Monday 24 January 2022

Previously unrecycleable clothing made into Fibers Unsorted textile

Envisions's Fibers Unsorted installation

Design studio Envisions has worked with engineering company Imat-Uve to make a recycled textile from used clothing usually considered unfit for recycling.

Their textile, called Fibers Unsorted, is a technical fabric made from mixed-fibre clothing that would otherwise have gone to landfill. Instead, it is processed into a product that is durable and high-quality enough to be used in the automotive industry, among others.

Even though recycled fabrics have become more commonplace, textiles are difficult to recycle and the bulk of such waste goes into landfill.

Abstract shapes wrapped in various textiles from the Fibers Unsorted project
The Fibers Unsorted project aimed to develop a high-quality recycled textile durable enough to be used in the automotive industry

"The challenge that Fibers Unsorted set was to develop a quality yarn out of the big waste streams of textile that are still today only down-cycled into a poor insulation material or get burned or end up in a landfill," Envisions director Sanne Schuurman told Dezeen.

"We need to keep this resource as long as possible in its cycle and extend its lifetime to create valuable products out of it."

The difficulty in recycling textiles comes because they contain many types of fibres, materials, colours and quality levels, all jumbled together and "impossible to sort industrially", according to Envisions.

Scraps of multicoloured clothing falling through the air
Imat-Uve worked with textiles usually considered too difficult to recycle, such as mixed-fibre clothing

The Fibers Unsorted project started with development and engineering company Imat-Uve, which began researching methods of deconstructing mixed textiles into usable fibres in 2013, setting out to spin them into yarns that could compete with their predecessors in terms of quality.

The textiles they used are mixed on a fibre level – for instance, blends with cotton, polyester and elastin.

Working with several manufacturing partners and experts, Imat-Uve developed a method that involved treating the fibres carefully to keep them as long as possible with the aim of ending up with a comparable fibre length to virgin materials such as cotton.

Strings of soft grey yarn merge into the fringe of a rug
Imat-Uve developed a process for carefully deconstructing garments down to their individual fibres

In its process, almost all garments can be used, with only around 15 per cent of fibres being filtered out, usually because they are too short to make a quality yarn.

A few fibres are not suitable for recycling at all, such as carbon fibre, which oxidises and causes problems in the machinery.

Imat-Uve's technique also has the benefit of requiring no chemical processes, so it is more sustainable than other similar initiatives.

Envisions came aboard the project to turn the yarn into attractive textiles and present tangible applications.

Various Fibers Unsorted textiles in shades of grey and yellow upholstered over abstract shapes
Envisions worked to develop the yarn into appealing high-performance textiles

The yarn it received was grey and unrefined, but the designers developed it into a series of textiles with various textures, patterns and colour palettes.

To accomplish this task they added in some coloured recycled polyester yarn, but they limited it to 20 per cent of the textile and always applied Imat-Uve's yarn for the weft.

Envisions also created an installation using the textiles that was shown at Dutch Design Week in 2021 and might make further appearances in 2022.

Fibers Unsorted installation at Dutch Design Week 2021, with an automotive-themed abstract display hanging within a cubic frame
Envisions and Imat-Uve presented their work in an installation at Dutch Design Week

The installation shows the Fibers Unsorted fabrics applied to hanging abstract objects that in their shape and placement resemble a disassembled vehicle.

"Although hinting at multiple applications and usages, the abstract installation leaves plenty of room for imagination and possible applications in industries beyond automotive," said Envisions.

The design studio said it chose to focus on the automotive industry because its materials must meet the highest industrial standards, but the textile could also be applied in furniture design, upholstery and flooring.

Wall hanging showing mixed garments at the top, unravelling into a grey mix of fibres and then becoming yarn
The installation included a visual representation of the Fibers Unsorted process

Envisions is a Dutch studio that won the Dezeen Award for emerging designer of the year in 2018. It is a collective founded by Design Academy Eindhoven graduates, bringing together a team of more than 20 multidisciplinary creatives.

Its past projects have included a paving strategy for the city of Eindhoven and works exploring ways of cutting into, printing on and transforming wood.

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Altea wall light by Astro among new products on Dezeen Showroom

Altea wall light by Astro used in a pink bathroom

Dezeen Showroom: Opal glass wall lights designed to create ambient lighting in bathrooms are among seven new products featured on Dezeen Showroom.

