Ten homes where verdant indoor trees create calming interiors

For our latest lookbook, we've collected 10 homes with interiors that combine the indoors with the outdoors, featuring lush trees in pots, planters and indoor courtyards.

As many people continue to work from home during the ongoing coronavirus pandemic, the comfort and design of our homes has become an important aspect of daily life.

Bringing the outdoors in by adding larger trees to the home, in addition to regular houseplants, can help make interiors feel fresher as well as more peaceful.

Below, we've found 10 homes from the Dezeen archive where trees brighten up the interiors.

This is the latest roundup in our Dezeen Lookbooks series providing visual inspiration for designers and design enthusiasts. Previous lookbooks include homes with exposed concrete, bedrooms with elegant wood panelling and living rooms with statement rugs.

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The photography is by Yohei Sasakura

Margin House, Japan, by Yukawa Design Lab

Japanese architect Kohei Yukawa designed Margin House for himself and his family, arranging the home around an atrium at the centre which holds a tall tree.

The space surrounding the indoor tree was based on traditional Japanese doma rooms, which were made from compressed earth and formed a threshold between indoors and outdoors.

Here, the tree nods to the traditional connection with the outside and also helps to highlight the height of the room.

Find out more about Margin House ›

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The photography is by Douglas Friedman

Eighty Seven Park, US, by Renzo Piano

Florida's Eighty Seven Park is a beach building in Surfside designed by Italian architect Renzo Piano. Inside the oval-shaped condominium, Paris studio Rena Dumas Architecture Interieure decorated the interiors to reference the green landscape surrounding the building.

Tall Areca palms in white pots line a long lounge area with floor-to-ceiling glazing, creating the feel of a tropical indoor forest.

Find out more about Eighty Seven Park ›

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Kinuta Terrace, Japan, by Keiji Ashizawa Design and Norm Architects

Trees don't have to be large to bring a breath of fresh air into a home. In this Tokyo apartment, a smaller tree in the living room has twisted roots which make it resemble an oversized bonsai tree.

Its wooden trunk matches the oakwood-clad boards in the flat and contrasts against the pale grey concrete walls. The entire flat was designed around a central courtyard to give its owners the experience of living in a garden home.

Find out more about Kinuta Terrace ›

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The photography is by Nguyen Tien Thanh

AgriNesture, Vietnam, by H&P Architects

The AgriNesture house in Mao Khe, Vietnam, features a plantable roof on which its owners can grow food. This connection with nature continues inside the house, where a small tree sits in a cement planter on the top floor, where it is lit by a skylight.

As well as the tree, the house also features plenty of hanging plants in pots, with the green leaves contrasting nicely against its red brick walls.

Find out more about AgriNesture ›

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The photography is by Delfino Sisto Legnani and Alessandro Saletta from DSL Studio

The Greenery, Italy, by Carlo Ratti and Italo Rota

Italian architects Carlo Ratti and Italo Rota designed The Greenery, a farmhouse extension in the countryside outside Parma, to "blur the boundaries between the natural and artificial."

In the extension's open-plan living space and kitchen, a 10-metre-high ficus tree grows through the centre of the space.

"The 20th-century Italian architect Carlo Scarpa once said, 'between a tree and a house, choose the tree'," remarked Ratti.

Find out more about The Greenery ›

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The photography is by Tommaso Riva

A Brutalist Tropical Home, Indonesia, by Dan Mitchell

This brutalist home, created by architectural studio Patisandhika and designer Dan Mitchell, has a Pandanus utilis, or screwpine, planted in a gap in the concrete living room floor.

The indoor tree nods to the design ethos of the house, which has many sides that open directly to the exterior and was created to have a sense of "outdoor tropical living." The designer also intended for all the plants dotted throughout the house to soften the concrete.

Find out more about A Brutalist Tropical Home ›

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The photography is by Hiroyuki Oki

House for a Daughter, Vietnam, by Khuôn Studio

House for a Daughter, which has one zone for a woman who lives here permanently and one for her family who frequently visit, is built around a plant-filled triple-height atrium.

