Monday 17 January 2022

Chunky staircase features in Farleigh Road renovation by Paolo Cossu Architects

Staircase and bookshelves in Farleigh Road renovation and extension by Paolo Cossu Architects

An extra-wide oak staircase doubles as a piece of furniture in this renovation of a Victorian terrace in east London, designed by Paolo Cossu Architects.

The Farleigh Road project involved remodelling a four-storey house that had previously been subdivided into two separate properties, to create a spacious home for a family.

Exterior of Farleigh Road renovation and extension by Paolo Cossu Architects
The project involved renovating a four-storey Victorian terrace

The lower level had previously served as a basement flat, with sole use of the garden. The renovation sees this floor converted into a kitchen and dining room, along with a snug and a home office.

To reconnect this floor with the rest of the house, London-based Paolo Cossu Architects designed an extra-wide staircase that gives its residents a place to sit, chat or read.

Staircase treads in Farleigh Road renovation and extension by Paolo Cossu Architects
A staircase links the previously disconnected upper and lower ground floors

"The idea of the double-width staircase was developed carefully with our clients to allow for an improved flow between the upper and lower ground floors, and the previously inaccessible garden," explained architect James Kitson.

"We wanted to create a cross-level multi-functional space, that would feel connected and form part of a larger permeable living space," he told Dezeen.

Staircase and bookshelves in Farleigh Road renovation and extension by Paolo Cossu Architects
The staircase doubles as a seating area

To make the staircase comfortable both as an access route and as a seating area, the design team found a clever way to integrate two different types of tread.

The main volume is oversized, making it feel more like a set of bleachers, with additional wooden blocks added to define a walking route along only one side.

Oak staircase, shelves and globe in Farleigh Road renovation and extension by Paolo Cossu Architects
Bookshelves line up with the staircase treads

Treads align with matching oak bookshelves that cover the adjacent wall, giving further emphasis to this new connection between the upper and lower ground floor rooms.

"As is the case for many, much of our clients' family life centres around the kitchen," said Kitson.

"As the staircase is the entrance to the kitchen," he continued.

"It provides the family with a vertical corridor from the hub of family life onward to the upper floors, allowing for the display of art, a home for their collection of books, and a space to sit, relax, read and connect with one another."

Picture window in Farleigh Road renovation and extension by Paolo Cossu Architects
A high picture window brings in extra daylight

The choice of oak provides a warm counterpoint to the kitchen's otherwise monochrome aesthetic, provided by a pale terrazzo floor, blackened oak cabinets and white walls.

The south-facing room enjoys plenty of daylight thanks to a trio of skylights concealed above the exposed ceiling joists, sliding glass doors to the garden, and a high-level picture window.

"We wanted to be clear about what was old and new, ensuring the original character of the house was not lost," added Kitson.

View to garden in Farleigh Road renovation and extension by Paolo Cossu Architects
Sliding glass doors lead out to the garden

The new layout allows rooms on the upper ground floor, which sits at street level, to become separate living and dining rooms. Meanwhile the first and second storeys remain as they were, with four bedrooms.

The space under the new staircase has become a small utility room, while a small bathroom was placed underneath the home's main staircase.

Studio in Farleigh Road renovation and extension by Paolo Cossu Architects
The lower ground floor also includes a home studio

Other recent examples of London house extensions include Mount View, a project featuring pale pink tiles, and A Cloistered House, which arranges living spaces around courtyards.

Photography is by Lorenzo Zandri.


Project credits:

Architect: Paolo Cossu Architects
Team: Paolo Cossu, James Kitson
Structural engineer: Ingeltóir Structural Engineers
Main contractor: Gordom
Joiner: Madith

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Spiralling ramp surrounds arts centre in China by Syn Architects

Tiangang Art Center has a timber and white painted exterior

A spiralling ramp creates an unfolding, experiential route for visitors through the Tiangang Arts Center, a combined art gallery and hotel in China's Hebei Province designed by Syn Architects.