Altea wall light by Astro used in a pink and white bathroom

Altea wall light by Astro

Altea is a minimalist wall light designed to sit elegantly beside bathroom mirrors, created by Astro.

The LED wall light is made of opal glass which creates an ambient, diffused illumination intended to flatter the user's complexion.

Altea was featured on Dezeen Showroom alongside products including a bench with a seat made from woven paper and carpet tiles made from recycled materials.

Read on to see more new products featured on Dezeen Showroom:


Detalji bench by Nikari against a white wall

Detalji bench by Jenni Roininen for Nikari

Detalji is a bench with a seat woven from undyed paper, created by Nikari in collaboration with paper yarn specialists Woodnotes.

Meaning "detail" in Finnish, Detalji features Nikari's signature joinery techniques and paper yarn details tied to the ends of the bench.

Find out more about Detalji ›


Resonance textiles used on an armchair with a concrete staircase in the background

Résonance textile collection by Lelièvre Paris

The Résonance collection is a range of fabrics that reimagines classic patterns such as ikat, stripes and animal print.

The fabrics vary from luxurious jacquards to light linens and were designed by Lelièvre Paris to be mixed and matched together.

Find out more about Résonance ›


Imperfection carpet tiles used in a bar setting

Imperfection carpet tile by IVC Commercial

Imperfection is a carpet flooring tile made of recycled materials that celebrates the beauty of flaws and imperfections.

The tiles come in three designs and are based on the Japanese concept of wabi-sabi, which involves finding beauty in that which is incomplete or naturally flawed.

Find out more about Imperfection ›


Enigma coffee table by Hessentia set in a room with a sofa and side table

Enigma coffee table collection by Hessentia

Enigma is a coffee table designed by Hessentia, which features black and white wood tiles that are inlaid around the side profile to create a digital pattern.

Made by expert craftspeople, the collection is available in a range of sizes and brings a distinctive modern element to traditional inlay techniques used in the 18th century.

Find out more about Enigma ›


Plauto table in a light wood finish with two chairs

Plauto table by Paolo Cappello for Miniforms

The Plauto table consists of a tabletop with rounded edges and leaf-shaped legs, available in a range of woods and finishes.

"The idea behind Plauto table is a sculptural but light guise, designed by a game of balance between straight and curved lines," said the designer.

Find out more about Plauto ›


A white Yum Yum seat and a green Yum Yum seat places in front of an arched window

Yum Yum seating collection by Lapo Ciatti for Opinion Ciatti

Yum Yum is a seating collection by Opinion Ciatti that consists of soft pouf-like seats with curved ash wood backrests.

The collection comes in a single armchair, extra-large armchair and two-seater sofa sizes that each have pockets on the side.

Find out more about Yum Yum ›

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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IE University taught me how to "future-proof" interior spaces says Rasha Al-Tekreeti

Dezeen nsn: studying at the IE School of Architecture and Design encouraged interior designer Rasha Al-Tekreeti to focus on "the process leading up to impactful design".

Al-Tekreeti, who is the senior interior designer at consultancy practice SAY Studio in Dubai, received a master's in Strategic Interior Design of Spaces from the IE School of Architecture and Design at IE University.

According to Al-Tekreeti, the course taught her to focus on the thought process behind interior design and its effect as opposed to the aesthetic alone.

"My favourite part about the program is that it was not focused on design as a theme; it was more about the process leading up to impactful design," said Al-Tekreeti.

This included doing market research, looking into the sociology and psychology behind the design, and developing "future-proof" strategic solutions using innovative design techniques.

"The program has had a great impact on both my professional and personal life," said Al-Tekreeti. "It was an eye-opener that taught me a lot of different aspects from learning how to collaborate with people who were strangers, to managing teams based in different parts of the world."

A photograph of Rasha Al-Tekreeti
Rasha Al-Tekreeti is an interior designer based in Dubai

These skills learned at IE University have proven particularly useful to SAY Studio's current work on the renovation of the Fairmont Dubai, a luxury hotel that is remaining open to guests while construction is taking place.

The first stage of the project sees the refurbishment of 275 rooms and suites, in a bid to heighten the hotel's guest experience.

Designed with "the modern business traveller in mind" the rooms have been updated to house modern features while still maintaining the quality expected of Fairmont hotels across the globe.

