Thursday 9 December 2021

The Dezeen guide to bio-based materials in architecture, design and interiors

Hermes Victoria bag in Sylvania mycelium leather by MycoWorks

Thinking of using natural materials in your project? Our latest Dezeen guide includes 12 types of biomaterials commonly used in architecture, design and interiors.

The term biomaterials is used to describe building materials derived from living organisms including plants, animals and fungi.

Plant-based materials, which we mostly focus on in this guide, are becoming increasingly popular among designers and architects due to their environmental performance.

This is because they offer cruelty-free production, are usually biodegradable and store CO2 during their useful lifetime, thereby lowering the embodied carbon footprint of buildings and products.

Some, like wood and hemp, can be used in their raw state while others such as algae, mycelium and food waste are generally mixed with other materials to be turned into useful composites.

Architects could "definitely" construct buildings completely out of biomaterials according to Biobased Creations CEO Lucas De Man, who told Dezeen that timber, hemp and mycelium could replace non-renewable materials like steel, plasterboard and cement.

Sequestering carbon is an important way to tackle climate change. Plant matter including algae, timber and hemp capture carbon from the atmosphere and transform it into biomass via photosynthesis.

With the recent focus on embodied carbon emissions, biomaterials are a "really exciting space", agreed Arup researcher and innovation leader Jan Wurm.

Read on to find out more about the most popular types of biomaterials and how they can be put to use.


Interior image of a hempcrete house
Photo is by Oskar Proctor

Hemp

Hemp is a type of cannabis plant that is grown for medicinal and industrial use. Unlike marijuana, it has very low levels of psychoactive THC.

Hemp grows extremely quickly and is "more effective than trees" at sequestering carbon, according to Cambridge University researcher Darshil Shah.

The plant's strong, stiff fibres can be processed into a variety of commercial goods including paper, textiles, bio-plastic, food and bio-fuel as well as industrial and construction products.

Mexico City design studio ATRA has used hemp-based fabric to upholster a sofa, while architecturally the hemp is most often processed into hempcrete.

This is formed from the woody inner part of the plant's stem, which is mixed with lime, water and sand to create a material that offers excellent thermal and acoustic insulation while acting as a carbon sink. An example of hemp used in buildings is Flat House in Cambridge (pictured), which was constructed using hempcrete panels.

See projects featuring hemp ›


Image of Hermes mycelium bag
Photo is by Coppi Barbieri

Mycelium

Mycelium is the vegetative part of a fungus, made up of masses of branching, threaded shoots called hyphae that grow in soil.

The material can feed on low-grade agricultural waste and sequesters carbon stored in the biomass as it grows. Mycelium is fast-growing and can be cultivated in industrial bioreactors.

Sclerotia can be used to produce products including packaging such as Amen's candle packaging, as well as lampshades and furniture, as prototyped by Sebastian Cox and Ninela Ivanova.

Mycelium's has proven to be extremely popular in the fashion industry as a leather alternative, with brands such as Stella McCartney, Adidas, Hermès and Kering investing in the biomaterial. Earlier this year, Hermès unveiled a partnership with MycoWorks, a biomaterials company, to reconceptualise its Victoria shopper bag (pictured) in a mycelium leather.

See projects featuring mycelium ›


Algae sequin dress by Phillip Lim and Charlotte McCurdy as part of One X One project

Algae

Algae is an umbrella term for a group of photosynthetic organisms that mainly live in water. This includes seaweeds and kelp, which are the most important sources of oxygen in water and together are responsible for storing and sequestering more carbon than land plants.

Algae is often processed into bioplastic polymers, which can then be used as a replacement for fossil plastics.

The material has also been gaining popularity within the fashion industry for its use as a bioplastic. In 2019, Charlotte McCurdy created a raincoat using biopolymers entirely derived from algae. The industrial designer later collaborated with fashion designer Philip Lim to create a dress covered in algae bioplastic sequins (pictured).

See projects featuring algae ›


Chitin plant pots by Shellworks

Chitin

Chitin is a fibrous substance that forms the exoskeleton of crustaceans and certain insects, as well as the cell walls of fungi.

The material is the world's second-most abundant biopolymer. But to use chitin, it must be chemically extracted before being processed into a useable material.

Due to the difficult extraction process, commercially available versions of chitin such as chitosan are typically expensive. In reaction to this, four designers from the Royal College of Art and Imperial College developed a number of machines that extract and turn chitin into a bioplastic.

