.tt/3xHzWiL

Foster + Partners sustainability lead calls for more refurbishments and fewer basements to help fight climate change

Christopher Trott of Foster + Partners

Architects should reuse existing buildings where possible to reduce embodied carbon and emissions, according to Christopher Trott, head of sustainability at Foster + Partners.

Other ways of lowering emissions include not building basements, reducing spans, using less materials and making greater use of wood, Trott said.

"The kind of immediate things that we can do are things like reusing existing buildings and perhaps reducing spans in existing structures," Trott said. "You can simply use less material and perhaps avoid basements where they're not necessary."

Christopher Trott of Foster + Partners
Top: from left to right, Marcus Fairs of Dezeen, Cassie Sutherland of C40 Cities, Christopher Trott of Foster + Partners and Cécile Brisac of Brisac Gonzalez. Above: Trott said architects should consider the "carbon investment" when designing buildings

Trott was part of a live panel debate on Dezeen discussing the outcome of the COP26 climate conference, which he attended in Glasgow earlier this month.

Making buildings reversible is another way of reducing emissions, he said, although he felt that viable alternatives to steel and concrete are a long way off.

"Timber is a great material for the right types of buildings. It's not going to solve all buildings, it's going to solve certain types of buildings and it's come a long way," he said.

However, Trott added that mineral-based materials such as concrete and steel would still be used "for quite a long time yet", and said that architects should ensure that components are designed for long-term use.

Foster and Partners' tower The Tulip
The Tulip was recently rejected by the UK government

"Some of the things that are being built now, provided they can be deconstructed or reused well into the future, that's an investment," he said. "It's not a problem, it's an investment. It's still there to be used in future generations of exactly the same buildings."

Trott's comments came shortly after Foster + Partners had its proposal for the Tulip, a skyscraper tourist attraction in the City of London, rejected by the UK government partly over concerns about the "highly unsustainable concept of using vast quantities of reinforced concrete for the foundations and lift shaft to transport visitors to as high a level as possible to enjoy a view".

It is thought to be the first example of the government referencing embodied carbon in a planning decision letter.

In a conversation with US climate envoy John Kerry at COP26, Foster + Partners founder Norman Foster said "higher standards" on embodied carbon are needed.

"I think it's fair to say that the world is still catching up on embodied carbon... it's a journey that I think most [in the building industry] have been on for four or five years, they haven't been on for much longer than that," said Trott.

He added that changing the manufacturing industry to produce more environmentally friendly construction products is "really difficult and is going to take a while".

As sustainability lead at Foster + Partners, Trott said his job "is to help us make our buildings, our urban scale projects and our products more sustainable. I have a hand in all of the projects one way or another," he said.

Trott was speaking during a talk hosted by Dezeen as part of skylight manufacturer Velux's Build for Life online conference.

"Difficult to turn down projects"

On the panel with him was Cécile Brisac, co-founder of London studio Brisac Gonzalez, who said architects' hands "are a little bit tied at some points" when designing for private developers that do not have a strong environmental agenda.

"However much we try to drive change, our power is fairly little actually compared to the clients," she added.

Referring to a quote from prominent environmental lawyer Farhana Yamin that architects "are enablers of business as usual", Brisac said: "Well, it's quite difficult to sort of turn down every single project because it's not meeting all the climate targets. You know, you can only do as much as you can do, and you can try to push things as much as you can."

Cecile Brisac
London-based Cécile Brisac warned that architects' power to reduce the carbon impact of new buildings is "fairly little" compared to developers

Also on the panel, Cassie Sutherland of sustainable urbanism network C40 Cities said that minimising embodied carbon in new buildings should become "the norm and not the exception".

"I think that now is not the time where we can kind of say, alright, we'll let that one go, I won't push back on that one... and it is very difficult when it comes down to a business decision and whether you're going to take that project or you're not," she said.

