Thursday, 1 July 2021

Using "ancient wisdoms and techniques" can lead to carbon-neutral buildings says Yasmeen Lari

Yasmeen Lari in front of an earth and bamboo Women's Centre

A return to traditional materials and construction techniques could help eliminate carbon emissions, says Pakistani architect Yasmeen Lari, who has built more than 45,000 homes from mud, lime and bamboo.

Designed for victims of natural disasters in Pakistan, the homes, built since 2005, form "the world's largest zero-carbon shelter programme," according to the RIBA.

"You're building something that's really affordable but at the same time there are no carbon emissions," Lari told Dezeen.

"There are lots of ancient wisdoms and techniques that have been used over the years but I can't imagine most so-called starchitects would even look at them."

"We have to rethink everything"

Lari, who became the first woman to qualify as an architect in Pakistan in 1963, was responsible for designing some of the country's landmark commercial buildings such as the Finance and Trade Centre and the Pakistan State Oil House.

But since she retired and closed her practice in 2000, Lari has been advocating for a different kind of "barefoot social architecture", which uplifts impoverished communities while treading lightly on the planet.

This involves substituting expensive, emissions-intensive materials such as concrete and steel, which need to be transported to site, with local ingredients that are low-carbon, low-cost and have been used in vernacular constructions for thousands of years.

Lari Octa Green (LOG) Cottages in Makli
Yasmeen Lari (top) has used mud, lime and bamboo to create the Lari Octa Green cottages in Makli (above)

"When you feel that you're a starchitect who knows everything, then you are not looking at the past at all," said Lari, who last year won the Jane Drew Prize for raising the profile of women in architecture.

"Most of the time, you're looking at the future and the future has always been very shiny," Lari added. "I built these buildings in the 1980s, which were shiny, lots of cement, lots of steel, reflective glass and all the rest of it."

"But that was a different time and a different world altogether. With climate change, with global warming, with Covid-19, we have to rethink everything and we must do it now."

"Every family in Pakistan" could build a shelter

Lari studied architecture at Oxford Brookes University before returning to her home country of Pakistan, where she has lived ever since.

She began her work in disaster risk reduction (DRR) in 2005, when one of the most destructive earthquakes of modern times ravaged the region of Kashmir, killing more than 80,000 people and leaving 3.5 million homeless.

In the absence of sufficient aid money, Lari developed a blueprint for a shelter that could be built by anyone using traditional mud construction.

"There was donor fatigue and there was no other way to do it except to follow my technique," she recalled.

Since then, the 80-year-old has trained thousands of locals in how to erect these shelters through the Heritage Foundation of Pakistan, which she co-founded with her husband, as well as via open-source YouTube tutorials.

"Every family in Pakistan can do it, even below the poverty line," she said. "And we have more than 50 per cent of our population living below the poverty line."

Aerial view of Zero Carbon Cultural Centre in Makli by Yasmeen Lari
At her Zero Carbon Cultural Centre in Makli, Lari trains locals in how to create buildings and products from low-cost, low-carbon materials

Over time, the huts were adapted to withstand different natural disasters. Some are raised on stilts to protect from flooding and most feature cross-braced bamboo frames, based on a traditional construction technique known as dhijji, which do not endanger life during earthquakes.

"We've had so many of these disasters, almost every year," Lari said. "I'm very conscious of climate change impacts because we are probably the fifth or seventh in line for disasters."

"But this has given me the opportunity to work with different materials, which are local and natural," she added.

"And it turns out that they're all pretty good from [a carbon] point of view."

"It can be reused 100 times"

This helps to create buildings that can withstand the effects of global warming without further contributing to it.

Even though Lari hasn't undertaken a full lifecycle assessment of the shelters, she believes they are at least carbon-neutral.

"I can't say that I've done any kind of evaluation but I do know that earth has no carbon emissions," she said. "It's locally sourced, it's biodegradable, it can be reused 100 times."

Lari's other ingredient is lime, which has been used in buildings for millennia and was used by the Romans as an ingredient in the concrete used to build monuments including the Pantheon in Rome.

Lime is produced by heating limestone, which is a type of calcium carbonate. This releases the carbon into the atmosphere and leaves behind calcium oxide.

