Tuesday 18 January 2022

Grzywinski+Pons combines hotel and co-working in Buckle Street Studios

Co-working mezzanines in Buckle Street Studios by Grzywinski+Pons for Locke hotels

New York-based Grzywinski+Pons has completed a hotel in east London for the Locke group, featuring glass block walls and a mezzanine for co-working.

Buckle Street Studios is a 13-storey building in Aldgate East, featuring 103 rooms, a dedicated co-working space for guests, a coffee shop, meeting rooms and a shop.

Ground floor of Buckle Street Studios by Grzywinski+Pons for Locke hotels
Buckle Street Studios is the latest hotel from the Locke group

Grzywinski+Pons designed the building, the interior and many of the furniture pieces.

The aim was to follow the design-led ethos as Locke's other hotels, many of which were also designed by Grzywinski+Pons.

While the other Locke hotels are planned with long stays in mind, Buckle Street Studios mainly caters to short-stay guests. Co-working is also a key part of the offer, with separate spaces for working and relaxing provided for guests.

Glass blocks at top of Buckle Street Studios by Grzywinski+Pons for Locke hotels
The building features glass-block walls

Design details both inside and outside the building respond to the architectural history of the area.

"Being able to design the exterior and interior simultaneously afforded us a great opportunity to capitalise on architectural advantages we created, and curate a truly integrated experience," said architect Matthew Grzywinski.

Street level facade of Buckle Street Studios by Grzywinski+Pons for Locke hotels
The building has curved corners to match its neighbours

While the exterior is more serious in its aesthetic, combining soft grey brickwork with nickel-coated metal panels, there are some playful touches.

The rounded quoins, cornices and window details of neighbouring buildings are subtly referenced in the hotel's radiused corners, while a section of glass blocks at the very top of the building creates the effect of a lantern.

Illuminated glass blocks at Buckle Street Studios by Grzywinski+Pons for Locke hotels
The aim was to make the structure feel more transparent towards the top

"We employed dramatic but ordered material shifts throughout the building’s strata to define a pediment and crown," said Grzywinski.

"This tiered approach allows the building to become more light and transparent as it rises."

Co-working mezzanines in Buckle Street Studios by Grzywinski+Pons for Locke hotels
A double-heigh height frames the mezzanine co-working floor

More curves can be found inside the building, where a parabolic arch is used to frame the layout of public spaces on the ground floor and the co-working mezzanine above.

True to the Locke brand identity, the interiors combine soft colours and textural materials to create a cosy but contemporary environment, intended to feel welcoming to those wandering in from the street.

In the public ground floor spaces, colourful curtains and joinery details create a living room feel, while tiled flooring and clay plaster offer a more industrial edge.

Rhombic glass vitrines – filled with items for sale –  and curved banquettes echo the curves of the structure.

Arches and vitrines in Buckle Street Studios by Grzywinski+Pons for Locke hotels
Glass vitrines are used for displaying products for sale

"The space, like the contents of the vitrines, lies at the crossroads of art and commerce," said Grzywinski.

"Equal parts gallery, lounge, coffee shop, retail concept and living room, the space beckons to the street," he continued.

"It is our hope that passers-by will feel compelled to come inside to further discern what, exactly, it is, and then feel free to get comfortable and stay a while."

Bedroom in Buckle Street Studios by Grzywinski+Pons for Locke hotels
Rooms are designed for a mix of short-stay and long-stay guests

The rooms include a mix of traditional hotel rooms, micro studios and studio apartments.

The clay plaster walls and wooden floors are contrasted by furnishings and textiles in shades of sage green, grey-blue and pale pink.

Desk and shelves in bedroom of Buckle Street Studios by Grzywinski+Pons for Locke hotels
Shelves and trays create places for displaying objects

Shallow shelves, hanging trays and tiered tables create opportunities for occupants to display their own belongings, to make spaces feel their own.

Rooms are the top of the building benefit from the glass-block walls, while rooms in the corners are shaped by the building's curved corners.

Apartment with glass blocks in Buckle Street Studios by Grzywinski+Pons for Locke hotels
The top-floor apartments benefit from the glass-block walls

"We were able to design this room types to accommodate – even celebrate – those curves," Grzywinski told Dezeen.

"We custom designed most of the furniture, so in those rooms we designed sofas that fit into the corner with a matched radius."

Bathroom in Buckle Street Studios by Grzywinski+Pons for Locke hotels
The colour palette includes shades of sage green, grey-blue and pale pink

Locke's other hotels in London include Leman Locke, which is located across the street from Buckle Street Studios, Locke at Broken Wharf and Bermonds Locke, which was designed emerging studio Holloway Li.

Photography is by Nicholas Worley.

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Dezeen Jobs posted a record 3,600 vacancies in 2021 as the recruitment market booms

People gathered around a table in office setting

Happy new year from Dezeen Jobs! Last year we helped 1,760 companies with their recruitment needs, confirming our position as the world's most vibrant architecture and design jobs board.