A photograph of the dining space of a room within Fairmont Dubai
Al-Tekreeti says that the IE University program taught her to focus on the thought process behind interior design

Al-Tekreeti and her team aimed to create "timeless yet classic" spaces that spoke to both the history of Fairmont and the "innate ambitions of grandeur" found in Dubai.

"It is easy to view Dubai in the form which it holds today, a vibrant cosmopolitan city that pushes boundaries and sets global standards," explained Al-Tekreeti.

"But if you return to a few decades ago, things were quite different," she continued. "We felt a symbolic representation of the city's diversity and development, and inspirational ambition could be found in the dynamism of its location."

Throughout the hotel rooms a soft colour palette paired with natural materials work to emulate the surrounding Dubai landscape. Warm timbers are used to represent sand dunes and ocean blue-hued carpets and furniture used to convey the Arabian Gulf.

 

A photograph of the inside of the Fairmont Dubai Hotel
In the design of the hotel Al-Tekreeti aimed to create "timeless yet classic" spaces.

According to Al-Tekreeti, she and the SAY Studio team were driven by strategic design decisions, which included a feasibility study generated by a data operation team that considered the rising needs of business travellers and an increase in tourists during the Expo 2020 Dubai, which opened in October 2021.

"The decision was taken to bring back the Fairmont Dubai as the leading Hotel on Sheikh Zayed Road and with it to create a more comfortable and inviting space that elicits the feeling of a home away from home," said the designer.

"Ultimately the property is looking to attract customers, bring increased value to its guests, promote loyalty and increase turnover as part of an effort to keep up with the ever-changing tastes of discerning global travellers."

More information on IE University and the courses it offers can be found on its website.

Partnership content

This article was written by Dezeen for IE University as part of a partnership. Find out more about Dezeen partnership content here.

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Makhno Studio designs conceptual settlement within Martian crater

Plan C is a 3D-printed Mars settlement concept

Ukrainian architecture practice Makhno Studio has designed a 3D-printed settlement for Mars named Plan C that would encircle the edge of a crater.

The concept was developed during coronavirus lockdown when the studio was questioning how underground living could be comfortable if life on Earth's ground level became difficult.

Render of Plan C from Mars
Plan C is a concept for a Martian settlement that was designed by Makhno Studio

In response to this, Makhno Studio developed a proposal for an underground bunker that made headlines internationally. This  later led to Plan C, a concept for a Martian settlement.

The proposal sees a bagel-shaped settlement located on the inside of a crater, which would protect the development from Mars' environmental conditions – including frequent sandstorms, meteor showers and solar radiation.

Interior render of a hall at Plan C
The settlement is contained within a large ring-shaped structure that would be built within a crater

The outer walls of Plan C would be constructed using large scale 3D-printers as the planet's oxygen levels would make it impossible for humans to build without spacesuits, oxygen devices and life support machines.

Its walls would protect the interior from the harsh atmospheric and weather conditions while also housing public halls, dining, research and technical areas as well as sleeping areas.

Rocks and boulders line the walls of Plan C
The interiors were informed by Mars and Earth

According to Makhno Studio, the interiors were informed by both Earth and Mars, with natural and earthy hues and rock-like surfaces and furnishings.

"The ambience of the interiors combines two worlds – the unknown Mars and the near-and-dear Earth," said Makhno Studio.

"Sandstorms were responsible for the colour scheme, plants — for the ability to breathe deeply, and the science of the future — for the ability to live on a dead planet."

Geometric-shaped openings lead to different rooms
Neon lighting covers the walls and openings between different spaces

A large plant-filled public hall stretches the entirety of the ring-shaped structure and will connect to all of the settlement's different amenities.

Phyto-lighting, ultraviolet and infrared lighting that stimulates plant growth, will be fitted throughout the halls and will aid the plants in converting carbon dioxide and water into oxygen supplies.

The plant-filled public hall aims to replicate the conditions and feeling of Earth's green, open spaces, providing residents with fresh and clean air.

Vital spaces that aid the function of the settlement are located throughout the structure.

These spaces include medical care zones, research centres that monitor planetary and atmospheric conditions, chemical and biological laboratories and administrative blocks.