This compound, also called quicklime, is then mixed with water. And as the mixture hardens, it reabsorbs carbon dioxide from the atmosphere.

The lime continues to recarbonate throughout its lifetime, slowing turning back into limestone and reducing its carbon impact.

"The more you use it, the more carbon is absorbed," Lari said.

Two-storey village school by Yasmeen Lari
Lari designed this raised village school to withstand floods

The bamboo Lari uses to reinforce her buildings is a fast-growing renewable resource that sequesters CO2 throughout its life.

"I do use a little bit of steel like hinges and bolts and so on," Lari said. "But I am presuming that whatever little emissions there might are counteracted by these materials."

According to the architect, her design also helps to keep the operational carbon footprint of the building low, due to the natural insulation provided by the earth and the ventilation via the thatched roof.

"I understand that not everybody will use bamboo and lime and earth but everybody can make an effort to lower the carbon footprint in every kind of structure," Lari said.

"Why is it that instead of cement we're not using lime in buildings? There are lots of different permutations that are possible and we can use them. But the problem is that architects are not thinking in that way."


Carbon revolution logo

Carbon revolution

This article is part of Dezeen's carbon revolution series, which explores how this miracle material could be removed from the atmosphere and put to use on earth. Read all the content at: www.dezeen.com/carbon.

The sky photograph used in the carbon revolution graphic is by Taylor van Riper via Unsplash.

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Mitrex's solar products allow buildings to produce energy "without compromising beauty"

Mitrex solar products

Dezeen promotion: solar product and technology manufacturer Mitrex has unveiled a range of solar-integrated products for high-rise and residential buildings that "transform a building's shell into a self-sufficient power system," according to the brand.

Mitrex's solar product range is equipped with the brand's building-integrated photovoltaic technology (BIPV) made up of photovoltaic cells and is part of their commitment to a net-zero carbon future.

The range includes solar windows, cladding and railings for high-rise buildings and solar roof and siding for residential applications.

Mitrex
Mitrex aims to solve the issue of slow solar product adoption by providing "cost-effective products for any application"

According to the brand "historically, solar energy harvesting has been expensive, relatively inefficient and hampered by poor design".

However, with a focus on increased efficiency and new technological advances, Mitrex hopes to increase the levels of adoption. Specifically, by offering aesthetic solar products that extend energy generation down to the vertical walls.

"Our mission is to be the catalyst that accelerates the adoption of sustainable, energy-generating, human-made structures," said CEO Danial Hadizadeh.

"With residential, commercial and industrial buildings accounting for 40 per cent of annual greenhouse gas emissions globally, it's clear that developers and building owners can play an integral role in curbing emissions by investing in BIPV technology."

Mitrex solar products
The solar windows are offered as semi or fully transparent and can be customised for any desired size

The brand's solar windows are designed to generate energy while ensuring the same functionality and appearance as traditional glass-based products.

"From window walls to bus stops, to skylights, to curtainwalls, Mitrex aims to incorporate photovoltaics into every glass application," explained the brand.

"Mitrex BIPV solutions are surprisingly economical when considering the cost of typical windows since these products allow for a return on investment."

The company's solar roof modules are made for residential buildings and enable users to generate renewable energy at home without altering their rooftop's appearance.

The modules are made with Mitrex’s customisable facing, matt and frameless to blend into an existing rooftop and allow for electricity generation.

Mitrex solar products
Designed for residential buildings, the brand's solar roof modules are matt and frameless

Mitrex's solar cladding is lightweight and can be customised for any desired angle and panel size to extend a building's energy-generating potential.

The product can be matched with an existing building's cladding to replicate the existing pattern, texture and surface of traditional materials, including brick, wood, porcelain, granite or customised graphics.

"The Mitrex solar cladding materials can retain the same aesthetic as its non-energy-producing counterparts and can mimic various construction materials such as concrete, timber, or stucco," said the brand.

Mitrex
Mitrex's solar cladding is lightweight

Mitrex also believes that solar options may be adopted more widely as power grids in North America are failing more regularly when faced with extreme weather conditions. According to the brand, microgrids can prevent weather-related power issues, saving millions on restoration costs.

"Extreme power outages from weather events can ultimately be avoided if microgrid solutions are implemented," said Hadizadeh.

