Tuesday 7 December 2021

Java Architecture extends Parisian home with polycarbonate-clad tower

Polycarbonate-clad house in Paris

French studio Java Architecture has renovated and extended a ruined stone house in Paris with a wooden tower that is clad in polycarbonate panels.

Nestled in a courtyard on a narrow site off the busy Rue du Commerce in Paris, the dwelling, called Staying in Paris, is designed for a family who wanted to live in the French capital while avoiding its rising house prices.

Exterior image of Staying in Paris house
Staying in Paris is a residential extension and conversion by Java Architecture

Local studio Java Architecture was approached for the project in 2017 after the clients had bought the house "in ruins", uncertain of whether they could secure permission to develop it.

"After a quick chat on the phone we realised that this family just bought a pile of old stone without knowing if they would be able or allowed to do something to it," said the studio.

Polycarbonate-clad facade
The home is clad in polycarbonate panels

"For us the client was either completely crazy or a genius, and without knowing the correct answer we decided to take part in this adventure," it explained.

Java Architecture decided to retain the shell of the existing stone building but expanded it upwards with three additional storeys to create a six-by-four-metre tower.

House in Paris
Its new structure contrasts an original stone building on the site

Due to the ruined condition of the existing structure the new building needed to be as light as possible, which led the studio to use wood for the new structural elements.

To celebrate its contrast to the stone, the wooden structure is left exposed in certain areas, including a large wooden staircase that runs up one corner of the interior.

Inside, three bedrooms are housed in the lower three storeys, while the dining and living floors occupy the upper levels to benefit from as much light and air as possible.

On the east-facing side of the home a range of different facade treatments has been used to create a variety of conditions for the interior, opening the living room up to views over the city and providing more privacy to the rooms below.

White-walled dining room
The living and dining rooms occupy its upper levels

Staying in Paris' top-floor living space features an outdoor terrace and seating area, while the third storey dining area below is shielded by bifold slatted wood screens. The second storey is covered by translucent polycarbonate screens.

"We decided to treat each storey's facade as an independent element reflecting or hiding the life behind," explained the studio. "In doing so, the building's main facade can be seen as a stacking of different uses and architectures."

Living space inside Staying in Paris by Java Architecture
Its wooden structure is exposed internally

To the west, Staying in Paris' rear elevation is clad completely in polycarbonate panels that create a lantern-like effect at night, showing silhouettes of the stairwell and its wood-framed interiors.

"If at first sight this project seemed to be a crazy bet, it ended up being a great experiment in how to keep middle-class families in the city despite the constant rising of house prices," the studio said.

Terrace at Staying in Paris house
A terrace sits outside the living area

Internally, the walls, ceilings and furniture of Staying in Paris are predominantly white, working with pale wooden floors and the exposed structure to create spaces that feel bright and airy despite their small size.

The exposed wooden structure has also been used to create areas of shelving that are filled with plants and books.

Java Architecture was founded in 2014 by Florian Levy, Alma Bali and Laurent Sanz. In 2018, it completed a bright white house on Java island that features a Brazilian firetree piercing through its zinc roof.

Elsewhere in Paris, Post Office Architectes recently completed a vaulted roof extension for a 19th-century block, which created an apartment for a photographer.

Photography is by Caroline Dethier.

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Dezeen's top 10 home interiors of 2021

Canyon House by Studio Hagen Hall

For the fifth instalment in our review of 2021, Dezeen rounds up the top 10 home interiors featured this year, including a house with undulating walls and a townhouse that underwent a 1970s-style makeover.


Seating nook of Softie house by OPA
Photo by Joe Fletcher

Softie, USA, by OPA

Nicknamed Softie for its swollen white walls that take cues from clouds, this California home by architecture practice OPA was created to resist conforming to traditional interior design.

Conventional ceilings in the entryway were replaced with drooping forms that are arranged to make a plump reading nook.

Find out more about Softie ›


Bunch Design granny flat
Photo courtesy of Bunch Design

Accessory Dwelling Unit, USA, by Bunch Design

To create a vibrant home, American studio Bunch Design created this accessory dwelling unit (ADU) with colourful sliding doors that enable a single open space framed by oversized triangular rafters.

Commonly known as "granny flats", ADUs are self-contained apartments normally located on a plot of land that already houses a separate main residence.

Find out more about this ADU ›


Studio Hagen Hall
Photo by Mariell Lind Hansen

Canyon House, UK, by Studio Hagen Hall

British firm Studio Hagen Hall designed the interiors of this London townhouse to evoke the feeling of being in 1970s Los Angeles, with the makeover featuring elements such as a bespoke velvet sofa and retro elm wall panels.

