Sunday, 31 October 2021

Klima wraps Maple Haus in the Utah mountains in weathering steel

Maple Haus by Klima

Local firm Klima Architecture prioritised energy efficiency and a low-maintenance exterior while designing this three-level family residence near Park City, Utah.

The studio designed Maple Haus for a site just outside of Park City, a ski town on the eastern front of Utah's Wasatch Mountains.

Maple Haus by Klima Architecture
Maple Haus is located in Utah's Wasatch Mountains

The project was designed by Klima Architecture, which was founded in 2010 as Park City Design + Build and took on a new name last year.

The house was initially designed by to be a home for the studio's founder Chris Price. But due to the area's favourable real estate market, he ended up selling the home to new owners who use it as a full-time residence.

View from Maple Haus
The house sits in a forested community

The house sits within a forested community with an eclectic mix of abodes, from older cabins to contemporary dwellings. Price has lived in the neighbourhood for over a decade and has designed four homes there, including the Meadows Haus and Tree Haus.

"I gravitated here because historically you could get really cheap lots, and there is the utmost advantage of not having an overarching homeowner's association with design guidelines," said Price.

Cube-like external structure
A property called the Cube House informed the dwelling's design

He added that many Park City neighbourhoods have adopted restrictive guidelines, resulting in an "uninspiring built landscape."

While designing Maple Haus, Price took inspiration from an adjacent property – the Cube House, designed by the late architect John Sugden, who had apprenticed under Mies van der Rohe.

Corten steel facade
Klima wrapped the house's upper levels in Corten steel

"In true Mies/German efficiency, the house was built around a rigid grid of steel and glass, all on a concrete plinth," said Price.

"I wanted to take a notch out of this philosophy and design this house with the same rigour, but with modern materials and Passive House detailing."

Black kitchen cabinets by Klima
Kitchen counters are topped with black granite

Approximately rectangular in plan, the Maple Haus rises three levels on a sloped site. The house measures 60 by 24 feet (18 by 7.3 metres) and is laid out on a 12-foot (3.7-metre) grid.

"This helped minimise material waste when framing, and allowed us to work faster," said Price.

Wooden walls inside
Wood clads the property's interior walls

Creating an air-tight building envelope was a key concern. The architect used double-stud construction to form super thick walls filled with insulation. Triple-pane windows help lock in heat.

The base has a concrete exterior, while the upper levels are wrapped in Corten steel – a low-maintenance material that holds up well against fire, bugs and sunlight.

"On top of the steel siding is a second solar screen made of steel angle iron," said Price. "This functions solely on the southwest and northwest sides of the home, blocking around 30 per cent of that harsh western light."

Within the home, the team created light-filled spaces with crisp detailing.

Central staircase
A staircase with wood-veneer treads connects the three levels

The lowest level holds two bedrooms, while the middle floor contains a garage and guest quarters. The top level encompasses the main suite and an open-concept kitchen, dining area and living room.

All three levels are connected by a staircase made of black-painted steel with wood-veneer treads. Price and his father built all of the home's steelwork.

Maple wood features in the house
Klima used various earthy woods were used in the design

Earthy materials help tie the home to its natural setting. Hem fir was used for walls and ceilings, while maple was used for floors. Counters are topped with black granite.

Rooms were initially dressed with furniture from the Italian brand Poliform.

Bathroom with large glass windows
Large windows connect occupants to their outside surroundings

Large stretches of glass help occupants feel connected to the scenic landscape – a high desert, alpine ecosystem with pine and oak trees. An operable, triple-pane skylight brings in light from above while also allowing hot air to escape.

The roof is designed to allow for photovoltaic panels and a roof terrace in the future.

The house is located just outside of Park City, a ski town

Once a mining area, Park City is now a beloved destination for skiers and nature enthusiasts. Other projects in the mountain town include a residence by Imbue Design that consist of wood-clad, rectilinear volumes that are positioned around a central courtyard.

The photography is by Kerri Fukui and Lauren Kerr.

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Wowowa uses colourful accents to update 60s home in Melbourne

The roof of the home is scalloped

A scalloped metal roof and brightly coloured accents feature in a renovation and extension of a 1960s home in Melbourne by local architecture studio Wowowa, which has been shortlisted in the residential rebirth category of Dezeen Awards 2021.

