Saturday, 31 July 2021

"Carbon washing is the new greenwashing"

Air Co vodka

The global push to reduce atmospheric carbon is being compromised by confusing terminology and misleading claims, argues Dezeen founder and editor-in-chief Marcus Fairs.


Carbon washing is the new greenwashing. Growing alarm about climate change has triggered a rise in the number of companies making questionable claims that they are addressing the issue.

Phrases such as "climate neutral", "carbon negative", "net-zero" and "offsetting" are casually bandied around, replacing terms such as "biodegradable", "compostable", "circular" and "ocean plastic", which were the hot bullshit buzzwords a couple of years ago.

Today, many companies appear to have switched bandwagons, swapping their plastic angst for climate concern. The new carbon jargon is designed to give the impression that new buildings and products make no contribution to atmospheric carbon, or even help reduce it.

Companies are simply taking advantage of vague and often meaningless terminology

The claims rarely stand up to scrutiny. Most often, companies are simply taking advantage of vague and often meaningless terminology and, knowingly or unknowingly, misleading the public.

Last month Air Co, the brand that created "carbon-negative" vodka in 2019 (pictured above), launched "the world’s first and only carbon-negative hand sanitiser made from technology that actually reverses climate change by mimicking photosynthesis".

The company claims to use carbon dioxide captured from the air to make the alcohol that is the base of its sanitiser. But, assuming the technology is for real, the product can only be carbon-negative if it remains in the bottle forever.

As soon as you use the sanitiser, you release the CO2 again. The same is true of the vodka: as soon as you drink it, you free the carbon.

Earlier this month, Associated Architects claimed its proposed Curzon Wharf project in Birmingham featured net-zero skyscrapers.

The firm later backtracked and claimed they would be net-zero in terms of operational carbon (carbon emitted during the building's use), but not embodied carbon (emissions caused by the construction process and materials supply chain).

But this means the project is not net-zero at all, since net-zero covers the entire lifecycle of a building, including embodied carbon, which accounts for around half the average project's carbon footprint.

More precise terminology is needed

These are just two examples of the many spurious claims that have landed in our inboxes recently.

More precise terminology is needed. The emerging carbontech sector, which Dezeen has covered extensively in its carbon revolution series, has settled on "net-zero" as the only game in town when it comes to decarbonising.

Although there is not (yet) an officially agreed definition of net-zero, it is widely understood to mean that there are no net contributions to atmospheric carbon across the entire lifecycle of a product, building or enterprise. For a building, that means both the embodied carbon and the operational carbon.

Offsetting often involves dubious transactions

All these emissions must add up to zero to count as net-zero. Since eliminating embodied carbon emissions is extremely hard, you are allowed to make up the difference via offsetting schemes that actively remove carbon from the atmosphere.

But "offsetting" is a widely abused term. It has become a get-out-of-jail card that can be played to make even the most polluting enterprise appear climate-friendly.

Offsetting often involves dubious transactions such as paying someone else to make fewer emissions than they would have otherwise, or getting someone to promise not to cut down a forest.

It also involves assuming that a forest used for offsets will never fall victim to a wildfire, although that is now happening with increasing regularity in the USA (this is one reason why many carbontech figures say that relying on tree-planting for carbon sequestration "doesn't make sense").

Google, which claims to have been carbon neutral since 2007 and to have eliminated its entire carbon legacy, achieves this by using offsets that, it claims, compensate for the company's emissions. In fact, they do not.

The tech giant's offsetting portfolio includes projects that capture methane from agriculture and landfill sites. This merely prevents more greenhouse gases entering the atmosphere, rather than undoing the emissions the company has already caused. However, since some of the captured methane is burned to produce energy, yet more CO2 is released into the atmosphere as part of the offsetting scheme.