"Our time is to act now, we must act now, we must be taking strong action. And I think there is an issue... about the lag time between regulation coming in, and then the buildings being built. And I think, again, we're kind of running out of time to deal with that lag anymore."

The post Foster + Partners sustainability lead calls for more refurbishments and fewer basements to help fight climate change appeared first on Dezeen.



from Dezeen https://ift.tt/3pljWPu

Virgil Abloh and Mercedes-Benz create solar-powered car with transparent front hood

German car brand Mercedes-Benz has unveiled Project Maybach, a solar-cell-powered electric car designed with fashion designer Virgil Abloh who passed away last weekend.

The show car, which was unveiled with the blessing of Abloh's family, is described as "a design unlike anything that has been developed by Mercedes-Benz".

Mercedes-Benz Maybach by Virgil Abloh
Project Maybach is powered by an electric battery

Created together with Mercedez-Benz chief design officer Gorden Wagener, every element of the car was built from scratch, the brand said.

The nearly six-metre long show car was designed with a transparent front bonnet, underneath which sits solar cells that would be used to charge the battery.

Electric show car by Abloh for Maybach
The car features a transparent front hood that protects solar cells

The battery operated "off-the-road coupe" seats two people and was inspired by the great outdoors.

Project Maybach "combines huge Gran Turismo proportions, large off-road wheels and distinctive attachements," Mercedes-Benz said.

The car was designed by Abloh, collaboratively with Wagener, as a "responsible vision of future design."

"The X-Factor nature of Project Maybach results not only from its breathtaking size – almost six meters long – and characteristics, but above all from its unique contrasts; most notably through how naturally authentic Mercedes-Maybach design elements are harmoniously combined with a new Outdoor Adventure design motif," Mercedes-Benz said.

Interior of Project Maybach car
Designed as an electric show car, Project Maybach is almost six metres long

Abloh, a prolific fashion designer who has previously worked on Mercedes-Benz' Geländewagen car, passed away last weekend at the age of 41 from an aggressive form of cancer.

His latest Mercedes-Benz collaboration, which was scheduled for 1 December, went ahead with the blessing of his family. Instead of a press event, the brand is showing Project Maybach at Miami's Rubell Museum on 1 to 2 December.

"Mercedes-Benz is devastated to hear of the passing of Virgil Abloh," Mercedes-Benz AG said.

"Our sincere thoughts are with Virgil's family and teams. Now opening the world of our collaboration, and Virgil's unique vision, to the public we want to respectfully celebrate the work of a truly unique design talent, who created endless possibilities for collaboration through his unbridled imagination and inspired all that knew his work."

Project Maybach is on show at Rubell Museum from 1 to 2 December. For details of more architecture and design events, visit Dezeen Events Guide.

The post Virgil Abloh and Mercedes-Benz create solar-powered car with transparent front hood appeared first on Dezeen.



from Dezeen https://ift.tt/3EkP8VC

Stella tableware by Sieger Design for Fürstenberg

A photograph of the white stella tableware series

Dezeen Showroom: Stella tableware is a handcrafted porcelain dining set with gentle relief lines in a radial pattern by Sieger Design for interiors brand Fürstenberg.

Created as part of Fürstenberg's My China! collection, the dining set has an ornamental pattern that gives the tableware a ribbed textured surface.

A photograph of the white Stella tableware series by Sieger Design for Fürstenberg
The tableware is part of Fürstenberg's My China! collection

The collection consists of 17 pieces that are available in three finishes including white, satin white, and white with a platinum band.

"Flowing transitions between the glaze and velvety-matte finish make this set a tactile experience," said Sieger Design. "You have to hold Stella in your hands to really appreciate the delicacy of the lines and the warmth of the silky matt finish."

A photograph of the Stella plate with platinum band by Sieger Design by Fürstenberg
The Stella tableware collection was designed by Sieger Design

The collection includes plates, bowls, cups and accessories that are intended to be used in homes and restaurants. Stella is handcrafted in Germany and is dishwasher safe.