"In the most recent widespread outage in Texas, 3.4 million homes and businesses were without power for a long period."

"Self-sufficient systems not only save hundreds of millions of dollars but also can prevent or limit the effects of climate change on communities."

Mitrex has over 50 integrated solar products in development. For more information about the brand, visit its website.


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This article was written by Dezeen for Mitrex as part of a partnership. Find out more about Dezeen partnership content here.

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Effekt Footwear launches trainer made from 90 per cent recycled materials

A pair of black trainers photographed on rubbish

Vienna-based footwear startup Effekt Footwear has made a trainer called Alchemy-X from 90 per cent recycled materials, including ocean plastic and waste from the fashion industry.

Each pair of trainers is made with an average of 775 grams of recycled textile waste, reclaimed rubber and recovered ocean plastic, according to the brand.

"We wanted to make a sneaker that set the bar for sustainability and would create a positive impact for the planet," said Effekt Footwear founder Ben Smits.

A pair of black Alchemy-X trainers
Alchemy-X trainers are made from recovered ocean plastic

The trainer is named after the medieval practice of attempting to turn scrap metal into gold.

"Just as the medieval chemist was trying to turn base metals into gold, we're using '21st-century alchemy' to turn trash into trainers," said Smits.

"We wish to create value from cleaning up our planet, create a business case for upcycling and help re-frame people's perception of waste materials."

A pair of black trainers with a brown rubber sole
The shoe's name reflects the ideals of alchemy

Effekt Footwear's low rise trainer comes in a paired-back design featuring a recycled upper lining made out of reclaimed ocean plastic and recycled textiles.

Textile scraps, off cuts and other scrap materials from the Portuguese textile industry, are recovered before being sent to landfill. Materials such as cotton are then broken down and spun back into new yarn for the trainers.

An aerial view of a clothing land fill site
The trainers incorporate scraps from the Portuguese textile industry

The company's European supplier gathers material from a number of sources including fisherman and beach clean-up initiatives along the Mediterranean Sea.

Plastic from the ocean floor, floating on the ocean surface as well as from rivers, estuaries and aquatic environments that lead to the ocean is collected to make the shoes.

A pair of trainers with the phrase "Every step cleans the planet" written inside
The trainer's uppers are made from ocean plastic

The material is then coloured with ecological dyes and finished by hand in a family-owned workshop in Portugal.

The sole is comprised of at least 70 per cent rubber waste that was destined to end up in landfill. A small percentage of it is made from new rubber to ensure the soles are durable and long-lasting. Organic cotton in the stitching, embroidery and woven tag is the only other new material used.

The Alchemy-X upcycled rubber sole
Rubber waste was used to create the sole

According to Smits, the result is "a sneaker that contains 90 per cent recycled material and can be easily recycled at its end of life."

While the entire insole is biodegradable, the rest of the shoe is "designed for easy recycling with suppliers". Customers can participate in the Effekt Collekt program whereby their trainers will be taken back and recycled by Effekt after wear.

"I do not suggest people dispose of our soles in the garden or in nature because there is a difference between biodegradable and compostable," said Smits. "As with many biodegradable materials and plastics which are coming into the market, it is suggested that they are managed through commercial biodegradation."

Trainers returned to by Effekt Footwear are broken down into new materials which can be reused again.

A close up view of the Alchemy-X trainers
The upper is coloured with ecological dyes

Smits believes that the minimal design will enable the Alchemy-X to be worn more often, as it can work with a range of outfits.

"While we didn't copy the silhouettes of a Converse or a Vans, we did take the characteristics of their simple, iconic cuts to create a sneaker that can be worn by everyone and with a variety of outfits," Smits explained.

"One shoe, many styles. That's the cornerstone of a sustainable sneaker."

A wearer puts on a black pair of trainers
The minimal design is intended to be appeal widely

"We envision those who wear these sneakers to be leaders, visionaries and people actively working to leave the planet in a better condition than we found it."

"This is why we have partnered with the Kahana Foundation for this project. Portions of the sale of our sneakers will help them continue their great work in Hawaii to inspire youth and influence government to work toward a better tomorrow."