The whole concept of carbon neutrality is a form of carbon washing

But Google's strategy aligns with the international PAS 2060 standard for carbon neutrality. This allows companies to claim they are carbon-neutral if they use offsets or carbon credits even if those schemes do not actually negate the emissions they are supposed to be offsetting.

This means that the whole concept of carbon neutrality is a form of carbon washing.

Instead of "offsetting", the carbontech crowd prefers the term "carbon removal". This takes carbon dioxide out of the atmosphere via methods including soil sequestration and direct air capture. The CO2 is then stored permanently on earth (a process known as carbon capture and storage or CCS) or puts it to use in products such as building materials (carbon capture and utilisation or CCU).

But even this terminology is being abused by the oil and gas industry, which has come up with a wheeze called carbon capture, storage and utilisation (CCUS). This seemingly carbon-friendly buzzword is a smokescreen for enhanced oil recovery, which involves pumping CO2 into depleted oil reserves in order to squeeze out the last, hard-to-reach deposits of fossil fuels.

The fossil industry gets away with this partly because the terminology around carbon is hopelessly confusing (although our guide to carbon might help). In its lexicon, the UN's Race to Zero initiative defines a bewildering range of seemingly overlapping terms including net-zero, absolute zero, climate positive and net negative (which mean the same thing), offsetting, insetting and more.

With the vital Cop26 climate conference fast approaching, the climate industry needs to get its act together and give people simpler guidelines to follow.

But confusing terminology is no excuse for inaction or carbon washing. The 2015 Paris Agreement sets out clear targets for the world: halve emissions by 2030 and become net-zero by 2050 in order to have a chance of keeping global warming within 1.5 degrees Celsius of pre-industrial levels.

This is something everyone has to do, including all the laggardly architects that have so far failed to sign up to Race to Zero or snubbed the RIBA's climate initiative.

These firms, along with everyone else, could start by focusing on just two buzzwords if they want their climate stance to be taken seriously: strive for net-zero carbon and use carbon removal rather than offsetting to help you get there.

Marcus Fairs is founder and editor-in-chief of Dezeen.


Carbon revolution logo

Carbon revolution

This article is part of Dezeen's carbon revolution series, which explores how this miracle material could be removed from the atmosphere and put to use on earth. Read all the content at: www.dezeen.com/carbon.

The sky photograph used in the carbon revolution graphic is by Taylor van Riper via Unsplash.

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Friday, 30 July 2021

This week MVRDV’s fake hill opened, and then closed again, in London

Marble Arch Mound by MVRDV

This week on Dezeen, the Marble Arch Mound designed by Dutch studio MVRDV was forced to partially close shortly after opening in central London.

The £2 million artificial hill in central London opened on Monday but was subsequently ridiculed by critics due to the poor quality of its planting.

In response, Westminster City Council closed the 25-metre-high attraction to new customers and issued refunds to disgruntled visitors.

Speaking to Dezeen, MVRDV admitted that the fake hill was not complete and should not have opened.

"Some elements were not ready, and it would have been better to wait until the greenery looked better," MVRDV told Dezeen. "But let's give nature a chance."

Toyko Olympic cauldron by Nendo
Nendo creates spherical Olympic cauldron with hydrogen flame

This week was also the first full week of the Tokyo 2020 Olympics. Japanese design studio Nendo's spherical cauldron was the centrepiece of the opening ceremony.

The cauldron was positioned within the 68,000-seat Japan National Stadium, which was designed by Kengo Kuma and Associates and is set to host the track and field athletics events at both the Olympics and Paralympics.

The bridge has multiple arches and vaults
Zaha Hadid Architects creates 3D-printed concrete bridge in Venice

In Venice, Zaha Hadid Architects and ETH Zurich unveiled a 3D-printed concrete footbridge that was assembled without mortar.

Another 3D-printed pedestrian bridge, which recently opened in Amsterdam after six years of development, was the focus of commenters attention.

One commenter said the bridge designed by Joris Laarman looked "like it was randomly plopped onto the site".