Designed to express the client's own personal aesthetic the renovation, called Pony, adds four new bedrooms and two bathrooms to the existing single-storey home.

The layout was also reconfigured to improve the relationship to the garden.

The profile of pony's roof is scalloped
Top: Wowowa renovated and extended a 1960s home in Melbourne. Above: the exterior of the home was clad in glazed bricks

"The plan was arranged along a double-axis – a prominent post-war design driver to increase connection to the garden, creating a front, back and central courtyard," explained the Wowowa.

"Our design exaggerated the existing axial plan through a clip-on colonnade."

This "clip-on colonnade" extends the axis along the rear of the home and is defined by a run of glazed brick columns framing large windows, creating a bright corridor space that connects a new strip of children's bedrooms.

There is a gated pool area at pony
Wowowa added four new bedrooms and two bathrooms to the single-storey structure

Above, the scalloped roof structure is expressed internally by a wooden ceiling that sweeps "like the belly of a whale" above this new corridor, referencing the construction of boats.

"The structural design, cladding and construction methodology for the roof form was not dissimilar to the construction of a boat, with a keel, bow and stern," said the practice.

Moving the children's bedrooms to this wing freed up space within the original footprint, which now contains a large en-suite main bedroom to the south alongside a new sitting area, connecting via the entry hall to a large kitchen, living and dining area.

Designed to be the heart of the home, this central space is organised around a bright yellow table and counters, with a "desert inspired" colour palette expressed through terrazzo splash backs and pastel pink cabinets.

"Reflecting their personal aesthetic through form, materiality and colour, the interiors are an accretion of small moments of delight that allow a family to find a quiet moment alone or come together," described the practice.

Interior view of the kitchen at pony
Colourful accents were added to the home including pale pink and yellow cabinetry

Sliding doors to the north connect to a new courtyard created by the extension, allowing the living and dining areas to open out onto an area of raised decking.

"Each axis has the capacity to be closed from the next, allowing a separation of the noisy living spaces from quiet adult areas and children's study zones," it continued.

The home has wooden floors and ceilings
The ceiling has an undulating form that follows the shape of the scalloped roof

The colourful accents in the kitchen extend into the new bedrooms, where pinks and yellows have been used to finish doors and furniture.

Previous projects by Wowowa include a home in Melbourne with cylindrical brick turrets and copper cladding, designed to reference agricultural buildings.

Other projects shortlisted in the residential rebirth category of the 2021 Dezeen Awards include Šilta Šiauré's charred timber clad block of holiday apartments and Matt Gibson's renovation and restoration of a Melbourne home.

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Ten elegant interiors with a dark and moody atmosphere

house h apartment by kc design studio

With Halloween approaching, our latest lookbook highlights 10 dramatic dark interiors from the Dezeen archive, including a concrete-walled restaurant and a gothic nightclub.

These ten projects each make use of dark colours and low light to create an intriguing atmosphere.

While in some cases – such as in a nightclub – the dark colour palette suits the function of the space, other projects chose monochrome hues to minimalise visual distraction or stand out from more colour-saturated competitors.

This is the latest roundup in our Dezeen Lookbooks series that provides visual inspiration for designers and design enthusiasts. Previous lookbooks include smart storage solutions, homes with playful slides, and interiors with window seats.


Voisin Organique restaurant by Various Associates

Voisin Organique, China, by Various Associates

Cavernous ceilings and low lighting was used to create a dark and moody setting at this farm-to-table restaurant in Shenzhen by Various Associates.

The studio took advantage of the space's shadowy qualities to create an experience that aims to mimick "wandering in a valley".

Surfaces were covered in a matte-finish foil that only dimly reflects the light, which was used sparingly throughout the restaurant. Just a handful of spotlights were added to the ceiling.

Find out more about Voisin Organique ›


Shibuya Apartment 201,202 by OgawaArchitects

Shibuya apartment, Japan, by Hiroyuki Ogawa Architects

Hiroyuki Ogawa Architects overhauled two apartments in Tokyo, renovating one of them with a material palette of dark plaster, concrete and grey carpet.