A pair of black trainers photographed on rubbish
Customers can return their trainers to be recycled

With Alchemy-X, which are available via a Kickstarter, Effekt Footwear aims to help clean up the planet through upcycling waste into raw material, allowing customers to create a positive impact and reduce their carbon footprint.

For Smits, this is the most impactful way of saving our global oceans and ecosystems.

"Personally, if producers are serious about using recycled materials, lowering their carbon footprint, employing ethical labor and opting into extended producer responsibility, then this is far more impactful than planting a tree and calling it a day."

The footwear brand is one of a growing number of companies recycling ocean plastic to create clothing items. Sportswear brand Adidas and environmental initiative Parley for the Oceans have collaborated a number of times to create shoes made from waste plastic found on seashores.

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Five architecture and design events in July from Dezeen Events Guide

Leeza Soho tower by Zaha Hadid Architects in Beijing, China

A Zaha Hadid retrospective and an architecture conference featuring Souto de Moura, Tatiana Bibao and Kengo Kuma are among the design events listed in Dezeen Events Guide this month.

Other events taking place in July include the Moscow Urban Fest, Object Rotterdam, Clerkenwell Design Week and Dezeen's final Architecture Project Talk in which Groupwork's Amin Taha and Jason Coe present their 168 Upper Street project.

Read on for details and visit Dezeen Events Guide for more architecture and design events around the world.

Swimming Pool Piscinas de Marés in Leça da Palmeira by Álvaro Siza as photographed by Christian Gänshirt
This month's events include an exhibition of work by Zaha Hadid Architects (top image) and a tour of an Álvaro Siza-designed tidal pool as part of Open House Porto (above)

ZHA Close Up – Work and Research
Until 15 September 2021

In the first Zaha Hadid Architects retrospective to be shown in mainland China, Shanghai's Modern Art Museum (MAM) is charting the practice's evolution over the last 40 years, as well as the technological innovations driving this change.

Across more than 200 exhibits, dating from 1982 to today, the exhibition places a particular focus on ZHA's many projects in China, such as the starfish-shaped Beijing Daxing International Airport.

Also featured are models and renders for a roster of projects that are currently in development across six continents, including the upcoming CECEP Campus, which is set to be Shanghai's "greenest building".

"With this show, we aim to present who we are close up, our depth of experience, our current preoccupations and our aspirations for the future," ZHA principal Patrick Schumacher explained.

Open House Porto
3 to 4 of July

As large, indoor gatherings remain off-limits in Portugal due to coronavirus restrictions, Open House Porto is offering tours of "quality public spaces" instead of private buildings and residences.

For the first time ever, the event is being held in four cities simultaneously, including not just Porto but neighbouring Vila Nova de Gaia, the fishing town of Matosinhos and the northern municipality of Maia, which is making its debut on the circuit this year.

Curated by Eduardo Souto de Moura's regular collaborator Graça Correia, the programme includes 64 tours of 16 different spaces including the Leça da Palmeira tidal pool designed by Álvaro Siza.

Chesa Planta mansion in St Moritz
Nomad St Moritz is set in the 16th century Chesa Planta

Nomad St. Moritz
8 to 11 July

Collectible design fair Nomad is once again taking over the 16th century Chesa Planta mansion near St. Moritz this year, albeit this time in summer rather than in February.

As ever, prominent international galleries will curate exhibitions within the grand villa, while a VIP programme will take guests on architect-led tours of local landmarks, private homes and collections.

For those unable to jet off to Switzerland, a parallel online edition hosted by auction house Christie's is set to showcase a selection of 24 design objects and artworks, including seminal pieces created by the late Italian architect and designer Alessandro Mendini for Alpi.

World Congress of Architects
18 to 22 July

Souto de Moura, Tatiana Bibao and Kengo Kuma are among the keynote speakers at the 27th World Congress of Architects, which is being hosted by Rio de Janeiro but taking place entirely digitally.

Across seven virtual stages, a programme of more than 80 debates, talks and roundtables will explore this year's theme of interdependence, with topics ranging from materials and processes to smart cities and sustainable development.

In a bid to replicate the feeling of an in-person conference, delegates from more than 170 countries will be able to communicate via a social network that was developed exclusively for the event.