Andrew Waugh Architects founder Andrew Waugh
BREEAM and LEED green certification schemes are "meaningless" says Andrew Waugh

In a piece as part of our carbon revolution series, British architect Andrew Waugh said that environmental certification schemes were "meaningless".

According to the architect, schemes like BREEAM and LEED focus too much on operational emissions rather than emissions from a building's construction.

Kitchen plans
The Dezeen guide to kitchen layouts including peninsula, island and galley styles

We continued our series of Dezeen Guides with a look at kitchen layouts.

The guide explains eight of the most common kitchen arrangements with links to hundreds of examples to inspire you.

It was designed to reflect a ribcage
Ibuku completes "unprecedented" bamboo building in the Balinese jungle

Popular projects this week include a gymnasium made entirely from bamboo in Bali, a Corten-clad prison overlooking a fjord in Greenland and a monolithic concrete house in a Portuguese forest.

Our lookbooks this week focused on cosy cabin bedrooms and rooms with Japandi interiors.

This week on Dezeen is our regular roundup of the week's top news stories. Subscribe to our newsletters to be sure you don't miss anything.

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Estudio Galera builds "simple and imperfect" concrete holiday home in Argentina

Casa Jacaranda

Architecture office Estudio Galera has formed the Casa Jacaranda holiday home on the coast of Argentina by stacking and rotating concrete boxes that step out on every floor.

Located in the beach town of Cariló, the monolithic concrete home was configured as several distinct volumes that are stacked and angled relative to one another, reflecting the interior use of the space. According to local firm Estudio Galera, this arrangement provides more flexibility, while adhering to the area's strict zoning regulations.

Concrete House Argentina Cantilever Estudio Galera
The house uses a complex structural system of trusses to increase the floor plate size on each level

"A game of boxes is devised as a project strategy since it allows for grouping, stacking and skewing; boxes that can grow, shorten, expand or comprise depending on the need," said the firm in a project description.

"This exercise generates great flexibility and ensures versatility on the project proposal."

Concrete Argentina House Estudio Galera Fins
Slender concrete fins outside the windows provide some privacy to the bedrooms upstairs

The lowest level is also the smallest, as it serves only to access the rest of the house. An exterior staircase along the main facade, facing Jacaranda Street, leads upstairs to the main kitchen, living, and dining area.

On this level, two volumes intersect. One contains a bedroom, while the other is for the home's communal spaces, which are laid out in an open-concept configuration.

Full-height sliding glass doors open towards the back of the house, where there is a rooftop pool framed by the L-shaped building. "Contrasting with the connection to the street, the strategy in the interior is of a full opening, both in the treatment of the shape and in the space delimitation," the architects explained.

Because of the shifts in the floor-plates' size and orientation, covered walkways and terraces are created throughout the home, which allow residents to enjoy the outdoors for more of the year.

Covered Walkway in Casa Jacaranda by estudio galera
The architects preserved several trees on site, building around rather than removing them

The top floor contains three additional bedrooms, which face the street, as well as a multifunctional room overlooking the back yard and pool.

"The structural logic is inverted due to the needs of the program, stacking the boxes, from the smallest one which is buried to the largest ones on top," said the architects.

Swimming pool
A swimming pool occupies the courtyard formed by the building's L-shaped plan

Most of the construction is made of cast concrete, which was finished with different types of formwork that imprinted various textures into the material. For instance, some walls have a pattern of horizontal boards, while others bear the mark of sheets of plywood, like the floor slabs.

Estudio Galera describes concrete as "a material that never ages and which does not require great maintenance since it looks as it is from the very beginning," adding that it is both "simple and imperfect."

Argentina Concrete House by Estudio Galera
At dusk, the interior of the house appears to glow through the openings in the concrete

The architects also preserved some of the existing trees on site, forming the structural concrete elements around their trunks and integrating them into the architecture.

