Friday, 29 October 2021

This week architects and designers anticipated COP26

COP26

This week on Dezeen, we spoke to architects and designers ahead of the COP26 climate conference in Glasgow, which begins this weekend.

In anticipation of the event, 10 architects and designers who are attending told Dezeen about their hopes and fears for the conference.

According to Royal Institute of British Architects (RIBA) president Simon Allford, the two-week event "marks a critical juncture for humanity".

Sara Cultural Centre, SkellefteƄ, Sweden
UK Green Building Council picks 17 "exemplary sustainable projects" for COP26 virtual pavilion

In preparation for the event, the UK Green Building Council picked 17 sustainable projects, including a timber cultural centre in Sweden (pictured), to be displayed at its Build Better Now virtual pavilion during the conference.

Also to mark the event, architecture studio Stride Treglown installed a "sinking" Monopoly-style house (pictured top) in Bath's Pulteney Weir.

A woman walks across a brightly painted rooftop
Lakwena Maciver paints a "vision of paradise" on the roof of London tube station

In London, the latest in an increasing number of colourful urban installations was opened on top of the Temple Underground station.

Created by Lakwena Maciver, the artwork, called Back in the Air: A Meditation on Higher Ground, was designed to be a "vision of paradise".

Feet walking over Yinka Ilori crossings for Bring London Together
Eight multicoloured paint installations that brighten up London

Acknowledging the trend, we rounded up eight examples of polychromatic paint jobs in the city, including designs by Yinka Ilori and Camille Walala.

This week, Ilori also collaborated with toy brand Lego to design the colourful Launderette of Dreams as a playspace for kids in east London.

Waste Age exhibition at the Design Museum
Waste crisis a "design-made mess" says Design Museum show curator

Also in London, the Waste Age exhibition opened at the Design Museum.

The exhibition aims to show how design contributed to the rise of throwaway culture and demonstrate possible solutions developed by product, fashion and building designers.

Al Thumama Stadium
Stadium modelled on traditional Arab head cap opens ahead of Qatar World Cup

In Qatar, the latest World Cup venue was completed ahead of the tournament, which is set to take place next year.

Designed by Qatari architect Ibrahim M Jaidah, the shape and decoration of the Al Thumama Stadium was based on a gahfiya cap.

Cedar-Clad house
Rough-sawn cedar clads Whidbey Dogtrot house in Washington by SHED

Popular projects this week included a house in Washington clad in rough-sawn cedar, Balenciaga's "raw" flagship store in London and Peter Pichler's angular concrete-and-glass villa in an Italian vineyard.

Our lookbook this week focused on interiors with smart and stylish storage solutions.

This week on Dezeen is our regular roundup of the week's top news stories. Subscribe to our newsletters to be sure you don't miss anything.

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OMA reveals design galleries at renovated Denver Art Museum

Design Gallery at Denver Art Museum

The New York office of architecture firm OMA has designed galleries and a studio inside Gio Ponti's Denver Art Museum, which recently underwent a major redevelopment.

As part of the project OMA designed 11,500 square feet (1,068 square metres) of new and renovated galleries inside Ponti's 1971 Martin Building, as well as a studio space.

Entrance to the Design Gallery
The Design Gallery at the Denver Art Museum has a curved reflective wall at its entrance

The spaces form part of a wider overhaul and extension of the campus, carried out by Machado Silvetti Architects and Fentress Architects and completed in September 2021.

The three spaces by OMA, which the firm first unveiled plans for in January 2020, include the Design Gallery, Mezzanine Gallery and Design Studio – all distinct yet interconnected.

A display of chairs on white platforms
Flexible platforms and podiums can be reconfigured for different exhibitions

"It was an exciting exercise, designing within the historic Gio Ponti building and drawing from his extensive, multi-faceted body of work," said OMA partner Shohei Shigematsu.

"Much like his design philosophy, the role of design seems to grow and diversify exponentially," he continued. "A direct consequence of design ubiquity is accessibility and literacy, and we wanted the galleries to react to these changes."