The bumper year saw 3,593 positions advertised in 56 countries around the world.

With many companies saying that finding staff is their key challenge at the moment, Dezeen Jobs is an affordable way of reaching relevant potential employees around the world.

We now have over 60,000 registered jobseekers at all experience levels in over 130 countries.

Dezeen Jobs is the leading international marketplace for architecture positions as well as roles in the interior, furniture, industrial, product and graphic design sectors.

We also list roles for sales, support, editorial and academic staff.

Post a single job ad for just £150

It's simple and affordable to post a job ad with us. Click here to select a job ad and upload details of your vacancy, your company logo and a project image.

For single roles, purchase a standard ad for £150 or a featured ad for £300.

Featured ads provide 70 per cent more exposure. They feature at the top of the Dezeen Jobs homepage for one week, receive a free bump up worth £50 and are shared on Dezeen Jobs' Facebook and Twitter social media channels, as well as Dezeen's LinkedIn account.

For multiple roles, you can purchase a discounted package of five standard job ad credits for £500, saving £250, or a package of three featured job ad credits for £1,200, saving £300.

Credits are valid to use for two years so there is no rush to use them all at once. Contact the team for details about bespoke ad packages.

Jobseekers can create free accounts

Jobseekers can create free accounts that allow them to seamlessly find and apply for hundreds of job vacancies posted each month.

View our company profiles directory to learn more about companies before you apply for roles, including their history, location, type of work and notable projects completed.

For daily roundups of positions we've published straight to your inbox, subscribe to the Dezeen Jobs daily newsletter.

The image shows the Talent table by Alegre Design for Actiu.

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Monday 17 January 2022

Blast Studio 3D prints column from mycelium to make "architecture that could feed people"

3D-printed mycelium Tree Column by Blast Studio with curvy silhouette

London practice Blast Studio has developed a method for 3D printing with living mycelium and used it to form a column that could be harvested for mushrooms before serving as a structural building element.

The two-metre-high Tree Column has a ridged, undulating structure reminiscent of a tree trunk.

Its shape was algorithmically designed to enhance the column's structural capacity and provide optimum growing conditions for mycelium, the root system of fungi.

3D-printed mycelium Tree Column by Blast Studio with curvy silhouette
The Tree Column (above) is on display at London's Design Museum (top image)

The column was constructed by mixing mycelium with a feedstock of waste coffee cups collected from around London and feeding it into a custom-made cold extruder, similar to the kind used for 3D printing with clay.

Once printed into shape, the mycelium consumes the pulped paper cups and grows to take over the whole column, producing mushrooms that can be picked off and eaten.

The mycelium root structure is then dried to create a load-bearing architectural element with natural insulating and fire-retardant properties.

Close-up of modules of 3D-printed Tree Column made from mycelium
The column is 3D printed from layers of mycelium

Blast Studio is working to scale up the technology to print a pavilion and in the future, it hopes to construct entire buildings. Co-founder Paola Garnousset said this could effectively allow cities to grow architecture from their own waste while providing food for their inhabitants.

"Our vision is to start a new type of living architecture that could self-repair and be harvested to feed people," she told Dezeen.

"The idea would be to 3D print a living structure in situ, which would be inoculated with different varieties of mushrooms, some with high structural resistance and some delicious ones."

Close-up of reishi mushrooms growing on a column made by Blast Studio
Mushrooms can grow on the surface of the structure

The Tree Column's production process starts with shredding paper coffee cups and boiling them in water to produce a sterilised paper pulp. This is then mixed with the mycelium, as well as any desired natural pigments to add colour.

The resulting biomass paste is pushed through an extruder and 3D-printed, layer by layer, to form 10 separate modules, which are stacked into a column measuring 2.1 metres high and fused together using more mycelium.

Its many folds and crevices were generatively designed to create a structure that could support itself during the additive manufacturing process, as well as supporting the mycelium's growth process by creating sheltered "microclimate pockets" that trap moisture along the length of the column.

Man standing next to a Tree Column 3D-printed from mycelium that towers over him
The column is more than two metres tall

"For the mycelium to grow well, it needs a humid environment away from airflow, like in the undergrowth where it grows naturally," Garnousset explained.

"We were inspired by the shapes of cacti that can successfully grow in the desert by capturing moisture from the wind and creating shade in their folds."

For the first three to four weeks, until the mycelium has grown to encompass the entire column, it needs to be kept inside a contained humid environment similar to a greenhouse.

After that, it is dried at 80 degrees Celcius, effectively killing the organism to stop its growth and solidify the material, which Blast Studio estimates has a similar structural capacity to medium-density fibreboard (MDF).

"The column is very light and good in both compression and flexion thanks to the elasticity of the material," Garnousset said. "In small constructions such as houses and small buildings, concrete could be substituted by mycelium."

Indigo blue mycelium column by Blast Studio
Blast Studio has also created a blue version of the column

If a Tree Column is damaged or no longer needed, it can be recycled and reprinted to form a new architectural element.

