Tuesday 25 January 2022

Rural hospital in Bangladesh named world's best building by RIBA

Brick hospital building in Bangladesh

The Friendship Hospital in Bangladesh by local architecture studio Kashef Chowdhury/URBANA has been awarded the RIBA International Prize 2021.

The hospital is the latest winner of the RIBA International Prize, which is awarded biennially to a project "that demonstrates design excellence and social impact".

Brick hospital in Bangladesh
Friendship Hospital by Kashef Chowdhury/URBANA has won the RIBA International Prize 2021

The Friendship Hospital is a low-cost and remote medical institution in Bengal, southwest Bangladesh, which provides healthcare services for thousands of people living in the region.

It was created by Kashef Chowdhury/URBANA for Friendship, a non-governmental organisation that exists to empower people living in remote rural areas.

Aerial photo of Friendship Hospital by Kashef Chowdhury/URBANA
The rural hospital in Bangladesh is surrounded by shrimp fisheries

Surrounded by shrimp fisheries, the building is composed of a series of low-lying pavilions that are made from locally sourced brick and interspersed with courtyards.

These courtyards are used to naturally light and ventilate the hospital wards while also offering patients and visitors places to rest.

Brick pavilion at the Friendship Hospital
The hospital is composed of a series of low-lying pavilions

The more sensitive areas of the hospital are screened by corridors and double-layered arches, shielding them from the tropical sun.

Kashef Chowdhury/URBANA has bisected the site with a zigzagging "canal", which separates the inpatients and outpatients while helping to cool the building.

Friendship Hospital by Kashef Chowdhury/URBANA
Each building is crafted from locally sourced bricks

At either end of this pool of water are two large tanks used to collect rainwater, which is stored and harvested for use at the hospital while preventing waterlogging on the site.

Kashef Chowdhury/URBANA and Friendship also recently collaborated on the design of the Friendship Centre in Bangladesh, which comprises a similar labyrinth of brick walls and courtyards.

Brick hospital in Bangladesh
A "canal" zigzags through the complex

Friendship Hospital was selected as the winner from a shortlist of three projects, which included James-Simon-Galerie by David Chipperfield Architects and Lille Langebro by WilkinsonEyre and Urban Agency.

The jury for this year's RIBA International Prize was headed up by French architect Odile Decq and included British designer Es Devlin and Studio Gang's founder Jeanne Gang, alongside Neri&Hu co-founder Rossana Hu and Gustavo Utrabo, the Brazilian architect who won the RIBA International Emerging Architect 2018 prize.

Corridor at Friendship Hospital in Bangladesh
The sensitive parts of the hospital are sheltered by corridors

Decq said that the Friendship Hospital was chosen as the winner as it "embodies an architecture of humanity and protection".

"Kashef Chowdhury/URBANA has achieved a building designed with a human touch which is deftly integrated with its surroundings and celebrates local, and traditional crafted materials," added Decq.

"It is a demonstration of how beautiful architecture can be achieved through good design when working with a relatively modest budget and with difficult contextual constraints. This hospital is a celebration of a building dedicated to humans."

Canal through the Friendship Hospital by Kashef Chowdhury/URBANA
The water feature collects rainwater

The winning studio's founder, architect Kashef Chowdhury, said that he hopes the prize will encourage more "architecture of care both for humanity and for nature".

"In a sublimely important moment, RIBA and the jurors have identified a project from the global periphery to bring to the centre of architectural discourse and be the subject of one of the most important global awards," Chowdhury reflected.

"I am encouraged that this may inspire more of us to commit, not in spite of, but because of limitations of resources and means, to an architecture of care both for humanity and for nature, to rise collectively to the urgencies that we face today on a planetary scale."

Friendship Hospita canal
The water is harvested for use at the hospital

As part of the same award programme, Tehran studio Hooba Design Group has been awarded the prize of RIBA International Emerging Architect 2021. The prize, which "celebrates the design innovators of tomorrow", was given to the studio in recognition of the Kohan Ceram Central Office Building that it designed in Iran.

Kohan Ceram Central Office Building is distinguished by its bright terracotta-coloured facade that is composed of bricks with glass inserts.

Chair of the RIBA Awards Group Denise Bennetts described the building as having "an architecture of restraint, invention and elegance".