Exhibition space with stepped plywood podiums
A central "piazza" is surrounded by a series of rooms and podiums

The 7,750-square-foot (720-square-metre) Design Gallery is laid out around a central "piazza" surrounded by an alternating sequence of rooms and islands.

For the opening exhibition, titled By Design: Stories and Ideas Behind Objects, the displays are formed from a variety of modular, flexible platforms that can be viewed simultaneously from different vantage points.

A collection of designs clustered on a white platform
The first exhibit in the new Design Gallery is titled By Design: Stories and Ideas Behind Objects

Made from a range of materials, including plywood and resin, the plinths and podiums are aligned with a grid but can be rearranged for future shows.

Reflective surfaces wrap a curved wall at the entrance to the gallery, which echoes the shape of the building, and line one of the display rooms.

Meanwhile in the smaller Mezzanine Gallery, which measures 1,900 square feet (177 square metres), a series of ceiling-mounted mirrors run through the exhibit.

Aptly presenting a retrospective of work by Ponti to coincide with the reopening, the gallery features display structures, platforms and signage are intended to mimic the shifted volumes in the famed architect's work.

Mezzanine Gallery
The Mezzanine Gallery is currently hosting an exhibition of work by the museum's original architect, Gio Ponti

In the Design Studio, visitors are encouraged to freely explore the creative processes, and engage with objects and materials left for their use.

The flexible and interactive space has hinged walls, which shift with the studio's requirements and also double as both displays and storage.

Mirrored ceiling panel in the Mezzanine Gallery
Mirrored ceiling panels run through the gallery

"The three spaces pose new ways of seeing as well as interacting with objects and materials—they present different spatial and programmatic identities," said Shigematsu, "but work collectively as a platform for shifting the discourse beyond mere consumption of design, by incorporating movement, odd perspectives, and intimacy."

OMA's work with the Denver Art Museum (DAM) follows its exhibition design for Dior: From Paris to the World, staged at the museum in 2018 before moving to the Dallas Art Museum the following year.

The Design Studio
A Design Studio allows visitors to interact with objects and materials

"Working with the Denver Art Museum team on the architecture and design galleries and studio was a particularly meaningful way for us to continue our collaboration with the museum," said OMA associate Christy Cheng.

"Architectural and design objects are ones that people encounter every day, and we loved working with DAM to consider how to best tell the stories behind those objects so that the visitor understands design as a process."

Another view of the Design Studio
Hinged walls in the studio allow for flexibility and double as storage

The firm's New York office also created the scenography for Manus x Machina, a showcase of fashion and technology at The Met's Costume Institute in 2016.

The photography is by James Florio.

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KU Leuven's Faculty of Architecture spotlights eight architectural projects

A project exploring women's experiences of public space during the Covid-19 pandemic and another that examines "architecture beyond the physical" is included in Dezeen's latest school show from students at KU Leuven.

Also featured is a project that looks at the sociological importance of the kitchen, and another that explores post-war parish churches in Flanders.


KU Leuven

School: KU Leuven's Faculty of Architecture
Courses: Architecture, Interior Architecture, Urban Design and Spatial Planning and Educational Masters
Tutors:
Jo Van Den Berghe, Thierry Lagrange, Sven Sterken, Charlotte Ardui, Burak Pak, Karel Deckers, Jo Liekens, Tom Callebaut, Rolf Hughes, Nel Janssens, Rachel Armstrong, Annelies de Smet, Jo Liekens, Roel De Ridder, Laurens Luyten, Bruno Notteboom, Caroline Newton, Babette Wyckaert and Bjoke Carron.

School statement:

"The Faculty of Architecture, situated in Brussels and Ghent, provides an interactive and open environment that accommodates students worldwide.

"The history of the faculty and the proximity of the professional and academic art courses of LUCA School of Arts determines its individuality.

"Most design studio teachers are in practice and enthusiastically transfer the knowledge and skills from their architectural office to students.