The walls and ceilings of the Airbnb apartment were covered with dark plaster which is illuminated by a large full-height window. Matching dark concrete fixtures were added to the living space, including a kitchen island and bar.

Find out more about Shibuya apartment ›


House H in Taiwan designed by KC Design Studio

House H, Taiwan, by KC Design Studio

KC Design Studio applied a greyscale palette to its renovation of this cave-like apartment in Taipei.

A corner-fitted staircase folds and rises along the textural plastered walls of the basement, below a large window that connects the two floors of the apartment. Cabinetry and fixtures were coloured in a slate hue to further add to the dark look of the space.

Find out more about House H ›


B018 bunker nightclub by Bernard Khoury has been refurbished

B018, Lebanon, by Bernard Khoury

Lebanese architect Bernard Khoury designed the dark interior of the B018 nightclub in Beirut to have a gothic feel. It references both religious architecture and abattoirs.

The interior was built with solid stone, including walls, floors, ceilings and furniture. Altar-like seating was added to the space, with carved-out grills that provide glimpses into neighbouring booths.

Find out more about B018 ›


The Krane, Copenhagen, Denmark, by Arcgency Resource Conscious Architecture

The Krane, Denmark, by Arcgency

An industrial coal crane on the waterfront of Copenhagen was renovated by Arcgency into a luxury retreat with black interiors.

The space features all-black interiors with built-in and custom furniture crafted from leather, wood, stone and steel. The studio clad the walls, floors and ceilings of the space in wooden panels that were stained jet black.

"Black plays a pivotal role in muting and minimising visual distractions so people feel almost enveloped in the interior," the studio explained.

Find out more about The Krane ›


Fusion Danilo paint showroom designed by JG Phoenix

Danilo showroom, China, by JG Phoenix

Located in Shantou, China, the Danilo paint showroom by JG Phoenix was informed by the ancient philosophy of yin and yang.

Muted, red vaulted corridors are connected with dark cave-like spaces through circular openings in walls. Boldly shaped furniture was placed in front of the textural walls to accompany the space's curving form.

Find out more about Danilo showroom ›


IN 2 by Jean Verville

IN 2, Canada by Jean Verville

Canadian architect Jean Verville transformed the interiors of a 1950s cottage into a monochromatic home that was stripped of its original features, fixtures and finishes.

In places, rooms were swathed in black paint. The kitchen features an all-black interior with walls, ceilings, cabinetry and fixtures removed of colour. Windows looking out to the garden provide the interior with pops of green.

Find out more about IN 2 ›


Terrace House, Japan, by Atelier Luke

Japanese-Australian architecture studio Atelier Luke renovated this house in Kyoto, stripping it back to its structural elements in an effort to highlight the previously hidden beams.

The studio stained the upper level of the home and the internal timber structure and ceiling black to create "a spacious void of shadows".

The black-stained skeleton extends to the poured concrete floors and highlights a warmly-hued cedar volume at the centre of the space that contains a bathroom, kitchen and lofted sleeping space.

Find out more about Terrace House ›


Lucky Cat restaurant by AfroditiKrassa

Lucky Cat restaurant, UK, by AfroditiKrassa

AfroditKrassa blanketed the interior of this restaurant in London with moody tones in an effort to separate it from the colour-saturated Instagrammable aesthetics of many other restaurants.

The studio looked to underground Japanese jazz cafes to inform the design, incorporating wood parquet flooring, an ink-black ceiling, black painted bamboo and black-linen screens.

Find out more about Lucky Cat restaurant ›


Salon Sociedad by Communal

Salón Sociedad, US, by Communal and OTRA Arquitectura

Mexican studios Communal and OTRA Arquitectura added a dark and rustic palette to the interior of Salón Sociedad in Monterrey.

Dim lighting filters through the space via frosted glass panels set between vaulted brick arches. At the rear of the space, arches were filled with concrete and clad with dark wood panelling.

Find out more about Salón Sociedad ›


This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen's image archive. For more inspiration see previous lookbooks showcasing smart storage solutions, window seatsplywood interiors and marble bathrooms.