Product: My China! Stella
Designer: Sieger Design
Brand: Fürstenberg

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Stella tableware by Sieger Design for Fürstenberg appeared first on Dezeen.



from Dezeen https://ift.tt/3xKqzPq

Mischer'Traxler and Perrier-Jouët present interactive Embodied Nature installation at Design Miami

Dezeen promotion: visitors to this year's Design Miami will be able to see themselves represented as an array of natural species in an interactive digital projection created by Austrian design studio Mischer'Traxler for French champagne house Perrier-Jouët.

Mischer'Traxler's installation called Embodied Nature features a shelving system that surrounds an open section of the wall, in which a silhouette of the viewer formed from various species is projected. The image reflects the visitor's movement, which is intended to immerse them in the installation.

The shelves include more than 100 artistic representations of species from all over the world, which are hand-made from delicate metal mesh.

The display is intended to reference the 'cabinet of curiosities' that aristocrats and scholars created to display collections of rare and exotic items from the 16th-century onwards.

A photograph of the installation: an floral outline of a person dancing
Perrier-Jouët's ongoing exploration of the relationship between art and nature is informed by Art Nouveau

Every species in the installation is represented at the same scale, including microbes, bacteria, plants, flowers, animals and birds. The models are labelled to help visitors understand more about the relationships that exist between them.

Embodied Nature will be presented at the Design Miami art and design fair by Maison Perrier-Jouët as part of its commitment to redefine the relationship between humankind and nature.

A photograph of the paper species including insects, frogs and birds
Every species in the installation is represented at the same scale, including microbes, bacteria, plants, flowers, animals and birds

"This emotional dimension is essential in our view," Mischer'Traxler said. "It is what captures the attention of the viewer, making them more receptive to the educational and philosophical message of the work."

"We are designers, not scientists," the studio added. "It is important therefore to remember that Embodied Nature is an artwork, the result of a creative interpretation. It gives us, for instance, the freedom to represent species alongside one another that would never be a part of the same ecosystem in the real world."

An image of the floral installation
Embodied Nature includes more than 100 artistic representations of species from all over the world

Perrier-Jouët regularly works with contemporary artists and designers to offer them an international platform for their creativity and has showcased the outcomes of these collaborations at Design Miami since 2012.

The French champagne house first collaborated with designers Katharina Mischer and Thomas Traxler in 2014 on a kinetic installation featuring plants that appeared to sprout as people walked away.

In 2015 the duo filled a room at London's V&A Museum with blown-glass bulbs containing hand-made insects, and at Design Miami in 2020 Perrier-Jouët presented a chandelier-like version of the Curiosity Cloud installation comprising 22 insect-filled bulbs.

A photograph of an insect that is hand-made from delicate metal mesh
 Species from all over the world are hand-made from delicate metal mesh

Perrier-Jouët's ongoing exploration of the relationship between art and nature is informed in particular by Art Nouveau, a style of architecture and design that emerged in the late 19th-century and was characterised by its references to nature.

Alongside the Embodied Nature installation, Perrier-Jouët will also present limited edition gift boxes designed by Mischer'Traxler for the Belle Epoque 2013 and Belle Epoque Rosé 2013 vintage cuvées.

Alongside the installation, Perrier-Jouët will present limited edition gift boxes  for the Belle Epoque 2013 and Belle Epoque Rosé 2013 vintage cuvées

The boxes feature watercolour paintings that portray aspects of the vineyard ecosystem and the relationships that exist between the various living organisms required to sustain it.

To view more about Embodied Nature visit Mischer'Traxler's website.

Design Miami takes place from 1 to 5 December. For details of more architecture and design events, visit Dezeen Events Guide.


Partnership content

This article was written by Dezeen for Perrier-Jouët as part of a partnership. Find out more about Dezeen partnership content here.

The post Mischer'Traxler and Perrier-Jouët present interactive Embodied Nature installation at Design Miami appeared first on Dezeen.



from Dezeen https://ift.tt/31awQrL