Thursday 16 December 2021

Feelings Library provides Londoners with space to journal and improve mental health

People walk passed a grass thatched installation in a skip

Architecture practice Caukin Studio has created a pop-up library with a thatched roof and a "tropical" interior intended to give people a private place to journal and raise awareness around mental health.

The studio, which specialises in creating accessible architecture that has a positive social impact, installed the thatched library inside a converted skip supplied by Skip Gallery.

The library's design responds to the needs of locals who might not otherwise discuss their feelings by encouraging them to write about their feelings in a journal.

Local therapy service Self Space collaborated with the studio to advise on supporting mental health.

The exterior of the Feelings Library in London
The Feelings Library is a safe space for Londoner's to journal

"We've always been interested in how architecture and art can create positive social impact both in its function and the way in which it’s been designed," Caukin Studio cofounder Harrison Marshall told Dezeen.

"The project aims to transport visitors out of the hustle and bustle of central London, and into a cosy personal space where they feel comfortable releasing some of their personal thoughts."

A blue door leading into the Feelings Library
It is open to the public for three weeks

Marshall says that the studio placed the library inside a skip because it acts as "a vessel for everything we want to discard."

The interior – which is brightly coloured and made from natural materials – seeks to create a safe, nurturing atmosphere where people feel comfortable enough to talk about their mental health.

A woman journaling inside a library
The studio used natural materials and leafy plants inside

At the entrance, bright colours and lights are used to evoke different emotions and memories. Pink lighting seeks to ensconce visitors in a warm glow while blue paint is meant to reflect a bright sky.

Inside, verdant plants and self-help books line the timber shelves while visitors can sit on a wooden bench to journal in a private, serene environment.

"A big part of the design challenge was to create somewhere that could transport visitors away from the busy, concrete jungle of central London," explained Marshall.

"We took inspiration from the projects we've completed in more tropical parts of the world, and created a space made from natural materials; with thatch cladding that you're more likely to find by an Indonesian beach than next to a London office block."

Books on a shelf inside a library
It hopes to create a calm atmosphere

According to Marshall, now more than ever, people need an outlet to express how they are feeling. The architect cites the coronavirus pandemic as one of the key factors driving this trend.

"The Feelings Library is a creative way to create connectedness at a time many of us feel at our most lonely and disconnected," she said.

"It's been a challenging two years for us all, we have been isolated, uncertain and at times life has felt upside down."

"Journaling is an important tool for processing thoughts, with the simple act of converting feelings into written words, people are forced to reflect on what's going through their head; these books aim to provide a space to do exactly that," she continued.

A woman reading her journal in a library by Caukin Studio
The library will be dismantled and repurposed

After three weeks, the installation will be dismantled. The roof will be composted while the other materials will be sent to the Harris Academy Peckham school in south London where the studio will hold workshops to create a new structure.

Other temporary projects in East London area include designer Yinka Ilori's Launderette of Dreams, which reimagines the everyday community space as a children's play zone.

London architect Asif Khan installed three plant-filled rooms across Shoreditch that were intended to create places for people to meet up on their way to and from work.

Photography is by Aron Klein unless otherwise stated.

The installation is at Spitalfields Market until 24 December 2021.

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Recycled PET upholstery by Vescom

Recycled PET upholstery by Vescom

Dezeen Showroom: textile brand Vescom has launched a range of durable upholstery made from 100 per cent recycled plastic waste.

Vescom's new upholstery is made from recycled PET bottles obtained from local sources. These are made into a yarn that Vescom has woven into four types of soft-touch fabric, each using a classic weaving technique.

Recycled PET upholstery by Vescom
Vescom's new recycled range comes in 59 different colours, all created by mixing coloured and grey yarn

Wilson is a basic weave, Avon is a melange, Norfolk is a grid, and Harding is a twill. They come in 59 colours, each obtained by weaving one of the colours from Vescom's own specially curated yarn bank with a grey melange as the warp thread.

This approach cuts down on excess yarn production, and the overall colour is determined by how much weft is visible in each of the four weaving styles.

There are four different weave patterns, ranging from a melange to a grid

The different weaves complement each other when used in combination, and the upholstery also meets the highest performance specifications for the contract market.

Made in Vescom's German weaving mill, the upholstery is designed to be durable, long-lasting and non-toxic.

Product: Recycled PET upholstery
Brand: Vescom
Contact: sales@vescom.com

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Foster + Partners layers coloured concrete to create Narbo Via museum in France

Walkway covered by concrete roof

Layers of coloured concrete that resemble rock stratifications enclose the Narbo Via museum designed by British architecture studio Foster + Partners in southern France.

Raised on a podium close to the Canal de la Robine in Narbonne, the museum is used for the display of Roman artefacts found in the town that was once a major Roman port.

Exterior of Narbo Via in France
Foster + Partners has used coloured concrete for the walls of Narbo Via. The photo is by Philippe Chancel

Foster + Partners designed the Narbo Via museum with a minimalist low-lying form, framed by monolithic walls and an overhanging concrete roof.

Its walls, which were made by tamping down layers of coloured concrete, are intended to evoke rock stratifications and Roman concrete, nodding to the archaeological contents of the museum.