"The design studio landscape of the Faculty of Architecture is formed along with engagements with each specific focus: Urban Cultures, Craftsmanship, Legacy, Mediating Tactics and The Brussels Way.

"A rich series of lectures and exhibitions called Going Public deepens and accompanies each of the engagements."


An image of The Autonomous City by Vitor Silveira Breder Rocha

The Autonomous City by Vitor Silveira Breder Rocha

"Misconceived interpretations of the concept of autonomy have been fostering a neoliberal discourse, where labour exploitation and capital accumulation prevail.

"By developing a concept of autonomy that gathers notions of the commons, de-financialisation of housing, citizen participation, occupation and activism, and flexibility in architecture, this research tries to respond to every prerogative present in the process of neo-liberalisation.

"The aim is to create a flexible framework for its application in cities. The outcome merges temporary use with affordable mobile housing as a claim for an autonomous city agenda for the city of Brussels."

Student: Vitor Silveira Breder Rocha
Course: International Master of Architecture, studio: Alt_shift* Altering Practices for Urban Inclusion - Envisioning the Future of Temporary Housing and Inclusive Collective Spaces in Brussels
Tutors: 
Burak Pak and Aurelie De Smet
Email: 
bredervitor[at]gmail.com


An artwork of Church The Revaluation of St. Rita's Church by Quinten Malfait

Church The Revaluation of St. Rita's Church by Quinten Malfait

"The starting point of this project is the re-valuation of post-war parish churches in the scattered built fabric of Flanders.

"The project is a poetic translation between the current social and urban conditions, along with the cultural development of this building as a sacred space and a monument, within its generic context.

"The case study, namely the iconic brutalist Saint-Rita church from Belgian architect LĆ©on Stynen, set the stage for multiple interventions on different expanding scales.

"On a scale of the site, he designed a canopy with oversized columns, creating a new framework for this monument with an in-between atmosphere.

"Thus, the church's radiance introduces a new network and becomes sacred for Christians as well as architecture fanatics."

Student: Quinten Malfait
Course:
Master of Architecture, studio: OMG! Van God Los, Faith in the periphery
Tutor:
Sven Sterken
Email:
quintenmalfait[at]gmail.com


A photograph of Kitchen Stories by Liese Mortreu

Kitchen Stories by Liese Mortreu

"This project explores the kitchen as a space from which to reconsider the impact of our daily choices and relation to our environment, through the practice of food making.

"Through the everyday, capitalism reproduces itself into the Anthropocene.  To do so she leaves behind the formal conventions of the fitted kitchen and reconfigures its meaning through a series of short stories.

"Those short stories reconstruct the kitchen in its physical, social and psychological dimension, demonstrating it as a typology that creates natural and social wealth, as it is only possible in the intimate context of a home."

Student: Liese Mortreu
Course: International Master of Architecture, studio: Wicked Home
Tutors: Rolf Hughes and Rachel Armstrong
Email:
liesemortreu[at]gmail.com


A image of (Un)Familiar by Inez Leduc

(Un)Familiar by Inez Leduc

"The (Un)Familiar project distances itself from everyday furniture.

"This is to examine its fixed image, to question its relevance, value and to assign new layers to it.

"In my design research process, I shift the function and aesthetics of the furniture to the background so that other (re)discovered qualities come into the spotlight with which I explore the boundaries of furniture.

"I substantiate the collection of furniture from thrift shops and stretch the viewer's imagination, move away from entrenched ideologies around evidentiality and stir the imagination.

"This design research process made me travel through everyday furniture that carries its own, but unknown to me, story."

Student: Inez Leduc
Course: Master of Interior architecture, studio: Performative Space and Proximity
Tutors:
Jo Liekens and Roel De Ridder
Email:
inezleduc1[at]hotmail.com


A photograph of a building representing The Other – The Ethics of Levinas in Public Space by Chelsey Watthy

The Other – The Ethics of Levinas in Public Space by Chelsey Watthy

"With this project, I researched Emmanuel Levinas, a western philosopher who criticizes the fundamental principle of Western philosophy: the 'I-perspective' as the central point.