The centre is located in the village of Tiangang, next to a lake at the foot of the Taihang Mountains.

Image of Tiangang Art Center by Syn Architects
Tiangang Art Center is a geometric building that was designed by Syn Architects

Its distinctive spiral shape, described by the Beijing-based studio as a "vortex", was informed by an existing semicircular building on the site, which has been extended with a steel-framed structure to create a sweeping route that culminates in a roof terrace.

Wrapped by a 14-room hotel, cafe and restaurant at its northeastern edge, the building has been organised to give visitors an "unfolding and shifting" perspective on the central exhibition hall as they walk around the ramp.

Tiangang Art Center sits at the foot of a small mountain
The arts centre is surrounded by a large swirling ramp

"As visitors arrive at the Art Centre at ground level and follow the path of the curve, their experience of the space is constantly changing," said the practice.

"This type of experience, where an instantaneous realisation is made following an accumulated process of passage through many levels, is analogous to the 'epiphany' spoken of in Buddhism," it continued.

Image of the roof at Tiangang Art Center
The swirling exterior ramp leads to an open-air theatre on the roof

The spiral wraps around a circular exhibition hall, and rises to become the roof of the hotel block before ending in a cantilevered terrace above a glazed restaurant space.

"After reaching the top of the ramp, visitors come upon an open-air viewing platform at the highest point of the building, from which they may observe the scenery surrounding Tiangang Village," said the practice.

"And, in the process of walking to the highest level of the centre, the observers there in turn become the focus of attention for people outside the building," it continued.

In the exhibition hall, a "random" arrangement of white columns was informed by the appearance of tree trunks in a jungle or forest. These allow for the possibility to insert temporary walls for displays.

An arc-shaped skylight and translucent polycarbonate walls bring light into this space, as well as illuminating the base of the centre's exterior at night.

The ramp leads to view points on the roof
Tiangang Art Center houses an art gallery, cafe, restaurant and a hotel

To the northeast edge of this space, the hotel block faces away from the public gallery to allow rooms to open onto balconies that enjoy views of the surrounding landscape.

Containing the bedrooms and a cafe, this block extends outwards into a glazed volume housing a restaurant, with its southern facade shielded from the sun by diagonal wooden beams.

Interior image of Tiangang Art Center
The interior was finished with concrete, timber and stretched fabrics

Internally, primarily concrete finishes are softened with timber elements, including hanging stanchions in the restaurant and wooden frames covered in stretched fabrics on the bedroom ceilings.

"The two main materials used for the interior, timber and concrete, unity the visual language of various functional spaces, and create a dialogue with the countryside and mountains visible through the windows," said the practice.

Image of a bedroom in the hotel of the Art Center
Floor-to-ceiling windows provide views out to the village landscape

Other projects by Syn Architects include a wedding chapel near China's Mount Tai, which is topped with a semi-spherical "moon".

Elsewhere in China, Shanghai-based studio Roarc Renew slotted two brick corridors between a pair of disused granaries to create the TaoCang Art Centre.

Photography is by Zheng Yan.

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Antepavilion postponed indefinitely after planning appeal decision

Planning in London

This year's Antepavilion in London will not go ahead as planned, said organisers, after a planning inquiry failed to resolve a dispute with the local council.

Russell Gray of Shiva, the organiser and sponsor of arts charity Antepavilion, told Dezeen that the contest had been postponed while he seeks support from Hackney Council.

"It's in Hackney's hands," he said. "It's actually them who will decide how definite or indefinite it is."

The decision comes after a planning inspector partially upheld one of two enforcement notices issued to Shiva by Hackney Council, to restrict the use of the Hoxton Docks warehouse where the previous years' structures were installed.

Antepavilion Sharks! by Jamie Shorten
Top: the Potemkin Theatre was the third annual Antepavilion installation. Above: singing shark sculptures took their place in the canal in 2020

Antepavilion structures have been erected at Hoxton Docks every year since 2017, as part of an annual competition that was previously held in association with the Architecture Foundation.