Museum with coloured-concrete walls
The museum's exterior resembles rocks stratifications

"Roman Narbonne was a proud port city along the Mediterranean, and remains a place of significant historical importance," explained the studio's head of design Spencer de Grey.

"Our approach has been to create a simple yet flexible architectural language, one imbued with a sense of monumentality and links to history and culture – essential for this museum of 'living' antiquity."

Walkway covered by concrete roof
A concrete roof overhangs the building. The photo is by Philippe Chancel

Foster + Partners won a competition to design the museum, previously named the Musée de la Romanité Narbonne, in 2012.

According to the studio, it is hoped to become a landmark for Narbonne and also help to "renew the image of the museum".

Narbo Via museum entrance
Lightwells puncture the concrete roof

"The arts are vital to the life of a city and a cultural building has the potential to reinvent and regenerate its 'sense of place', to break down physical and social barriers," added the studio's founder Norman Foster.

"Bringing together the old and the new, Narbo Via will renew the image of the museum, becoming not just a place for reflection but a creator of knowledge for future generations."

Roman artefacts in Narbo Via museum
The museum's centrepiece is a large gridded shelving system. The photo is by Philippe Chancel

Inside, Narbo Via comprises a mix of galleries that support both permanent and temporary exhibitions.

Alongside them are research and storage facilities, as well as an education centre, auditorium, bookshop and restaurant.

Museum containing Roman artefacts
The shelving contains Roman stone relics

The focal point of the interiors is the "Lapidary Wall" – a large shelving system full of ancient stone relics that separates the galleries from the restoration spaces.

The grid is reconfigurable and allows the public to see through into the restoration spaces to observe the work of archaeologists and researchers.

Roman artefacts in Narbo Via
Large windows help filter light throughout the museum

The large concrete roof that overhangs the museum is elevated above clerestory windows and punctured by lightwells, which filter light throughout the museum with the help of large glazed bays.

Externally, the roof provides shelter for a series of walkways that surround the museum.

It is not the first time that Foster + Partners has incorporated an overhanging roof in its work, with other examples being The House of Wisdom in Sharjah, Apple Sanlitun in Beijing and the PGA Tour HQ in Florida.

Together, the walls and roof help to regulate internal temperatures through thermal mass. Reliance on artificial heating and cooling is also reduced through the supply of cool air at a low level in the building, while hot air is pushed upwards and exhausted.

Roman artefacts in Narbo Via
Roman artefacts found in Narbonne feature throughout the museum

Narbo Via is complete with a series of gardens and an amphitheatre for open-air performances and events. By the entrance, there is a ramp that leads down to a towpath beside the canal that links to the city's centre.

Elsewhere in France, Foster + Partners also recently completed Le Dôme, a winery hidden within the hills of Bordeaux, and a Parisian Apple Store with a kaleidoscopic roof.

The film and photography are by Nigel Young of Foster + Partners unless stated.

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DROO creates space for work and study in City Approach apartments

Joinery with hidden door in City Approach apartments by DROO

Architecture office DROO has added four apartments atop a London warehouse building, with flexible interiors designed to facilitate co-living, home-schooling or working from home.

The project involved slotting two glazed storeys behind the parapet of City Approach, a six-storey brick Edwardian warehouse building located in a conservation area in Islington.

City Approach apartments by DROO
The project adds two floors above an Edwardian warehouse building

Built in the midst of the pandemic, these two- and three-bedroom apartments are designed to be adaptable, to suit a range of different living situations.

They could be occupied by either families or co-living sharers. They can also allow for various activities to take place simultaneously, making it easier for occupants to work or study from home.

Living space in City Approach apartments by DROO
Four apartments are designed to accommodate both home and work activities

"Due to the increasingly pervasive nature of technology, there is a major shift in many households towards hybrid work arrangements," said DROO co-founder Amrita Mahindroo.

"Most people are bringing work home and juggling a live/work lifestyle of some sort, no matter how well-suited their space."

Table in City Approach apartments by DROO
Each home includes a dining area, a workspace and a dedicated meeting space

"We can't change the nature of the technologies, with notifications popping up left, right and centre, impacting our ability to to set boundaries around work life and home life," Mahindroo told Dezeen.

"We can however design spatially distinct boundaries, so people feel they can separate themselves spatially from other parts of their domestic routine."

Joinery with hidden door in City Approach apartments by DROO
Joinery includes sculptural staircases and doorways concealed within bookshelves

The City Approach apartments do this in several ways.

Firstly, each home is divided up into two zones.

For the two multi-level homes these are separated by floor, while the single-storey homes are simply split in half.

The first zone contains the most private spaces, namely the bedrooms and bathrooms, while the second is a social zone facilitating both home and work activities.

City Approach apartments by DROO
The floor plan creates cosy corners and window seats

Within these zones, different areas have been created with specific activities in mind.

In the social areas, there are different areas for dining and working, to help keep these activities separate. Each home also features a dedicated area for meetings, designed with Zoom in mind.