A tall tree stands between the curved white walls of the interior, while plants hang over the top. Large skylights flood the home with light and help the plants thrive.

Find out more about House for a Daughter ›

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Weather House, Japan, by Not Architects Studio

Weather House is located on a corner site in Tokyo and was designed by Not Architects Studio, which took advantage of its layout by wrapping two sides of the house entirely in metal mesh.

Here, terraces function as hybrid indoor/outdoor spaces and are decorated with plants and small trees. Eventually, the mesh will be completely covered in climbing plants, completing the transformation.

Find out more about Weather House ›

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The photography is by Frederik Vercruysse

Antwerp penthouse, The Netherlands, by Hans Verstuyft

Belgian architect Hans Verstuyft turned an Antwerp office building into a penthouse featuring an open-air courtyard garden that is visible from both floors of the apartment.

The penthouse functions as both an office and a home for Verstuyft, who wanted the flat to have a "non-office building atmosphere." The organic feel of the garden offsets the minimalist interior design used for the rest of the apartment.

Find out more about Antwerp penthouse ›

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Cave House, Mexico, by Abraham Cota Paredes

A tree-planted atrium sits at the centre of this house in Mexico created for a family in Guadalajara. A window spans two floors of the house, which was designed as a white "enclosed cuboid".

"On the ground floor, the crown of the tree rises, filling the void generated by the double heights, extending its branches throughout the surrounding spaces," architect Abraham Cota Paredes explained.

Main image is from The Greenery by Delfino Sisto Legnani and Alessandro Saletta from DSL Studio.

This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen's image archive.

For more inspiration see previous lookbooks showcasing wood-panelled bedrooms, living rooms with statement rugs and homes with exposed concrete blockwork.

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This week BMW revealed its colour-changing iX Flow vehicle

This week on Dezeen, car brand BMW released images of its updated electric iX SUV vehicle, which is wrapped in "digital paper" that can change colour.

Named iX Flow, the concept car is designed by BMW to change from black to white at the switch of a button to suit a driver's personal taste or changing weather.

According to the brand, by turning their car a reflective white in the sun or heat-absorbing black in the cold, drivers could help cut the electric vehicle's energy consumption and in turn increase its range.

Venice to replace glass steps on Santiago Calatrava-designed bridge amid "almost daily" falls

In Venice, Santiago Calatrava's Ponte della Costituzione bridge was in the spotlight after the city announced its tempered-glass treads would be replaced to prevent "almost daily" falls.

In support of the plan, Calatrava's studio has offered to assist with the design and "work out a proposal pro bono".

Improving conditions for pedestrians was also a priority of the European Commission's Efficient and Green Mobility package, which proposes an overhaul of urban infrastructure across the EU to encourage more walking and cycling to help meet decarbonisation goals.

Foster + Partners shelters subterranean art gallery with pyramidal roofscape

Foster + Partners has criticised a sustainability report by the Royal Institute of British Architects (RIBA) that is backed by nearly 250 built environment organisations, claiming it deviates from the Paris Agreement treaty on climate change.

The studio also hit the headlines this week after it completed the Datong Art Museum, a subterranean gallery in China with a pyramidal roof covered in weathering steel.

Snøhetta designs library in Beijing to resemble a ginkgo-tree forest

To celebrate the new year, we looked ahead at twelve interesting architecture projects that are expected to complete in 2022. Among them is the Sydney Modern extension by SANAA, the Arkansas Museum of Fine Arts by Studio Gang and the long-awaited Taipei Performing Arts Center by OMA.

Snøhetta also gave readers something to look forward to as it revealed its designs for the Sub-Center Library in Beijing that is intended to emulate a ginkgo-tree forest.

Es Devlin awarded CBE in Queen's New Years honours

We reported that artist and stage designer Es Devlin was named a Commander of the Order of the British Empire (CBE) in the Queen's 2022 New Year Honours list in recognition of her services to design.

Awards were also given to co-founder of Black Females in Architecture Selasi Awo Setufe, chairman of Grimshaw Architects Andrew David Whalley and AKT II co-founder Hanif Kara.