Other projects in Argentina include an apartment building in Buenos Aires by BBOA that is covered in light pink bricks and a residence by PSV Arquitectura that combines natural stone with long concrete beams.

The photography is by Diego Medina.


Project credits:

Architecture: Estudio Galera
Estudio Galera Team: Ariel Galera (architect), Cesar Amarante (architect), Francisco Villamil (architect)
Collaborator: Carla Pierrestegui (architect)
Project supervisor: Pablo Ahumada
Structural engineer: Javier Mendia
Surveyor: Claudio Deramo
Landscaping: Pasesaggio
Contractor: HM Construcciones – Hugo Marin
Electricity: Gabriel Jaimon
Sanitation: Christian Carrizo
Heating: CARILO Ingeniería
Ducts and sheet metal: Rubén Calvo
Custom metal working: Juan Rascione – Marcelo Herrero

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OTP Arquitetura completes mountain home on steep site outside São Paulo

OTP Arquitetura has completed a multigenerational house perched on a steep site in Brazil's Mantiqueira mountain range for a couple and their two sons.

The TKN house was designed for an extended family to share certain living spaces, while still maintaining privacy between various family members.

Hillside view of TKN house
The TKN house juts out from a hillside in the Mantiqueira mountains

It is located in Campos de Jordão, a mountainous region in the state of São Paulo.

"Set in one of the highest altitudes in Campos do Jordão, the TKN residence was oriented to face the great view that the site offers from the top of the city," said OTP Arquitetura in a project description.

Brazil House OTP Arquitectura Wood Slats Concrete
The architects oriented the home to make the most of it's mountain views. The end of the overhanging living room is a covered outdoor seating area

Accessed from the rear, the main entrance to the home is on the upper level, which is where the parents' living quarters are laid out.

The long leg of this L-shaped volume contains the family's kitchen, living and dining area in an open configuration.

Living room wood brazil interiors by OTP Arquitetura
The roof is pitched upward towards the landscape

Resting on two sets of steel columns, this space projects out into the landscape, offering panoramic views of the surrounding mountains through floor-to-ceiling windows. At the end, a covered porch is partially protected by vertical wooden slats.

Underneath this volume is a secondary terrace, which is mainly used by the downstairs residents.

Outdoor living room brasil OTP Arquitetura
The exterior living area is partially shaded by wooden slats

The owners' bedroom and en-suite bathroom is in a small adjacent volume, and accessed via a hallway. Their quarters are bordered on two sides by a large terrace, which they share with their sons that live downstairs.

"The kitchen and the dining room are integrated with the main room based on the resident's lifestyle," explained OTP Arquitetura.

Living room views from OTP Arquitetura House in Brazil
A midcentury-like palette and rich wood finishes lend a refined feel to the home's interiors

An interior staircase leads to the lower level, where there are two bedrooms, each with their own bathroom, and a secondary living and dining room. Having a separate kitchen also allows the family to have their meals independently as needed.

Throughout the home, rich wooden surfaces contrast the building's structural concrete construction. Besides these accents, the home's finishes were kept to a simple palette.

Concrete House OTP Arquitetura Brasil
A secondary outdoor space is formed by the overhanging upper volume

OTP Arquitetura is headed by Arthur Oishi, Raphael Takano and Pedro Prado. The studio, which was established in 2013, is based in São Paulo, roughly 125 miles from Campos de Jordão.

Other recently completed projects in Brazil include an A-frame cabin deep in the rainforest by Atelier Marko Brajovic and a simple pavilion for fishermen on Jaguanum Island.

The photography is by Guilherme Pucci.

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University of Indonesia presents 13 student design projects that respond to water

University of Indonesia

A project where Earth is ejected out of the solar system and another exploring how human gluttony to build more buildings has made soil become acidic is included in our latest school show by the University of Indonesia.

Also included is a wellness resource that uses water in the healing process and a water machine that imitates a tree's water system.