These structures have included the duct-shaped HVAC pavilion, the inflatable AirDraft barge, the rooftop Potemkin Theatre and the singing fibreglass Sharks!

However, the council claims Shiva needs to obtain planning permission before installing any new architectural structures on the roof or decking of the canalside warehouse.

The organisers argue that the site should be treated as a "sculpture park", where temporary structures can be installed without planning permission.

"We would say it's akin to a sculpture park, where something comes in, something goes out, and there's a rotation of works," said Gray.

Council ruling makes it "impossible" to continue hosting Antepavilion

In 2019, Hackney Council issued an enforcement notice to Shiva demanding the removal of four unauthorised architectural structures, including HVAC and Potemkin Theatre.

A second notice, issued in 2020, sought to prevent the building being used as a cinema, bar or art venue, and called for the removal of all artistic works from the site, including AirDraft and Sharks!

Planning inspector Luke Perkins has quashed the second of these enforcement notices and granted retrospective planning permission for the site's change of use.

Intsallation by Maich swift architects
The Potemkin Theatre was one of the structures built on top of the warehouse in Hoxton Docks

However, he has reinstated the initial enforcement in an amended form, stating: "I have no power to direct that future art installations displayed externally do not require permission in their own right".

The organisers believe the ruling makes it impossible for Hoxton Docks to continue to host the Antepavilion, unless the council offers support for the contest.

"We won [our appeal] on the crucial consideration of entitlement to display art, which after 20 years of doing it, Hackney had decided was somehow illegal," Gray told Dezeen.

"It's no surprise they lost on that," he said, "but that's not sufficient to allow the competition to proceed in its current form, without Hackney taking a more cooperative approach."

Upcoming court cases may be called off

Three court cases relating to the dispute are scheduled to take place in February and March, two of which relate to an injunction taken out by Hackney Council against the Sharks! Installation. The Architects' Journal reported that these cases may be called off following the planning inquiry ruling.

A council spokesperson told the Architects' Journal: "This decision is a vindication of the council's overall enforcement approach at Hoxton Docks, with the planning inspector's verdict endorsing our position that the rooftop structures required planning permission and had a harmful impact on both the character and appearance of the conservation area and the amenities of towpath users."

Structures on top of Antepavilion
Tensegrity structures on the roof led to the space being raided

"The outcome also makes clear that performances at the venue should take place indoors and that the use of the building's rooftop should be tightly restricted, and we are now considering what the detail of the verdict means for art installations on the canal itself," the spokesperson added.

The fifth Antepavilion, The Antechamber by Studio Nima Sardar, was unveiled at Hoxton Docks in August 2021. In line with the latest contest requirements, it was designed to be "collapsible and transportable" to allow for easy removal.

"It wouldn't be much good if we selected a winner and put it up and immediately an injunction gets slapped on it," Shiva previously told Dezeen.

The Antechamber was the first Antepavilion installed without the support of the Architectural Foundation, which stopped collaborating on the installations after two years of ongoing legal battles.

Last year also saw the architecture community outraged as footage was revealed of police storming the Antepavilion building. The raid came ahead of the opening of a rooftop installation called All Along the Watchtower, which is similar to installations built by environment protest group Extinction Rebellion to block roads.

Police believed the Antepavilion building was being used by Extinction Rebellion to prepare for protests against media groups that are dismissive of climate change.

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Ten awards and record traffic makes 2021 Dezeen's most successful year ever

Dezeen awards in 2021

Dezeen won a record 10 awards in 2021 while the number of website users grew five per cent, meaning our audience grew for the 15th consecutive year.

Our combined social media audience grew eight per cent to 6.9 million. We hit one million Twitter followers, grew our Instagram following 10 per cent to 3.2 million and more than doubled our LinkedIn audience to 224,000.

The total number of subscribers to our weekly and daily newsletters grew six per cent to 811,000.

The site had a record 35 million users through the year, generating 106 million page views and 62 million sessions.