See projects featuring chitin ›


Image of the world's tallest timber building
Photo is courtesy of Moelven

Wood

Wood is a renewable material that offers a low-carbon alternative to concrete and steel. Due to its highly machinable, lightweight structural tissue, which is strong yet flexible, wood has historically been used to construct furniture and products as well as small houses.

Recent advances in engineered timber, also known as mass timber, has allowed the material to be used at larger scales, with Voll Arkitekter building the world's tallest timber building, a 53-metre-high tower in Norway (pictured).

In the world of product design, Yves Béhar combined sawdust mixed with tree-sap to create 3D-printable homeware while Carlo Ratti Associati designed a concept for a compostable marker pen that would be made from a choice of biodegradable materials including wood.

See projects featuring wood ›


Liberate Air earphones by House of Marley

Bamboo

Although commonly mistaken as a type of tree, bamboo is actually a grass. Bamboo is the fastest growing plant on the planet, making it both affordable, rapidly renewable and capable of sequestering large amounts of carbon.

Its canes lend themselves to creating light, flexible structures that can resist natural disasters such as earthquakes and hurricanes.

Architecture studio Vin Varavarn used bamboo to build an agricultural learning centre in Thailand, while Music electronics brand House of Marley used the plant to make wireless earbuds (pictured) that are an "eco-conscious alternative" to plastic earphones.

See projects featuring bamboo ›


Hand holding Leap apple leather

Leather alternatives

With awareness about the emissions and animal cruelty associated with large-scale cattle farming, leather alternatives are increasingly rising in popularity.

These are typically made using renewable biomass sources such as vegetable and food waste. But some designers have also used waste from industrial agricultural processes to produce their materials.

There are currently a vast number of vegan and leather alternatives including mycelium leather Mylo and Leap (pictured), which is made from waste apple cores and skins from the production of cider and apple juice.

A vegan leather by Tjeerd Veenhoven was created from the leaves of the area palm and has similar qualities to Piñatex, a leather alternative made from pineapples. Vietnamese designer Uyen Tran created a leather alternative from waste coffee grounds and chitin. The material, which was titled Tômtex can be embossed to replicate a variety of animal leathers.

See projects featuring leather alternatives ›


Lucy Hughes' fish scale bioplastic wins UK James Dyson Award for student design

Bioplastic

Bioplastics are polymers derived from biological and renewable sources as opposed to plastics made from fossil fuels.

Polylactic acid (PLA) is the most common bioplastic. It is typically made using corn starch or sugar cane. PLA is widely used as printable filament in 3D printers, where PLA filament is fed through the printer and melted at high temperatures to create a malleable substance that is printed into the desired form.

Design Studio Ammunition and light company Gantri 3D-printed PLA to create wall sconces and lamps. Another example of PLA-based products is Studio RYTE's biodegradable Triplex, which is made from flax fibres mixed with PLA.

Other bioplastics include MarinaTex (pictured), a single-use material that is made from key ingredients including fish scales and skin, which was designed by British designer Lucy Hughes.

See projects featuring bioplastic ›


Flur by MSDS Studio
Photo is by Angus Fergusson

Linoleum

Linoleum is a biodegradable material made from plant-based materials including linseed oil, pine resin, cork dust and sawdust. The material is typically used as a floor covering due to its durable and resistant characteristics.

The material was first patented in 1860 when rubber manufacturer, Fredrick Walton discovered linseed-based paint formed a tough and flexible film on its surface. Most Linoleum today is derived from linseed oil, which is extracted from flax seeds and then mixed with materials such as cork and wood dust.

In 2018, designer Don Kwaning developed Lino Leather from a series of experiments using linoleum. Kwaning created two materials that emulate leather of different structures, thicknesses and textures.

MSDS Studio added speckled linoleum furniture to the interior of a Toronto flower shop (pictured). A large island and shop counter were wrapped in the material for its affordable and humble qualities said the designers.

See projects featuring linoleum ›


Photo is courtesy of Matthew Barnett Howland with Dido Milne and Oliver Wilton

Cork

Cork, which is gathered from the outer bark of the cork oak tree is a popular material among designers and architects due to its compostable and easily harvestable qualities. Cork House used sustainably-sourced, cork blocks to build its five-volume structure which was supported by timber components.

The Cork Studio is a garden building that is made almost entirely out of cork. The structure was constructed by Studio Bark as a building prototype that can be completely recycled, reused or composted.