"An uplifting and inspiring design, this project as well as the Hooba Design Group’s collaborative approach to innovation, qualifies them as a worthy recipient of the RIBA International Emerging Architect 2021," Bennetts added.

Brick facade of the Kohan Ceram Central Office Building
Hooba Design Group won the RIBA International Emerging Architect 2021 prize for the Kohan Ceram Central Office Building. Photo is by Deed Studio

The RIBA International Prize was launched in 2015 in replacement of the former Lubetkin Prize. Dezeen is a media partner for the event.

Among the previous winners of the prize was Grafton Architects for its Universidad de Ingeniería y Tecnología in Peru and the Children Village in Brazil by Aleph Zero and Rosenbaum.

The announcement of the 2021 winners follows the prestigious RIBA Stirling Prize award programme and the Royal Gold Medal for 2022. This year, the prizes were awarded to Grafton Architects for the Kingston University London – Town House and Indian architect Balkrishna Doshi respectively.

The photography is by Asif Salman courtesy of Kashef Chowdhury/URBANA, unless stated.

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Two weeks to go until Dezeen Awards 2022 opens for entries

Entries for Dezeen Awards 2022 open on 8 February

Dezeen Awards turns five this year! The 2022 programme opens for entries on 8 February. Subscribe to our newsletter to get regular updates about this year's awards.

Now in its fifth year, Dezeen Awards celebrates the world's best architecture, interiors and design and has become the benchmark for international design excellence as well as being the ultimate accolade for architects and designers across the globe.

Last year we had over 4,700 entries from 86 different countries. Read more about our past winners here.

We have a wide range of categories. Following their success in 2021 we are keeping our sustainability and media categories, rewarding architects and designers who are reducing their impact on the environment and celebrating digital work across architecture, interiors and design.

Our entry prices remain as low as possible making Dezeen Awards accessible to smaller studios and maintaining its status as one of the most affordable programmes in the industry. Over 60 per cent of the entries in 2021 were submitted by companies with 10 employees or fewer, further cementing Dezeen's role in championing emerging architects and designers.

Since our inaugural awards in 2018 we've been joined by esteemed industry professionals including Norman Foster, Virgil Abloh, Alison Brooks, Farshid Moussavi, Frida Escobedo, Patrik Schumacher and Rafael Vinoly. Look out for the first jury announcement in February to find out who will be on the panel this year.

Over the years we've held events at the Tate and Ennismore Sessions House. Responding to challenges brought on by the pandemic in 2020 and 2021 resulted in incredible video shows produced by the Dezeen studio team, and hosted by Lionheart and Nelly Ben Hayoun. Stay tuned to hear our big plans for 2022.

At the annual awards ceremony each of our winners will receive a bespoke trophy designed by Eindhoven-based studio Atelier NL, made from the wood of felled London trees.

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KRAK Architects imagines subterranean house on Cretan coast

Render of an underground house

Greek studio KRAK Architects has conceptualised an angular underground house on the south coast of Crete with semi-open living spaces and an infinity pool that looks out to the Libyan sea.

Described by KRAK Architects as a "unique leisure residence", the conceptual house named Casa Katana was designed to form part of the coastal setting on the Greek island.

Render of underground house in Crete
KRAK Architects has imagined an underground house on the coast of Crete

Casa Katana's angular form is intended to mimic surrounding rock formations and resemble a "cut from a Katana" – a type of Japanese sword after which the house is named.

Meanwhile, its position underground would help to minimise its visual impact on the site and passively heat and cool its living spaces through thermal mass.

Render of underground house in Crete
The conceptual house would be built from concrete

"One of the main concerns was for the residence to be fully integrated into the landscape, leaving untouched the beauty of the plot," said KRAK Architects' founder Konstantinos Stathopoulos.

"The idea was inspired by the unique morphology of the plot and the particular characteristics of the site, the rock formations, its orientation and views," Stathopoulos told Dezeen.

Render of Casa Katana by KRAK Architects
Its living spaces open up to the outside

Embedding houses underground to reduce their visual impact has become a popular architecture trend in recent years.

Other examples on Dezeen include Casa Aguacates in Mexico by Francisco Pardo and the NCaved home in Serifos by Mold Architects, which featured in Dezeen's roundup of houses hidden from the outside world.