University of Indonesia

School: University of Indonesia, Department of Architecture, Final Project Studio 2021
Courses:
Tutors: 
Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun

School statement:

"This studio is based on critical reflections on the architectural imaginaries of water. We contemplated ubiquitous water, including our water in bodies and many other different manifestations.

"In a roundabout way, processes were developed through the research-by-design stages. This includes clarification, methodologies, application, and evaluation. These projects also reevaluate how design can define and redefine the relationship between architecture and water."


The Southern Throughway of Convergence | Parangkusumo Sacred Waters by Alvin N. Pratama

"Water in Javanese spirituality can be seen as something that is both an immaculate source of things or a dreadful entity. This came from the Hindu-Buddha conception of the world, where it is modelled after the living organism.

"In the narrative sense, the cosmic waters are considered the elixir of life generated to be the abode for the dead that is not free of darkness, death, and destruction.

"These resemble distinctively on the impression of Kanjeng Ratu Kidul a divine feminine figure to have both ideals in the metaphysical dimension. This project focuses on reconstructing those ideals of transcendence and sacredness of water in Ratu Kidul's Domain, the metaphysical realm."

Student: Alvin N. Pratama
Course: Final Studio 2021
Tutors: Hendrajaya Isnaeni, Verarisa Ujung and farid rakun


uni of Indonesia

WA.TE.RS: Mars Water Matter by Kharizmi Alda Raisa

"Taking advantage of Mars' water cycle and its special conditions can help raise awareness of human activities that use and produce water in different amounts and forms.

"In this project, by composing human activities based on the features of the Martian atmosphere that still uses water as a source of life, living spaces are formed that have different atmospheric features. With this unique system, it is hoped that humans can be more aware of the water system that occurs in each of their activities."

Student: Kharizmi Alda Raisa
Course: Final Design Studio 2021
Tutors: Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Manifesting Religious Tolerance in Indonesia with Water as Epitome: Sasana Tenggang Rasa by Dimas Rafidhiya Nugraha

"The interrelationship of the value of water based on religion shaped this project's narrative. The apparatus forms a tangible work of valuing water, through the water treatment process, depicts the value of the intangible one. This mechanism emits sensory information.

"Henceforth, sensory information was exposed to the users of the space. This prompted users to reflect upon and achieve one's internal sight. A monument of habit, a habit of respecting others. Engulfed by the guidance of flowing waters."

Student: Dimas Rafidhiya Nugraha
Course: Final Design Studio 2021
Tutors: Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Kasepen Saka Andon - Reimagining the Oceanic Noise Pollution by Andianto Mahdi Prasasya

"Our anthropogenic quest has interfered with the soundscape as a silent manifestation of oceanic ecological balance; the harmonious duality of biophony (natural sounds projected from the living creatures) and geophony (natural sounds projected from geological factors).

"Humans might care less about these facts due to how it remains unheard.
"These views on the disturbed ocean soundscape envisions the initial narrative for the architectural scheme.

"The project explores the oceanic noise pollution as a primary space-making substance that relates to three actors/actants, namely the marine creature (as the direct toll of the catastrophe), the local, small-Andon fishermen (as the indirect toll of the catastrophe), and operators of the ocean industry (as the causator of the catastrophe)."

Student: Andianto Mahdi Prasasya
Course: Final Design Studio 2021
Tutors: Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Sea Guardian Tale by Kanza Risqi Fachriza

"Sea Guardian Tale' tells a hypothetical scenario about how sea gipsies adapt their life while facing oil spills.

"The whole scenario from before the chaos and after the chaos unfolds through the narrative. The purpose of this project is to reimagine and push the imagination to solve the issues by adapting their past nomadic life."