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Recycled plastic REX chair can be sold back to manufacturer after use

REX chair by Ineke Hans for Circuform

Dutch furniture brand Circuform has launched a recycled plastic chair designed by Ineke Hans, with the promise that customers can return the product after extended use and receive a partial refund.

Hans unveiled REX during Dutch Design Week. The chair is designed to have as little environmental impact as possible, through innovations at both the start and end of the product lifecycle.

Recycling an old design for REX chair by Ineke Hans for Circuform
REX is a rework of a chair originally launched in 2010

It is made using recycled plastic from fishing nets, toothbrushes, office chair components and other industrial waste.

The retail price includes a €20 deposit, which Circuform will refund to the customer if they return the chair after use. Old chairs can then be either repaired and reused, or recycled to create new chairs.

To make the concept easy to understand, Hans has staged a series of photographs detailing each stage in the process.

Finding recycled materials for REX chair by Ineke Hans for Circuform
The chair is made from recycled PA6, a thermoplastic used for fishing nets

"It is a chair that will basically last a lifetime, but the reality is our society doesn't work like that," she told Dezeen.

"Sometimes people only need it for six months," she said, pointing to temporary offies and events as examples. "We need a world where we deal with second-hand too."

Injection moulding process for REX chair by Ineke Hans for Circuform
The chair is manufactured through a process of injection moulding

Hans first developed the design more a decade ago, launching it in 2010 as the Ahrend 380.

While the original version was also made of recycled materials, Hans felt the design was never fully resolved.

"Now it is finally done as it was meant to be," said Hans.

REX chair by Ineke Hans for Circuform
The chair can be returned after use for a refund of €20

REX is injection-moulded using a specific type of recycled plastic, PA6. This nylon-based thermoplastic offers good durability and is easy to source, as it is widely used.

The main body of the chair is manufactured in two parts. "Otherwise you don't get the flexibility that you need," said Hans.

The seat and legs are produced in one piece. The backrest is made separately, but slots easily into a gap in the rear of the seat. Armrests can also be added.

"We wanted to make a chair that works for everyone," said Hans. "It's very flexible, for fat people, thin people, tall people, or short people."

The chair is also designed to be stackable.

Recycling process for REX chair by Ineke Hans for Circuform
Old chairs are either repaired and resold, or recycled into new products

REX is the second chair design that Circuform has relaunched under a deposit model, following a design by another Dutch designer, Ton Haas. The brand is also planning to relaunch a 1950s design, according to Hans.

The brand's philosophy is rooted in the circular economy, the concept of a production and use model that designs out waste and puts minimal strain on natural resources.

"Finding companies who want to do this is a task in itself," said Hans.

The company has set up a series of deposit stations around the Netherlands, to make the process of returning old chairs straightforward for customers.

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Saturday, 30 October 2021

Textured walls enclose Maricel's House in central Argentina by Edgardo Marveggio

Maricel House in central Argentina by Edgardo Marveggio

Argentine architect Edgardo Marveggio has designed an asymmetrical home in Córdoba for his ex-wife that features a waffle-slab roof and walls covered in thick plaster.

Maricel's House is located in Morrison, an agricultural town in Argentina's Córdoba province. The two-storey dwelling sits within a neighbourhood with low-scale buildings.

Maricel's House by Edgardo Marveggio
Maricel's House is located in Argentina's Córdoba province

The client was architect Edgardo Marveggio's ex-wife, and the two worked closely together on the project, from the big concepts to the finest details.

Roughly rectangular in plan, the 250-square-metre house is composed of intersecting bars, boxes and planes. Facades consist of exposed concrete and thick plaster.

Yellow waffle slab
A waffle-shaped roof slab extends over the patio

The home has a small front garden and a backyard. The property is surrounded by walls that block views from the street and neighbouring structures.

"This gives shape to the main idea – to provide privacy from the public and the roadside," the architect said.

Double-height central module
The central module is double-height

The only place where the home gestures toward the street is found on the upper portion of the front elevation, where a yellow, waffle slab extends over a patio.

Inside, the home is designed to be dynamic and flexible.