Informed by the work of mid-century architects and designers including Charles and Ray Eames, Canyon House was named house interior of the year at the Dezeen Awards 2021.

Find out more about Canyon House ›


Living area inside Reflections of the Past loft in Amsterdam by Firm Architects
Photo by Studio de Nooyer

Amsterdam apartment by Firm Architects

Another recipient of a 2021 Dezeen Award, this time in the apartment interior of the year category, Firm Architects' loft apartment in Amsterdam is defined by a horizontal line that runs around its interior edges made from zinc, mirrored glass and brick.

"Everything above the cross-section is a new interpretation and everything below is a reflection of the old," said Firm Architects, which designed the project to look as if it had been "visibly cut through".

Find out more about this Amsterdam apartment ›


Pistachio green kitchen and terrazzo tiles in Brunswick apartment by Murray Barker and Esther Stewart
Photo by Benjamin Hosking

Melbourne apartment by Murray Baker and Esther Stewart

Pistachio green cabinets and chunky terrazzo floor tiles feature in the kitchen of a 1960s Melbourne apartment that was renovated to pay homage to its original mid-century interiors.

Architect Murray Baker and artist Esther Stewart collaborated on the project, which contrasts rich terracotta elements with lighter colours.

Find out more about this Melbourne apartment ›


Residence W by FWS_work
Photo by Suiyu Studio

Residence W, Taiwan, by FWS_Work

Interior design studio FWS_Work aimed to offer a space for recuperation when renovating the inside of Residence W, an apartment in the bustling city of Xinpu.

A neutral palette of natural materials defines each room, such as oak wood panels that were fitted to an existing structural beam and expansive inbuilt shelving to exhibit books and eclectic ornaments.

Find out more about Residence W ›


Sant Daniel House
Photo by Andrés Flajszer

Sant Daniel House, Spain, by SAU Taller d'Arquitectura

The pale green facade of Sant Daniel House is echoed by the colour of its vivid kitchen tiles, which form the splashback for a long line of countertops positioned against an exposed brick wall.

Barcelona-based studio SAU Taller d'Arquitectura transformed the house to include more space and light while maintaining original elements such as subtly-vaulted ceilings in the kitchen.

Find out more about the Sant Daniel House ›


London mews house by Echlin
Photo by Taran Wilkhu

London townhouse by Echlin

A broken-plan layout was used by local architecture studio Echlin to remodel this mews house in London's Knightsbridge area.

Bespoke joinery and sliding doors create partitions in both up- and downstairs rooms, which are filled with bespoke furniture sharing a colour palette and organic textures intended to recall nearby Hyde Park.

Find out more about this London townhouse ›


Minimalist micro apartment
Photo by Texture on Texture

LIFE micro-apartments, South Korea, by Ian Lee

Varying between only 16 and 23 square metres in size, interior designer Ian Lee's LIFE micro-apartments in Seoul were lined with birch wood to create blank canvases that tenants can personalise.

The minimalist apartments were designed this way in an attempt to feel as spacious as possible despite their small size, and feature space-saving elements such as built-in window seats and cleverly hidden appliances.

Find out more about LIFE micro-apartments ›


Living room of Roseneath Street apartment by Studio Goss
Photo by Willem-Dirk du Toit

Rosneath Street apartment, Australia, by Studio Goss 

The concrete structural shell of this Melbourne apartment was exposed by local practice Studio Goss, a decision prompted by the building's brutalist exterior.

Tonal grey Togo sofas by French brand Ligne Roset echo the colour and materiality of the concrete, which also forms an island in the kitchen and a statement staircase that was poured in-situ.

Find out more about Rosneath Street apartment ›

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Adjaye set to create memorial to West African slaves in Barbados

A rendering of the Newton Enslaved Burial Ground Memorial by David Adjaye

Architecture studio Adjaye Associates has designed a memorial on a rammed-earth mound, museum and research institute focused on the impact of slavery for Bridgetown, Barbados.

The studio, which is led by RIBA Royal Gold Medalist David Adjaye, designed the Barbados Heritage District to address the impact of the transatlantic slave trade on the island, which recently became a republic.

"Drawing upon the technique and philosophy of traditional African tombs, prayer sites and pyramids, the memorial is conceived as a space that contemporaneously honours the dead, edifies the living, and manifests a new diasporic future for Black civilization," said the studio.

It is estimated that almost 400,000 enslaved Africans were transported to Barbados during the 17th and 18th centuries, while the island was a British colony.