French designer Noé Duchaufour-Lawrance used the discarded material to create a furniture collection of amorphous forms and a range of different textures.

See projects featuring cork ›


The long elevation of The House of Wood, Straw and Cork by LCA Architetti
Photo is by Simone Bossi

Straw

Straw is an agricultural byproduct that is comprised of the dry stalks of cereal plants after the grain has been harvested. The material is often used in construction and offers homes a renewable, biodegradable form of insulation. LCA Architetti used straw as insulation within the walls of The House of Wood, Straw and Cork (pictured).

The Exquisite Corpse is a collection of marquetry that comprises three handmade furniture pieces decorated with straw that was dyed vibrant, colours.

See projects featuring straw ›


Image of cellulose boards

Cellulose

Cellulose is a structural compound typically found within the cell walls of green plants, the material can be extracted from a variety of plants including trees, often being used to create fibres. Swedish label Kön produced a range of gender-neutral underwear that was made from plant-based cellulose.

Barcelona-based startup Hontext developed a construction board material that is derived from a combination of enzymes and cellulose (pictured) sourced from waste streams of paper production. The fibres are saved from going to landfills or being burnt and turned into construction boards to be used for interior partitioning or cladding.

Anna Piasek created a modular takeaway food packaging that can be sub-divided into smaller sections to accommodate multiple dishes. The packaging was made from moulded cellulose, that was pressed into shape using a metal mould and then dried in an oven and coated.

See projects featuring cellulose ›

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Dezeen's top 10 office interiors of 2021

Circular acoustic ceiling panels

We continue our review of 2021 with a look at the 10 most interesting office interiors this year, including a workspace that doubles as a wine bar and an office in a former 1960s medical laboratory.


It has dark wood furnishings
Photo is by Joakim Johansson

Samsen Atelier, Sweden, by Note Design Studio

Stockholm-based Note Design Studio designed the office for Swedish digital technology consultancy Samsen to double as a wine bar – the employees' preferred space to work in when asked by Note.

In response to the request, Note created an office-cum-wine-bar that features both a large communal table and a bar with stools, cafe tables and bespoke upholstered benches. Natural materials such as wood and stone were used to create a space that people can both work and socialise in.

Find out more about Samsen Atelier ›


Circular acoustic ceiling panels
Photo is by Hannelore Veelaert

AEtelier, Belgium, by Studio Anton Hendrik Denys

An industrial office building in Belgium was covered in saturated colours by Studio Anton Hendrik Denys in collaboration with Steen Architecten to create a "contemporary twist on modernism".

The office, designed for an IT company, has deep blue walls and teal carpeting that is offset by warm orange hues used for seating and kitchen areas. More muted colours were used for the company meeting rooms to give them a relaxing feel.

Find out more about AEtelier ›


Interior of Tesselschade family office in Amsterdam by Framework
Photo is by Kasia Gatkowska

Amsterdam family office, the Netherlands, by Framework

This workspace for a family business in Amsterdam has been filled with sculptural furniture and artworks, resulting in an office that has the "calm ambience of an art gallery."

Oak-panelled walls match the original wooden floors in the 1910s office building. Vintage furniture pieces and a custom-made brass desk add to the luxurious feel of the space, which contains four private offices.

Find out more about Amsterdam family office ›


Wooden super furniture in Pangaea co-working by Snøhetta for Digital Garage
Photo is by Nacasa & Partners

Pangaea, Japan, by Snøhetta

Norwegian studio Snøhetta designed the interiors for Japanese tech company Digital Garage's coworking space Pangaea in Tokyo, including undulating wooden ribbons that function as desk surfaces and seating.

The "super furniture" curves through the entire space and was made from fragrant Japanese cedar. Dark flooring, chairs and stools and 534 suspended light bulbs complete the interior design of the office space.

Find out more about Pangaea ›


An office table in Smithson Tower
Photo is by Lorenzo Zandri

Smithson Tower office, UK, by DSDHA

A financial office in the recently refurbished brutalist Smithson Tower, designed by Alison and Peter Smithson in the early 1960s, was given a "homely" interior by ConForm Architects.

The London-based practice split the space into eight zones to create a minimalist office interior featuring partitions that align with the perimeter facade's columns.

Find out more about Smithson Tower office ›


Office with grid interior in Amsterdam
Photo is by Lorenzo Zandri

Amsterdam office, the Netherlands, by Beyond Space

Design studio Beyond Space used a colourful grid system to create a flexible office interior for a security company in Amsterdam.