Kengo Kuma portrait
Kengo Kuma is set to speak at the World Congress of Architects

Creative Folkestone Triennial
22 July to 2 November

Now in its fifth year, the Creative Folkestone Triennial will see public spaces all over the English seaside town filled with 27 newly commissioned installations.

Turner Prize-winning design studio Assemble has collaborated with local skateboarders to erect a duo of skateable sculptures, one on the Harbour Arm promenade and the other in a railway viaduct, while Morag Myerscough has designed a colourful gateway within a former gasworks.

Meanwhile, architect Shahed Saleem, who recently replicated three London mosques for the Venice Architecture Biennale, has partnered with artists HoyCheong Wong and Simon Davenport to imagine how Folkestone's Islamic Cultural Centre could be developed in the future through collaborative community workshops.

About Dezeen Events Guide

Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.

The guide is updated weekly and includes virtual events, conferences, trade fairs, major exhibitions and design weeks, as well as up-to-date information about what events have been cancelled or postponed due to the ongoing coronavirus pandemic.

Inclusion in the guide is free for basic listings, with events selected at Dezeen's discretion. Organisers can get enhanced or premium listings for their events, including images, additional text and links, by paying a modest fee.

In addition, events can ensure inclusion by partnering with Dezeen. For more details on inclusion in Dezeen Events Guide and media partnerships with Dezeen, email eventsguide@dezeen.com.

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Wednesday, 30 June 2021

GRT Architects perches house for a throuple above tidal marsh in Connecticut

Guilford House by GRT Architects

New York firm GRT Architects has positioned a cedar bungalow above marshland on the Connecticut shoreline, featuring a central courtyard with a swimming pool.

Called Guilford House, the bungalow is clad in cedar and has large windows with charcoal-coloured frames that provide panoramic views of the tidal marsh.

GRT Architects designed Guilford House
Guilford House sits above a tidal marsh

Designed for a throuple – a three-person relationship – the homeowners wanted to include a swimming pool and carpentry workshop in the house design without compromising on views of the landscape.

The architects positioned Guilford House as close to the water as the location allowed, with the bungalow's longest side facing the tidal marsh and the lush trees surrounding it.

The architects positioned the bungalow close to the water
The bungalow's windows have dark frames

L-shaped in form, the house is built opposite a separate workshop with a courtyard tucked between the two buildings.

"We created a courtyard defined by the workshop on one side and the home on the other," said GRT Architects, a Brooklyn-based studio.

"Elongated overhangs create shelter and lend definition to this outdoor room."

GRT Architects built a central courtyard between the house and workshop
A kitchen garden features in the central courtyard

The courtyard features a kitchen garden and a square-shaped swimming pool surrounded by decking made from Garapa, an unstained and unpainted rot-resistant wood.

On the side of Guilford House facing the tidal marsh, the plot is left unaltered except for short decks that jut out from the bedrooms and provide private seating areas.

The bungalow's interior and exterior are designed to age gracefully over time without the need for refurbishment.

"We built an aesthetic around long-life materials that need no finishing and therefore no re-finishing," said the architecture firm.

The bungalow was designed to age gracefully over time
Small decks provide views of the shoreline

"We selected only rot-resistant wood that can be used naturally with no applied stain or seal," said GRT Architects.

The home's unstained cedar was installed as an open-jointed rain screen that will grey naturally. This gives the exterior a longer lifespan as it allows it to dry properly.

GRT Architects included custom millwork inside
The kitchen includes a large granite island

Solar panels are attached to the house's wide aluminium-painted roof with standing seams.

Inside, all of the floors are poured concrete except for the loft's red oak flooring that was milled from local trees felled during the bungalow's construction.

The home is single-storey
Living and dining spaces are connected

Custom millwork defines the open-plan interior, including in the kitchen and dining space, which features a large white granite island in the cooking area.

Designed to be wheelchair-accessible, the single-storey home has zero-threshold showers in its two equally sized main suites.

GRT Architects used materials with a long shelf-life
Zero-threshold showers provide wheelchair access

GRT Architects was founded by Tal Schori and Rustam-Marc Mehta in 2014. Other projects by the firm include a textured-brick black house in New York State and a live-work Brooklyn townhouse for an artist couple.

London-based Scott Whitby Studio also designed a project for a throuple featuring a bed big enough for three.

The photography is by Michael Vahrenwald and ESTO.

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