The ground level encompasses a bedroom suite, a kitchen and an open area for dining and lounging.

"The central module, which is double-height and has zenithal light and waffle slab, becomes the focal point and linking spot of the whole building," the architect said.

Colourful glass windows by Edgardo Marveggio
Edgardo Marveggio used colour throughout the house

The top floor holds a bedroom. The two levels are connected by a concrete floating staircase, which was envisioned as a sculptural element.

Rooms are fitted with contemporary furnishings and artwork.

Sculptural floating staircase
A concrete floating staircase also serves as a sculpture

Just off the main living space is the rear yard, which features paved walkways, a small lawn, a covered dining area and another sheltered area for gardening and cooking.

Other projects in the Córdoba province include a house by PSV Arquitectura that consists of overlapping layers of concrete and stone, and a concrete building by a team of architects that holds a trio of tall, skinny residences.

The photography is by Gonzalo Viramonte.


Project credits:

Architect: Edgardo Marveggio
Engineer: Alberto lainatti

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DAGA Architects adds mirrored courtyard to traditional hutong house

Baochao Hutong Mirror Yard

Chinese studio DAGA Architects has renovated and modernised a traditional hutong residence in Beijing's Dongcheng district, adding mirrors to the walls and floor of the entrance courtyard to make the space feel larger.

The project is shortlisted in the housing category of 2021's Dezeen Awards and represents an innovative take on the modernisation of these traditional courtyard dwellings.

Baochao Hutong Mirror Yard
The project is called Baochao Hutong Mirror Yard

Beijing's hutongs are narrow alleys lined by single-storey courtyard houses called siheyuan. The houses were often joined together to create a hutong, with several hutongs then combining to form a neighbourhood.

DAGA Architects' project is one of numerous recent attempts to revitalise neglected hutong buildings, including a hotel designed by Fon Studio and a house with curving glass walls by Arch Studio.

DAGA Architects revamped a traditional hutong house

This siheyuan's owner wished to return to the house in which she was raised by her grandparents, but over the years the building had become dilapidated and was in need of comprehensive renovations.

One of the key interventions involved transforming the property's narrow courtyard, which is concealed behind a wooden door facing the street and extends through the centre of the house.

Mirrored courtyard
The house features a narrow mirrored courtyard

The architects installed mirrored panels on the floor and a wall at the end of the passage to create the illusion of a much larger space.

The mirrored surfaces reflect the sky and surrounding buildings, as well as the building's interior, which is visible through new full-height glazed walls.

Reflective mirrored surfaces
Surroundings are reflected in the mirrored surfaces

"With the continuous changes of reflection and the surrounding environment, the mirrored courtyard shows a rapidly changing beauty," DAGA Architects said. "Each moment is unique and, just like time, cannot be recorded but can only be felt."

The project also involved modernising the residence's interior, which had fallen into a state of disrepair. The existing timber structure was strengthened and the original facade was replaced with the glass curtain wall.

The house features an open kitchen, dining and living space, as well as a bathroom on one side of the courtyard. Each of the spaces, including the bathroom, is lined with glazing to draw in daylight from the adjacent courtyard.

"The transparent curtain wall adds daylight to the interior space," the studio added, "allowing the line of sight to penetrate each other on both sides of the courtyard, creating an extroverted and introverted courtyard space."

Open living space inside Baochao Hutong Mirror Yard
The house features an open living space

On the opposite side of the central passage is a minimalist bedroom and en-suite bathroom, featuring a black and white interior intended to create a calming and tranquil feel.

DAGA Architects believes that the act of renovation and urban renewal should focus on new materials and approaches to design, rather than the straightforward preservation of buildings such as outdated hutong houses.

Minimalist bedroom and bathroom
A minimalist bedroom was designed to encourage tranquility

"Renovation is not the maintenance and reproduction of old buildings," the studio claimed, "but to superimpose a new lifestyle with the old history and create a new contrast and integration. Only innovation can inject new vitality into old buildings."

The Baochao Hutong Mirror Yard project involved just 14 days of construction time on site, with a large team helping to transform the siheyuan into a dwelling designed for modern living.

The photography is by Jin Weiqi.

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