British engineer Max Fordham dies aged 88

It was announced that award-winning engineer Max Fordham had passed away this week at the age of 88.

Fordham, who worked on projects including the Alexandra Road Estate by Neave Brown and Tate St Ives by David Shalev and Eldred Evans, was hailed by his eponymous studio as "an acclaimed engineer and pioneer of sustainable building design".

Apparata designs affordable housing development A House for Artists in London

Projects that sparked readers' imaginations included affordable housing for artists in the UK, a cabin in France clad with scorched pine wood and a minimalist church altar by Max Lamb.

This week's lookbook celebrated bedrooms that make use of elegant wood panelling to create a cosy atmosphere.

This week on Dezeen is our regular roundup of the week's top news stories. Subscribe to our newsletters to be sure you don't miss anything.

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Carpenters Workshop Gallery presents design exhibition on heritage, place and identity

Anava Projects and Ashlee Harrison have curated an exhibition by emerging artists from the US and Caribbean at New York's Carpenters Workshop Gallery, which includes sculptures woven from kelp and hand-carved furniture.

Called New Guard: Stories from the New World, the exhibition is part of the New Guard series by international gallery group Carpenters Workshop Gallery, which is based in London, Paris and New York.

Top: Tiarra Bell created an ebonised ash and gold-leaf LED light called Bondage. Above: Isabella Maroon's ceramic sculptures are made from fragments of earlier works

At the gallery's Manhattan location, Stories from the New World showcases pieces by seven emerging artist-designers hailing from the US and the Caribbean, which have been designed using materials ranging from wood and metal to concrete and kelp.

The works intend to unpack themes of heritage, place and identity and include pieces such as towering ceramic sculptures by Isabella Maroon that were created from smashed-up past projects.

Pirouette Lamp by Susannah Weaver is made from raw wool and concrete

The exhibition was curated by the gallery's director of Americas, Ashlee Harrison, in collaboration with guest curators Anna Carnick and Wava Carpenter, founders of creative collective Anava Projects.

"We conceived the title 'Stories from the New World' in response to the narrative-driven nature of these designers’ work – all of whom engage, in their own way, themes of identity, heritage, and place," Carnick and Carpenter told Dezeen.

"It’s also a reference to the historically Eurocentric lens of design discourse as well as the next generation of creative talents, who are bringing vital, multifaceted narratives into the global conversation."

Between Rise & Fall references the urban landscapes of Maryam Turkey's past

For example, artist Maryam Turkey presents Between Rise & Fall, an imagined cityscape crafted from paper pulp and supported by a plywood structure that represents both Baghdad and New York, the two places where she was respectively raised and then fled to with her family in 2009 as a refugee.

"The exhibition frames objects as artefacts of the human experience," acknowledged Carnick and Carpenter.

Wood-laminated furniture by design studio Ibiyanε

Tania Doumbe Fines and Elodie Dérond of Martinique-based sculptural design studio Ibiyanε created Elombe, a series of hand-carved laminated furniture that takes cues from both Caribbean and Sub-Saharan woodwork and the late American sculptor Wendell Castle.

"Dérond and Fines draw inspiration from collective memories of family, using their hand-carved wooden pieces to honour their Caribbean and Cameroonian heritages," said Carnick and Carpenter.

Read:

The Plywood Protection Project creates public sculptures from repurposed plywood

Other projects featured in the exhibition include Between Salt and Water by Indian-born, New York-based artist Anubha Sood.

Informed by her investigation into the environmental consequences of the textile industry with a focus on India, Sood weaved a whimsical collection of sculptural objects from kelp, linen, cotton and rayon yarn, which are displayed on maroon-coloured plinths.

Anubha Sood crafted sculptural objects from kelp

The pieces seek to raise awareness of the decline of kelp forests due to climate change, whilst also underlining the importance of making creative work as a personal practice.

"All of the work celebrates the storytelling power of design, emphasising design as autobiography," explained Carnick and Carpenter.

A multicoloured sculpture by Isabella Maroon

Stories from the New World follows on from The Graduate(s), a 2017 exhibition by Carpenters Workshop Gallery's London location that was curated by trend forecaster Lidewij Edelkoort and showcased emerging European creatives.