Student: Kanza Risqi Fachriza
Course:
Final Design Studio 2021
Tutors:
Hendrajaya Isnaeni, Verarisa Ujung, Farid Rakun


The Last Winter on Earth: Inhabiting The Hostile (or, how the rich save themselves) by Radinda Syahira Pratiwi

"This is an impossible story of the Earth being ejected out of the solar system. Through the use of the Earth's internal heat and their collective ruling elite solidarity, a particular group of survivors builds their techno-driven commune to stay alive."

Student: Radinda Syahira Pratiwi
Course:
Final Design Studio 2021
Tutors:
Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Foresting a City: Imitating The Unseen Water Machine, Jakarta by Almas R. Salsabila

"This is a speculative architecture project in resolving Jakarta's water cycle disruption problem. The invasion of concrete in the city is commonly thought of as an indicator of infrastructure advances, yet it is also a disruptor.

"Humans' gluttony, to build more buildings and roads by pouring extra concrete, has made soil become acidic and separating water to be absorbed.

"This project tries to construct a water machine by imitating a tree's water system. With the touch of industrialism and greyish mood, it attempts to portray the overconsumption of human's love to concrete."

Student: Almas R. Salsabila
Course:
Final Design Studio 2021
Tutors:
Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Coexisting with Fluidity: Lok Baintan Reimagined by Deandra Adellia Shavira

"This project is a floating market that reimagines a new way to coexist with water in Lok Baintan while preserving its existing identity."

Student: Deandra Adellia Shavira
Course:
Final Design Studio 2021
Tutors:
Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Consciousness of Water: Alternative Living Space Within The Sea Water Desalination Process by Naufal Mahdyan Risky

"In this project water is used as a medium to enhance human consciousness of the water itself. The architecture was formed from the logic of seawater desalination infrastructure.

"The process is directly involved with the daily activities of its people and enhances human consciousness of water."

Student: Naufal Mahdyan Risky
Course:
Final Design Studio 2021
Tutors:
Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Shifuku: Hakusan Wellness Resort by Aafini Rizqia Kamal

"Shifuku is a wellness resort located in Hakusan, Ishikawa, Japan. The resort is located near Shirayamahime Shrine, a Shinto temple dedicated to purification.

"Inspired by the dualism of water symbolism, this project utilises water's ability to mark the passage from one psychological condition to another.

"This project choreographed water into various states and motions, creating a series of atmospheric experiences through the journey of healing."

Student: Aafini Rizqia Kamal
Course:
Final Design Studio 2021
Tutors:
Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Praiyawang Livestock Centre by Muhammad Kemal Haqqy

"Praiyawang Livestock Centre responds to four main issues in East Sumba, which consists of excessive evapotranspiration, decreasing infiltration rate and grazing area, low economic activity and tourism.

"The interventions use dew water harvesting technology, hybrid livestock farming system, and involvement from the local community to solve water loss issue, fertilise the local soil, optimise productivity, and enhance tourism. Each intervention is correlated with one another to achieve these goals."

Student: Muhammad Kemal Haqqy
Course:
Final Design Studio 2021
Tutors:
Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Dystopia 2050: Global Warming by Emira B. Ramadhan

"Dystopia 2050: Global Warming is a narrative based architecture project based on the condition of how architecture could respond to a dystopia.

"The architecture is located at the North of Jakarta, in the middle of the sea. Half of Jakarta has sunk due to global warming. No matter how hard humans try to defeat nature, they'll never win as nature is a far greater force than people."

Student: Emira B. Ramadhan
Course:
Final Design Studio 2021
Tutors:
Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Walk Through Forces by Vania Sabrina Dara Oktaviani

"Walk with the Kampung Pulo neighbourhood. This project involves three layers built to accommodate activities carried out by riverside residents."

Student: Vania Sabrina Dara Oktaviani
Course:
Final Design Studio 2021
Tutors:
Hendrajaya Isnaeni, Verarisa Ujung and Farid Rakun


Partnership content

This school show is a partnership between Dezeen and The University of Indonesia. Find out more about Dezeen partnership content here.

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