"The central point of Levinas is 'the other'. It seemed to be a sublime challenge to introduce Levinas' thinking in interior architecture.

"The Levinas philosophy shows that the interior of the house is an important place to be open to others.

"When we can reveal the interior, we can become aware of 'the other'. The design puts forward a surrealistic cut, in which the other takes center stage by reversing the interior and exterior.

"The cut consists of relics of the other that have been upgraded. The answer to the inquiry offers the unfolding of a surrealistic cut, which is essentially an architectural contradiction of the 'I' as the main point of departure for Western philosophy and architecture in general."

Student: Chelsey Watthy
Course: Master of Interior Architecture, studio: Public Space and Vocation
Tutors: Karel Deckers and Lien Van der Jeught
Email: chelsey.watthy[at]telenet.be


A diagram of Women in the Public Sphere during and after Covid-19

Women in the Public Sphere During and After COVID-19 by Emma Van Den Daele

"The Covid-19 pandemic does not affect everyone in the same way. Where you live and how you live affect how you experience the pandemic.

"By examining how the pandemic affects certain groups, measures can be made more effective and potential negative impacts can be minimized. This study focuses on women. From previous crises, we can say that women can be active players in the field of change.

"While they tend to experience the consequences of the crisis in an often negative way. This crisis, the corona crisis, is not gender-blind either.

"Drawing on existing literature and our own research, this master's thesis provides an overview of how the current pandemic can be an opportunity for women in the use and appropriation of public space."

Student: Emma Van Den Daele
Course:
Master of urban design and spatial planning, studio: Just Transitions
Tutors:
Caroline Newton and Babette Wyckaert
Email:
Emma.vandendaele[at]hotmail.com


An image of Farmscape – Spatial Tree and Forest Configurations in the Agricultural Landscape by Marie Geldof

Farmscape – Spatial Tree and Forest Configurations in the Agricultural Landscape by Marie Geldof

"In this master's thesis an answer is formulated to the following two research questions:

"How can we integrate more forest and trees in agricultural areas in an urbanized context?

"How can these alternative forms of agriculture contribute to a stronger social connection and a coherent ecological network?

"From the literature, a theoretical framework and an agroforestry catalogue of innovative farming types was distilled, that determined the rest of the research.

"Theoretical models of agroforestry visually translate into spatial concepts. This overview describes the differentiation between the different types of agroforestry, the morphological classification of the trees, the different advantages and disadvantages of the types of agroforestry and the practical rules, conditions and management for planting trees in function of crop production.

"This agroforestry catalogue is then tested on through design research.

Student: Marie Geldof
Course: 
Master of Urban Design and Spatial Planning
Tutors: Bruno Notteboom and Bjoke Carron
Email: marie.geldof[at]student.kuleuven.be


An image of Interiorities, Embeddedness and the Dwelling by Marie Porrez

Interiorities, Embeddedness and the Dwelling by Marie Porrez

"This master thesis displays a dialogue between the theme of drawing and interiority and embeddedness in relation to the 'dwelling'.

"This led to the description of three interiorities through the act of drawing: interiority of dwelling, landscape, and memory.

"It comes together in a place of withdrawal that reflects my own mental space charged by memory and embeddedness into the landscape.

"I hope to offer the beholder new perspectives on these themes. To explore the narrative space and architecture beyond the physical. Architecture as the moment where the poetic image of memory and construction emerge together."

Student: Marie Porrez
Course:
Master of Architecture, studio: The Drawing and the Space
Tutor:
Jo Van Den Berghe and Thierry Lagrange
Email:
porrez.marie[at]gmail.com


Partnership content

This school show is a partnership between Dezeen and KU Leuven. Find out more about Dezeen partnership content here.

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Redesign the World winners to be announced during Dezeen 15

Redesign the World logo

The 15 best entries for Dezeen's Redesign the World competition powered by Twinmotion will be revealed during our Dezeen 15 festival, which starts next week.