The vibrant aluminium grid can be dismantled and moved, as can the walls in the office, letting the client organise and reconfigure the space within it. Yellow, pink and green hues add striking dashes of colours to the otherwise white office interior.

Find out more about Amsterdam office ›


Artists workshop with wooden flooring in traditional Japanese house converted into office by DDAA Inc
Photo is by Kenta Hasegawa

Maruhiro office, Japan, by DDAA Inc

An 86-year-old house in Japan's Nagasaki prefecture was turned into an office for ceramics brand Maruhiro by architecture and design studio DDAA Inc, which made just minor touches to the interior.

The tatami-mat floor was swapped for concrete to withstand the wear from office chairs, and the wall was lined with lauan plywood. A glass-topped communal desk sits at the centre of the room.

Find out more about Maruhiro office ›


Wood-panelled office in Texas
Photo is by Casey Dunn

Design Office, US, by Clayton Korte

Texas firm Clayton Korte refurbished a 1960s office building in Austin that houses the studio's own office and the office of a landscape architect.

The studio added larger windows and clad interior perimeter walls in industrial felt so that they can be used for pinboards.

A new staircase with a steel stringer, exposed weld joints and oak treads sit in the centre of the space, while wooden panelling and plenty of green plants give the space a homely feel.

Find out more about Design Office ›


Plantfilled interior of Citibank Singapore
Photo is by KHOOGJ

Citibank Singapore, Singapore, by Ministry of Design

This wealth management centre for Citibank Singapore, which features offices and meeting rooms, was envisioned as a "banking conservatory" by Ministry of Design.

The aim was to create "an atmosphere where everything seems to flourish in a natural and sustainable manner", the studio said, with garden pods used as an alternative to traditional meeting rooms.

Plants chosen for the verdant interior include betel nut palms, parlour palms and big-leafed arums.

Find out more about Citibank Singapore ›


Fitzroy Street for Derwent London by dMFK
Photo is by Jack Hobhouse

Fitzrovia office, UK, by dMFK Architects

A mid-century medical laboratory in central London was transformed into a flexible office space by dMFK Architects. The studio used smoked oak joinery and added a restored concrete staircase to create an office with a luxurious yet laidback feel.

Swiss and Danish furniture and vintage lights nod to the history of the 1960s building, located in the city's Fitzrovia neighbourhood. It also features open shelving to divide up the space.

Find out more about Fitzrovia office ›

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HIMACS releases Aurora colours for Marmo surfacing

Beige marble- effect finish Aurora Bisque by HI-MACS with figs displayed on top

Dezeen Showroom: HIMACS has expanded its Marmo collection of marble-effect surfacing to include a new range of colours informed by the ethereal look of the northern lights.

Called Aurora, the edit spans nine neutral shades including the jet-black Sanremo, earthy hues Aurora Bisque and Aurora Umber, and the almost see-through finishes of Pavia and Aurora Cotton.

"Two of the colours have a semi-translucent property, which enables designers to play with light effects," said the material's manufacturer LG Hausys.

Black-marble effect finish Aurora Sanremo by HI-MACS with trinkets displayed on top
The Aurora colour range includes Sanremo (above) alongside earthy hues such as Aurora Bisque (top)

The different shades are created by mixing mineral pigments with acrylic to create a material that resembles precious stone while offering superior hygiene, mouldability and durability.

The surface is non-porous, resistant to stains and chemicals, which makes it easy to clean and maintain.

The material can also be heated to make it flexible, so it can be moulded into almost any shape and joined to create seamless surfaces.

Aurora Cotton surfacing used to form counter in Hotel Gomi reception
Aurora Cotton's semi-translucent finish allows designers to play with light

"These Aurora colours combine aesthetics inspired by nature with all the benefits of the latest-generation solid surface," said LG Hausys.

As a result, they can be used to create cladding and surfacing in a range of different environments, including residential and commercial interiors and exteriors, as well as forming kitchen and bathroom counters.

The new Aurora colours expand on an already well-established offering that has been used in projects by Zaha HadidMarcel Wanders and David Chipperfield.

Product: Aurora colours
Brand: HIMACS
Contact: info@himacs.eu

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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Eight projects by young Chinese architects that "challenge Western understanding of sustainability"

Long Museum West Bund by Atelier Deshaus

An exhibition highlighting a new generation of Chinese architects who prioritise social, cultural and environmental sustainability in their work is currently on display at the Museum of Modern Art in New York.