But Blast Studio is also looking at creating a self-repairing version of the pillar by drying the mycelium just enough to stop propagation without killing the organism, which would allow it to re-grow over any cracks once exposed to water.

Close-up of 3D-printed layers on mycelium-based Tree Column
This is made by mixing the paper pulp and mycelium with natural indigo pigment

A Tree Column is currently on display as part of the Waste Age exhibition at London's Design Museum and will be used as the first building block for the Tree Pavilion, which the studio is hoping to construct by the end of the year to show that its technology could be applied to a larger architectural scale.

A number of other architects and designers, including Dirk Hebel and New York studio The Living, have also created experimental pavilions using mycelium instead of traditional emissions-intensive structural materials such as concrete and steel.

3D-printed mycelium column by Blast Studio at the Waste Age exhibition in London's Design Museum
The column forms part of the Waste Age exhibition at the Design Museum

This generally involves the mycelium being grown in a mould to form bricks. But Blast Studio's 3D-printing technology is able to create complex shapes without the need for formwork, which are optimised to improve the performance of the building element while reducing its weight and material use.

While these kinds of applications are still nascent, a number of companies are already working to create certified insulation and acoustic panels from mycelium, which can perform better than their plastic equivalents while sequestering carbon during their growth process.

The top photo is by Felix Speller.

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Salone del Mobile confirms move to June for 2022 edition

Salone del Mobile

Milan's Salone del Mobile furniture fair has confirmed that its 60th-anniversary edition will be postponed until 7 to 12 June "to ensure a strong presence of foreign exhibitors and professionals".

The announcement by trade fair Salone del Mobile today corroborates reports last week that stated the fair would be moved from its 5 to 10 April slot, due to the latest Covid-19 wave6.

The 60th edition of Salone del Mobile, the world's largest and most important furniture fair,  will now be held at the Fiera Milano fairground in early June.

June anniversary edition to focus on sustainability

According to the fair, which was cancelled in 2020 and postponed in 2021, the decision to move this year's edition was due to safety concerns related to the coronavirus pandemic.

"The decision to postpone the event will enable exhibitors, visitors, journalists and the entire international furnishing and design community to make the very most of an event that promises to be packed with new things, in total safety," said Salone del Mobile president Maria Porro.

"As well as celebrating a major anniversary, the event will focus on the theme of sustainability, acting as a showcase for the progress made in this regard by creatives, designers and companies."

By moving the fair to the summer, Salone del Mobile hopes to attract more international attendees.

"Moving the event to June will ensure a strong presence of foreign exhibitors and professionals, which has always been one of the Salone's strong points, and it will also give the participating companies time to plan their presence at the fair as thoroughly as possible given that, as we know, the progression from concept to final installation takes months of preparation," Porro said.

"The desire for a Salone is increasingly strong, which is why we are working towards an event that will give everyone an opportunity to enjoy a unique, concrete and exciting experience. We are all really longing for a Salone."

Salone del Mobile latest in line of cancelled or postponed events 

Last year saw the trade show move to September from its traditional April slot, also due to the pandemic.

It was held in a more scaled-down version called Supersalone, and a number of visitors to Milan design week, which runs in tandem with the trade show, told Dezeen the event showed that "less is better."

Several other Milan trade fairs have also moved their dates due to the pandemic, including transport fair Transpotec, eyewear show Mido and travel exhibition Bit.

Globally, design events that have been cancelled or postponed as a result of the ongoing health crisis include Germany's IMM Cologne, France's Maison&Objet and the Stockholm Furniture & Light Fair in Sweden.

We recently published a guide to 25 key design fairs coming up in 2022, including many that feature revised dates due to the pandemic.

Salone del Mobile will take place 7 to 12 June in Milan. See Dezeen Events Guide for up-to-date details of architecture and design events around the world.

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Altea wall light by Astro Lighting

Altea wall light by Astro Lighting

Dezeen Showroom: British brand Astro Lighting has launched the Altea wall light, which has an elongated linear opal glass diffuser that sits elegantly beside a bathroom mirror.

Astro Lighting designed the Altea 360 LED wall light with bathrooms in mind, and it produces an ambient illumination designed to flatter the user's complexion.

Altea wall light by Astro Lighting
The Altea wall light was featured in the DGLN Cottage design by ZROBYM Architects

The light also works in any interior space where a subtle architectural accent is desired and has been used in a number of high-end residential and hospitality projects.

The LED wall light combines opal glass with a polished chrome fitting, and it has a timeless, minimal aesthetic.

Altea wall light by Astro Lighting around a circular bathroom mirror
The light was also featured in the Parfenovskaya bathroom design by Sasha Levina Studio

The product forms an addition to Astro Lighting's Altea collection of wall and ceiling lights.

"Over the years, I continued to sketch and contemplate additions to the Altea family, but it was the advances in LED components that unlocked the potential to create the perfect form for the wall light," said Astro co-founder and design director James Bassant.

Product: Altea 360 LED
Brand: Astro Lighting
Contact: marketing@astrolighting.com

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