A rendering of the Newton Enslaved Burial Ground Memorial
Adjaye Associates has designed a memorial to slavery in Barbados

Set to be built on Newton Plantation, next to the Newton Enslaved Burial Ground, the Newton Enslaved Burial Ground Memorial is designed to commemorate an estimated 570 West African slaves who are buried on the site.

The memorial structure will have 570 vertical timber columns topped with circular brass plates arranged in rows on top of a mound made from rammed earth.

A museum and memorial with timber poles
The site will be called the Barbados Heritage District

"As a means of physicalising and commemorating the enslaved buried below this sacred earth, the field is punctuated by 570 individual timber beams each capped with circular brass plates oriented towards the sun to catch the Barbadian light," explained the studio.

"The memorial will demarcate a site of tragedy and trauma and transform it into a charged place of commemoration, remembrance and connection."

A rendering of Adjaye Associates Barbados Heritage District
A memorial will be next to a museum about the transatlantic slave trade

The mound itself will be positioned at the highest point of the sloped site, accessible via a ramp that leads up from a domed museum composed of red laterite earth materials.

The museum will contain exhibits focused on the burial ground and the trans-Atlantic slave trade, while circular openings will punctuate the dome to give views of the sky above and let in light in.

Adjaye Associates' describes its design as "inherently African", as evidenced in its material choices.

"Aligning the sacred landscape with notions of renewal and rebirth, the memorial addresses a traumatic past whilst celebrating the potential for new futures through an inherently African design in which the cycle of birth to death, born from the Earth and returning, becomes manifest and mediated through architecture."

Timber columns form a slave memorial
570 timber columns commemorate the slaves buried in the burial ground nearby

A research centre dedicated to covering the history and legacy of slavery is also planned to be built on the site, although details of this have yet to be revealed.

The project was announced shortly after Barbados became the word's latest republic, after removing the British monarchy as its head of state last week.

Construction of the memorial is due to begin on 30 November, 2022, which will be exactly one year since Barbados became a republic.

A circular opening inside a rammed earth wall
The studio will use materials such as rammed earth

Award-winning architect Adjaye has spoken publicly about the need for more memorials and monuments dedicated to the victims of slavery.

He also curated an exhibition at the Design Museum called Making Memory which covered seven monuments and memorials by Adjaye Associates.

Adjaye Associates was established by David Adjaye in 2000. The studio is currently working on Le Mémorial des Martyrs, which is set to be built in Niger and a memorial for a Black woman killed by British police in London.

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Stubby chair by Nissa Kinzhalina

Stubby chair by Nissa Kinzhalina

Dezeen Showroom: created as an ode to nature, the Stubby chair designed by Kazakh designer Nissa Kinzhalina is made from thin metal, which closely curves around the heavy wooden body of the chair.

The Stubby chair is anchored by an elm wood log, cut and shaped into a smooth, rounded seat.

https://justnissa.com/projects/stubby-chair/#
The Stubby chair combines delicate metal and a heavy piece of elm wood

Around this base, a light metal structure creates a finishing touch, outlining the base and sculpting a back and armrests.

Kinzhalina chose the wood to evoke a sense of natural stability and authenticity, and to unite the material with metal in a fresh way.

Stubby chair by Nissa Kinzhalina
Kinzhalina wanted it to evoke the sense of stability and authenticity inherent to wood

"The Stubby chair reinterprets familiar silhouettes and recognisable texture, the beauty of which has disappeared from the observer under a layer of familiar assessments and memories," said Kinzhalina.

"Just a few new details change the sensation of interacting with the piece and take it far beyond the understanding of how metal and wood can form a single whole without conflicting."

Product: Stubby chair
Designer: Nissa Kinzhalina
Contact: info@justnissa.com

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Buy a job ad and get 14 days free on Dezeen Jobs

Dezeen jobs Christmas offer

Post an advert on Dezeen Jobs before Christmas and get two weeks for free! Each advert posted before midday on 24 December will run for 42 days instead of 28, at no extra cost.

Your ad will stay up into the new year, meaning you can take Christmas off without worrying about recruiting when you get back to work.

60,000 jobseekers

Dezeen Jobs is the world's most popular architecture, interiors and design recruitment website, getting over 500,000 monthly page views.

Each month, we publish around 400 roles from around the world. Over 4,000 companies use the platform regularly and almost 1,000 firms have company profiles to boost their presence on the site.

If you purchase a featured ad,  we will also share your ad on Dezeen Jobs' Facebook and Twitter social media channels, and Dezeen's LinkedIn account.

Don't miss out! Post an ad now ›

The photograph is by Archmospheres.

 

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