Named Reuse, Renew, Recycle: Recent Architecture from China, the exhibition was curated by the Museum of Modern Art (MoMA) to spotlight emerging and "resource-conscious" architects in the country.

It features a total of eight projects by seven architecture studios, presented through a mix of models, drawings, photographs and videos.

"Our aspiration with this exhibition is twofold," said MoMA curators Martino Stierli and Evangelos Kotsioris.

"On the one hand, to shed light on the practice of a young generation of Chinese architects, whose remarkable and innovative work is still little known in the West; and on the other, to discuss their work as a progressive blueprint for a less extractive, more resource-conscious future for architectural practice across other parts of the world," the pair told Dezeen.

Reuse, Renew, Recycle: Recent Architecture from China exhibition
Above: the MoMA has curated an exhibition about Chinese architecture. Top image: Alila Yangshio Hotel by Vector Architects is one of eight projects featured. Photos are by Robert Gerhardt

According to the curators, the exhibition also illustrates the country's move away from creating "urban megaprojects and spectacular architectural objects".

This is because the new generation of Chinese architects champions smaller-scale interventions that are more sensitive to the existing built environment, they said.

"China's unparalleled economic and societal transformation of the past three decades has been accompanied by an unprecedented building boom that made the country the largest construction site in history," Stierli and Kotsioris explained.

"Recently, however, a rethinking has begun, driven by a younger generation of architects who are working independently from state-run design institutes. Their varied practices are marked by a general skepticism toward the tabula rasa approach."

While the architects do not identify as a group themselves, the curators said that they share a common interest in the reuse of existing structures, renewing neighbourhoods and infrastructure, and recycling building materials within China.

"A connecting thread clearly runs through their practice and continued investment in an architecture that is at once contemporary, yet rooted in the specificity of the culture and context of China," the curators explained.

"These eight projects challenge Western understandings of sustainability, which is often characterised by a very technocratic approach to building practice and a neglect for the human and social dimension architecture plays."

Read on for the eight projects featured in Reuse, Renew, Recycle: Recent Architecture:


Chi She Gallery by Archi-Union Architects
Photo is by Shengliang Su

Chi She Gallery by Archi-Union Architects

This 200-square-metre gallery occupies an old warehouse located in Shanghai's West Bund area. Archi-Union Architects used green-grey bricks salvaged from demolished buildings to construct a second envelope for the building.

The three-dimensional geometry of this new masonry wall was designed on the computer and fabricated on-site using a mobile robotic system.


Micro-Hutong by ZAO/standardarchitecture
Photo is by Zhang Ke

Micro-Hutong by ZAO/standardarchitecture

Micro-Hutong was the result of a research project exploring ways to salvage and revive Beijing's hutongs – alleys formed by rows of traditional courtyard houses that have been a target of mass demolition in the city.

ZAO/standardarchitecture transformed a 35-square-metre hutong into a guest house by inserting a series of independent living units, arranged as inward-looking overhanging volumes. At the centre is an irregularly-shaped courtyard that can be used as a shared gathering space.

The grey tone of the guest house was achieved by mixing concrete with Chinese ink and is a reference to the traditional grey bricks of the hutong.


Bamboo Theater by DnA_Design and Architecture
Photo is by Wang Ziling

Bamboo Theatre by DnA_Design and Architecture

The Bamboo Theatre is a performance stage that was created near the village of HengKeng by bending and roping up bamboo in a circular arrangement to form a domed canopy.

It forms part of DnA_Design and Architecture founder Xu Tiantian's long-term rural revitalisation program in the mountainous Songyang County, for which she has designed dozens of reversible architectural interventions that she calls "architectural acupuncture".


Long Museum West Bund by Atelier Deshaus
Photo is by Shengliang Su

Long Museum West Bund by Atelier Deshaus

This museum was built at a former wharf used for coal transportation in Shanghai. Atelier Deshaus' design combines both old and new architectural elements that all celebrate the site's industrial past.

Among the original elements preserved on the site is a coal-hopper unloading bridge built in the 1950s, which is now used as an open-air covered space, as well as a defunct two-story garage that has been repurposed as a subterranean exhibition space.