The Redesign the World competition, which we launched earlier this year with Epic Games, called for radical new ideas to rethink the future of planet Earth.

The contest received over 100 entries from more than 30 different countries around the world.

These were assessed by a judging panel comprising White Arkitekter CEO Alexandra Hagen, structural engineer Hanif Kara, speculative architect Liam Young, Twinmotion product marketing manager Belinda Ercan and Dezeen founder and editor-in-chief Marcus Fairs, which selected 15 proposals as finalists to be published on Dezeen.

Competition received "mind-blowing" proposals

"Entrants really grappled with the challenge set down by the contest and we were very impressed by the quality of entries," said Fairs.

"There was a wide variety of ideas, from elevated cities to underground habitats, and lots of imaginative solutions for solving the climate crisis. This made it difficult to judge, but the 15 selected proposals all present interesting ideas that will provoke lots of discussion about the future of our planet."

"While the sheer number of creative solutions is impressive, it is the unbounded imagination of the winners and their ability to use technology to think and build at planetary scale – for a better world – that we find to be truly humbling," said Ercan.

"This experience has been nothing short of inspiring and mind-blowing for the Twinmotion team, and we would like to thank everyone who contributed to its success."

Fifteen best proposals to be published during Dezeen 15

From the 15 finalists, the judges have also selected an overall winner, a runner-up, two joint third-placed entries and one highly commended entry.

Dezeen will be publishing one finalist a day from 1 November, culminating in the announcement of the winner on 19 November.

The winner will receive a top prize of £5,000. The runner-up will get £2,500, the two third-placed entrants will receive £1,000 each and the remaining 11 finalists will each receive £500.

Competition powered by Twinmotion

The Redesign the World competition, which was free to enter, called for new ideas to redesign planet Earth to ensure it remains habitable long into the future.

Entrants were tasked with creating a 3D visualisation of their proposal using real-time architectural visualisation tool Twinmotion.

For each finalist, Dezeen will publish a still render and a short video created in Twinmotion to showcase their proposal.

Finalists revealed during Dezeen 15

The Redesign the World competition ties in with Dezeen 15, a three-week festival to celebrate Dezeen's 15th birthday.

The festival will see 15 creatives including Es DevlinWiny Maas and Neri Oxman propose ideas that could make the world a better place over the next 15 years.

Each contributor has prepared a written manifesto and we'll publish one of these each day for the 15-day duration of the festival.

In addition, we'll conduct a live interview with each contributor, in which they'll present their idea and discuss it with Dezeen founder and editor-in-chief Fairs. View the schedule here.

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Marmoleum Linear linoleum flooring by Forbo

Marmoleum Linear linoleum flooring by Forbo

Dezeen Showroom: Forbo has expanded its Marmoleum Linear collection of linoleum flooring, which the brand says is carbon neutral and made with all plant-based materials.

Composed of linseed oil, waste wood flour and jute, the Marmoleum Linear flooring features a softly striped design with an organic feel.

Marmoleum Linear flooring by Forbo
Marmoleum Linear features a softly striped pattern inspired by wood grain (top and above)

The new additions to the collection expand its neutral palette with more greys and light tones, bringing the total number of colour options to 16.

Marmoleum Linear's patterns reference wood but do not try to imitate it. Instead, the designs use the repetition of irregular stripes to create an impression of softness and comfort.

"With this new Linear collection we move away from the institutional look of public spaces and strive to bring the warmth and calm ambience out of home environments," said Forbo.

Marmoleum Linear linoleum flooring by Forbo
Different colours of Marmoleum Linear can be used to mark out spaces

The striped patterning on Marmoleum Linear can be used to create directional and connective design between areas within a building while different colours can be used to mark out spaces such as waiting areas or play corners.

The linoleum flooring is PVC-free and according to Forbo, its production is carbon neutral without the need for offsetting due to the amount of CO2 that is sequestered from the atmosphere by the plants throughout their lifetime.

Product: Marmoleum Linear
Brand: Forbo
Contact: questions@forbo.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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