City Approach apartments by DROO
Bedrooms are kept separate from the more social spaces

The two multi-level apartments also feature separate lounge or study spaces in the private zone, to give residents more options.

Other details are more subtle, for instance, extra-wide corridors allow space for desks or seats, while niches create cosy corners where introverted residents can feel more comfortable.

City Approach apartments by DROO
Each home has as many bathrooms as bedrooms, so the homes could allow co-living

"We turned the open plan on its head," said Mahindroo. "We've long felt that open plans are spatially desirable for flexibility however they are the result of space designed by extroverts for extroverts."

"Designing for inclusion means thinking about the types of space that make a diverse range of people feel safe and productive, that are scaled for intimacy and privacy, and that offer the right kind of acoustics," she stated.

City Approach apartments by DROO
Triple glazing helps to improve the building's energy efficiency

City Approach is the latest in a series of recent residential projects in London completed by DROO, following a building with a "crumpled paper" facade and a block with dramatic curved window bays.

The project was challenging to construct, as the floors below needed to remain functional throughout the build.

A cross-laminated timber framework was used, helping to reduce the load on the existing steel structure, while triple glazing and air source heat pumps help to lower the building's energy use.

City Approach apartments by DROO
Living spaces open out to roof terraces slotted behind the building's parapet

Although the project was designed before the pandemic, Mahindroo believes it shows how future homes will adapt to the lifestyle shifts that have taken place since.

"I think live/work is the result of economic shifts and childcare, rather than the pandemic alone," she said. "I think these hybrid arrangements are here to stay as they are a step towards more inclusive futures for work."

Photography is by Henry Woide.


Project credits

Interior architect: DROO Architects
MEP: Andrew Reid
Structure: Fairhurst
Planning consultant: Firstplan
ROL and party walls: Fidler Associates
CDM: Fidler Associates
Acoustic: Syntegra
Fire: Affinity

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Wednesday 15 December 2021

Studio Fuse designs charred-timber home in Devon to be both rustic and modern

The home is built on a hillside

British practice Studio Fuse has completed Rockham House in North Devon, England, combining charred timber cladding with sleek interiors to create a "sophisticated yet rustic" dwelling.

The London and Sussex-based practice was approached after interior designer Deborah Vos purchased the remote site overlooking Woolacombe Bay, which had restricted access but offered panoramic views of the rolling green landscape and sea.

Exterior image of Rockham House
Rockham House is a charred-timber home in Devon by Studio Fuse

The exposure of the site informed the low, single-storey profile of the four-bedroom dwelling. It is marked out in the landscape by its cladding of black timber planks, which were charred using the Japanese technique Shou Sugi Ban.

Following the contours of its sloping site, the home comprises three distinct levels that step downwards, creating a route that culminates in a large living area, terrace and garden looking out to sea.

Image of the entrance to Rockham House
The home is located on a remote location overlooking Woolacombe Bay

"The exposed, yet stunning location, along with planning restrictions, influenced the form, which evolved into a single-storey building that nestled into the site's gradient," said the practice.

"The building makes sense of the contoured site with the creating of three flowing terraced levels, dropping down the hillside, reflecting the surrounding landscape."

Close up image of the timber cladding at Rockham House
The building was clad in charred timber slats

The stepped form of the home has been used to subtly demarcate the different areas of the home. The bedrooms are located in the uppermost section, a kitchen and bar in the centre, and a living and dining space in the lower section.

The upper spaces are more insular, with skylights, small windows and darker finishes, while the living space embraces the exposure of the site through large, panoramic windows.

"Glass slots along the side bring glimpses of the coastal views to the very depth of the building, whilst naturally gravitating you towards the main living spaces on the bottom terrace that opens up to the rear garden and the uninterrupted sea views," explained the practice.

Internally, the dwelling was designed to appear "monolithic and sculptural", with concrete floors and cast concrete steps unifying the route through the home and extending outside to create the external terrace.

Completed by the client, the interior design uses a monochrome palette to create contrasting moments of intimacy and exposure. The home's cladding is referenced inside with black accents used for doors, window frames and fittings.

Interior image of Rockham House
The interiors have a modern look

The primarily white living space is organised around a central ceiling-mounted fireplace, with a dining table along one edge and sitting areas at the other.

Overlooking this space is a bar area opposite the kitchen above, finished in black to visually connect it with the central kitchen island and built-in cupboards and counters.

Each of the darker bedroom spaces looks out at the landscape through a glass sliding door, which opens onto a gravel path around the home and is half-covered by charred timber slats to provide additional privacy.

Interior image of a bedroom at Rockham House
Floor-to-ceiling windows frame views across the rural landscape

Studio Fuse was co-founded by architectural designer Daniel Rowland and interior designer Nina Rowland.

Also in South Devon, architect Thomas Randall-Page recently completed a renovation of an agricultural barn, converting it into a studio and archive space for his father, the sculptor Peter Randall-Page.

Elsewhere in the southwestern county, London studio Adams+Collingwood Architects built a house within the hillside overlooking Salcombe Esturary.


Project credits:

Architect: Studio Fuse 
Interior designer: 
Deborah Vos
Contractor: M K Millennium
Concept: 
Carl Turner

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