Render of underground house in Crete
A swimming pool stretches across the house

Commenting on the trend, Stathopoulos said that subterranean houses are popular because they provide people with "an escape from the urban landscape".

"The underground residences seem to fulfil the need for integration to the natural surroundings in a much better way," he explained.

Render of underground concrete house
Concrete walls would be left exposed

KRAK Architects envisages that Casa Katana would be constructed from concrete to achieve a monolithic and cave-like aesthetic.

The concrete would be made with an earthy-coloured pigment and treated externally with a bush-hammered effect to blend in with the rugged landscape.

Inside, the proposal comprises an open plan living-dining area and four large bedrooms with ensuite bathrooms, alongside a large office, parking and storage spaces.

KRAK Architects imagines these rooms as a sequence of spaces fronted by floor-to-ceiling glass doors that slide open, encouraging seamless indoor-outdoor living.

Render of underground Casa Katana
A large open-plan living room features inside

Casa Katana's concrete structure would be exposed throughout the interior, paired with large floor tiles, wooden detailing and minimal furniture pieces.

The residence would be complete with a long infinity pool that stretches and folds across its facade overlooking the sea.

Render of a concrete-walled bedroom
The concrete finishes would be teamed with minimal furnishings

Casa Katana was commissioned by a local developer to design the underground house for the site. Though there are no current plans in place to build it, KRAK Architects said it is open for sale.

Other conceptual homes featured on Dezeen include the stilted Salt Box Residence for Jersey Shore by Parnagian Architects, the bunker-like Underground House Plan B by Sergey Makhno Architects and the twisted Twine house that designer Antony Gibbon proposed constructing from a wave-like piece of concrete.

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AIM Architecture takes cues from 1970s offices for Hangzhou cosmetics store

A yellow and orange office interior

Shanghai studio AIM Architecture has transformed the second floor of a business park in Hangzhou, China, into a store that resembles a 1970s office for cosmetics brand Harmay.

The studio reimagined the space as a retro-looking office complete with desk chairs, phoney bookshelves for makeup items and boardroom tables for other cosmetic products.

A yellow and orange store interior
AIM Architecture wanted the Hangzhou cosmetics store to look like an office

AIM Architecture (AIM) chose a colour palette of muted yellows, oranges and browns that were popular during the 1970s for the 1,382 square-metre space.

This retro colour scheme is paired with a woollen carpet by German brand Findeisen, frosted-glass sliding "meeting room" doors and contrasting lime green shelving.

Frosted glass doorway leading into a meeting room
1970s browns, yellows and oranges make the store feel retro

Other office touches throughout the two-floor store include bookshelves, cushioned stools and industrial structural columns.

Rows of yellow desks similar to ones you might find in an office from the time period have been used to display the brand's cosmetics, including perfumes and make-up. Extra stock has been stored inside the desk drawers.

Porthole windows give customers a glimpse of the internal transit warehouse that is also housed in the building complex, while mirrored walls in the store's centre are designed to transport customers away from reality.

The studio wanted the shop to be a tribute to working life and to help customers realise the benefit of in-store shopping experiences versus purchasing online.

"We really wanted to use this concept to celebrate daily life and see the beauty in it," AIM founder Wendy Saunders told Dezeen.

"Here in China, the reality is that people shop online for everything, anywhere, anytime," she said. "As physical shopping is just for fun, we wanted to create a colourful version of it."

Cosmetics displayed on a round column
Cosmetic products are displayed on pretend bookshelves

As well as paying homage to the specific decade, the studio wanted the store to echo the surrounding offices within the mixed-use business park.

The store is located in the recently opened OōEli complex, a large-scale urban development project designed by Pritzker-winning Italian architect Renzo Piano.

A mirrored walkway runs through the store's centre

"Sometimes the building dominates and inspires the site you get to work in: it sets the mood," explained Saunders. "This site was one of those."

"Creating an 'old fashioned' physical retail experience in an actual office space just seemed a fun way to translate this duality of space and time," she added.

Other recently completed stores in Shanghai include MVRDV's design for a Bulgari store which took cues from the glamour of art deco architecture, and a clothing shop called Canal St designed by Sò Studio to look like the New York subway.

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