Carnick and Carpenter explained what drew them to work on Stories from the New World.

"When we were approached to guest-curate the latest iteration, we were honoured, recognising that the project would be seen as a departure from the gallery’s esteemed, historically European-based programme," they said.

"We also understood that the show offered a rare, exciting opportunity for unique design voices on this side of the pond to tell design stories not often heard in broader, Eurocentric international conversations."

Architect-designer Jerome Byron offered pieces including a patina steel finish dining table

New Guard is part of Carpenters Workshop Gallery's Next Gen project, an ongoing initiative led by Harrison that supports rising art and design talent.

Other past exhibitions by the gallery include the Slump collection by designer Paul Cocksedge, which comprised furniture made from glass pressed over rocks.

The photography is by Matt Harrington.

New Guard: Stories from the New World is on show at Carpenters Workshop Gallery in New York City from 20 October 2021 to 22 January 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Naturalbuild redesigns Chinese marketplace to encourage "spontaneous modification"

Chinese studio Naturalbuild has completed the reconstruction of Xinfan Market in Huzhen Town, Zhejiang Province, with a design that aims to help restore the "publicity and sociality" of wet markets in the wake of coronavirus lockdowns.

A series of easily customisable steel booths were designed for the new market in order to encourage the random adjustments that the Beijing-based studio feels are key to the character and social role of these spaces.

The Xinfan Market in China was reconstructed by Naturalbuild

The decision to demolish and rebuild Xinfan Market after 20 years in operation had been made prior to the outbreak of Covid-19, due to declining structural and sanitary conditions.

Once the project was underway, however, the outbreak of Covid-19 attracted global attention to these spaces, with early accounts – since disputed – claiming a wet market in Wuhan as the original source of the virus. Wet markets are markets that sell fresh meat, fish and produce, as opposed to dry markets, which sell goods such as electronics and clothes.

The structure was designed to accommodate the random adjustments typically made to markets

Naturalbuild's founder Yanfei Shui recognised the importance of improving these spaces, but was concerned about the impact the sudden closure or replacement of the markets would have the communities and farmers who rely on them.

"At the start of this project, we seriously doubted the necessity of full demolition and reconstruction," Shui told Dezeen.

"[Improving] hygiene conditions sounds like a good reason, but it also means the abandonment of a system...over 20 years of practice would disappear," he added.

The original marketplace was demolished in order for it to be restored

During lockdown, the everyday ritual of visiting a market was overtaken by the practice of "community group buying", where a community leader purchases items in bulk to distribute directly to members of the community.

In the face of this change, Shui studied the existing marketplace for ideas on how to integrate some of the "chaos" and "randomness" that he felt was key to its character into the new market's design.

Read:

Triangular-patterned canopy shelters stalls at modernised Portuguese marketplace

"Out of curiosity, we started our design process by keeping a record of how the old farmer's market operated in its seemingly chaotic sense," Shui told Dezeen.

"Individual retailers expanded the functions of their stalls beyond our imagination, random repairs reflect the simple and convenient pragmatism rooted in the lives of the people. It is this attitude that creates the worldliness of the farmer's market."

The market comprises a number of different volumes

The new building occupies the same footprint as the old structure, with two concrete-framed market halls that are topped by arched roofs of corrugated steel.

A covered walkway between the two halls better connects the parallel streets to the north and south of the site, creating an important link between the town and the riverbank.

"The interior galleria, which connects the river bank and villa street from east to west, reorganises the surrounding commercial interface and improves the accessibility of the market," said the practice.

The market has arched roofs constructed using corrugated steel

Informed by the study of the existing market, a "booth catalogue" of several welded steel structures was created, designed in a loose way to allow for easy customisation with lighting, signage, displays and storage.

The market's exterior is clad in blocks of local stone from Jinyun County, chosen to create a strong contrast with the industrial-feeling concrete structure and steel interior.

Shui hopes that the renovation will be an example of how marketplaces can "embrace future challenges" and remain a vital part of rural infrastructure.