Greenhouses are spherical and are lit by phyto-lighting
The settlement will grow its own fruit and vegetables in spherical greenhouses

Spherical greenhouses fitted with Phyto-lamps were designed to resemble small planets and will be used for agricultural purposes, growing and supplying the settlement with fruits and vegetables.

Sleeping spaces are equipped with only the essential furnishings and are designed to host up to two people. A large screen covers the ceiling and can be used to watch films, cloudy landscapes and space imagery.

"Neon lighting allows one to tune in some discussion or turn on the mood of a Martian party – no one cancelled leisure time in space," explained the studio.

Render of a sleeping area at Plan C
Furniture was kept to a minimum in the sleeping areas

A gym and fitness facility will be built at the site in order to prevent residents from developing issues like muscle atrophy due to the low gravity conditions.

Exercise bikes and length pools will be organised along narrow stretches to help those adjust to the low-gravity conditions.

Exercise bikes are rendered beside a pool
Excercise spaces occupy long channels in the curving halls between trees and plants

In a nearby room, floating capsules used for recovery and relaxation will provide residents with soothing and calming escapes.

"The capsule will help the new inhabitants of Mars to free their thoughts from sandstorms, reduce the cosmic impact on the body and mind, and finally adapt to the new conditions, a new home," said the studio.

A length pool is rendered between stone walls
The exterior walls of the settlement will be 3D-printed

Plan C is one of many designs that propose livable conditions for Mars, in 2017 Bjarke Ingels unveiled a concept for the Mars Science City near Dubai which would operate as a space simulation campus.

Architecture Abiboo envisioned a cliff-face city that would become the future capital of Mars and could eventually house 250,000 people.

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Sunday 23 January 2022

SPPARC completes Borough Yards shopping district in London

Brick buildings at London's Borough Yards

A brick-lined arcade has been inserted beneath an existing railway viaduct at the Borough Yards shopping and dining district in south London designed by local architecture studio SPPARC.

Set to open in Spring 2022, the social, cultural and shopping hub created by SPPARC with real estate company MARK has transformed an area between Borough Market and the River Thames.

Brick buildings at London's Borough Yards
SPPARC has completed Borough Yards in south London

The mixed-use development incorporates existing buildings alongside newly constructed spaces that reflect the surrounding Victorian architecture, set in the shadows of Southwark Cathedral and The Shard by Renzo Piano.

SPPARC's masterplan revives the area's medieval street pattern and includes 8,500 square metres of existing railway arches, which are repurposed to accommodate double-height retail units.

A brick-lined arcade
The shopping and dining district incorporates a brick-lined arcade

"At Borough Yards, retailers have a unique opportunity to build unforgettable flagship experiences in beautiful, raw-brick, cathedral-scale spaces," explained SPPARC's principal architect Trevor Morriss.

"These splendid industrial structures weave and stitch history and heritage together with contemporary architecture."

Brick building in south London
New buildings on the site are designed to reference surrounding historic architecture

Exterior images by photographer Ed Reeve show how the new interventions utilise brick construction to reference the site's historic architecture.

Several disused arches situated beneath an existing railway viaduct have been transformed into an arcade that leads south from Clink Street.

The arcade connects the two ends of the new district and is lined on either side with commercial units. Shops and restaurants will occupy the arches, which feature large windows set within black metal frames that nod to the area's industrial heritage.

SPPARC was able to retain the facades of several former warehouses, which are incorporated into two new six-storey office buildings operated by The Office Group.

Borough Yards cinema
There is a public square with a cinema

"Inspired by Victorian terraces bounding its Stoney Street site, the long elevation of the largest new building incorporates a series of folds that respond to the rhythm of the townscape whilst reaffirming the re-emergence of the location," SPPARC added.

The first section of Borough Yards, named Soap Yard, opened in December 2021 and includes a 185-square-metre Paul Smith store.

Brick building at Borough Yards
Brick buildings feature throughout the development

A new public square connects the store on the corner of Stoney Street with the neighbourhood's first-ever cinema, Everyman Borough Yards. A neon artwork by FRA Creative illuminates the square and guides visitors towards the arcade.

SPPARC is an architecture studio founded in 2006 by Trevor Morriss. Elsewhere in London, the studio is currently developing a museum surrounding the Golden Hinde – a full-size replica of the of Francis Drake's Golden Hind galleon.

The photography is by Ed Reeve.

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