The 10 awards we won include specialist editor of the year and independent editor of the year categories at the British Society of Magazine Editors awards; best video team at this year's BSME Talent Awards; and the People's Voice prize at the Webby Awards for our Out of the Box collaboration with Samsung.

Dezeen scooped four awards at the Association of Online Publishers' annual awards ceremony, winning Best Small Digital Publisher of the Year; Best Digital Publishing Innovation award for Virtual Design Festival (VDF)' and Best Content Marketing Campaign award for the Samsung project. Our sales team was named Sales Team of the Year.

Our design and environment reporter Jennifer Hahn won the prize for best new journalist at the International Building Press annual journalism awards.

Finally, we were named media brand of the year at the PPA Awards.

The busy year also saw Dezeen become part of Danish media company JP/Politiken Media Group, celebrate our 15th birthday and announce our plans to become carbon neutral.

This year has already begun on a high note with Dezeen being named in the top 50 places to work by The Dots.

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Masquespacio designs cavernous restaurant interior that nods to adobe architecture

Interior of adobe-informed restaurant in Valencia

Local studio Masquespacio added undulating, earthy-toned walls to an intimate Valencia restaurant that takes cues from the "organic forms" of Middle Eastern architecture.

Living Bakkali is located in the Spanish coastal city of Valencia and features bespoke furniture designed entirely by Masquespacio, a design studio known for its use of colour in projects.

Living Bakkali
Living Bakkali's interiors are informed by Middle Eastern architecture

The restaurant is characterised by sloping, sandy-toned microcement walls that pay homage to the decorative motifs often found in Middle Eastern architecture, such as multifoil arches.

Designed in various hues of desert-like browns and pinks, Living Bakkali's curved arches are arranged in intricate formations that create intimate seating areas within the restaurant.

Microcement walls
Masquespacio used microcement to create walls, floors and ceilings

"We used the recognisable brownish colour from the East, although we added slightly different colours to the palette – such as red – but always in a soft way and through earthy tones," Masquespacio co-founder Christophe Penasse told Dezeen.

"Middle Eastern seating is also almost always lower and more loungy than in the western world," he added, referring to the restaurant's low-slung dark crimson sofas and chairs.

Central hall
A central hall intends to evoke the feeling of walking down a street

Guests enter the space at a central hall that is connected to the kitchen, which was designed to create the feeling of exploring a street filled with ancient houses.

"Interiors [in the Middle East] are almost never shown directly from the outside, although you can [often] find windows of arch forms that create a sense of double walls," explained Penasse.

Intimate booth
Intimate booths are framed by the cavernous walls

The restaurant's thick walls are interrupted only by cut-out holes that create small windows between each table, some of which are tucked away in intimate booths. Among the various dining areas is a private room, which is reached through a corridor flanked by gauzy curtains.

Described by the restaurant itself as an "ode to adobe architecture," Living Bakkali takes cues from this natural construction material, as Masquespacio said that the venue's walls were designed to create an adobe effect, which means mud-brick in Spanish.

The studio also designed all of the floors and ceilings in microcement in order to immerse visitors in a wholly cavernous environment that is intended to be reminiscent of traditional Middle Eastern houses.

Penasse said that Masquespacio's design process for Living Bakkali involved the exploration of many aspects of Middle Eastern culture – from architecture and materials to ways of eating through history.

Private dining room by Masquespacio
A private dining room can be reached through a narrow corridor

"We got connected with the organic forms that have been used throughout Middle Eastern architecture, which was made mainly with clay materials by hand," Penasse explained.

"We wanted to bring the [traditional] Arabic aesthetic to the future in a new and more modern way, but still sought to maintain its essence," he said.

Low-slung seating in Masquespacio restaurant
All of the seating was designed to be low-slung

Masquespacio was founded by Penasse and Ana Milena Hernández Palacios in 2010. Similar projects by the studio include Pukkel, a restaurant in Aragon that features winding stucco walls that were informed by the curvature of the nearby Pyrenees mountains.

The photography is by Sebastian Erras.

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