Read:

Historic Shanghai "gangsters' warehouse" transformed into an office by Naturalbuild

"Nowadays, our discussions on the transformation of farmers markets are often superficial," Shui told Dezeen.

"In this context, we have to ask ourselves whether we can give up our aesthetic ambitions and really pay attention to restoring the system."

Previous projects by Naturalbuild include the transformation of a Shanghai warehouse that was once owned by a notorious 1930s underworld figure into an office and events space.

Elsewhere, Rui Mendes Ribeiro covered a Portuguese marketplace with a perforated canopy.

Photography is by Hao Chen.

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Hedi Slimane uses "French elegance" to define Celine store in London

Celine creative director Hedi Slimane has opened a flagship store in London for the French fashion house, which balances historic Edwardian features and a gallery-style aesthetic.

Located within a Grade II-listed Edwardian building on New Bond Street – a luxury shopping destination in the city's West End – the new flagship store has a floor area of 466 square metres dedicated to men's and women's accessories, ready-to-wear and fragrance collections.

The Celine store is located within a Grade II-listed Edwardian building on New Bond Street

The ground floor houses women's ready-to-wear, accessories, fragrances and homeware collections, and is enswathed in metres of marble and stone.

"The ground floor is devoted to women and articulated around the idea of French elegance and vintage sensibilities," said the team at Celine.

It was designed by creative director Hedi Slimane

Folding mirrored screens, glass display cases and vintage furniture are organised throughout the store in a highly symmetrical arrangement.

Cabinetry and shelving rigidly line the walls along its length, mirroring the classical symmetry of the original Edwardian arches, columns and mouldings.

The store highlights the original Edwardian features

Art pieces by Leilah Babirye and Nika Neelova are suspended from the ceiling, placed between mirrored screens and positioned at the feet of cabinetry. These artworks gently break the store's rule of symmetry while adding natural and earthy hues, textures and forms against the largely grayscale interior.

A salon-style octagonal space at the rear of the ground floor houses Celine fragrances and homeware, surrounded by walls adorned with golden baroque-style panels that echo the decorated jewellery boxes.

Fragrances are displayed within an octagonal room

"It is an intimate space, somewhere between a 'cabinet de curiosités' and a jewellery box," said Celine.

Antique marble covers the floor, providing a depth of contrast in the colour and tone. The shelves, racks, fitting rooms and other elements unhook from the existing moulded walls and float in space."

Read:

Hedi Slimane carries out interior revamp of global Celine stores

Another pill-shaped room used as a shoe hall is similarly filled with folding mirrored screens. These endlessly reflect slivers of marble, oak, steel and granite, as well as sculptural art pieces by Anne Libby and Lukas Geronimas.

The basement plays host to the men's ready-to-wear and accessories collections, and contrasts the classical language of the upper floor – a nod to Slimane's introduction of a men's line to the 77-year-old women's fashion brand.

The men's floor in the basement has a gallery-like design

This space boasts a white cube gallery-style look, and is populated with mismatched furniture and sculptural artworks atop a vast concrete floor.

Pieces by artists Davina Semo and Mel Kendrick are suspended above the furniture, while large square mirrors are set into the walls between rows of floating shelves. Decor includes piles of books by famed architects, artists and designers.

Fitting rooms are concealed behind wooden library doors

A large wooden screen conceals a library that doubles as the basement's fitting rooms. In one of the two rooms, between stacks of books, a 17th-century classical oil portrait hangs on the wall.

Overall, the store's modernist yet classical aesthetic speaks to the neo-bourgeois vocabulary that Slimane has developed for Celine since replacing Phoebe Philo as creative director in 2018.

Clusters of sculptural furniture were placed throughout

After Slimane's appointment, the former head of Saint Laurent and Dior Homme dropped the accent from Celine's 'E' to evoke a more simplified and balanced proportion to its logo, and also speak to the Celine collections of the 1960s.

In 2019 Slimane developed a new visual identity for the stores of Celine, overhauling its New York, Paris, Tokyo and LA locations with marble, steel and mirrored interiors.

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