Jinhua Ceramic Pavilion by Amateur Architecture Studio
Photo is by Lv Hengzhong

Jinhua Ceramic Pavilion by Amateur Architecture Studio

Jinhua Ceramic Pavilion is a single-story teahouse designed by Amateur Architecture Studio for Jinhua Architecture Park, an open-air recreation area in Jinhua City.

Embedded in one of the park's slopes, the slanted pavilion is intended to resemble traditional Chinese inkstones that are used to mix dry ink and water in art and calligraphy. It is clad in a series of hand-made ceramic tiles.


Sketch of the regeneration of Wencun Village by Amateur Architecture Studio

Regeneration of Wencun Village by Amateur Architecture Studio

Another Amateur Architecture Studio project on show is its regeneration of Wencun Village, which involved renovating existing houses and designing thirty new residences informed by the traditional courtyard structures in the region.

The studio hopes its approach will serve as a prototype for renewing other villages in China.


Imperial Kiln Museum by Studio Zhu Pei
Photo is by schranimage

Imperial Kiln Museum by Studio Zhu Pei

Designed by Studio Zhu-Pei, this museum occupies a site in the historic centre of Jingdezhen, which is widely known as China's "porcelain capital".

It comprises a series of vaulted structures made from a mix of newly-fired red brick and others salvaged from old furnaces. These vaulted structures house the museum's collections and reference the forms of traditional brick kilns, many of which are still found nearby.


Alila Yangshio Hotel by Vector Architects
Photo is by Shengliang Su

Alila Yangshio Hotel by Vector Architects

The industrial facilities of an abandoned sugar mill from the 1960s were converted to create this hotel near the city of Guilin.

Vector Architects adapted and reused the old brick structures to create a reception area, restaurant, multi-purpose hall and library, while a new concrete oblong-shaped version accommodates guest suites.

Reuse, Renew, Recycle: Recent Architecture from China is on show until 4 July 2022 at the Museum of Modern Art in New York. For details of more architecture and design events, visit Dezeen Events Guide.

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Wednesday 8 December 2021

Gresford Architects adds charred-timber extension to London terrace

Charred timber extension

Oxford-based practice Gresford Architects has used a stepped stack of charred-timber-clad forms to extend a Victorian terrace in Walthamstow, London.

Designed for a family with a strong interest in sustainable design, the Copeland Road property has been extended at the roof, side and rear with cross-laminated timber (CLT) structures that improve the home's circulation and energy efficiency.

charred timber extension by Gresford Architects
Gresford Architects has added a stepped extension to a London house

Drawing on the "jumble" of extensions and additions that many residential streets in London, Gresford Architects replaced a dated extension at the rear of the home with a stack of four distinct, playful forms with differing roof pitches.

"[The extensions] reference the domestic architectural language of the street's surrounding backland extensions, engaging in an interesting and harmonious dialogue with the neighbouring houses," said the practice.

charred timber extension by Gresford Architects
The extension is clad in charred timber

"The new extension reads as a crisp and contemporary addition, with charred timber cladding that provides a robust yet pleasing contrast with the brick of the original house."

In order to improve the layout of the home and its connection to the garden, the ground floor has been reconfigured, with an open-plan kitchen and dining area opening onto an external patio.

Open plan kitchen with wooden walls
An open-plan kitchen and dining area is located on the ground floor

These new spaces, which sit at a slightly lowered floor level, visually connect the entrance to the back garden. The rear extension also links directly to a play room and living room at the front of the existing home.

On the first floor, the extension houses a bathroom and study with a void overlooking the dining room below and the garden to the rear. Meanwhile, a roof extension provides a new guest bedroom and bathroom.

Lined entirely in CLT, the new interiors take advantage of the variety of roof pitches to create high, bright spaces. They are illuminated by a series of skylights, and complemented by exposed concrete and brickwork in the existing home.

The pale timber finishes are contrasted in the dining area by exposed sections of steel frame, a sunken concrete floor, and a splashback of exposed concrete and hexagonal tiles above black countertops.

Bedroom with exposed wood ceiling
The wooden structure is visible throughout

"Together, all materials - CLT, steel, concrete and historic brick - combine to create bold domestic architecture," said the practice.

At the front of the home, the existing uPVC windows have been replaced with sash windows to match those of the neighbouring properties and "enhance the architectural coherence of the wider streetscape".

Wood and brick-lined study
A study features on the first floor

Previous London house extensions completed by Gresford Architects include an extension to a Victorian home in Hackney, which features pink walls inside and out.

The photography is by French + Tye.

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